Tag Archives: Orchestra

Fantasia on Hungarian Folk Melodies AKA XIV.Hungarian Rhapsody for Piano & Orchestra S123


Franz Liszt (1811-1886)
Fantasia on Hungarian Folk Melodies
AKA XIV.Hungarian Rhapsody for Piano & Orchestra S123
Oravecz György (piano)
Budapest Symphony Orchestra
Kocsár Balázs (cond.)
Recording Year: 1995

00:00 Andante mesto
01:55 Adagio
02:41 Allegro molto
02:57 Allegro eroico
04:40 Piu animato
05:22 Molto adagio, quasi fantasia
06:09 Moderato.Fest.
07:00 Allegretto a la Zingarese
09:00 Molto animato
09:50 Adagio
10:33 Vivace assai
12:45 Frisch
12:50 Prestissimo

Other recommended live-video with Oravecz György:
Tom & Jerry – The Cat Concerto from Hungary/Budapest, 2012,June 8.
Liszt II. Rhapsody for piano & orchestra
http://www.youtube.com/watch?v=O7rxj0…

Recordings with Oravecz György:
[Oravecz György] Liszt: XIV.Hungarian Rhapsody for Piano Solo
http://www.youtube.com/watch?v=dgOCO-…
[Oravecz György] Liszt: Fantasia on Hungarian Folk Melodies for Piano & Orchestra
http://www.youtube.com/watch?v=FBuuwA…
[Oravecz György] Liszt: Totentanz for Piano Solo
http://www.youtube.com/watch?v=01zFys…
[Oravecz György] Liszt: Totentanz for Piano & Orchestra
http://www.youtube.com/watch?v=w2FPuP…

Johann Strauss II. – Geschichten aus dem Wiener Wald (Walzer, op.325): make music part of your life series


Prokofiev – Piano Concerto No. 1, Op. 10: make music part of your life series


Prokofiev – Piano Concerto No. 1, Op. 10

Schumann – Symphony No 2 in C major, Op 61 – Harding: make music part of your life series


Schumann – Symphony No 2 in C major, Op 61 – Harding

Soyoung Yoon plays at 14th International Wieniawski Violin Competition (Stage 3): make music part of your life series


Soyoung Yoon plays at 14th International Wieniawski Violin Competition (Stage 3)

FROM:

 

Andante For Flute in C Major Mozart, James Galway At Lincoln Center 1980: great compositions/performances


Andante For Flute in C Major Mozart

Shostakovich: Ballet Suite No. 4: make music par of your life series


Shostakovich: Ballet Suite No. 4

The Queer Urban Orchestra, under the direction of Nolan Dresden, performs Dmitri Shostakovich’s Ballet Suite No. 4 at our Mysterium concert, March 20, 2011. The work is in three movements:
I – Introduction and Variations;
II – Waitz; and
III – Scherzo.

Antonín Dvořák – Water Goblin, Op. 107: MAKE MUSIC PART OF YOUR LIFE SERIES


Antonín Dvořák – Water Goblin, Op. 107
FROM:

Aleksandr Glazunov: Symphony no.6 op.58 (Gennadij Rozhdestvenskij, conductor): make music part of your life series


Aleksandr Glazunov: Symphony no.6 op.58 (Gennadij Rozhdestvenskij, conductor)

Parts/Movements

  1. Adagio – Allegro passionato
  2. Tema con varazioni
  3. Intermezzo. Allegretto
  4. Finale. Andante maestoso

Review :

While the Symphony No. 6 in C minor, Op. 58, of 1896 by Alexander Glazunov is not the most personally characteristic of his eight completed symphonies — the optimistic Third or the Olympian Fifth are more typical of his confident symphonic aesthetic — it is arguably the most typically Russian of his symphonies. Part of the reason for this is the scoring — violins in octaves above massed brass at its climaxes à la Tchaikovsky and gorgeously colorful woodwind writing in its central movements — part of it is the themes — ardent and powerful with a yearning quality characteristic of fin de siècle Russian symphonies — but most of it is the furious tone of the opening movement.
******With the darkly unfolding Adagio leading into a Allegro appassionato that balances a passionately despairing first theme with a fervently supplicating second theme, Glazunov’s Sixth sounds like a Russian symphony composed after the death of Tchaikovsky. But the Sixth is more than the work of a symphonic epigone. While the tone of the opening movement sounds typically Russian, its chromatic melodic and cogent harmonic structure makes it sound much more modern than contemporary symphonies by Kalinnikov or even Rachmaninov. Even more modern are the Sixth’s second and fourth movements.
******The second movement is a theme and seven variations that slowly transmutes the tone of the symphony from the fury of the opening movement to one of calm acceptance.
******The brief third-movement Intermezzo that precedes the Finale is lighter in tone than anything else in the symphony.
******The Finale itself is one of Glazunov’s most successful closing movements. With its magisterial Andante maestoso introduction announcing the chorale theme that will ultimately cap the movement, its highly contrasted themes — the first confidently striding in the winds Moderato maestoso, the second a lilting Scherzando theme for the flutes, horns, and strings — the Finale seems at first too episodic to cohere. Glazunov’s superb technical skills, however, form all the Finale’s material into an organic whole and the tone of the Finale — powerfully positive — is altogether Glazunov’s own. ~ James Leonard, Rovi

Read more:
               http://www.answers.com/topic/symphony-no-6-in-c-minor-op-58#ixzz3AkekJ1oA

               http://www.bbc.co.uk/music/artists/5a0988a4-695c-4bff-bc68-4f312427495e.html
              http://www.allmusic.com/composition/symphony-no-6-in-c-minor-op-58-mc0002366895

 

Philadelphia Sinfonia – Astor Piazzolla “Melodia en La Menor”: make music part of your life series



From:     Philadelphia Sinfonia  Philadelphia Sinfonia

Philadelphia Sinfonia – Astor Piazzolla “Melodia en La Menor” 

(for bandoneón & strings)

Philadelphia Sinfonia
(Youth Orchestra)
Gary D. White, Conductor & Music Director
Astor Piazzolla – Melodia en La Menor
(live performance featuring the strings of Philadelphia Sinfonia – 2009)

Philadelphia Sinfonia Association includes 3 orchestras:
Philadelphia Sinfonia – our advanced orchestra (high school & college)
Philadelphia Sinfonia Players – our intermediate orchestra (middle school & high school)
Philadelphia Sinfonia Chamber Orchestra – our strings only chamber orchestra

Our talented and dedicated students come from all over the Delaware Valley to participate in our high-level orchestral training program.

“Educating Musicians. Creating Artists.” – Philadelphia Sinfonia Association

http://www.philadelphiasinfonia.com – website
info@philadelphiasinfonia.com – email

Henrik Chaim Goldschmidt plays “Gabriel’s Oboe” : great compositions/performances


Henrik Chaim Goldschmidt plays “Gabriel’s Oboe

The oboist Henrik Chaim Goldschmidt plays Ennio Morricone’s “Gabriel’s Oboe” with The Faroe Islands Philharmonic Orchestra, 10.01.2009

http://www.singh-goldschmidt.dk

what was that tune again?…Leroy Anderson’S The Typewriter (Voces para La Paz- La Paz Symphony Orchestra): make music part of your life series


Typewriter symphony Orchestra

The Typewriter, by Leroy Anderson

Peter Cornelius(1824-1874) Barbier von Bagdad-Overture: Great performances


Peter Cornelius(1824-1874) Barbier von Bagdad-Overture

English: German conductor Hans Knappertsbusch ...

English: German conductor Hans Knappertsbusch (1888-1965) Deutsch: Hans Knappertsbusch (1888-1965), deutscher Dirigent (Photo credit: Wikipedia)

Conductor: Hans Knappertsbusch
Orchestra: Bavarian State Orchestra
1953,live

“Concerto in G Major for Two Flutes and Orchestra” by Domenico Cimarosa (1749-1801): make music part of your life series


Concerto in G Major for Two Flutes and Orchestra” by Domenico Cimarosa (1749-1801)

 FROM:

Benjamin Britten: Simple Symphony op.4: make music part of your life series


FROM:

Benjamin Britten: Simple Symphony op.4

1. Boisterous Bourree 0:00
2. Playful Pizzicato 3:17
3. Sentimental Saraband 6:45
4. Frolicsome Finale 13:07

Filharmonický orchestr Iwasaki / Iwasaki Philharmonic Orchestra Prague
dirigent: Chuhei Iwasaki

recorded XI.2013 in recording studio HAMU, Prague
Recording director: Kristina Štanclová
Recording engeneer: Jaroslav Pokorný

Gabriel Faure’s Requiem op. 48: make music part of your life series


From James Keige

Gabriel Faure’s Requiem op. 48 

Faure Requiem Op.48 / Durufle Requiem Op.9
Gabriel Fauré (Composer),
Robert Shaw (Conductor),
Atlanta Symphony Orchestra & Chorus (Orchestra), Judith Blegen (Soprano),
James Morris (Baritone)

1. Introït et Kyrie (D minor) 0:00
2. Offertoire (B minor) 6:24
3. Sanctus (E-flat major) 14:36
4. Pie Jesu (B-flat major) 18:07
5. Agnus Dei et Lux Aeterna (F major) 21:48
6. Libera Me (D minor) 27:55
7. In Paradisum (D major) 32:16

(Format: Audio CD)

It’s hot in LA…what can I say: GLAZUNOV: The Seasons – ‘Summer’ – Philharmonia Orchestra – Yevgeny Svetlanov: great compositions/performances


GLAZUNOV: The Seasons – ‘Summer’ – Philharmonia Orchestra – Yevgeny Svetlanov

Alexander Konstantinovich Glazunov (1865-1936 : Russia)

The Seasons (Ballet, Op.67)

Scene III. Summer

Scene Three depicts the height of summer in a wheatfield.
The Spirit of Corn (Kschessinska’s role) dances in the heat of
the day. Naiads carrying blue veils symbolize the coolness of
streams. Satyrs invade the field and attempt to carry off the
spirit of Corn who is protected by Zephyr and the flowers.
From booklet notes

I: Waltz 00:06
II: Barcarole 02:18
III: Variation 05:15
IV: Coda 06:38

Philharmonia Orchestra
Yevgeny Svetlanov, conductor

CDC-7 47847 2
1986 © Angel Records
ADD

Links:
Alexander Konstantinovich Glazunov
http://en.wikipedia.org/wiki/Alexande…
Yevgeny Svetlanov
http://en.wikipedia.org/wiki/Yevgeny_…
Philharmonia Orchestra
http://www.philharmonia.co.uk/
Philharmonia Orchestra Facebook
https://www.facebook.com/philharmonia…
Philharmonia Orchestra YouTube
http://www.youtube.com/user/Philharmo…

Serge Prokofiev: Peter and the Wolf. Vancouver Symphony Orchestra. (make music part of your life series)


http://www.cbcmusic.ca
The Vancouver Symphony Orchestra‘s music director Bramwell Tovey does double duty as conductor and narrator in this delightfully entertaining performance. It’s the final work on a program that introduces listeners young and old to the various instruments and sections of the orchestra. Also featured are popular favourites from Star Wars, the Nutcracker Suite and Pictures at an Exhibition.

make music part of your life series: Maurice Ravel – Ma Mère l’Oye (Mother Goose)


Maurice RavelMa Mère l’Oye (Mother Goose)

A picture by Gustave Doré of Mother Goose read...

A picture by Gustave Doré of Mother Goose reading written (literary) fairy tales (Photo credit: Wikipedia)

The Symphony Orchestra of the Liszt School Of Music, conducted by Prof. Nicolás Pasquet, plays Maurice Ravel’s “Ma Mère l’Oye” (Mother Goose), originally composed as a piano duet for 2 children, later transformed into a solo piano piece, then orchestrated and finally transformed into a ballet. Our Symphony Orchestra plays the Orchestra Version, which consists of 5 parts:

I. Pavane de la belle au bois dormant
Pavane of Sleeping Beauty

II. Petit Poucet
Little Tom Thumb / Hop o’ My Thumb

III. Laideronnette, impératrice des pagodes
Little Ugly Girl, Empress of the Pagodas

IV. Les entretiens de la belle et de la bête
Conversation of Beauty and the Beast

V. Le jardin féerique
The Fairy Garden

The Concert took place at the Neue Weimarhalle on December 8th, 2011

make music part of your life series: Gioacchino Rossini – Silken Ladder Overture


Gioacchino Rossini – Silken Ladder Overture

In this 1978 recording, Claudio Abbado conducts the London Symphony Orchestra. RCA is the official owner of this recording.

Photo: http://pixabay.com/en/marian-column-p…

This recording is no longer available on CD, but you can find alternate recordings of this specific overture on ArkivMusic:
http://www.arkivmusic.com/classical/D…

make music part of your life series: SAMOHI (Philharmonic Orchestra) Procession of the Nobles from “Mlada” Nikolai Rimsky-Korsakov


SAMOHI (Philharmonic Orchestra) Procession of the Nobles from “MladaNikolai Rimsky-Korsakov

make music part of your life series: Antonín Dvořák -Scherzo Capriccioso, Op. 66


Antonín Dvořák:
Scherzo Capriccioso, Op. 6

make music part of your life series - Antonin Dvorak - Scherzo Capriccioso op. 66 Royal Philharmonic Orchestra cond. Paavo Jarvi

make music part of your life series – Antonin Dvorak – Scherzo Capriccioso op. 66 Royal Philharmonic Orchestra cond. Paavo Jarvi

 

Ion Voicu – Felmake music part of your life series: Mendelssohn – Concerto In E minor for Violin and Orchestra, Op. 64


Ion Voicu – Felix Mendelssohn – Concerto In E minor for Violin and Orchestra, Op. 64

 

who’s who: Sayaka Shoji (庄司 紗矢香 Shōji Sayaka), Classical Violonist


Sayaka Shoji

From Wikipedia, the free encyclopedia
 

Sayaka Shoji in Strasbourg, February 2014.

Sayaka Shoji (庄司 紗矢香 Shōji Sayaka?, born 30 January 1983) is a Japanese classical violinist. She is the first Japanese and youngest winner (after Lenuta Ciulei) at the Paganini Competition in Genoa in 1999.

She was born into an artistic family (her mother is a painter, grandmother is a poet) and spent her childhood in Siena, Italy. She studied at Hochschule für Musik Köln under Zakhar Bron and graduated in 2004. Her other teachers have included Sashko Gawrillow, Uto Ughi and Shlomo Mintz.

Zubin Mehta has been her strong supporter. When Shoji auditioned for him in 2000, he immediately changed his schedule in order to make her first recording with the Israel Philharmonic possible in the following month, then invited her to perform with Bavarian State Opera and Los Angeles Philharmonic.

Since then many prominent orchestras have invited Shoji, including the Israel Philharmonic Orchestra, Berlin Philharmonic, London Symphony Orchestra, Baltimore Symphony, St. Petersburg Philharmonic Orchestra, Seoul Philharmonic Orchestra, Orchestra dell’Accademia Nazionale di Santa Cecilia and WDR Symphony Orchestra under the baton of Lorin Maazel, Yuri Temirkanov, Myung-whun Chung and Semyon Bychkov.

Discography

The Israel Philharmonic Orchestra, Conducted by Zubin Mehta
July 2000, Deutsche Grammophon
  • Louvre Recital
Itamar Golan, Piano
September 2001, Deutsche Grammophon
Itamar Golan, Piano
December 2003, Deutsche Grammophon
Orchestre Philharmonique de Radio France, Conducted by Myung-Whun Chung
October 2005, Deutsche Grammophon
  • Beethoven Sonata 2&9
Gianluca Cascioli, Piano
2010 Deutsche Grammophon
  • Bach & Reger Solo Works
2011 Mirare

Sayaka Shoji records with Deutsche Grammophon and performs on the 1729 “Recamier” Stradivarius on loan from Ryuzo Ueno, Honorary Chairman, Ueno Fine Chemicals Industry, Ltd.

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devotional music: Dvorak Psalm 149 op 79 Boston Ozawa


Dvorak Psalm 149 op 79 Boston Ozawa

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make music part of your life series: Beethoven – Symphony No 5 in C minor, Op 67 – Thielemann


Beethoven – Symphony No 5 in C minor, Op 67 – Thielemann

Ludwig van Beethoven
Symphony No 5 in C minor, Op 67

1 Allegro con brio
2 Andante con moto
3 Allegro
4 Allegro

Vienna Philharmonic Orchestra
Christian Thielemann, conductor

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Great Compositions/Performances: O. Respighi Ancient Airs and Dances Suite III. (1932) Dedicated to all my friends who take time to visit and appreciate my posts! Thank You!


O. Respighi Ancient Airs and Dances Suite III. Complete

From Wikipedia, the free encyclopedia
 

Ottorino Respighi (Italian: [ottoˈriːno resˈpiːɡi]; 9 July 1879 – 18 April 1936) was an Italian composer, musicologist and conductor. He is best known for his orchestral music, particularly the three Roman tone poems: Fountains of Rome (Fontane di Roma), Pines of Rome (I pini di Roma), and Roman Festivals (Feste romane). His musicological interest in 16th-, 17th- and 18th-century music led him to compose pieces based on the music of these periods. He also wrote a number of operas, the most famous of which is La fiamma.

Suite No. 1 (1917)

Suite No. 1 was composed in 1917. It was based on Renaissance lute pieces by Simone Molinaro, Vincenzo Galilei (father of Galileo Galilei) and additional anonymous composers.
  1. Balletto, “Il Conte Orlando”
  2. Gagliarda
  3. Villanella
  4. Passo mezzo e mascherada

Suite No. 2 (1923)

Suite No. 2 was composed in 1923. It was based on pieces for lute, archlute, and viol by Fabritio Caroso, Jean-Baptiste Besard, Bernardo Gianoncelli, and an anonymous composer. It also includes an aria attributed to Marin Mersenne.
  1. Laura soave
  2. Danza rustica
  3. Campanae parisienses & Aria
  4. Bergamasc

Suite No. 3 (1932)

Suite No. 3 was composed in 1932. It differs from the previous two suites in that it is arranged for strings only and somewhat melancholy in overall mood. It is based on lute songs by Besard, a piece for baroque guitar by Ludovico Roncalli, and lute pieces by Santino Garsi da Parma and additional anonymous composers.
  1. Italiana (Anonymous: Italiana (Fine sec.XVI) – Andantino)
  2. Arie di corte (Jean-Baptiste Besard: Arie di corte (Sec.XVI) – Andante cantabile – Allegretto – Vivace – Slow with great expression – Allegro vivace – Vivacissimo – Andante cantabile)
  3. Siciliana (Anonymous: Siciliana (Fine sec.XVI) – Andantino)
  4. Passacaglia (Lodovico Roncalli: Passacaglia (1692) – Maestoso – Vivace)
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Make Music Part of Your Life Series: E.Grieg:2 Elegiac Melodies, for string orchestra, Op.34-2 Last Spring


E.Grieg:2 Elegiac Melodies, for string orchestra, Op.34-2 Last Spring

 

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MAKE MUSIC PART OF YOUR LIFE SERIES: Antonín Dvořák – Czech Suite, Op. 39


Antonín DvořákCzech Suite, Op. 39

Janácek Philharmonic Orchestra, Theodore Kuchar

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Great Compositions/Performances: Beethoven Die Geschöpfe des Prometheus Overture Op.43 by Immerseel, Anima Eterna (2009)


Beethoven Die Geschöpfe des Prometheus Overture Op.43 by Immerseel, Anima Eterna (2009)

Ludwig van Beethoven:
Die Geschöpfe des Prometheus Overture Op.43
(The Creatures of Prometheus Overture Op.43)

Anima Eterna
Jos van Immerseel, Conductor

22nd September 2009
Live at Au Concert Nobel, Bruxelles

http://www.youtube.com/user/animaeter…
http://www.youtube.com/watch?v=O7GbYV…
(Beethoven Symphony No.5, Mov.4 by Immerseel, Anima Eterna)

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Make Music Part of Your Life Series: Respighi – The Birds


Respighi – The Birds

Ottorino Respighi

Ottorino Respighi (Photo credit: lorenzog.)

Atlanta Symphony OrchestraLouis Lane conductor
For information and analysis of this work, visit http://muswrite.blogspot.com/2012/03/…
For information and analysis of other works, visit Musical Musings at : http://muswrite.blogspot.com/

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Great Compositions/Performances: Rimsky Korsakov Capriccio Espagnol Op 34 Berliner Phil Dir Zubin Mehta


Rimsky Korsakov Capriccio Espagnol Op 34 Berliner Phil Dir Zubin Mehta

 

Capriccio espagnol, Op. 34, is the common Western title for an orchestral work based on Spanish folk melodies and written by Nikolai Rimsky-Korsakov in 1887. Rimsky-Korsakov originally intended to write the work for a solo violin with orchestra, but later decided that a purely orchestral work would do better justice to the lively melodies. The Russian title is Каприччио на испанские темы (literally, Capriccio on Spanish Themes). The Capriccio consists of five movements and is scored for 2 flutes, piccolo, 2 oboes (one doubling English horn), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, harp and strings.[

Structure

The work has five movements, divided into two parts comprising the first three and the latter two movements respectively..

  1. The first movement, Alborada, is a festive and exciting dance, typically from traditional asturian music to celebrate the rising of the sun. It features the clarinet with two solos, and later features a solo violin with a solo similar to the clarinet’s.
  2. The second movement, Variazioni, begins with a melody in the horn section. Variations of this melody are then repeated by other instruments and sections of the orchestra.
  3. The third movement, Alborada, presents the same asturian dance as the first movement. The two movements are nearly identical, in fact, except that this movement has a different instrumentation and key.
  4. The fourth movement, Scena e canto gitano (“Scene and gypsy song”) opens with five cadenzas — first by the horns and trumpets, then solo violin, flute, clarinet, and harp — played over rolls on various percussion instruments. It is then followed by a dance in triple time leading attacca into the final movement.
  5. The fifth and final movement, Fandango asturiano, is also an energetic dance from the Asturias region of northern Spain. The piece ends with an even more rousing statement of the Alborada theme.

A complete performance of the Capriccio takes around 16 minutes

Use in film

  • Capriccio Espagnol, Op.34 is played during the opening credits and as the Spanish Carnaval background music during Josef von Sternberg‘s film The Devil Is a Woman (1935), credited on screen as ‘Music based on Rimsky-Korsakoff’s “Spanish Caprice” and Old Spanish Melodies’.
  • Excerpts were heard in the fictional 1947 biopic of Rimsky-Korsakov, Song of Scheherazade.
  • A recording by “Philharmonia Slavonica” featured in the film Brokeback Mountain (2006). The “Philharmonia Slavonica” is pseudonymous group that appears on a number of recordings of the bargain-record producer Alfred Scholz. The performances attributed to them are often by the Austrian Radio (ORF) Orchestra.
  • A recording by the Moscow Radio Symphony in the film Women on the Verge of a Nervous Breakdown (1988)

 

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GREAT COMPOSITIONS/PERFORMANCES: Berliner Philharmoniker – Edward Elgar Salut d’amour op. 12 2010


Berliner Philharmoniker – Edward Elgar Salut d’amour op. 12 2010

Berliner Philharmoniker – Edward Elgar Salut d’amour op. 12 2010

von der Berliner Waldbühne, Dirigent Ion Marin

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Make Music Part of Your Life Series: Camille Saint-Saëns – Danse Macabre



Danse Macabre (first performed in 1875) is the name of opus 40 by French composer Camille Saint-Saëns.

The composition is based upon a poem by Henri Cazalis, on an old French superstition: Zig, zig, zig, Death in a cadence, Striking with his heel a tomb, Death at midnight plays a dance-tune, Zig, zig, zig, on his violin. The winter wind blows and the night is dark; Moans are heard in the linden trees. Through the gloom, white skeletons pass, Running and leaping in their shrouds. Zig, zig, zig, each one is frisking, The bones of the dancers are heard to crack— But hist! of a sudden they quit the round, They push forward, they fly; the cock has crowed.

According to the ancient superstition, “Death” appears at midnight every year on Halloween. Death has the power to call forth the dead from their graves to dance for him while he plays his fiddle (represented by a solo violin with its E-string tuned to an E-flat in an example of scordatura tuning). His skeletons dance for him until the first break of dawn, when they must return to their graves until the next year.

The piece opens with a harp playing a single note, D, twelve times to signify the clock striking midnight, accompanied by soft chords from the string section. This then leads to the eerie E flat and A chords (also known as a tritone or the “Devil’s chord“) played by a solo violin, representing death on his fiddle. After which the main theme is heard on a solo flute and is followed by a descending scale on the solo violin. The rest of the orchestra, particularly the lower instruments of the string section, then joins in on the descending scale. The main theme and the scale is then heard throughout the various sections of the orchestra until it breaks to the solo violin and the harp playing the scale. The piece becomes more energetic and climaxes at this point; the full orchestra playing with strong dynamics.Towards the end of the piece, there is another violin solo, now modulating, which is then joined by the rest of the orchestra. The final section, a pianissimo, represents the dawn breaking and the skeletons returning to their graves.

The piece makes particular use of the xylophone in a particular theme to imitate the sounds of rattling bones. Saint-Saëns uses a similar motif in the Fossils part of his Carnival of the Animals.
[from Wikipedia]

Artwork:Remedios Varo,”Les Feuilles Mortes”.
Played by:National Philharmonic Orchestra,
conductor:Leopold Stokowski.

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Dmitry Shostakovich, Festive Overture, Op. 96 (arr. for wind ensemble)



Dmitry Shostakovich
President’s Own United States Marine Band, The, President’s Own United States Marine Band, The
Festive Overture, Op. 96 (arr. for wind ensemble)
President’s Own United States Marine Band: The Bicentennial Collection
75442261012
http://www.classicsonline.com/catalog…
http://www.naxoslicensing.com/

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MAKE MUSIC PART OF YOUR LIFE SERIES: Georges Bizet – Petite suite d’orchestre. Jeux d’enfants


Georges Bizet – Petite suite d’orchestre. Jeux d’enfants

La Folle Journée de Varsovie 2013, Szalone Dni Muzyki w Warszawie,
The Grand Theatre in Warsaw, Poland, September 28
Symphony Orchestra of the Tadeusz Szeligowski Music School in Lublin, Poland
Iwona Borcuch – conductor

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Make Music Part of Your Life Series: Frederick Delius – Florida Suite



Lloyd-Jones, David. English Northern Philharmonia
Evans, Irene; Francis, Sarah; Glanville, Susannah; Lees, Susan; Pearce, Sue; Thomas, Shirley
Frederick Delius – Florida Suite
1. Daybreak – Dance 00:11:43
2. By the River 00:07:09
3. Sunset – Near the Plantation 00:10:10
4. At Night 00:08:09

 

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GREAT COMPOSITIONS/PERFORMANCES: Beethoven: Symphony No.8 – Jarvi, DKB



Beethoven: Symphony No.8 in F, Op.93
Deutsche Kammerphilharmonie Bremen
Paavo Jarvi, dir.

0:01 I. Allegro vivace e con brio
9:05 II. Allegro scherzando
12:57 III. Tempo di Menuetto
17:36 IV. Allegro vivace

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DAVORIN DOLINŠEK and POPV perform LEROY ANDERSON: PIANO CONCERTO IN C (Slovenian premiere!)



Concert of POPV – Symphonic Wind Orchestra of Premogovnik Velenje, 8.12.2012
Conductor: Matjaž Emeršič
Soloist: Davorin Dolinšek

Leroy Anderson: Concert for Piano and Orchestra in C major
Allegro Moderato [Cadenza I: at 7'39'']
Andante-Allegretto (starts at 8’35”)
Allegro Vivo (starts at 14’16”) [Cadenza II: at 18'40'']

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Make Music Part of Your Life Series: Carl Maria von Weber – Symphony No. 1 in C major, J. 50



John Georgiadis. Queensland Orchestra
Carl Maria von WeberSymphony No. 1 in C major, J. 50
I. Allegro con Fuoco 00:07:56
II. Andante 00:06:20
III. Scherzo and Trio 00:04:06
IV. Finale: Presto 00:06:47

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Great Compositions/Performances: Richard Wagner – Siegfried Idyll (Conductor: Sergiu Celibidache & Münchner Philharmoniker)



Great Compositions/Performances:  Richard WagnerSiegfried Idyll
Conductor: Sergiu Celibidache & Münchner Philharmoniker

Apart from the operas, Wagner composed a small number of pieces; this stems from his reluctance to conceive music which didn’t belong to the sacredness of the drama, fundamental expression of his thought.
The “Siegfried Idyll” is a symphonic poem for chamber orchestra, composed by Richard Wagner (1813-1883) as a birthday present to his second wife, Cosima, after the birth of their son Siegfried in 1869. It was first performed on Christmas morning, 25 December 1870, by a small ensemble on the stairs of their villa at Tribschen.
Wagner’s opera “Siegfried”, which was premiered in 1876, incorporates music from the Idyll. It was once thought that the Idyll borrowed musical ideas intended for the opera, but it is now known that the opposite is the case: Wagner adapted melodic material from an unfinished chamber piece in the Idyll and later incorporated it into the love scene between Siegfried and Brunhilde in the opera.

 

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Great Compositions/Performances: Ottorino Respighi Ancient Airs and Dances, Suite I. Complete



Great Compositions/Performances:  
Ottorino Respighi Ancient Airs and Dances, Suite I. 
Boston Symphony Orchestra, Seiji Ozawa Conducting

 

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Make Music Part of Your Life Series: Antonín Dvořák – Czech Suite in D major, B. 93, Op. 39 – II. Polka



Polish National Radio Symphony Orchestra (Katowice), Antoni Wit. Paint, A Village In Winter by Adrianus Eversen

 

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Make Music Part of Your Life Series: Max Bruch – Cancona für Violoncello und Orchester op. 55



Max Bruch (1838-1920) – Cancona für Violoncello und Orchester B-Dur op. 55

Julius Berger – Violoncello
Nationales Rundfunk-Sinfonieorchester Polen
Antoni Wit – Dirigent

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Make Music Part of Your Life: P. I. Tchaikovsky – Symphony No. 3 in D major, Op. 29 (Fedoseyev)



Pyotr Ilyich TchaikovskySymphony No. 3 ["Polish"] in D major, Op. 29 (1875)
1. Introduzione e Allegro
2. Alla tedesca. Allegro moderato e semplice
3. Andante elegiaco
4. Scherzo. Allegro vivo
5. Finale. Allegro con fuoco

Moskow Radio Symphony Orchestra
Conductor – Vladimir Fedoseyev
Recorded live at the Alte Oper Frankfurt, 1991

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Make Music Part of Your Life Series: Handel Concerto Grosso No.5 Op.6 in D major HWV 323, SCO



Handel Concerto Grosso No.5 Op.6 in D major HWV 323, Complete
http://www.facebook.com/groups/133188…

1. Maestoso
2. Allegro
3. Presto
4. Largo
5. Allegro
6. Menuet. Un poco larghetto

Bohdan Warchal 1st violin
Peter Hamar 2nd violin
Juraj Alexander Violoncello

Slovak Chamber Orchestra
Bohdan Warchal Conductor

Slovak Chamber Orchestra
Established in 1960 by Professor Bohdan Warchal, the Slovak Chamber Orchestra has since developed into one of the most popular ensembles in the field of Slovak classical music, and one of the principal interpreters of Slovak art music abroad. Over the years the Slovak Chamber Orchestra has introduced itself on the most important concert stages and music festivals in Europe, North and South America, Asia and Australia. It has co-operated with many prominent world-renowned soloists, and inspired the work of several Slovak composers, resulting in premiere performances of their new compositions. The ensemble has recorded more than 100 music titles originating in different periods, for domestic as well as foreign record companies.

Bohdan Warchal
(27 January 1930, Orlová, Czechoslovakia 30 December 2000, Bratislava, Slovakia) was a Slovak violinist, a member of the Slovak Philharmonic Orchestra and founder, chief conductor and soloist of the Slovak Chamber Orchestra.

* 19571964 – concertmaster of the Slovak Philharmonic Orchestra
* 1964 – artistic leader of the Slovak Chamber Orchestra
* 19591963 – external pedagogue at the State Conservatory Bratislava
* 1980 – pedagogue at the Academy of Performing Arts in Bratislava
* 1995 – moved from the Slovak Philharmonic Orchestra to the Prague Chamber Orchestra
* 1997 – became the leader of the Slovak Chamber Orchestra again
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Corigliano: Suite from “The Red Violin” / Rachlevsky • Chamber Orchestra Kremlin



Corigliano: Suite from “The Red Violin” / Misha Rachlevsky • Chamber Orchestra Kremlin

Recorded at the Chamber Hall of the Moscow International House of Music, with Mr. Corigliano in the audience, March 2003. Russian premiere. With author’s permission, Misha Rachlevsky amended the Suite with other episodes from the film’s score, giving every violinist of the orchestra a chance to shine.

Our website: http://KremlinOnTour.com/

 

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Vincent D’indy Symphony on a French mountain air for piano and orchestra



Pnina Salzman and the Jerusalem Symphony Orchestra/ Mendi Rodan, conductor. See also her Facebook page:
https://www.facebook.com/pages/Pnina-…

From Wikipedia, the free encyclopedia
 
For the asteroid named after the composer, see 11530 d’Indy.

Vincent d’Indy, ca. 1895

Vincent d’Indy (French pronunciation: ​[vɛ̃ˈsɑ̃ dɛ̃ˈdi]) (27 March 1851 – 2 December 1931) was a French composer and teacher.

Life

Paul Marie Théodore Vincent d’Indy was born in Paris into an aristocratic family of royalist and Catholic persuasion. He had piano lessons from an early age from his paternal grandmother, who passed him on to Antoine François Marmontel and Louis Diémer.[1] From the age of 14 he studied harmony with Albert Lavignac. At age 19, during the Franco-Prussian War, he enlisted in the National Guard, but returned to musical life as soon as the hostilities were over. The first of his works he heard performed was a Symphonie italienne, at an orchestral rehearsal under Jules Pasdeloup; the work was admired by Georges Bizet and Jules Massenet, with whom he had already become acquainted.[1] On the advice of Henri Duparc, he became a devoted student of César Franck at the Conservatoire de Paris. As a follower of Franck, d’Indy came to admire what he considered the standards of German symphonism.

From Wikipedia, the free encyclopedia 

Pnina Salzman (Hebrew: פנינה זלצמן) (February 24, 1922, Tel AvivMandate Palestine – December 16, 2006, Tel Aviv, Israel) was an Israeli classical pianist and piano pedagogue.

Salzman showed an early aptitude for the piano, and gave her first recital at the age of eight. The French pianist and teacher, Alfred Cortot, heard her play in 1932 while she was a student at Shulamit Conservatory and invited her to Paris to study. She graduated at the Ecole Normale de Musique then became a pupil of Magda Tagliaferroat the Conservatoire de Paris, where she was to win the Premier Prix de Piano in 1938, aged 16.

It was through the violinist Bronislaw Huberman that she first developed a lifelong association with the Israel Philharmonic Orchestra, which Huberman had founded.

In 1963 she became the first Israeli to be invited to play in the USSR and in 1994, the first Israeli pianist invited to play in China. Besides performing as a soloist, she was a member of the Israel Piano Quartet.

She was a Professor and the head of the piano department at Tel Aviv University and served on the jury of many piano competitions, including the Arthur Rubinstein,Vladimir Horowitz and Marguerite Long competitions. She taught piano to many students, including Dror ElimelechNimrod David PfefferElisha AbasIddo Bar-Shai andYossi Reshef.

Buy “Symphony on a French Mountain Air for Piano and Orchestra in G Major, Op. 25: II. Assez modéré, mais sans lenteur” on

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    Pnina Salzman

 

 

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Make Music Part of Your Life Series: Emil Gilels – Mozart – Piano Concerto No 27 in B flat major, K 595 – Ovchinnikov




*****Wolfgang Amadeus Mozart

*****Piano Concerto No 27 in B flat major, K 595

*****Emil Gilels, piano
*****USSR State Symphony Orchestra
*****Vyacheslav Ovchinnikov, conductor

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Make Music Part of Your Life Series: The Berlin Celebration Concert – Beethoven, Symphony No 9 Bernstein 1989



Make Music Part of Your Life Series: The Berlin Celebration Concert – Beethoven, Symphony No 9 Bernstein 1989

Published on Mar 30, 2013

Conducted by Leonard Bernstein, THE BERLIN CELEBRATION CONCERT is an historic performance marking the fall of the Berlin Wall. Performed on Christmas Day 1989 in the former East Berlin, the concert unites an international cast of celebrated musicians and vocalists for a moving performance of Beethoven’s Ninth Symphony.

Symphonieorchester des Bayerisches Rundfunks and members of Staatskapelle Dresden, Orchestra of the Leningrad Kirov Theatre, London Symphony Orchestra, New York Philharmonic and Orchestre de Paris.

 

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