Tag Archives: YouTube

Concerto op. 99 (complete) Castelnuovo-Tedesco – Flavio Sala, guitar: make music part of your life series



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Concerto op. 99 (complete) Castelnuovo-Tedesco – Flavio Sala, guitar

Guitar Concerto op. 99 in D – Flavio Sala plays Mario Castelnuovo-Tedesco. http://www.flaviosala.com Samara Philarmonic Orchestra. Mikhail Sherbakov, Conductor. Samara, Russia 2011.
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TAKE GUITAR LESSONS ONLINE WITH FLAVIO:
http://takelessons.com/profile/flavio-s

LIKE MY FB FANS PAGE
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SUBSCRIBE MY YOUTUBE CHANNEL
http://www.Youtube.com/Guitargurugu

ABOUT THE GUITAR I PLAY
https://www.facebook.com/CamilloPerre…

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“Flavio Sala is the new Paganini of the guitar” – Alirio Diaz
“It was very exciting for me to listen to Flavio Sala” – Steve Howe
“Flavio Sala has a great technical ability” – Paco de Lucia

Italian guitarist, with more than 40,000 fans around the world (http://www.Facebook.com/FlavioSalaFans) and millions of views on Youtube (http://www.Youtube.com/Guitargurugu), Flavio Sala is considered the new star of the guitar, acclaimed by critics and audiences worldwide for his incredible instrumental technique, combined with extraordinary sensitivity and musical creativity.
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My name is Flavio Sala and I am a guitarist. I was born in Bojano (Italy) on May 9, 1983. When I was seven year old, my father put a guitar in my hands and taught me the first two or three chords. Then I learnt copying my brothers. I fell in love with guitar and really felt like becoming a professional performer, without even know what that meant. I studied at the Conservatory with Pasqualino Garzia and at the “Accademia Musicale Chigiana” with Oscar Ghiglia. Till the age of fourteen I believed that classical music was the best, but after playing and playing it, I started to understand that I could not keep playing the same things during all my life. It was when I discovered Paco de Lucia, Pat Metheny, John McLaughlin, Miles Davis, Frank Zappa, Jaco Pastorius and many others that I started to change and open my mind: since that moment I have been dreaming to become an eclectic artist, I just want to play on my guitar the music I love. I got really fascinated with flamenco, jazz, latin jazz but later also pop, rock and salsa artists/singers: “Why do they look so comfortable, happy enjoying their music and playing, and classical musicians always look like suffering on the stage all the time?” That used to happen also to me and I wanted to cut it down, absolutely!
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Sergei Rachmaninoff – Scherzo in D minor (V. Polyansky – Russian State SO): make music part of your life series



From:  Wolfgang Amadé Mozart  Wolfgang Amadé Mozart

Sergei Rachmaninoff – Scherzo in D minor (V. Polyansky – Russian State SO)

Études de concert (3), for piano, S. 144 – Claudio Arrau – HD: great compositions/performances



FROM:

hellsan631    hellsan631

Études de concert (3), for piano, S. 144 – Claudio Arrau – HD

Includes all 3 movements. Taken from “Liszt: The Piano Concertos; 3 Etudes de Concert (1976)”

1. Il lamento  0:00 to 10:40

2. La leggierezza  10:50 to 16:16

3. Un sospiro  16:24 to 22:28

**Quality – AAC, audio bitrate: 320kbps
Video MP4 – 348kbps

***Perhaps the most Beautiful piece of music is the 3rd movement. There is another version of it on YouTube, but it is in extremely low audio quality. With this recording, you can sometimes hear the performer’s clothes move, or his breathing, only slightly.

***If I enjoy the rest of the CD enough, I will upload the other 2 piano concertos.

Credits:
Franz Liszt
Claudio Arrau (Piano)
Recorded in London England, November of 1976
Philips Classics

*Change to 720p Video to get the a 192 kbps Audio Stream (the highest you can get on YouTube)

Liszt: The Piano Concertos; 3 Etudes de Concert
Études de concert (3), for piano, S. 144 (LW A118)

MQ0001081958
MC0002358753
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C 11442


From Wikipedia, the free encyclopedia

Three Concert Études (Trois études de concert), S.144, are a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.[1] As the title indicates, they are intended not only for the acquisition of a better technique, but also for concert performance. The Italian subtitles now associated with the studies – Il lamento (“The Lament”), La leggierezza (“Lightness”), Un sospiro (“A sigh”) – were not in early editions.[2]

Étude No. 1, Il lamento

Il lamento is the first of Liszt’s Three Concert Études. Written in A-flat major, it is among the composer’s longest pieces in this genre. It starts with a four-note lyrical melody which folds itself through the work, followed by a Chopin-like chromatic pattern which reappears again in the coda section. Although this piece opens and ends in A-flat major, it shifts throughout its three parts to many other keys including A, G, B, D-sharp, F-sharp and B.[1]

Étude No. 2, La leggierezza

La leggierezza (meaning “lightness”) is the second of the Three Concert Études. It is a monothematic piece in F minor with a very simple melodic line in each hand under an unusual Quasi allegretto tempo marking, usually ignored in favour of something a bit more frenetic.[3] It starts with a fast, but delicate sixteen chromatic-note arpeggio divided in thirds and sixths under an irregular rhythmic subdivision and cadenza so as to underline the light atmosphere of its title.[3] The technical difficulties involved are fast passages of minor thirds in the right hand and light, but quick leggiero chromatic scales.

Étude No. 3, Un sospiro

The third of the Three Concert Études is in D-flat major, and is usually known as Un sospiro (Italian for “A sigh”). However, it is likely that the title did not originate with Liszt. Although there is no evidence that he actively attempted to remove the subtitle, none of the editions or subsequent printings of the Three Concert Études published by Kistner during Liszt’s lifetime used them; he simply ignored such subtitles in later years, always referring to the piece by key.

The étude is a study in crossing hands, playing a simple melody with alternating hands, and arpeggios. It is also a study in the way hands should affect the melody with its many accentuations, or phrasing with alternating hands. The melody is quite dramatic, almost Impressionistic, radically changing in dynamics at times, and has inspired many listeners.

Un sospiro consists of a flowing background superimposed by a simple melody written in the third staff. This third staff—an additional treble staff—is written with the direction to the performer that notes with the stem up are for the right hand and notes with the stem down are for the left hand. The background alternates between the left and right hands in such a way that for most of the piece, while the left hand is playing the harmony, the right hand is playing the melody, and vice versa, with the left hand crossing over the right as it continues the melody for a short while before regressing again. There are also small cadenza sections requiring delicate fingerwork throughout the middle section of the piece.

Towards the end, after the main climax of the piece, both hands are needed to cross in an even more complex pattern. Since there are so many notes to be played rapidly and they are too far away from other clusters of notes that must be played as well, the hands are required to cross multiple times to reach dramatic notes near the end of the piece on the last page.

This étude, along with the other Three concert études, was written in dedication to Liszt’s uncle, Eduard Liszt (1817–1879), the youngest son of Liszt’s grandfather and the stepbrother of his own father. Eduard handled Liszt’s business affairs for more than thirty years until his death in 1879.

In film

what was that tune again?…Leroy Anderson’S The Typewriter (Voces para La Paz- La Paz Symphony Orchestra): make music part of your life series


Typewriter symphony Orchestra

The Typewriter, by Leroy Anderson

Liszt Ferenc – Missa Choralis: great compositions/performances



FROM:
77beton77    77beton77

Liszt Ferenc – Missa Choralis

Chopin Etude Op 25 No.11 HQ – Valentina Lisitsa: great performances


Chopin Etude Op 25 No.11 HQ

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Parle moi d’amour Lucienne Boyer and sountrack of Henry and June: make musisc part of your life


NYU Women’s Choir Spring 2010 – Nigra Sum: make music part of your life series


NYU Women’s Choir Spring 2010 – Nigra Sum

The Doors – L.A Woman (make music part of your life series)


The DoorsL.A Woman

They have taken the right away for me to play the audio for this video, however I am going to argue the removal because this song has been played all over by many radio stations and other online communities and YouTubers should have the right to listen to it too.

Another High Quality Music Release From OutsiderGamer

The Doors – L.A Woman – L.A. Woman 40th Anniversary – 2007

24 bits, 320 x 240, 15 fps
Lower Field First
DivX® 6.1 Codec (2 Logical CPUs)
Interleave audio for every 15 frames
PCM, 24.000 kHz, 16 Bit, Stereo

 

LEONARD COHEN : Story of Isaac