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I have a very interesting little story for all of you in regards to this song and it’s meaning. About 15 years ago, I was taking an English class in University, and the and the professor of the class had an assignment for us. He handed out a sheet of paper face down to everyone. When we turned it over, we were told to write what we thought the song was about. He added, however, that the song was NOT about a cult so don’t even write that. So, basically almost every member of the class then proceeded along the next route….the drugs/addiction metaphors. When we were done, he proceeded to tell us what the song, and the corresponding album were ACTUALLY about. It seems our prof had, at one time, lived in the California area and was very good friends with a certain drummer named Don Henley. Don explained the story behind the song to him, and said he was amused at the wide varieties of interpretations the song had developed over time. According to the source, The “Hotel California” is actually, L.A. itself. The song and album take you on a trip though the music industry in L.A. in the late sixties early seventies, when agents and studios controlled artists like puppets. Back in the late sixties, 1969 to be exact, there was a major onslaught of artists being signed left, right and center, and artisit at the time were often known to basically “sell their soul” to a record company executive in order to get a recording contract. Many times these artists were given little if anything for their music, and thus ended up basically a victom to their love of music. Just imagine the scene at the time, it’s late 60’s, you are on your way to L.A. to strike it big with dreams of glamour and fame…and you basically are prepared to sell your soul of you have to to attain it. I must admit, when I first heard this explaination, I was a little skeptical…but trust me….listen to the WHOLE album again, start to finish and keep this definition in mind when you do it. Every song ties together in one big story, finishing off with the Last Resort which gives you a clear summery of the whole album and idea. I don’t deny that drugs and addiction have a lot to do with the lifestyle and results of the quest for fame. All I ask is to keep an open mind and think of “The Hotel California” as L.A., and you may be surprised.
I know what this song is about, not a cult it’s about drugs.
“Then she lit up a candle and she showed me the way ” That’s not a candle she’s lighting up.
“Some dance to remember, some dance to forget” Some people do them do remember good memories, some people do them to forget bad memories.
‘We are all just prisoners here, of our own device” That is basically what drug users are
“The stab it with their steely knives But they just can’t kill the beast” The beast being the addiction/
“You can checkout any time you like, but you can never leave!” You can always say you aren’t addicted or that you can quit anytime you want, but you’ll always end up going back to them.
Pretty basic clear maening, there are other metaphors in there to decipher but that’s tha basics.
Don Felder from the Eagles:
I remember the day when I came up with the idea for the song:
“I had just leased this house out on the beach at Malibu–I guess it was around ’74 or ’75. I remember sitting in the living room, with the doors wide open, on a spectacular July day. I had a bathing suit on and I was sitting on this couch, soaking wet, thinking the world is a wonderful place to be. I had this acoustic 12-string and started tinkling around with it, and those ‘Hotel California’ chords just kind of oozed out. I had a TEAC four-track set up in one of the back bedrooms and I ran back there to put this idea down before I forgot it. I also had one of those old Rhythm Ace things, and I remember it was set to play this cha-cha beat. I played the 12-string on top of that. A few days later, I came up with a bass line and mixed the whole thing to mono, ping-ponging back and forth on this little four-track.”
Eagles singer/guitarist Don Henley picked the song out of a cassette containing eight or ten different ideas that Felder had put together. “Henley said, “I really love that one that sounds like a matador or something,” Felder recalls.
Originally written and recorded in E minor, the song was ultimately transposed to B-minor and re-recorded to accommodate the vocal melody delivered by Henley. Felder capoed his acoustic 12-string at the seventh fret, which enabled him to preserve the open chord shapes of his original guitar arrangement. The “High strung” timbre produced by the capo’s placement, enhanced by processing the 12-string through a Leslie cabinet, ended up becoming part of the song’s distinctive sound. Felder played all of the song’s guitar tracks except for the landmark solo, for which Felder and Joe Walsh traded licks and harmonies. “Joe and I sat on two stools and worked the whole thing out,” Felder recalls.
Don Henley and Glenn Frey collaborated on the song’s memorable lyric. “Glenn had this idea,” Felder remembers. “The fantasy of California. It’s supposed to be a microcosm of the world. Glenn is great at conceptualizing. He’ll say, ‘I can see this guy driving in the desert at night and you can see the lights of L.A. way off in the horizon.’ Henley gets the picture and goes from there.