Category Archives: YouTube: MUSIC THAT MOVES ME

Music from evreywhere, all kinds,

Granados – Quejas, o la maja y el ruiseñor/The Maiden and the Nightingale: make music part of your life series


Johannes Brahms – Serenade No.1 in D-major, Op.11 (1857): make music part of your life series


Johannes Brahms – Serenade No.1 in D-major, Op.11 (1857)

Johannes Brahms

Mov.I: Allegro molto 00:00
Mov.II: Scherzo: Allegro non troppo 10:27
Mov.III: Adagio non troppo 17:55
Mov.IV: Menuetto I & II 33:35
Mov.V: Scherzo: Allegro 37:13
Mov.VI: Rondo: Allegro 39:47

Orchestra: Capella Agustina
Conductor: Andreas Spering

Mendelssohn Calm Sea and Prosperous Voyage, Opus 27: make music part of your life series


 FROM

FELIX MENDELSSOHN Calm Sea and Prosperous Voyage, Opus 27

The Hanover Band
Conductor: Roy Goodman

F. Mendelssohn-Bartholdy – Suite ‘Ein Sommernachtstraum’ / A Midsummer Night’s Dream Op. 61 (Live): make music part of your life series


from:  thiagoblanco:
F. Mendelssohn-Bartholdy – Suite ‘Ein Sommernachtstraum’ / A Midsummer Night’s Dream Op. 61 (Live)

Suite – “Ein Sommernachtstraum” op. 61 / Suite – A Midsummer Night’s Dream Op. 61 (Live)

- Overture
- Scherzo
- Intermezzo
- Nocturne
- Wedding March

Orchestra: WDR Sinfonieorchester Köln
Conductor: Ton Koopman
Composer: Felix Mendelssohn-Bartholdy (1809 – 1847)

 

 

Saint-Saëns – Violin Sonata No. 1 – Heifetz, Smith: Great compositions/performances


from:  ryan teall:

Saint-Saëns – Violin Sonata No. 1 – Heifetz, Smith

Camille Saint-Saëns, Violin Sonata No. 1, Op. 75 (1885)

I. Allegro agitato
II. Adagio (6:45)
III. Allegro moderato (12:33)
IV. Allegro molto (16:13)

Jascha Heifetz, Brooks Smith

Emmanuel Chabrier: Le Roi malgré lui – Danse slave [Choeur et scène] (Acte III): make music part of your life series


Emmanuel Chabrier: Le Roi malgré lui – Danse slave [Choeur et scène] (Acte III)

FROM

The “Danse slave” at the beginning of Act III from the comic opera “Le Roi malgré lui” (King in spite of himself) by French composer Emmanuel Chabrier (1841-1894).

The libretto of this opera is a real mess, as it was written by in collaboration by two mediocre playwrights Emile de Najac and Paul Burani, partially revised by the poet Jean Richepin and later by Chabrier himself after Richepin gave up the work, disgusted. Chabrier called the libretto a “a bouillabaisse of Najac and Burani, cooked by Richepin, into which I throw the spices.” A synopsis of this convoluted opera can be found here:
http://en.wikipedia.org/wiki/Le_roi_m…

Nonetheless, the music of “Le roi malgré lui” is truly wonderful. Maurice Ravel wrote that when the opening bars of the Prelude were first played, harmony in French music completely changed course. In this series of videos, I will present selections from the opera. The famous Fête polonaise from the beginning of Act II was already posted on this channel and can be found here:
http://www.youtube.com/watch?v=TbNhug…

You can follow along with a vocal score here:
http://imslp.org/wiki/Le_Roi_malgr%C3…

Minka: Barbara Hendricks
Alexina: Isabel Garcisanz
Henri: Gino Quilico
Comte de Nangis: Peter Jeffes
Conductor: Charles Dutoit
Nouvel Orchestre Philharmonique de Radio France
Chœurs de Radio France

Chopin Etude Op 25 No.11 HQ – Valentina Lisitsa: great performances


Chopin Etude Op 25 No.11 HQ

 FROM:

Prokofiev – Romeo And Juliet – Juliet As A Young Girl: make music part of your life series


Prokofiev – Romeo And Juliet – Juliet As A Young Girl

 FROM:

Symphony No. 1 in G Minor, Op. 13 “Winter Dreams” – Pyotr Ilyich Tchaikovsky: make music part of your life series


Symphony No. 1 in G Minor, Op. 13 “Winter Dreams” – Pyotr Ilyich Tchaikovsky

FROM

Parle moi d’amour Lucienne Boyer and sountrack of Henry and June: make musisc part of your life


Lucienne Boyer – Mon coeur est un violon, 1945: make music part of your life series


 from

Marlene Dietrich “Je m’ennuie” 1933


Marlene Dietrich “Je m’ennuie” 1933

LilyMarleneDietrich

Marlene Dietrich (1901-1992) enregistrée le 15 juillet 1933 à Paris.

De ce que fut mon enfance,
Je n’ai plus de souvenirs.
C’est peut-être que la chance
Ne m’offrit pas de plaisirs.
Et chaque jour qui se lève
Ne m’apporte aucun espoir.
Je n’ai même pas de rêve
Quand luit l’etoile du soir.

Moi, je m’ennuie,
C’est dans ma vie
Une manie.
Je n’y peux rien..
Le plaisir passe,
Il me dépasse.
En moi sa trace
Ne laisse rien.
Partout je traîne,
Comme une chaîne,
Ma lourde peine,
Sans autre bien.
C’est dans ma vie
Une manie.
Moi, je m’ennuie…

Par de longs vagabondages,
J’ai voulu griser mon coeur,
Et souvent, sur mon passage,
J’ai vu naître des malheurs.
Sur chaque nouvelle route,
A l’amour j’ai dû mentir ;
Et le soir, lorsque j’écoute
La plainte du vent mourir…

Moi, je m’ennuie…
C’est dans ma vie
Une manie.
Je n’y peux rien..
Le plaisir passe,
Il me dépasse.
En moi sa trace
Ne laisse rien.
Partout je traîne,
Comme une chaîne,
Ma lourde peine,
Sans autre bien.
C’est dans ma vie
Une manie.
Moi, je m’ennuie…

Mozart – Requiem By Herbert von Karajan (Full HD) (Full Concert): great compositions/performances


Mozart – Requiem By Herbert von Karajan (Full HD) (Full Concert)

Wolfgang Amadeus Mozart Herbert von Karajan Full HD 1080p Full Concert Soundtrack Complete Requiem greatest concert memorable The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer’s death on December 5. A completion by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a requiem Mass to commemorate the February 14 anniversary of his wife’s death.
It is one of the most enigmatic pieces of music ever composed, mostly because of the myths and controversies surrounding it, especially around how much of the piece was completed by Mozart before his death. The autograph manuscript shows the finished and orchestrated introit in Mozart’s hand, as well as detailed drafts of the Kyrie and the sequence Dies Irae as far as the first nine bars of “Lacrimosa”, and the offertory. It cannot be shown to what extent Süssmayr may have depended on now lost “scraps of paper” for the remainder; he later claimed the Sanctus and Agnus Dei as his own. Walsegg probably intended to pass the Requiem off as his own composition, as he is known to have done with other works. This plan was frustrated by a public benefit performance for Mozart’s widow Constanze. A modern contribution to the mythology is Peter Shaffer‘s 1979 play Amadeus, in which the mysterious messenger with the commission is the masked Antonio Salieri who intends to claim authorship for himself.
The Requiem is scored for 2 basset horns in F, 2 bassoons, 2 trumpets in D, 3 trombones (alto, tenor & bass), timpani (2 drums), violins, viola and basso continuo (cello, double bass, and organ). The vocal forces include soprano, contralto, tenor, and bass soloists and a SATB mixed choir.