Category Archives: MY TAKE ON THINGS

Granados – Quejas, o la maja y el ruiseñor/The Maiden and the Nightingale: make music part of your life series


Johannes Brahms – Serenade No.1 in D-major, Op.11 (1857): make music part of your life series


Johannes Brahms – Serenade No.1 in D-major, Op.11 (1857)

Johannes Brahms

Mov.I: Allegro molto 00:00
Mov.II: Scherzo: Allegro non troppo 10:27
Mov.III: Adagio non troppo 17:55
Mov.IV: Menuetto I & II 33:35
Mov.V: Scherzo: Allegro 37:13
Mov.VI: Rondo: Allegro 39:47

Orchestra: Capella Agustina
Conductor: Andreas Spering

quotation : It is easier to get into the enemy’s toils than out again. Aesop


It is easier to get into the enemy’s toils than out again.

Aesop (620 BC-560 BC) Discuss

F. Mendelssohn-Bartholdy – Suite ‘Ein Sommernachtstraum’ / A Midsummer Night’s Dream Op. 61 (Live): make music part of your life series


from:  thiagoblanco:
F. Mendelssohn-Bartholdy – Suite ‘Ein Sommernachtstraum’ / A Midsummer Night’s Dream Op. 61 (Live)

Suite – “Ein Sommernachtstraum” op. 61 / Suite – A Midsummer Night’s Dream Op. 61 (Live)

- Overture
- Scherzo
- Intermezzo
- Nocturne
- Wedding March

Orchestra: WDR Sinfonieorchester Köln
Conductor: Ton Koopman
Composer: Felix Mendelssohn-Bartholdy (1809 – 1847)

 

 

Emmanuel Chabrier: Le Roi malgré lui – Danse slave [Choeur et scène] (Acte III): make music part of your life series


Emmanuel Chabrier: Le Roi malgré lui – Danse slave [Choeur et scène] (Acte III)

FROM

The “Danse slave” at the beginning of Act III from the comic opera “Le Roi malgré lui” (King in spite of himself) by French composer Emmanuel Chabrier (1841-1894).

The libretto of this opera is a real mess, as it was written by in collaboration by two mediocre playwrights Emile de Najac and Paul Burani, partially revised by the poet Jean Richepin and later by Chabrier himself after Richepin gave up the work, disgusted. Chabrier called the libretto a “a bouillabaisse of Najac and Burani, cooked by Richepin, into which I throw the spices.” A synopsis of this convoluted opera can be found here:
http://en.wikipedia.org/wiki/Le_roi_m…

Nonetheless, the music of “Le roi malgré lui” is truly wonderful. Maurice Ravel wrote that when the opening bars of the Prelude were first played, harmony in French music completely changed course. In this series of videos, I will present selections from the opera. The famous Fête polonaise from the beginning of Act II was already posted on this channel and can be found here:
http://www.youtube.com/watch?v=TbNhug…

You can follow along with a vocal score here:
http://imslp.org/wiki/Le_Roi_malgr%C3…

Minka: Barbara Hendricks
Alexina: Isabel Garcisanz
Henri: Gino Quilico
Comte de Nangis: Peter Jeffes
Conductor: Charles Dutoit
Nouvel Orchestre Philharmonique de Radio France
Chœurs de Radio France

Quotations 101: Henry Miller (tropic of capricorn, tropic of cancer)


“To walk in money through the night crowd, protected by money, lulled by money, dulled by money, the crowd itself a money, the breath money, no least single object anywhere that is not money, money, money everywhere and still not enough, and then no money or a little money or less money or more money, but money, always money, and if you have money or you don’t have money it is the money that counts and money makes money, but what makes money make money?”

“No man is great enough or wise enough for any of us to surrender our destiny to. The only way in which anyone can lead us is to restore to us the belief in our own guidance.”

“Take a good look at me. Now tell me, do you think I’m the sort of fellow who gives a fuck what happens once he’s dead? “

Read more about Henry Miller, here

Chopin Etude Op 25 No.11 HQ – Valentina Lisitsa: great performances


Chopin Etude Op 25 No.11 HQ

 FROM:

Prokofiev – Romeo And Juliet – Juliet As A Young Girl: make music part of your life series


Prokofiev – Romeo And Juliet – Juliet As A Young Girl

 FROM:

today’s Saint, July28, 2014: St. Innocent I


Image of St. Innocent I

St. Innocent I

Innocent was born at Albano, Italy. He became Pope, succeeding Pope St. Anastasius I, on December 22, 401. During Innocent’s pontificate, he emphasized papal supremacy, commending the bishops of Africa for referring the decrees of their councils at Carthage and Millevis in 416, condemning Pelagianism, to the Pope for confirmation. It was his confirmation of these decrees that caused Augustine to make a remark that was to echo through the centuries: “Roma locuta, causa finitas” (Rome has spoken, the matter is ended). Earlier Innocent had stressed to Bishop St. Victrius and the Spanish bishops that matters of great importance were to be referred to Rome for settlement. Innocent strongly favored clerical celibacy and fought the unjust removal of St. John Chrysostom. He vainly sought help from Emperor Honorius at Revenna when the Goths under Alaric captured and sacked Rome. Innocent died in Rome on March 12. His feast day is July 28th.

quotation: Jane Austen


It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively without being at any ball of any description, and no material injury accrue either to body or mind; but when a beginning is made–when the felicities of rapid motion have once been, though slightly, felt–it must be a very heavy set that does not ask for more.

Jane Austen (1775-1817) Discuss

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Time to clean your fridge: According to USA TODAY, YOU mayneedto!


Embedded image permalink

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quotation: Maya Angelou (1928-2014)


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Security Council: The situation in the Middle East, including the Palestinian question


Security Council: The situation in the Middle East, including the Palestinian question

United Nations Webcast- webtv.un.org

United Nations Webcast- webtv.un.org (Click to access)

along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2-framed) my art collection_FotoSketcher


along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2) my art collection

along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2) my art collection

along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2-framed) my art collection_FotoSketcher

along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2-framed) my art collection_FotoSketcher

Marlene Dietrich “Je m’ennuie” 1933


Marlene Dietrich “Je m’ennuie” 1933

LilyMarleneDietrich

Marlene Dietrich (1901-1992) enregistrée le 15 juillet 1933 à Paris.

De ce que fut mon enfance,
Je n’ai plus de souvenirs.
C’est peut-être que la chance
Ne m’offrit pas de plaisirs.
Et chaque jour qui se lève
Ne m’apporte aucun espoir.
Je n’ai même pas de rêve
Quand luit l’etoile du soir.

Moi, je m’ennuie,
C’est dans ma vie
Une manie.
Je n’y peux rien..
Le plaisir passe,
Il me dépasse.
En moi sa trace
Ne laisse rien.
Partout je traîne,
Comme une chaîne,
Ma lourde peine,
Sans autre bien.
C’est dans ma vie
Une manie.
Moi, je m’ennuie…

Par de longs vagabondages,
J’ai voulu griser mon coeur,
Et souvent, sur mon passage,
J’ai vu naître des malheurs.
Sur chaque nouvelle route,
A l’amour j’ai dû mentir ;
Et le soir, lorsque j’écoute
La plainte du vent mourir…

Moi, je m’ennuie…
C’est dans ma vie
Une manie.
Je n’y peux rien..
Le plaisir passe,
Il me dépasse.
En moi sa trace
Ne laisse rien.
Partout je traîne,
Comme une chaîne,
Ma lourde peine,
Sans autre bien.
C’est dans ma vie
Une manie.
Moi, je m’ennuie…

Mozart – Requiem By Herbert von Karajan (Full HD) (Full Concert): great compositions/performances


Mozart – Requiem By Herbert von Karajan (Full HD) (Full Concert)

Wolfgang Amadeus Mozart Herbert von Karajan Full HD 1080p Full Concert Soundtrack Complete Requiem greatest concert memorable The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer’s death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife’s death.
It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. The autograph manuscript shows the finished and orchestrated introit in Mozart’s hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of “Lacrimosa”, and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost “scraps of paper” for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart’s widow Constanze. A modern contribution to the mythology is Peter Shaffer‘s 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.