Franz Schubert‘s Symphony No. 3 in D major with István Kertész and the Wiener Philharmonic Orchestra
Franz Schubert‘s Symphony No. 3 in D major, D. 200, was written between 24 May and 19 July 1815, a few months after his eighteenth birthday. The length of this symphony is approximately 21–23 minutes. It is in four movements:
- I. Adagio maestoso — Allegro con brio
- II. Allegretto in G major
- III. Menuetto. Vivace
- IV. Presto vivace
The Allegro con brio, which follows a broad introduction in a form which reminds us of the French Overture in two parts, the first slow and dramatic, the second more lyrical, is remarkable for its charm and the interplay of solo clarinet with syncopated strings, which developed pp from within the bounds of the style of chamber music to the larger sphere of the symphonic form. This is an extremely dramatic movement in sonata form.
A delightful Allegretto in ternary form follows, full of grace and humor.
The concluding Presto in tarantella rhythm is remarkable for its bold harmonic progressions and for its wealth of dynamic contrast. This movement is in sonata form with a looser conception. (Source: http://en.wikipedia.org/wiki/Symphony_No._3_(Schubert)
Conductor István Kertész (August 28, 1929 – April 16, 1973)
was a Hungarian orchestral and operatic conductor.
Kertész was born in Budapest, Hungary, in 1929, the first child of Margit Muresian and Miklós Kertész. His sister, Vera, was born four years later. Miklós Kertész, born in Szécsény, Hungary into a large Jewish family, and the director of a leather-works, died of appendicitis in 1938. An energetic, intellectually gifted woman, Margit Muresian Kertész went to work to support her family. Despite strictures against women working professionally in Hungarian society during the first half of the twentieth century, Margit was steadily promoted until she ran the office where she was employed. Kertész began violin lessons at the age of six. “When I was six” he told a High Fidelity interviewer for the December 1969 issue “and started music, it was 1935 and cruel things were going on in Europe… I found my `exile’ in music, practicing the piano, the fiddle, and writing little compositions. By the time he was twelve, Kertész began to study the piano as well.
Shubert’s symphonies never failed to touch my spirit in a unique manner. Symphony No.3 is one of the most beautiful pieces of music ever composed, youthful, full of energy, vitality and hope.
- Franz Schubert: Symphony in B minor ‘Unfinished’ conducted by Bruno Walter. (euzicasa.wordpress.com)