Daily Archives: July 30, 2013

Today’s Birthday: PHILIP THE GOOD, DUKE OF BURGUNDY (1396)


Philip the Good, Duke of Burgundy (1396)

A man of shifting alliances, Philip the Good ruled Burgundy at the height of its prestige and presided over one of Europe’s most lavish courts. After his father was murdered during a meeting with the dauphin of France—the future King Charles VII—Philip formed an alliance with England but then broke it to recognize Charles as king and gain French favor. Phillip soon turned on Charles, however, sheltering his rebellious son, the eventual King Louis XI. Who was captured by Phillip’s troops in 1430?More… Discuss

 

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Quotation: Jerome K. Jerome on Love :)


If you would taste love, drink of the pure stream that youth pours out at your feet. Do not wait till it has become a muddy river before you stoop to catch its waves.

Jerome K. Jerome (1859-1927) Discuss

This Day in the Yesteryear: K2 IS SUMMITED FOR THE FIRST TIME (1954)


K2 Is Summited for the First Time (1954)

Rising 28,251 ft (8,611 m) between China and Pakistan, K2 is the second-highest peak in the world after Mount Everest. Severe storms make K2 more dangerous to climb, however, and it has never been summited in winter. Measured in 1856, it was not summited until nearly 100 years later. In 1954, Italians Achille Compagnoni and Lino Lacedelli reached the top with the help of crew members who carried oxygen to above 26,245 feet (8,000 m). What thwarted an American attempt just one year earlier? More… Discuss

 

TV IS GOING TO THE DOGS, LITERALLY


TV Is Going to the Dogs, Literally


In August, DirecTV, a US-based satellite broadcasting service, will be launching the first television channel with round-the-clock programming for man’s best friend. DOGTV will air programs designed specifically for dogs, with their particular vision and hearing needs in mind. For just $4.99 a month, doting pooch owners will have access to this 24/7 stream of programming meant to relax, stimulate, and relieve the loneliness of their canines. More…Discuss
 

 

NEMESIS and Life in The Universe Documentary On History Channel


Nemesis

In 1984, paleontologists David Raup and Jack Sepkoski posited that mass extinction events are cyclical, happening about every 26 million years, and are often caused by large impact events—such as the asteroid that may have led to the end of the dinosaurs 65 million years ago. Some astronomers sought to explain the theory with Nemesis, a hypothetical companion star to the Sun about 1.5 light-years away. According to the hypothesis, how was Nemesis responsible for these extinction events? More… Discuss

Chrysotile – Arizona Ghost Town


 

Chrysotile – Arizona Ghost Town.

The Firebird: Infernal Dance, by Igor Stravinsky



Infernal Dance from The Firebird by Igor Stravinsky, from Fullerton College Symphony live concert 5/17/09. I’m the pianist, although the piano is mostly just adding color in this movement. Conducted, edited and uploaded by Dean Anderson,http://www.youtube.com/rosechamberorc.

NATALIE PORTMAN PUTS HERSELF THROUGH TORTURE: “Goya’s Ghost”



Natalie Portman discusses the film Goya’s Ghosts’ stance on torture and how it still exists today.

La Forza Del Destino, Overture – G. Verdi



Title: La Forza Del Destino, Overture.

Composer: Giuseppe Francesco Verdi.
Artist: James Levine, London Symphony Orchestra.

Painting by Francisco De Goya.

Johann Strauss – Voices of Spring Andre Rieu


Jaqueline du Pré-Beethoven-Piano Trio op.70-part 1 of 3 (play entire playlist)



Ludwig van Beethoven: Trio Op.70 No.1 in D major-in re maggiore “Geistertrio” “Degli spettri” “Ghost” -first movement: Allegro vivace e con brio (HD video)
Jaqueline du Pré-Cello
Daniel Barenboim-Piano
Pinchas Zukerman-Violin

 

Hidden treasures – Ernest Chausson – La tempête (1888) & La légende de Sainte Cécile (1891)



Painting: “After the shipwreck” by Ivan Aivazovsky.

History: From an early age Ernest Chausson (1855-1899) showed great promise in literature, drawing and law before finally turning his attention to music. In 1879, after receiving a doctorate in law and being sworn in as a barrister, he became a pupil in instrumentation under the celebrated Massenet (who thought very highly of Chausson, naming him “a true artist”) at the Conservatoire, while also attending lectures given by Franck and visiting Germany to familiarize himself with the operas of Wagner (these three stylistic aesthetics would guide him throughout his life). However, after Chausson failed to achieve a winning place on the Prix de Rome, he decided to give up official tuition. His peaceful family life and financial security allowed the young composer to continue the pursuit of a musical career, to keep a famous musical salon at 22 Boulevard de Courcelles and to help young talent (in particular, Debussy) and continuing to compose regularly. Chausson’s musical output was relatively compact (just a bit below forty opuses) yet incredibly wide-ranging, encompassing melodies (“Nanny” and “La derniere feuille” (both 1880)), sacred music, symphonies and, finally, opera (“Le roi Arthus“). In the case of the present upload, we will approach two examples of his incidental music, almost the entire amount of which was written for the Theatre des Marionettes. Chausson become connected to the venue through his relationship with the writer Maurice Boucher, an old school chum, with whom he collaborated on several piece earlier. The project began promisingly with a rapturously received translation of Shakespeare’s “The Tempest” (1888), Aristophanes’ “The Birds” (1889) and several more or less original plays. In the case of “La legende de Sainte Cecile” (1892), however, Chausson was openly unenthusiastic, and the collaboration strained the friendship of writer and composer and was not successful financially.

P.S. Shakespeare’s synopsis of “The Tempest” can be accessed here:
http://www.shakespeare-literature.com…

Music: “La tempete” is not a score of grand ambitions or Wagnerian aspirations: indeed, the fifteen pieces that make up the work are episodic in nature, living up to their name of incidental sketches to Shakespeare’s play. Moreover, one should note that the late romantic language of Chausson’s music, showing influences of Wagner and Saint-Saens, is somewhat alien to the play’s classic character. But the composer’s success in bringing out the drama and the power of one of the Bard’s most emblematic plays cannot be overstated. The points of interest are numerous and practically encompass the whole set: the right-hand man of Prospero, Ariel (tenor), is graced both by a warm call for Ferdinand to follow him to “these yellow sands”, accompanied by an enchanting celesta (arguably this was the first public use of the then new instrument) r, and an ominous aria where he paints to a shocked Ferdinand an image of his drowned father’s “coral bones”, with its beautifully shifting tessitura and striking orchestral accompaniment of sustained string lines and pointed appearances of the harp; the goddess’ (soprano and mezzo-soprano) dramatic duet is properly celestial in conception with a culmination worthy of Wagner in its symphonic use of orchestra and heavy vocal lines; at the other end of the spectrum stands Stephano’s (bass) humorous a capella song, ideally swaggering and simplistic in melody. But while the vocal sections are striking, the various preludes and melodramas are even more attractive and distinctive, ranging from a tremulous agitato with a large amount of challenging wind work in Act IV and a mercurial duettino for flute and tambour in Act III. “Saint-Cecile” is an altogether more overtly dramatic work, an oratorio in miniature with its omnipotent chorus and ominous religious overtones. Though musically less attractive than its companion piece (the “angelic” choral movements are rather generic), the sacred work contains at least two magnificent pieces which have been included in the present upload: a magnificent adagio hymn to Saint Michael which is gradually elaborated over three melodramas (the second statement is the one presented) and a cantatique for the title-heroine of the utmost subtlety and a weeping melody worthy of Schubert. All in all, two works full of some gorgeous rarities. Continue reading

New at EuZicAsa: WIDGET – LEGENDS OF AMERICA – VISIT HERE – (and on the Sidebar of my blog: If you are in that sort of things!)


LEGENDS OF AMERICA - VISIT HERE -

LEGENDS OF AMERICA – VISIT HERE – 🙂 

Danny O’Keefe – Only An Ocean Away


Sleep (Anywhere On Earth You Are) – Danny O’Keefe


Acoma Pueblo – Ancient Sky City


 

Acoma Pueblo - Ancient Sky City - Photograph by Ansel Adams (New Mexico Legends)

Acoma Pueblo – Ancient Sky City.

Nuclear Event – State of Missouri, [Callaway Nuclear Plant]


Family Survival Protocol - Microcosm News

Earth Watch Report  –  Nuclear  Event

Shown is the Callaway Nuclear Plant, about 10 miles southeast of Fulton.

7.28.2013Nuclear EventUSAState of Missouri, [Callaway Nuclear Plant]Damage levelDetails

Nuclear Event in USA on Sunday, 28 July, 2013 at 04:12 (04:12 AM) UTC.

Description
The in-house fire brigade quickly contained and extinguished a small fire at the nuclear power plant just outside Fulton late Friday night, according to officials. At 11:49 p.m. Friday, Ameren Missouri Callaway Energy Center declared an “Unusual Event” due to a small fire in the turbine building, a press release from Ameren Missouri electric company stated. “At no time did the situation threaten the public or nearby communities. No one was injured,” the press release stated. Barry Cox, senior director of nuclear operations for the Callaway Energy Center, told the Fulton Sun there is a fire brigade on duty 24 hours per day, seven days per week and was able to put out the fire. “No off-site…

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We Know Who You Are: 71 Senators Reject States’ Rights to Label GMOs


There are slavish souls – Friedrich Nietzsche


Report: Bicyclist Stopped For Not Having Lights After Dark . . . Ends Up In Hospital With Dislocated Shoulder and Fractures


JONATHAN TURLEY

Lapd_badgeBrian Cisneros, 34, is accusing the Los Angeles Police Department of assaulting him without provocation last week. Cisneros says that he was riding his bike when officers allegedly jumped out of a cruiser and beat him severely. He was charged with “for no lights after hours of darkness.” He has charged the officers with police abuse in a complaint.

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Different types of Durian


AddGrainOnEarth

Here are different types of Durian shown above and some recommended below.

D24 – Bittersweet in taste, with small seed and flesh in dark yellow color.

This is one of the most expensive varieties.

XO – It has bitter taste and XO aftertaste. This is one of the most expensive among all.

Hong Xia- (meaning red prawn) the flesh in the color of cooked prawn, thin and orangey, strong aroma.

Mao Shan Wang- (meaning mountain cat king) the flesh that is firm on the outside, creamy on the inside. Having the most satisfying of all durians types, having said that, this is considered the best among all.

Red, Orange meat- one of the rare varieties, fruits are very small and can be held by one palm. Both are considered as Wild Durians.

Esplanade – The biggest Durian in the world

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Claudio Arrau plays Schubert Sonata D.894



00:00 – Allegro moderato e cantabile
18:55 – Andante
30:29 – Menuetto
35:44 – Allegretto

no copyright infringement intended

http://www.youtube.com/newfranzferenc…

Claudio Arrau Beethoven “Les Adieux”



Piano Sonata No. 26 in E flat major, Op. 81a “Les Adieux”
I. Das Lebewohl: Adagio – Allegro
II. Abwesenheit: Andante espressivo
III. Das Wiedersehn: Vivacissimamente
Ludwig van Beethoven (1770-1827)
Claudio Arrau (1903-1991)

Mikhail Glinka: Ruslan and Lyudmila – Overture, Akt I: Introduction



Russian: Михаи́л Ива́нович Гли́нка – Руслан и Людмила
Vladimir Jurowski (direction), Bolshoi Theatre, Moscow (2011)
Albina Shagimuratova (Ludmila), Mikhail Petrenko (Ruslan), NC (Ratmir), 
Alexei Tanovitsky (Farlaf), Alexandrina Pendatchanka (Gorislava), 
Charles Workman (Finn/Bayan), Elena Obraztstova (Naina), Vladimir Ognovenko (Svetozar)

 

J. Mysliveček: Op. 1 n. 4 / Sinfonia a quattro (Nuremberg, 1764) / Czech Chamber Philarmonic



JOSEF MYSLIVEČEK also know as IL DIVINO BOEMO [1737 – 1781]

from SEI SINFONIE A QUATTRO: Op. 1 n. 4
(Nuremberg, J. U. Haffner, 1764)
Sinfonia in D major
I. Allegro – 0:05
II. Andantino – 2:09
III. Presto – 4:44
Czech Chamber Philarmonic Orchestra / Vojtech Spurny (conductor)
http://www.ceskafilharmonie.cz/en/

 

Gustav Holst, Three Pieces for oboe and string quartet: 2. Minuet



Gustav Holst, Three Pieces for oboe and string quartet: 2. Minuet
Liepaja String Quartet, recorded in Bauska Castle, November 2012

50 Jahre EGGER: Deutschland / Richard Wagner / Tannhäuser / Festmarsch



Präsentation der EGGER-Aktivitäten in Deutschland anlässlich der 50 Jahr-Feier · K&K Philharmoniker Dirigent: Matthias G. Kendlinger · Gestaltung P. Beringer

BBC News – Bradley Manning guilty of espionage in Wikileaks case


 

BBC News – Bradley Manning guilty of espionage in Wikileaks case.

Headlines for July 30, 2013 | Democracy Now!


Headlines for July 30, 2013 | Democracy Now!.

Georges Cziffra Plays Liszt’s Polonaise No.2 in E Major


Miles Hoffman plays Schumann Adagio and Allegro, Op. 70



Miles Hoffman, viola.
Michael Adcock, piano.
Recorded in performance.
Photo: Mary Noble Ours.

BBC News – Manning verdict a relief to potential whistleblowers


 

BBC News – Manning verdict a relief to potential whistleblowers.

Life and Death in Assisted Living | FRONTLINE | PBS


Life and Death in Assisted Living | FRONTLINE | PBS.

Orchestral Suite No. 3 in D Major, BWV 1068, Air – J. S. Bach



Title: Orchestral Suite No. 3 in D Major, BWV 1068, 2. Air.

Composer: Johann Sebastian Bach.
Artist: Neville Marriner, Academy Of St Martin In The Fields.

Painting by Jacob Philipp Hackert.

Success of EPA Climate Standards Will Depend on White House Support | Center for Effective Government


 

Success of EPA Climate Standards Will Depend on White House Support | Center for Effective Government.

JPMorgan Chase subsidiary to pay $410 million penalty in electricity pricing scheme – The Washington Post


 

JPMorgan Chase subsidiary to pay $410 million penalty in electricity pricing scheme – The Washington Post.

Protecting privacy hinges on reining in companies – San Francisco Chronicle


 

Protecting privacy hinges on reining in companies – San Francisco Chronicle.

New Mideast Talks Hang on Old Question: Will U.S. Drop Support for Israeli Annexation of West Bank? – YouTube


New Mideast Talks Hang on Old Question: Will U.S. Drop Support for Israeli Annexation of West Bank? – YouTube.

Published on Jul 30, 2013

 

http://www.democracynow.org – Israel and the Palestinian Authority have resumed peace talks for the first time in three years, but the two sides appear as far apart as ever on the key issues of borders, settlers, refugees and the status of Jerusalem. We’re joined by scholar and author Norman Finkelstein and Yousef Munayyer, executive director of The Jerusalem Fund and its educational program, The Palestine Center. Munayyer says the talks hinge on a major reversal of the longstanding U.S. role in the conflict. “Instead of acting as an enforcer of international law, as an enforcer of Israeli obligations in previous commitments, the United States has only acted instead as an enforcer of Israeli positions,” Munayyer says. “If you’re on the Palestinian end, there’s really no interest for you to keep going back to negotiations that only act as a cover for Israel’s continued colonial activities in the West Bank.” Finkelstein says the true hope for peace lies in a non-violent Palestinian movement that can force enough global pressure on Israel to obey international law and abandon its West Bank settlements. “The Palestinians are not demonstrating any power, so of course they’re going to be clobbered by the United States and Israel,” Finkelstein says. “The question is, can you change the power equation? And I think there are realistic possibilities for changing that equation. Number one: use the instrument of international law to isolate Israel in public opinion. And number two: You need massive Palestinian civil disobedience with, unfortunately, the force and repression that Israel unleashes to galvanize international opinion. That was exactly the strategy of the civil rights movement.”

Democracy Now!, is an independent global news hour that airs weekdays on 1,100+ TV and radio stations Monday through Friday. Watch it live 8-9am ET at http://www.democracynow.org.

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White House briefings – where’s the news? – San Francisco Chronicle


 

White House briefings – where’s the news? – San Francisco Chronicle.

How U.S. Representatives Are Defending Prisoners of Conscience


 

How U.S. Representatives Are Defending Prisoners of Conscience.

Photo Gallery: vigil with Pope Francis at WYD 2013


 

Photo Gallery: vigil with Pope Francis at WYD 2013.

As Negotiations Begin, Advocates Decry Secrecy and Substance of U.S.-EU Trade Agreement | Center for Effective Government


 

As Negotiations Begin, Advocates Decry Secrecy and Substance of U.S.-EU Trade Agreement | Center for Effective Government.

Democracy Now! U.S. and World News Headlines for Tuesday, July 30 – YouTube


via Democracy Now! U.S. and World News Headlines for Tuesday, July 30 – YouTube.
Visit http://www.democracynow.org to watch the entire independent, global news hour. This is a summary of news headlines from the United States and around the world as reported by Democracy Now! on Tuesday, July 30, 2013. Visit our website to read the complete transcript, search the vast news archive, or to make a donation to support our non-profit news program.

FOLLOW DEMOCRACY NOW! ONLINE:
Facebook: http://www.facebook.com/democracynow 
Twitter: @democracynow 
Subscribe on YouTube: http://www.youtube.com/democracynow 
Listen on SoundCloud: http://www.soundcloud.com/democracynow 
Daily Email News Digest: http://www.democracynow.org/subscribe 
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Watch it live 8-9am ET via livestream athttp://www.democracynow.org.

Please consider supporting independent media by making a donation to Democracy Now! today, visithttp://www.democracynow.org/donate/YT

Pitched Battle for GMO Labeling Continues | Center for Effective Government


 

Pitched Battle for GMO Labeling Continues | Center for Effective Government.

Beethoven Piano Sonata 15 D major Pastoral Op 28 Barenboim



From Wikipedia:
Piano Sonata No. 15 in D major, Op. 28, is a piano sonata by Ludwig van Beethoven. It was named Pastoral or Pastorale by Beethoven’s publisher at the time, A. Cranz. While not as widely recognised as its immediate predecessor, Piano Sonata No. 14, it is admired for the intricacy and technicality in the beauty it portrays. It takes roughly 35 minutes to play the entire work as intended with repeats.

Published in 1801, it is dedicated to the Count Joseph von Sonnenfels. This sonata was written at a time when Beethoven’s alarm at his worsening deafness was increasing. Nevertheless, Beethoven paints a serene image with this sonata.

The whole sonata is in D major, and follows the typical four-movement form of the classical sonata.

  1. Allegro
  2. Andante
  3. ScherzoAllegro vivace
  4. RondoAllegro ma non troppo

“Pastoral”

It has been speculated whether the title ‘pastoral‘ refers to the sense of countryside and nature (the 6th symphony pastoral sense), or to its sense of calm, simplicity and lightness. Beethoven’s publishers had a tendency to name his sonatas without any consultation from Beethoven himself. Beethoven wrote most of his works with greatly contrasting parts, and behaves no differently in this sonata. Though its first and last movements can well be described as “pastorale,” the inner two bear no real similarity to the name at all.

 

Johannes Brahms – Trio for Clarinet, Cello and Piano in A Minor, Op. 114



Clarinet Trio (Brahms)
Trio for Clarinet, Violoncello and Piano in A-Minor, Op. 114.
The movements are:

 

(Recording, 1968.)

Karl Leister, Clarinet.

Georg Donderer, Violoncello.
Christoph Eschenbach, Piano.

The Trio for clarinet, cello and piano in A Minor, Op. 114, was one of four chamber works featuring clarinet composed by Johannes Brahms in rapid succession after emerging from retirement toward the end of his life. Brahms was inspired to compose these works by the playing of clarinettist Richard Muhlfeld. It is one of a small number of compositions for clarinet, cello and piano, and one of the very few to have entered the standard repertoire. Eusebius Mandyczewski, a scholar and friend of Brahms, wrote of the trio that “It is as though the instruments were in love with each other.”