Category Archives: Uncategorized

Polite elephant crosses multiple farms on her voyage without damaging a single fence…What does this tell you about some humans who aren’t so polite!


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Polite elephant crosses multiple farms on her voyage without damaging a single fence…What does this tell you about some humans who aren’t so polite!

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quotation: Maya Angelou (1928-2014)


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Security Council: The situation in the Middle East, including the Palestinian question


Security Council: The situation in the Middle East, including the Palestinian question

United Nations Webcast- webtv.un.org

United Nations Webcast- webtv.un.org (Click to access)

along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2-framed) my art collection_FotoSketcher


along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2) my art collection

along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2) my art collection

along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2-framed) my art collection_FotoSketcher

along the trail by George-B_FotoSketcher (Painting 8-excessive strokes-2-framed) my art collection_FotoSketcher

Parle moi d’amour Lucienne Boyer and sountrack of Henry and June: make musisc part of your life


Lucienne Boyer – Mon coeur est un violon, 1945: make music part of your life series


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Marlene Dietrich “Je m’ennuie” 1933


Marlene Dietrich “Je m’ennuie” 1933

LilyMarleneDietrich

Marlene Dietrich (1901-1992) enregistrée le 15 juillet 1933 à Paris.

De ce que fut mon enfance,
Je n’ai plus de souvenirs.
C’est peut-être que la chance
Ne m’offrit pas de plaisirs.
Et chaque jour qui se lève
Ne m’apporte aucun espoir.
Je n’ai même pas de rêve
Quand luit l’etoile du soir.

Moi, je m’ennuie,
C’est dans ma vie
Une manie.
Je n’y peux rien..
Le plaisir passe,
Il me dépasse.
En moi sa trace
Ne laisse rien.
Partout je traîne,
Comme une chaîne,
Ma lourde peine,
Sans autre bien.
C’est dans ma vie
Une manie.
Moi, je m’ennuie…

Par de longs vagabondages,
J’ai voulu griser mon coeur,
Et souvent, sur mon passage,
J’ai vu naître des malheurs.
Sur chaque nouvelle route,
A l’amour j’ai dû mentir ;
Et le soir, lorsque j’écoute
La plainte du vent mourir…

Moi, je m’ennuie…
C’est dans ma vie
Une manie.
Je n’y peux rien..
Le plaisir passe,
Il me dépasse.
En moi sa trace
Ne laisse rien.
Partout je traîne,
Comme une chaîne,
Ma lourde peine,
Sans autre bien.
C’est dans ma vie
Une manie.
Moi, je m’ennuie…

Lightning strike injures 13 in Venice Beach


http://www.cnn.com/2014/07/27/us/lightning-strike-venice-beach/

Israel rejects Gaza UN shelter blame


Israel rejects Gaza UN shelter blame http://www.bbc.co.uk/news/world-middle-east-28515293

Israeli PM Benjamin Netanyahu vows Israel will do ‘whatever is necessary’ in fight with Hamas | Fox News


http://www.foxnews.com/world/2014/07/27/israel-resumes-gaza-offensive-after-rocket-attacks/

Mozart – Requiem By Herbert von Karajan (Full HD) (Full Concert): great compositions/performances


Mozart – Requiem By Herbert von Karajan (Full HD) (Full Concert)

Wolfgang Amadeus Mozart Herbert von Karajan Full HD 1080p Full Concert Soundtrack Complete Requiem greatest concert memorable The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer’s death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife’s death.
It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. The autograph manuscript shows the finished and orchestrated introit in Mozart’s hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of “Lacrimosa”, and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost “scraps of paper” for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart’s widow Constanze. A modern contribution to the mythology is Peter Shaffer‘s 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.