Great Compositions/Performances: Schumann – Alexis Weissenberg (1967) Davidsbündlertänze, Op 6


The first edition is preceded by the following epigraph:

Alter Spruch:

In all und jeder Zeit
Verknüpft sich Lust und Leid:
Bleibt fromm in Lust und seid
Dem Leid mit Mut bereit

(Old saying:

In each and every age
joy and sorrow are mingled:
Remain pious in joy,
and be ready for sorrow with courage.)

The individual pieces, unnamed, have the following tempo markings, keys and ascriptions: Lebhaft (Vivace), G major, Florestan and Eusebius; Innig (Con intimo sentimento), B minor, Eusebius; Etwas hahnbüchen (Un poco impetuoso) (1st edition), Mit Humor (Con umore) (2nd edition), G major, Florestan (Hahnbüchen, now usually hahnebüchen (also hanebüchen or hagebüchen), is an untranslatable colloquialism roughly meaning “coarse” or “clumsy.” Apparently, it originally meant “made of hornbeam wood.” (See the article “Hanebüchen” in the German version of Wikipedia.) Ernest Hutcheson translated it as “cockeyed” in his book The Literature of the Piano.); Ungeduldig (Con impazienza), B minor, Florestan; Einfach (Semplice), D major, Eusebius; Sehr rasch und in sich hinein (Molto vivo, con intimo fervore) (1st edition), Sehr rasch (Molto vivo) (2nd edition), D minor, Florestan; Nicht schnell mit äußerst starker Empfindung (Non presto profondamente espressivo) (1st edition), Nicht schnell (Non presto) (2nd edition), G minor, Eusebius; Frisch (Con freschezza), C minor, Florestan; No tempo indication (metronome mark of 1 crotchet = 126) (1st edition), Lebhaft (Vivace) (2nd edition), C major, Florestan; Balladenmäßig sehr rasch (Alla ballata molto vivo) (1st edition), (“Sehr” and “Molto” capitalized in 2nd edition), D minor (ends major), Florestan; Einfach (Semplice), B minor-D major, Eusebius; Mit Humor (Con umore), B minor-E minor and major, Florestan; Wild und lustig (Selvaggio e gaio), B minor and major, Florestan and Eusebius; Zart und singend (Dolce e cantando), E♭ major, Eusebius; Frisch (Con freschezza), B♭ major – Etwas bewegter (poco piu mosso), E♭ major (return to opening section is optional), Florestan and Eusebius; Mit gutem Humor (Con buon umore) (in 2nd edition, “Con umore”), G major – Etwas langsamer (Un poco più lento), B minor; leading without a break into Wie aus der Ferne (Come da lontano), B major and minor (including a full reprise of No. 2), Florestan and Eusebius; and Nicht schnell (Non presto), C major, Eusebius.

 

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3 responses to “Great Compositions/Performances: Schumann – Alexis Weissenberg (1967) Davidsbündlertänze, Op 6

  1. Pingback: Schumann – Symphony n°3, in E flat, Op.97 – Philharmonia Orchestra/ Carlo Maria Giulini: great compositions/performances | euzicasa

  2. Pingback: Legendary Performances: Schumann – Symphony No. 4 in D minor Op. 120 – Furtwängler, BPO, 1953 (Remastered 2012) | euzicasa

  3. Pingback: Great Compositions/Performances: Horowitz plays Schumann Toccata in C Major, Op.7 | euzicasa

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