Tag Archives: Wolfgang Amadeus Mozart

make music part of your life series: Mozart – Symphony No. 35 in D, K. 385, “Haffner”


Mozart – Symphony No. 35 in D, K. 385,  “Haffner”

Symphony No. 35 in D major, K. 385, was composed by Wolfgang Amadeus Mozart in 1782 and is also called the Haffner Symphony. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of Sigmund Haffner’s ennoblement. The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776. The symphony is scored for 2 flutes, 2 oboes, 2 clarinets in A, 2 bassoons, 2 horns in D and G, 2 trumpets in D, timpani, and strings. Mozart’s choice of key for the Haffner Symphony is an aspect that catches one’s attention. According to Cuyler, “the key of D major, which was so felicitous for the winds, served Mozart more often than any other key, even C, for his symphonies,” including the Paris (No. 31) and Prague (No. 38) symphonies. The key is also indicative of the work’s serenade origins as all of Mozart’s orchestral serenades are scored in D major. Hence, it is not surprising that the Haffner Symphony was written in the key of D major. The symphony is in four movements:
1. Allegro con spirito, 4/4
2. Andante, 2/4
3. Menuetto, 3/4
4. Presto, 2/2.
The Haffner Symphony usually runs somewhere around 20 minutes in length. A recording by George Szell with the Cleveland Orchestra (Sony SBK 46333) runs 19.11; one by Iona Brown with the Academy of St. Martin in the Fields (Haenssler CD 94.003) is 21.09; and one by Sir Neville Marriner also with the same ensemble (Philips 420 486-2) runs 21.34.
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

make music part of your life series: Mozart: Trio for Clarinet, Viola and Piano, K.498 – Portal, Pasquier, Pennetier


Mozart: Trio for Clarinet, Viola and Piano, K.498 – Portal, Pasquier, Pennetier

Wolfgang Amadeus Mozart (1756-1791): Trio for Clarinet, Viola and Piano in E-flat major, “Kegelstatt”, K. 498 (1786)
Trio pour clarinette, alto et piano en Mi bémol majeur:
I     Andante;
II   Menuetto;
III Rondo: Allegretto

Portal: clarinet / clarinette
Pasquier: viola / alto
Pennetier: piano

 

make music part of your life series: Mozart – Missa Brevis in C, K. 259 [complete] (Organ Solo Mass)


Mozart – Missa Brevis in C, K. 259 [complete] (Organ Solo Mass)

Wolfgang Amadeus Mozart (1756-1791).
Composed December 1775/1776 in Salzburg.

From Wikipedia, the free encyclopedia

The Missa Brevis No. 8 in C major, K. 259, is a mass composed by Wolfgang Amadeus Mozart, probably in 1776.[1] It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo.

Although classed as a missa brevis (brief mass), the inclusion of trumpets in the scoring makes it a missa brevis et solemnis.[1][2] The mass derives its nickname Orgelmesse or Orgelsolomesse (Organ Solo Mass) from the obbligato organ solo entry of the Benedictus.[1][3] This is one of three masses Mozart composed in November and December 1776, all set in C major, including the Credo Mass (K. 257) and the Piccolominimesse (K. 258).[4]

The work consists of six movements. Performances require approximately 10–15 minutes.

  1. “Kyrie” Andante, C major, common time
  2. “Gloria” Allegro, C major, 3/4
  3. “Credo” Allegro, C major, common time
  4. Sanctus” Adagio maestoso, C major, 3/4
    “Pleni sunt coeli et terra…” Allegro, C major, cut common time
  5. “Benedictus” Allegro vivace, G major, 3/4
    “Hosanna in excelsis…” Allegro, C major, 3/4
  6. Agnus Dei” Adagio, C major, common time
    Dona nobis pacem…” Allegro, C major, 3/4

FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki

make music part of your life series: W. A. Mozart – KV 276 (321b) – Regina coeli in C major


W. A. Mozart – KV 276 (321b) – Regina coeli in C major

Composed in Salzburg in 1779.

Performers: Arnold Schoenberg Chor; Concentus Musicus, conducted by Nikolaus Harnoncourt.
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List of compositions by Wolfgang Amadeus Mozart

From Wikipedia, the free encyclopedia

This is a selective list of the works of Wolfgang Amadeus Mozart, listed by genre. The Köchel catalogue contains a complete, chronologically ordered, list.

Wolfgang Amadeus Mozart was a prolific composer and wrote in many genres. Perhaps his best-admired work is in opera, the piano concerto and sonata, the symphony, and in the string quartet and string quintet. Mozart also wrote much work for solo piano, other forms of chamber music, masses and other religious music, and numerous dances, divertimentos, and other forms of light entertainment.

 

great compositions/performances: Mozart Concerto D Minor K466 Freiburger Mozart-Orchester, Michael Erren,Valentina Lisitsa


Mozart Concerto D Minor K466 Freiburger Mozart-Orchester, Michael Erren,Valentina Lisitsa

Filmed live May 20, 2012, Freiburg im Breisgau ,Germany
Cadenzas by Mozart’s favorite student – and billiards pal, Jan Nepomuk Hummel :-)

From Wikipedia, the free encyclopedia
 

Neuer Markt in Vienna with Capuchin Church and Haus zur Mehlgrube on the right, painting by Bernardo Bellotto, 1760

The Piano Concerto No. 20 in D minor, K. 466, was written by Wolfgang Amadeus Mozart in 1785. The first performance took place at the Mehlgrube Casino in Vienna on February 11, 1785, with the composer as the soloist.[1]

Movements

The concerto is scored for solo piano, flute, two oboes, two bassoons, two horns, two trumpets, timpani and strings. As is typical with concertos, it is in three movements:

  1. Allegro
  2. Romanze
  3. Allegro assai

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make music part of your life series: SAMOHI (Philharmonic Orchestra) Procession of the Nobles from “Mlada” Nikolai Rimsky-Korsakov


SAMOHI (Philharmonic Orchestra) Procession of the Nobles from “MladaNikolai Rimsky-Korsakov

make music part of your life series: Ludwig van Beethoven – Piano Concerto No.3 in C minor – Op. 37


The Piano Concerto No. 3 in C minor, Op. 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. The year for which the concerto was composed (1800) has however been questioned by contemporary musicologists. It was published in 1804. During that same performance, the Second Symphony and the oratorio Christ on the Mount of Olives were also premiered. The composition was dedicated to Prince Louis Ferdinand of Prussia.

Movements:

I. Allegro con brio 00:00
II. Largo 15:54
III. Rondo. Allegro 25:31

The first primary theme is reminiscent of that of Mozart‘s 24th Piano Concerto.
The concerto is scored for 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 2 horns in E-flat, 2 trumpets in C, timpani, strings and piano soloist.

make music part of your life series: Mozart – Violin Sonata No. 27 in G, K. 379


Mozart – Violin Sonata No. 27

in G, K. 379

Wolfgang Amadeus Mozart (1756-1791).
Composed April 1781, in Vienna.
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/
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make music part of your life series: Janacek – Idyll for Strings


Janacek – Idyll for Strings

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make music part of your life series: Wolfgang Amadeus Mozart: Magic Flute ~ Papageno’s Aria


Wolfgang Amadeus Mozart: Magic Flute ~ Papageno’s Aria

Wolfgang Amadeus Mozart: Die Zauberflöte, K. 620 – Act 2, Aria: “Ein Mädchen Oder Weibchen” ~ “A Maiden Or A Little Wife” Aria.

Ein Mädchen oder Weibchen
A girl or a little wife

Wünscht Papageno sich
Wishes Papageno

O so ein sanftes Täubchen
O, such a soft little dove

Wär Seligkeit für mich.
Would be bliss for me.

Dann schmeckte mir Trinken und Essen;
Then drink and food would taste good to me;
Dann könnte’ ich

Then I could
mit Fuersten mich messen,
Measure myself with princes,

Des Lebens als Weiser mich freun,
Enjoy life as a wiseman,

und wie im Elysium sein.
And feel like I’m in Elysium.

Ach, kann ich denn keiner von allen
Ah, can I not please any of all

den reizenden Mädchen gefallen?
Those charming girls?

Helf’ eine mir nur aus der Not,
If only someone would help me out in this need,

Sonst gräm¹ ich mich wahrlich zu Tod.
Otherwise I will worry myself to death.

Wird keiner mir Liebe gewähren,
If no one will grant me love,

So muss mich die Flamme verzehren;
Then the flame must consume me;

Doch küsst mich ein weiblicher Mund,
Still, if a feminine mouth kisses me,

so bin ich schon wieder gesund.
Then I will be immediately well again!

Performed by Michael Kraus, Georg Solti; Vienna Philharmonic Orchestra, Vienna State Opera Chorus.

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MAKE MUSIC PART OF YOUR LIFE SERIES: Mozart – Violin Concerto No. 4 in D, K. 218


Mozart – Violin Concerto No. 4 in D, K. 218

Violin Concerto No. 4 in D major K. 218 was composed by Wolfgang Amadeus Mozart in 1775 in Salzburg. The autograph of the score is preserved in Biblioteka Jagiellońska, Kraków. The concerto has the usual fast-slow-fast structure and lasts around 23 minutes. The movements are:
1. Allegro
2. Andante cantabile
and 3. Rondeau (Andante grazioso – Allegro ma non troppo).
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/
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NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.

Make Music Part of Your Life Series: Danzi – Variations on a Theme from Mozart’s “Don Giovanni”


Danzi – Variations on a Theme from Mozart‘s “Don Giovanni

Variations on ‘La ci darem la mano’ from Mozart’s opera Don Giovanni, for Cello & Orchestra, by Franz Danzi (1763-1826). Raphael Wallfisch is the soloist, with the Northern Chamber Orchestra conducted by Nicholas Ward.

Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

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MAKE MUSIC PART OF YOUR LIFE SERIES: Gioachino Rossini – Sonata No. 1 for Strings in G major


Gioachino Rossini – Sonata No. 1 for Strings in G major

Andras Kiss, violin. Budapest Rossini Ensemble.
Gioachino Rossini – Sonata No. 1 for Strings in G major
I. Moderato 00:08:15
II. Andantino 00:04:42
III. Allegro 00:02:29

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MAKE MUSIC PART OF YOUR LIFE SERIES: Chopin – Variations on “Là ci darem la mano” from Mozart’s Don Giovanni


ChopinVariations on “Là ci darem la mano” from Mozart‘s Don Giovanni

Frédéric Chopin’s Variations on “Là ci darem la mano” for piano and orchestra, Op. 2, was written in 1827, when he was aged only 17. “Là ci darem la mano” is a duet sung by Don Giovanni and Zerlina, from Mozart’s opera Don Giovanni. It was one of the earliest manifestations of Chopin’s incipient genius. It inspired Robert Schumann‘s famous exclamation, Hats off, gentlemen! A genius!

The work was premiered on 11 August 1829 at the Vienna Kärntnertortheater, with Chopin as the soloist. It received very positive audience and critical acclaim.

The work is in B-flat major throughout, except for the Adagio of Variation 5, which is in the minor key.

- Introduction: Largo – Poco piu mosso 0:00
- Thema: Allegretto 5:20
- Variation 1: Brillante 6:53
- Variation 2: Veloce, ma accuratamente 7:52
- Variation 3: Sempre sostenuto 8:54
- Variation 4: Con bravura 10:20
- Variation 5: Alla Polacca 11:24

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Make Music Part of Your Life Series: Juan Crisostomo Arriaga – Symphony in D Major


Juan Arriaga – Symphony in D Major
00:00 I. Adagio – Allegro vivace
09:00 II. Andante
18:23 III. Minuetto
23:02 IV. Allegro con moto

From Wikipedia, the free encyclopedia
 
Juan Crisóstomo Jacobo Antonio de Arriaga y Balzola
Juan de Arriaga.jpg

Juan Crisóstomo Arriaga
Born January 27, 1806
Bilbao, Spain
Died January 17, 1826 (aged 19)
Paris, France
Occupation Composer
Parents Juan Simón de Arriaga

Juan Crisóstomo Jacobo Antonio de Arriaga y Balzola (January 27, 1806 – January 17, 1826) was a Spanish composer. He was nicknamed “the Spanish Mozart” after he died, because, like Wolfgang Amadeus Mozart, he was both a child prodigy and an accomplished composer who died young. They also shared the same first and second baptismal names; and they shared the same birthday, January 27 (fifty years apart).

 

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Make Music Part of Your Life Series: Mozart: Symphony No.29 – André Previn Wiener Philharmoniker(2000Live)


Mozart: Symphony No.29André Previn Wiener Philharmoniker (2000Live)

Wolfgang Amadeus Mozart (1756-1791)
Symphony No.29 in A major, K.201
André Previn
Wiener Philharmoniker
Festspielhaus, Salzburg, 28 1/2000

The Symphony No. 29 in A major, K. 201/186a, was completed by Wolfgang Amadeus Mozart on 6 April 1774.[1] It is, along with Symphony No. 25, one of his better known early symphonies. Stanley Sadie characterizes it as “a landmark … personal in tone, indeed perhaps more individual in its combination of an intimate, chamber music style with a still fiery and impulsive manner.”[2]

Structure

The symphony is scored for 2 oboes, 2 horns and strings, as was typical of early-period Mozart symphonies.

There are four movements:

  1. Allegro moderato, 2/2
  2. Andante, 2/4
  3. Menuetto: Allegretto – Trio, 3/4
  4. Allegro con spirito, 6/8

The first movement is in sonata form, with a graceful principal theme characterized by an octave drop and ambitious horn passages. The second movement is scored for muted strings with limited use of the winds, and is also in sonata form. The third movement, a minuet, is characterized by nervous dotted rhythms and staccato phrases; the trio provides a more graceful contrast. The energetic last movement, another sonata-form movement in 6/8 time, connects back to the first movement with its octave drop in the main theme.

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Great Compositions/Performances: W. A. Mozart – Symphony No. 41 “Jupiter” in C major, K. 551 (1788)


W. A. MozartSymphony No. 41 “Jupiter” in C major, K. 551 (1788):
1. Allegro vivace, 4/4
2. Andante cantabile, 3/4 in F major
3. Menuetto: Allegretto – Trio, 3/4
4. Molto allegro, 2/2

The Chamber Orchestra of Europe
Conductor – Nicolaus Harnoncourt
Grosser Musikvereinsaal Wien

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Make Music Part of Your Life Series: Mozart: Overture – ‘Lucio Silla’


Wolfgang Amadeus Mozart (German: [ˈvɔlfɡaŋ amaˈdeus ˈmoːtsaʁt], English see fn.), name Johannes Chrysostomus Wolfgangus Theophilus Mozart (27 January 1756 — 5 December 1791), was a prolific and influential composer of the Classical era. Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. At 17, he was engaged as a court musician in Salzburg, but grew restless and travelled in search of a better position, always composing abundantly. While visiting Vienna in 1781, he was dismissed from his Salzburg position. He chose to stay in the capital, where he achieved fame but little financial security. During his final years in Vienna, he composed many of his best-known symphonies, concertos, and operas, and portions of the Requiem, which was largely unfinished at the time of his death. The circumstances of his early death have been much mythologized. He was survived by his wife Constanze and two sons. Mozart learned voraciously from others, and developed a brilliance and maturity of style that encompassed the light and graceful along with the dark and passionate. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, operatic, and choral music. He is among the most enduringly popular of classical composers, and his influence on subsequent Western art music is profound; Beethoven composed his own early works in the shadow of Mozart, and Joseph Haydn wrote that “posterity will not see such a talent again in 100 years…http://en.wikipedia.org/wiki/Wolfgang…

Lucio Silla (pronounced /ˈluːtʃoʊ ˈsɪlɒ/, Italian pronunciation: [ˈluːtʃo ˈsiːlla]), K. 135, is an Italian opera in three acts composed by Wolfgang Amadeus Mozart. The libretto was written by Giovanni de Gamerra. It was first performed on 26 December 1772 at the Teatro Regio Ducal in Milan and was regarded as “a moderate success”. Handel’s opera Silla (1713) covered the same subject…http://en.wikipedia.org/wiki/Lucio_Silla


A link to this wonderful artists Website:http://www.classicalarchives.com/moza…

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Great Compositions/Performances: Mozart – Symphony No 40 in G minor, K 550 – Harnoncourt



Wolfgang Amadeus Mozart
Symphony No 40 in G minor, K 550

1. Molto allegro
2. Andante
3. Menuetto. Allegretto – Trio
4. Finale. Allegro assai

The Chamber Orchestra of Europe
Nikolaus Harnoncourt, conductor

Live recording, 1984

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MAKE MUSIC PART OF YOUR LIFE SERIES: Mozart – Violin Sonata No. 20 in C, K.303


Mozart – Violin Sonata No. 20 in C, K.303

I. Adagio – Molto allegro [0:00]
II. Tempo di Menuetto [5:04]

Sigiswald Kuijken, violin
Luc Devos, fortepiano

performed on period instruments

Painting of Mozart family by Johann Nepomuk della Croce

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Mozart – Piano Concerto No. 7 in F for Three Pianos, K. 242 (Lodron)


Mozart – Piano Concerto No. 7 in F for Three Pianos, K. 242 (Lodron)

In 1776, Wolfgang Amadeus Mozart composed three piano concertos, one of which was the Concerto in F for Three Pianos and Orchestra, No. 7, K. 242. He originally finished K. 242 for three pianos in February 1776. However, when he eventually recomposed it for himself and another pianist in 1780 in Salzburg, he rearranged it for two pianos, and that is how the piece is often performed today. The concerto is often nicknamed “Lodron” because it was commissioned by Countess Antonia Lodron to be played with her two daughters Aloysia and Giuseppa.
It has three movements:
1. Allegro
2. Adagio
3. Rondo: Tempo di Minuetto
Girdlestone, in his Mozart and his Piano Concertos, describes the concerto and compares one of the themes of its slow movement to similar themes that turn up in later concertos – especially No. 25 (K. 503) – in more developed forms.
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

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Make Music Part of Your Life Series: Wolfgang Amadeus Mozart – Violin Sonata No. 22, K. 305



Violin Sonata No. 22 in A major, K. 305 (293d) is a work composed by Wolfgang Amadeus Mozart in Mannheim 1778. There are two movements:
0:00 1. Allegro di molto
4:53 2. Tema. Andante grazioso – Variations I-V – Variation VI. Allegro
The first movement is in sonata form. This movement has one of the bounciest happiest melodies to be found in his violin sonatas. The second movement is in a theme and variations form. This movement is more somber than the opening movement, being at a slower tempo and having a more subdued melody.

 

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Make Music Part of Your Life Series: Muzio Clementi – Minuetto Pastorale


Make Music Part of Your Life Series: Muzio Clementi – Minuetto Pastorale

Muzio Clementi (24 January 1752 — 10 March 1832) was a composer, pianist, pedagogue, conductor, music publisher, editor, and piano manufacturer. Born in Rome, he spent most of his life in England.

Work: Minuetto Pastorale

Orchestra: The Philharmonia

Conductor: Francesco d’Avalos

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Make Music Part of Your Life: Mozart Violin Sonata K.301 Hilary Hahn & Natalie Zhu



W. A. Mozart Sonata for violin and piano in G major, K.301/293a (No.18)

Violin Sonata No. 18 in G Major (K 301) was composed by Wolfgang Amadeus Mozart in March 1778 in Mannheim, Germany and was first published in the same year as part of Mozart’s Opus 1 collection, which was dedicated to Maria Elisabeth, Electress of the Palatinate and are consequently known as the Palatine Sonatas.

The work consists of two movements:

- [Allegro con spirito]
- [Allegro]

Hilary Hahn (violin/violon)
Natalie Zhu (piano)
Official website : http://www.hilaryhahn.com/index.html 
Deutsche Grammophon :http://www.deutschegrammophon.com/art…

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TODAY’S BIRTHDAY: DINU LIPATTI (1917)


Dinu Lipatti (1917)

Lipatti was a Romanian pianist whose career was tragically cut short by Hodgkin’s lymphoma at age 33. Despite a relatively short playing career and a small recorded legacy, Lipatti is considered among the finest pianists of the 20th century. He was much admired for his pianistic technique, and he is noted for his interpretations of Mozart, Bach, and Chopin. As a teen, Lipatti came in second in the Vienna International Piano Competition. How did his failure to take first place impact his future? More… Discuss

 

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Mozart – Missa Brevis in C, K. 259 (Organ Solo Mass)



Wolfgang Amadeus Mozart (1756-1791)
Composed December 1775/1776 in Salzburg.
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

 

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Mozart – Violin Sonata No. 27 in G, K. 379



Wolfgang Amadeus Mozart (1756-1791).
Composed April 1781, in Vienna.
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

Buy “Mozart: 2g. Tema – 2g. Tema” on

Google PlayiTunesAmazon MP3 

Artist
Arthur Grumiaux

 

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Make Music Part of Your Life Series: V.A.Mozart – 12 Variations on a French folk song ”Ah, Vous dirai-je, Maman” .



V.A.Mozart – 12 Variations on a French folk songAh, Vous dirai-je, Maman” .
Composed during 1781-1782 K.265, in C-Dur
This theme is widely known as a children’s song ( such as ”Twinkle Twinkle Little Star”, ”Alphabet Song” and others).
Performed by Anastasia Kaminskagia during a piano recital in Athens on 26th of January 2013.
The lyrics ( French and English) are the following:

Ah! Vous dirai-je, Maman
Ce qui cause mon tourment?
Papa veut que je raisonne
Comme une grande personne
Moi je dis que les bonbons
Valent mieux que la raison.

Ah! Shall I tell you, Mommy
What is tormenitg me?
Daddy wants me to reason
Like a grown-up person
Me, I say that sweets
Are worth more than reasoning.

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Make Music Part of your Life: W. A. Mozart – Symphony No. 40 in G minor (Harnoncourt)



Make Music Part of your Life:  W. A. MozartSymphony No. 40 in G minor (Harnoncourt)

Symphony No. 40 in G minor, KV. 550 (1788):
1. Molto allegro
2. Andante
3. Menuetto. Allegretto — Trio
4. Finale. Allegro assai

The Chamber Orchestra of Europe
Conductor – Nicolaus Harnoncourt
Grosser Musikvereinsaal Wien

 

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Make Music Part of Your Life Series: Emil Gilels – Mozart – Piano Concerto No 27 in B flat major, K 595 – Ovchinnikov




*****Wolfgang Amadeus Mozart

*****Piano Concerto No 27 in B flat major, K 595

*****Emil Gilels, piano
*****USSR State Symphony Orchestra
*****Vyacheslav Ovchinnikov, conductor

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Make Music Part of Your Life: Beethoven / Eschenbach, 1970: Piano Quartet in E flat Major, WoO 36, No. 1 – Amadeus Quartet



Make Music Part of Your Life:  Beethoven / Eschenbach, 1970: Piano Quartet in E flat Major, WoO 36, No. 1 – Amadeus Quartet

From David Hertzberg: “In this 1970 recording, Christoph Eschenbach and members of the Amadeus Quartet — Norbert Brainin, violin; Peter Schidlof, viola; and Martin Lovett, cello — perform the Beethoven Piano quartet in E flat major, WoO 36, No. 1. I recorded this video from a cassette I purchased back in the early 1970s, issued on the Deutsche Grammophon label (serial number 3335 174-10). 

Allegro con spirito (6:53)

(Last year I uploaded this recording in three separate segments.)

More Beethoven:

Beethoven / Gilels / Szell, 1968: Piano Concerto in G major, Op. 58 – Complete - http://www.youtube.com/watch?v=hXoxpW…

Leonid Hambro, 1970: “Happy Birthday Dear Ludwig” – Variations in The Style of Beethoven - http://www.youtube.com/watch?v=U-Uga3…

Fur Elise – Wilhelm Kempff: http://www.youtube.com/watch?v=R9DSjo…

Fur Elise – Alicia de Larrocha: http://www.youtube.com/watch?v=FFMUEe…

Beethoven / Artur Balsam, 1952: Piano (Violin) Concerto in D major, Op. 61a – Movement 1 - http://www.youtube.com/watch?v=IKKCGw…

David Oistrakh: Romance No. 2 in F major for Violin and Orchestra, Op. 50: http://www.youtube.com/watch?v=Gz4JEY…

Wilhelm Backhaus: Piano Concerto No. 3 in C minor, Op. 37 – London, 1950s, Karl Böhm: http://www.youtube.com/watch?v=hRSTwj…

Emil Gilels, 1968: Piano Concerto in C minor, Op. 37 (Rondo) Beethoven - http://www.youtube.com/watch?v=EeW79S…

Emil Gilels, 1968: Piano Concerto in C major, Op. 15 (Rondo) Beethoven - http://www.youtube.com/watch?v=ojL4Kx…

Emil Gilels, 1983, Beethoven Klaviersonate Nr. 4 Es-dur, Op. 7 -http://www.youtube.com/watch?v=kEfGQ1…

Stephen Kovacevich, 1975: Piano Concerto in C minor, Op. 37, Movement 3 - http://www.youtube.com/watch?v=sYBM5z…

Beethoven / Istomin-Stern-Rose Trio: Piano Trio in B flat major, Op. 97 – Archduke (Allegro), 1966: http://www.youtube.com/watch?v=TQAswV…

Solomon, 1958: Piano Concerto No. 3 in C minor, Op. 37 – Rondo -http://www.youtube.com/watch?v=6_Vi8m…

Friedrich Gulda, 1954: Sonata No. 1 in F minor, Op. 2, No. 1 (1) -http://www.youtube.com/watch?v=4RwDZs…

Christoph Eschenbach, 1970: Piano Quartet in C Major, WoO 36, No. 3 - http://www.youtube.com/watch?v=WBp3jh…

Artur Balsam: Piano (Violin) Concerto in D major, Op. 61 – Rondo, 1950s - http://www.youtube.com/watch?v=MD8ul2…

Stephen Kovacevich: Piano Sonata in C minor, Op. 13, Movement 1 - http://www.youtube.com/watch?v=LGamRs…

From Wikipedia, the free encyclopedia

In European classical music, piano quartet denotes a chamber music composition for piano and three other instruments, or a musical ensemble comprising such instruments. Those other instruments are usually a string trio consisting of a violinviola and cello.

Piano quartets for that standard lineup were written by Wolfgang Amadeus MozartRobert SchumannLudwig van BeethovenJohannes BrahmsAntonín Dvořák andGabriel Fauré among others. In the 20th century, composers have also written for more varied groups, with Anton Webern‘s Quartet, opus 22 (1930), for example, being for piano, violin, clarinet and tenor saxophone, and Paul Hindemith‘s quartet (1938) as well as Olivier Messiaen‘s Quatuor pour la fin du temps (1940) both for piano, violin, cello and clarinet. An early example of this can be found in Franz Berwald‘s quartet for piano, horn, clarinet and bassoon (1819), his opus 1.[1]

A rare form of piano quartets consist of two pianos with two players at each piano. This type of ensemble is informally referred to as “8 hand piano”, or “2 piano 8 hands”. 8 hand piano was popular in the late 19th century before the advent of recordings as it was a mechanism to reproduce and study symphonic works. Music lovers could hear the major symphonic works all in the convenience of a parlour or music hall that had two pianos and four pianists. Many of the popular works of Wolfgang Amadeus MozartRobert SchumannJohannes BrahmsAntonín Dvořák were transcribed for two piano eight hands. The majority of 8 hand piano music consist of transcriptions, or arrangements.

 

Ludwig van Beethoven (Listeni/ˈlʊdvɪɡ væn ˈb.tvən/German: [ˈluːtvɪç fan ˈbeːt.hoːfən] ( listen); baptised 17 December 1770[1] – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers. His best known compositions include 9 symphonies, 5 concertos for piano, 32 piano sonatas, and 16 string quartets. He also composed other chamber music, choral works (including the celebrated Missa Solemnis), and songs.

Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven displayed his musical talents at an early age and was taught by his father Johann van Beethoven and Christian Gottlob Neefe. During his first 22 years in Bonn, Beethoven intended to study with Wolfgang Amadeus Mozart and befriended Joseph Haydn. Beethoven moved to Vienna in 1792 and began studying with Haydn, quickly gaining a reputation as a virtuoso pianist. He lived in Vienna until his death. In about 1800 his hearing began to deteriorate, and by the last decade of his life he was almost totally deaf. 

The three piano quartets of WoO 36, written when the composer was 15, are among the most substantial of Beethoven‘s earliest compositions. They are so early, in fact, that the autograph score calls for “clavecin” instead of piano. The same manuscript gives “basso” instead of cello, with the pieces ordered C major, E flat major, and D major. The pieces were not printed until 1828 in Vienna, in the order E flat, D, and C. Material from the C major Trio was subsequently used in the Piano Sonatas, Op. 2, Nos. 1 and 3. These are the only works Beethoven composed for this ensemble, which he abandoned for the piano trio after moving to Vienna.

When he was a boy, Beethoven was musically influenced primarily by Christian Gottlob Neefe(1748-98), a composer and one of Beethoven‘s first music teachers, Abbé Franz Sterkel(1750-1817), one of the foremost pianists in Europe, and Mozart. Of these influences, Neefe’s was the most immediate and Mozart‘s the most profound. Each of the three quartets of WoO 36 draws on a specific violin sonata by Mozart, from the set published in 1781. The first ofBeethoven‘s quartets is modeled on Mozart‘s K. 379/373a, the second on K. 380/374f, and the third on K. 296. All three quartets of WoO 36 are in three movements.

The E flat major quartet is unusual in that its slow introductory movement jumps without pause into an Allegro con spirito in E flat minor. The E flat minor movement, in sonata form, features a tiny development, but contains some adventurous passages in the recapitulation. The final movement is a set of six variations in an ornamental style on a high-Classical-era theme with two eight-measure segments. Each of the segments is repeated, the first moving to the dominant and the second returning to the tonic. Beethoven follows this pattern in all of the variations, the fifth of which is in E flat minor. After the variations have run their course, the theme returns, only slightly rearranged, followed by a coda reminiscent of the first variation. Throughout the work, the piano dominates the proceedings.

Beethoven cast the D major quartet in a more traditional format, with a central slow movement enclosed by two fast ones. The opening Allegro is in sonata form and modulates to the dominant. Boasting a much larger development section than that of the E flat quartet, the movement touches on D minor before the recapitulation. The second movement, in F sharp minor, is in two parts and marked Andante con moto. The piano opens the concluding Rondo, a movement of youthful energy dominated by the keyboard part.

The quartet in C major is also in three movements, the second of which is in a relaxed F major. After a very brief development section, Beethoven begins the recapitulation on the subdominant, a procedure Schubert would use in several of his works. The second movement features some of the most compelling melodic passages of Beethoven‘s youth, although his tendency to double most of these robs them of some of their delicacy. Nearly all of the thematic material in the closing Rondo is concentrated in the piano part.

Despite the degree to which some aspects of the Piano Quartets, WoO 36, look forward to the mature Beethoven, they have little independent life as concert pieces that command interest for more than curiosity value

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Make music Part of Your Life Series: Mozart:Piano Concerto No. 21 in C major, K. 467 (Elvira Madigan) Pollini/Muti



Mozart:Piano Concerto No. 21 in C major, K. 467

Orchestra Filarmonica della Scala
Maurizio Pollini, piano
Riccardo Muti, conductor
(2004)
From Wikipedia, the free encyclopedia

The Piano Concerto No. 21 in C majorK. 467, was completed on March 9, 1785 by Wolfgang Amadeus Mozart, four weeks after the completion of the previous D minor concerto, K. 466.[1][2]

The concerto has three movements:

 

  1. Allegro maestoso; in common time. The tempo marking is in Mozart’s catalog of his own works, but not in the autograph manuscript.[3]
  2. Andante in F major. In both the autograph score and in his personal catalog, Mozart notated the meter as Alla breve[4]
  3. Allegro vivace assai

Recordings:  This work has been recorded numerous times by many famous pianists including Géza AndaPiotr Anderszewski,Vladimir AshkenazyDaniel BarenboimMalcolm BilsonAlfred BrendelRobert CasadesusIvan DrenikovAnnie FischerWalter GiesekingFriedrich GuldaStephen HoughKeith JarrettWilhelm KempffWalter KlienAlicia de LarrochaGiorgi LatsabidzeRosina LhevinneDinu LipattiRadu LupuMurray PerahiaMaria João Pires,Maurizio PolliniArthur RubinsteinFazil SayAndrás SchiffArtur SchnabelRudolf SerkinHoward Shelley,Mitsuko Uchida, and Christian Zacharias.

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Make Music Part of Your Life Series: Mozart / Divertimento in B-flat major, K. 137



Wolfgang Amadeus Mozart (1756-1791)

Divertimento in B-flat major for string quartet, K. 137/125b (1772)
00:00 - Andante
07:52 - Allegro di molto
11:17 - Allegro assai
(Academy of St. Martin-in-the-Fields Chamber Ensemble (1986))

“Three early Mozart pieces, K. 137, 137 and 138, are labeled divertimentos on the manuscripts and are so listed in Grove. However, few Mozart scholars accept that tag as an accurate description of the works, and most doubt that the title came from Mozart. For one thing, a divertimento should have two minuets, and these three have none. At first glance they seem to be straightforward string quartets–yet many experts contend that they don’t sound at all like string quartets. 

So what are they? Mozart scholar Alfred Einstein fancies them as small symphonies for strings, to which the composer was prepared to add extra parts for winds; they are sometimes known as the ‘Salzburg symphonies.’ Musicologist Hans Keller has given them the curious designation of ‘orchestral quartets.’ Others insist that they are indeed string quartets even if they lack the serious temper of that rarefied form. Yet (to complete the confusion) they are universally referred to as divertimentos–the one thing everyone agrees they are not.

Whatever they’re called, they are fine examples of Mozart’s early essays in chamber music…Mozart composed them in 1772, when he was 16, not long before leaving Salzburg on his third (and, as it turned out, his last) trip to Italy. He was going to Milan to produce the opera ‘Lucio Silla‘ on a commission from Count Firmian, governor-general of that city. He probably expected, from previous experience, to need music to entertain the count’s court while he was at work on the opera. So it seems likely that these three works were composed to meet that need. Mozart may have planned to present them with a small orchestra, as Einstein surmises, but here they are played by the four instruments of a string quartet.

The Divertimento in B flat, K. 137…differs from [K. 136 & K. 138] by starting with a slow movement. This affecting ‘Andante’ is led by the first violin and is punctuated by dramatic responses from the accompanying strings. A spirited ‘Allegro di molto’ movement follows, leading to a delicate finale marked ‘Allegro assai’. This section, while not actually a minuet, has a courtly air that suggests a roomful of dancers bowing and curtsying under brilliant chandeliers.” – Harvey B. Loomis

Painting: Still Life (Morning Glories, Toad, & Insects), Otto Marseus van Schrieck

 

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Great Compositions/Performances: Mozart Symphony No 40 G minor K 550 Karl Bohm Wiener Philarmoniker



Wolfgang Amadeus Mozart Symphony No 40 G minor K 550Karl Bhom conducts Wiener Philarmoniker:

 

 

 

Wolfgang Amadeus Mozart

 

Molto allegro 0:40
Andante 9:42
Menuetto, allegretto 17:25
Finale, allegro assai 22:05

 

From Wikipedia, the free encyclopedia

Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the “Great G minor symphony,” to distinguish it from the “Little G minor symphony,” No. 25. The two are the only extant minor key symphonies Mozart wrote.[1]

 

 

 

 

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Classical Music Mix – Best Classical Pieces Part I (1/2)


Classical Music Mix – Best Classical Pieces Part I (1/2)

A mix with some of the best classical pieces in the world.

Compositions name list:

00:01 - Albinoni – Adagio in g minor
10:44 - Pachelbel – Canon in D major
16:55 - Beethoven – Moonlight Sonata
22:59 - Carlos GardelPor una cabeza
30:03 - Dmitri Shostakovich – Waltz no 2
33:52 - Eugen Doga – Grammofon
36:20 - Gheorghe Zamfir – The Lonely Shepherd
40:40 - Johann Strauss IIVienna Blood Waltz
47:46 - Johann Strauss II – Voices of Spring Waltz
53:31 - Juventino Rosas – Over the Waves Waltz
59:20 - Mozart – Rondo Alla Turca
1:02:57 - Mozart – Symphony 40 No 1
1:09:16 - Mozart – Lacrimosa
1:12:36 - Nino Rota – Vito’s Waltz
1:15:28 - Nobuo Uematsu – Dance With the Balamb-Fish
1:19:08 - Tchaikovsky – Sleeping Beauty Waltz
1:23:47 - Tchaikovsky – Swan Lake Waltz
1:30:41 - Tchaikovsky – Waltz of the Flowers
1:37:05 - Mozart – Serenade No 13

 

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Great Compositions/Performances: Leonid Kogan – Mozart – Adagio in E major, K 261


Leonid Kogan – Mozart – Adagio in E major, K 261

Wolfgang Amadeus Mozart:
Adagio in E major for violin and orchestra, K 261
Leonid Kogan, violin
Moscow Philharmonic Orchestra
Pavel Kogan, conductor
(Live recording, May 1981)

Buy “Adagio for Violin and Orchestra in E Major K 261″ on

Google PlayiTunesAmazonMP3

  • Artist
    Leonid Kogan, Moscow Philharmonic Orchestra, Pavel Kogan

 

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Great Compositions/Performances: Mozart – Serenade in G major, K. 525 ‘Eine kleine Nachtmusik’ -Conductor: Jordi Savall Le Concert des Nations Ensemble


Mozart Serenade ‘Eine kleine Nachtmusik’ in G major, K.525 / Jordi Savall

Wolfgang Amadeus Mozart (1756 † 1791)
Written: 1787; Vienna, Austria
Work: Serenade No.13 for strings in G major “Eine kleine Nachtmusik”, K.525

01. Allegro
02. Romance (Andante)
03. Menuetto (Allegretto) – Trio
04. Rondo (Allegro)

Performer:
Violin: Manfredo Kraemer
Violin II: Pablo Valetti
Viola: Angelo Bartoletti
Cello: Bruno Cocset
Double-bass: Xavier Puertas

Conductor: Jordi Savall
Le Concert des Nations Ensemble

Artwork: Fete in a Wood by Nicolas Lancret

From Wikipedia, the free encyclopedia

Eine kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. The German title means “a little serenade,” though it is often rendered more literally but less accurately as “a little night music.”[1] The work is written for an ensemble of two violinsviola, and cello with optional double bass, but is often performed by string orchestras.[2]

 

Allegro

 

Eine kleine nachtmusik.svg

Composition, publication, and reception

The serenade was completed in Vienna on 10 August 1787,[2] around the time Mozart was working on the second act of his opera Don Giovanni.[3] It is not known why it was composed.[4] Hildesheimer (1991, 215), noting that most of Mozart’s serenades were written on commission, suggests that this serenade, too, was a commission, whose origin and first performance were not recorded.

The traditionally used name of the work comes from the entry Mozart made for it in his personal catalog, which begins, “Eine kleine Nacht-Musik.”[5] As Zaslaw and Cowdery point out, Mozart almost certainly was not giving the piece a special title, but only entering in his records that he had completed a little serenade.[6]

The work was not published until about 1827, long after Mozart’s death, by Johann André in Offenbach am Main.[2] It had been sold to this publisher in 1799 by Mozart’s widow Constanze, part of a large bundle of her husband’s compositions.

Today the serenade is widely performed and recorded; indeed both Jacobson (2003, 38) and Hildesheimer (1992, 215) opine that the serenade is the most popular of all Mozart’s works. Of the music, Hildesheimer writes, “even if we hear it on every street corner, its high quality is undisputed, an occasional piece from a light but happy pen.”[7]

Wolfgang Amadeus Mozart: Flute Quartet No.2 G major (K.285a.)


Flute: Sharon Bezaly 
Wolfgang Amadeus Mozart: Flute Quartet No.2 G major (K.285a.)
Andante & 
Tempo di Menuette

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BIRTHDAY OF MOZART


Birthday of Mozart

Wolfgang Amadeus Mozart was born in Salzburg, Austria, on this day in 1756. His achievements in composing operas, chamber music, symphonies, and piano concerti have earned him a reputation as one of the greatest musical geniuses of all time. Mozart’s birthday is observed by musical societies all over the world, who often give concerts of his music on this day. The city of his birth also honors him at the end of January with Mozart WeekMore… Discuss

 

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Granados / Alicia de Larrocha, 1961: Seis Piezas Sobre Cantos Populares Españoles – Zapateado



Alicia de Larrocha (1923 – 2009) performs Zapateado from Seis Piezas Sobre Cantos Populares Españoles, by Enrique Granados. This performance originally was recorded by Hispavox circa 1961, then distributed in 1974 under the Musical Heritage Society label (MHS 1870).

Alicia de Larrocha i de la Calle, (Barcelona, 23 de maio de 1923 – Barcelona, 25 de setembro de 2009) foi uma pianista espanhola, reconhecida como a de maior projecção internacional, e uma das melhores intérpretes de piano do século XX especialmente em obras de Wolfgang Amadeus Mozart e no repertório espanhol.

Alicia de Larrocha y de la Calle (23. maj 1923 – 25. september 2009) var en spansk pianist, der blev regnet som en af de bedste i sin generation.

Alicia de Larrocha y de la Calle (* 23. Mai 1923 in Barcelona; † 25. September 2009 ebenda) war eine spanische Pianistin.

Alicia de Larrocha y de la Calle (23. toukokuuta 1923 25. syyskuuta 2009) oli espanjalainen pianisti.

Alicia de Larrocha de la Calle est une pianiste espagnole, née le 23 mai 1923 à Barcelone où elle est morte le 25 septembre 2009 à l’âge de 86 ans.

Алисия де Ларроча и де ла Калье (исп. Alicia de Larrocha y de la Calle; 23 мая 1923(19230523), Барселона — 25 сентября 2009, Барселона) — испанская пианистка. 

Alícia de Larrocha i de la Calle (hiszp. Alicia de Larrocha y de la Calle; ur. 23 maja 1923 w Barcelonie, zm. 25 września 2009 tamże) pianistka katalońska. Uczennica Franka Marshalla. Pierwszy raz wystąpiła publicznie w wieku 6 lat. Zadebiutowała w Wielkiej Brytanii w roku 1953, a w Stanach Zjednoczonych w 1955 (z Los Angeles Philharmonic Orchestra). Dokonała wielu nagrań, cenione są jej wykonania muzyki kompozytorów hiszpańskich (m.in. Granadosa i Albeniza).

Enrique Costanzo Granados y Campiña (ur. 27 lipca 1867 w Leridzie, Katalonia, zm. 24 marca 1916) hiszpański pianista i kompozytor, współtwórca narodowego stylu w muzyce hiszpańskiej.

Pantaleón Enrique Joaquín Granados y Campiña (Lleida, Catalonië, 27 juli 1867 – op zee (tussen Folkestone en Dieppe), 24 maart 1916) was een Spaans componist, muziekpedagoog en pianist.

Enrique Granados y Campiña (Enric en catalan) (né le 27 juillet 1867, à Lérida décédé le 24 mars 1916, en mer) est un compositeur et pianiste espagnol.

Enric Granados i Campiña (span. Enrique Granados y Campiña) (* 27. Juli 1867 in Lleida, Katalonien; † 24. März 1916 nach der Torpedierung der Kanalfähre Sussex im Ärmelkanal) war ein spanischer Komponist und Pianist.

Enrique Granados y Campiña (Lérida, 27 de julio de 1867 – Canal de la Mancha, 24 de marzo de 1916), generalmente conocido como Enrique Granados fue un compositor y pianista español.

Энри́ке Грана́дос (полное имя Панталеон Энрике Костанцо Гранадос-и-Кампинья — исп. Pantaléon Enrique Costanzo Granados y Campiña; 27 июля 1867, Лерида — 24 марта 1916, в проливе Ла-Манш) — испанский композитор и пианист, один из наиболее заметных деятелей испанской музыкальной культуры конца XIX — начала XX веков.

אנריקה גרנדוס (בספרדית: Enrique Granados, ‏ 27 ביולי 1876 – 24 במרץ 1916), מלחין ופסנתרן ספרדי.

Enrique Costanzo Granados y Campiña (Lleida, 27 luglio 1867 La Manica, 24 marzo 1916) è stato un compositore e pianista spagnolo.

 

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TODAY’S BIRTHDAY: FARINELLI (1705)


Farinelli (1705)

Farinelli was an Italian castrato—a singer castrated in boyhood to create an artificial soprano or alto voice. Renowned for his vocal power and agility, he became the greatest opera star of his time but abandoned the public stage for the court of Philip V, where he received an astronomical fee for his only duty: singing the same four songs to the king each night. After retiring, Farinelli received illustrious guests like Mozart at his villa in Bologna. Why were his remains exhumed in 2006? More… Discuss

 

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Great Composers/Compositions: Mozart – Symphony No. 29 in A, K. 201



The Symphony No. 29 in A major, K. 201/186a, was completed by Wolfgang Amadeus Mozart on 6 April 1774. It is, along with Symphony No. 25, one of his better known early symphonies. Stanley Sadie characterizes it as “a landmark … personal in tone, indeed perhaps more individual in its combination of an intimate, chamber music style with a still fiery and impulsive manner.” The symphony is scored for 2 oboes, 2 horns and strings, as was typical of early-period Mozart symphonies.
There are four movements:
1. Allegro moderato, 2/2
2. Andante, 2/4
3. Menuetto: Allegretto — Trio, 3/4
4. Allegro con spirito, 6/8
The first movement is in sonata form, with a graceful principal theme characterized by an octave drop and ambitious horn passages. The second movement is scored for muted strings with limited use of the winds, and is also in sonata form. The third movement, a minuet, is characterized by nervous dotted rhythms and staccato phrases; the trio provides a more graceful contrast. The energetic last movement, another sonata-form movement in 6/8 time, connects back to the first movement with its octave drop in the main them

 

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Great Composers/Compositions: Carl Philipp Emanuel Bach: Concerto for Cello in A minor No. 1, Wq. 170



Álbum: Carl Philipp Emanuel Bach: Cello Concertos
Interpretes del álbum: Tim Hugh & Bournemouth Sinfonietta
Compositor: Carl Philipp Emanuel Bach
Año: 2002
Genero: Barroca

 

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Franz Anton Hoffmeister – Piano Concerto in D-major, Op.24 (178/9?)


Franz Anton Hoffmeister

Cover of Franz Anton Hoffmeister

Franz Anton Hoffmeister 
Work: Piano Concerto in D-major, Op.24 (178/9?)

Mov.I: Allegro brioso 00:00
Mov.II: Adagio 15:07
Mov.III: Allegretto 22:57

Pianist: Wilhelm Neuhaus
Orchestra: Cologne Chamber Orchestra
Conductor: Helmut Müller-Brühl (1933 – 2012)

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GREAT COMPOSERS/COMPOSITIONS: Mozart – Piano Concerto No. 23 in A, K. 488


Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (Photo credit: photoAtlas)

The Piano Concerto No. 23 in A major (K. 488) is a musical composition for piano and orchestra written by Wolfgang Amadeus Mozart. It was finished, according to Mozart’s own catalogue, on March 2, 1786, around the time of the premiere of his opera, The Marriage of Figaro. It was one of three subscription concerts given that spring and was probably played by Mozart himself at one of these. The concerto is scored for piano solo and an orchestra consisting of one flute, two clarinets, two bassoons, two horns and strings. In Mozart’s later works the wind instruments are equal to the stringed instruments, and this is also the case in this concerto. It has three movements:
1. Allegro in A major and common time.
2. Adagio in F-sharp minor and 6/8 time (in later editions, the tempo is listed as Andante).
3. Allegro assai in A and alla breve (in later editions, the tempo is listed as Presto). In Rondo form.
The first movement is mostly sunny and positive with the occasional melancholic touches typical of Mozart pieces in A major and is in sonata form. The piece begins with a double exposition, the first played by the orchestra, and the second when the piano joins in. The first exposition is static from a tonal point of view and is quite concise, the third theme is not yet revealed. The second exposition includes the soloist and is modulatory. It is also includes the third previously unheard third theme. The second exposition is ornamented as opposed to the first exposition which is not. The second theme has harmonic tension. This is expressed by dissonances that are played on the beat, and then solved by an interval of a second going downwards. This is also expressed in the use of chromatics in the melody and bass lines which is a cause for harmonic tension, as the listeners anticipate the arrival of the tonic.
The second, slow movement, in ternary form, is melancholic and somewhat operatic in tone. The piano begins alone with a theme characterized by unusually wide leaps. This is the only movement by Mozart in F sharp minor. The dynamics are soft throughout most of the piece. The middle of the movement contains a brighter section in A major announced by flute and clarinet that Mozart would later use to introduce the trio “Ah! taci ingiusto core!” in his opera Don Giovanni. The third movement is a vigorous and cheerful rondo, shaded by moves into other keys as is the opening movement (to C major from E minor and back during the secondary theme in this case, for instance) and with a central section whose opening in F sharp minor is interrupted by a clarinet tune in D major, an intrusion that reminds us, notes Girdlestone, that instrumental music at the time was informed by opera buffa and its sudden changes of point of view as well as of scene. 

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Great Composers/Compositions: Igor Bukhvalov – Symphony no. 8 in F-Dur, Op. 93 by Ludwig van Beethoven



Igor Bukhvalov conducts Belarusian National Philharmonic performing Symphony #8 in F-Dur ,Op. 93 By Ludwig van Beethoven:

The Eighth Symphony consists of four movements:

 

  1. Allegro vivace e con brio
  2. Allegretto scherzando
  3. Tempo di Menuetto
  4. Allegro vivace
From Wikipedia, the free encyclopedia
 
 The Symphony No. 8 in F MajorOp. 93 is a symphony in four movements composed by Ludwig van Beethoven in 1812. Beethoven fondly referred to it as “my little Symphony in F,” distinguishing it from his Sixth Symphony, a longer work also in F.[1]

The Eighth Symphony is generally light-hearted, though not lightweight, and in many places cheerfully loud, with many accented notes. Various passages in the symphony are heard by some listeners to be musical jokes.[2] As with various other Beethoven works such as the Opus 27 piano sonatas, the symphony deviates from Classical tradition in making the last movement the weightiest of the four.
The work was begun in the summer of 1812, immediately after the completion of the Seventh Symphony.[3]At the time Beethoven was 41 years old. As Antony Hopkins has noted, the cheerful mood of the work betrays nothing of the grossly unpleasant events that were taking place in Beethoven’s life at the time, which involved his interference in his brother Johann’s love life.[4] The work took Beethoven only four months to complete,[3] and is, unlike many of his works, without dedication.
The premiere took place on 24 February 1814, at a concert in the RedoutensaalVienna, at which theSeventh Symphony (which had been premiered two months earlier) was also played.[5] Beethoven was growing increasingly deaf at the time, but nevertheless led the premiere. Reportedly, “the orchestra largely ignored his ungainly gestures and followed the principal violinist instead.”[6]

 

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Antonín Dvořák – Bagatelles, Op. 47



Alberni String Quartet.
Howard Davis, violin.
Peter Pople, violin.
Roger Best, violin/viola.
David Smith, cello.
Virginia Black, harmonium

Antonín Dvořák – Bagatelles, Op. 47
1. Allegretto scherzando 2’59
2. Tempo di menuetto, grazioso 3’16
3. Allegretto scherzando 2’56
4. Canon, andante con moto 3’27
5. Poco allegro 4’21

 

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Fabulous Composers/Compositions: Felix Mendelssohn, Violin Sonata in F Minor, Op. 4, MWV Q12, I. Adagio – Allegro moderato



Felix Mendelssohn
Romain Descharmes, Tianwa Yang, Descharmes, Romain, Gallois, Patrick, Sinfonia Finlandia Jyvaskyla, Yang, Tianwa
Violin Sonata in F Minor, Op. 4, MWV Q12
Mendelssohn: Violin Concertos – Violin Sonata in F minor
8.572662
http://www.classicsonline.com/catalog…
http://www.naxoslicensing.com/

 

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GREAT PERFORMANCES: Wilhelm Kempff PlaysBeethoven’s Piano Sonata No. 16 Op. 31 in G major



Piano: Wilhelm Kempff

Ludwig van Beethoven’s Piano Sonata No. 16 in G major, Op. 31 No. 1, was composed between 1801 and 1802.
The sonata consists of three movements. A typical performance lasts about 20 minutes.

  1. Allegro vivace
  2. Adagio grazioso
  3. Rondo, allegretto – presto

Although it was numbered as the first piece in the trio of piano sonatas which were published as Opus 31 in 1803, Beethoven actually finished it after the Op. 31 No. 2, the Tempest Sonata. [From Wikipedia]

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Antonín Dvořák – From the Bohemian Forest, Op. 68


Published on Sep 23, 2012

Ingryd Thorson & Julian Thurber, piano

Antonín Dvořák – From the Bohemian Forest, Op. 68

  • In the Spinning Room,  Allegro molto [D major] 
  • By the Black Lake,  Lento [F sharp minor/major] 
  • Walpurgis Night,  Molto vivace [B falt major] 
  • In Wait,  Allegro comodo [F major
  • Silent Woods,  Lento e molto cantabile [D flat major
  • From Troubled Times,  Allegro con fuoco [A minor]

 

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