Category Archives: MEMORIES

Alexander Scriabin Piano Concerto f-sharp minor opus 20 – II. Andante


Alexander Scriabin Piano Concerto f-sharp minor opus 20 – II. Andante

Amazing Music/Performances: Schubert Piano Sonata No 9 in B, D575 Andras Schiff


Schubert Piano Sonata No 9 in B, D575 Andras Schiff

Historic Musical Bits: David Oistrakh – Mozart – Violin Concerto No 3 in G major, K 216


David Oistrakh – Mozart – Violin Concerto No 3 in G major, K 216

The man does better who runs from disaster than he who is caught by it. Homer


The man does better who runs from disaster than he who is caught by it.

Homer (900 BC-800 BC) Discuss

make music part of your life series: Alexander Glazunov – Concert Waltz Nr. 2


Alexander Glazunov – Concert Waltz Nr. 2

historic musical bits: BEETHOVEN Piano Trio No.7 ‘Archduke’ | E.Gilels, L.Kogan, M.Rostropovich | 1956


BEETHOVEN Piano Trio No.7 ‘Archduke’ | E.Gilels, L.Kogan, M.Rostropovich | 1956

Make music part of your life series: Romanian Rhapsody George Enescu


Romanian Rhapsody George Enescu

great compositions/performances: Yuja Wang plays Gershwin : Piano Concerto in F (1925)


Yuja Wang plays Gershwin : Piano Concerto in F (1925)

historic musical bits: Claude Debussy: La Mer; Philharmonia Orchestra, Herbert von Karajan (1953)


Claude Debussy: La Mer; Philharmonia Orchestra, Herbert von Karajan (1953)

great compositions/performances: Rachmaninov – Concerto 1 – Pletnev


Rachmaninov – Concerto 1 – Pletnev

 

make music part of your life series: Willem van Twillert plays, J.S. Bach, Bist du bei mir (BWV 508), Hinsz-organ, Leens


Willem van Twillert plays, J.S. Bach, Bist du bei mir [BWV 508], Hinsz-organ, Leens [NL]

historic musical bits: Antonín Dvořák – Symphony No. 9 in E Minor “From the New World” By Von Karajan


Antonín Dvořák – Symphony No. 9 in E Minor “From the New World” By Von Karajan

Stairway to Heaven live (Rodrigo y Gabriela)


Stairway to Heaven live (Rodrigo y Gabriela)

Antony singing If It Be Your Will (sometimes , people find their voice, and once in a while they recognize genius)


Antony singing If It Be Your Will (poem and song by the genius of Leonard Cohen )


Bird on a wire-Perla Batalla_ Special_Features “I’m Your Man”

Va amintesc: Din Muzica Popoarelor: Irish & Celtic Music Collection 1


Irish & Celtic Music Collection 1

great compositions/performances: Ennio Morricone – Cinema Paradiso (In Concerto – Venezia 10.11.07)


Ennio Morricone – Cinema Paradiso (In Concerto – Venezia 10.11.07)

2,441,426

Pastravaria Vistisoara un loc in rai, Tara Fagarsului


Pastravaria Vistisoara un loc in rai, Tara Fagarsului (accesibil de aici)

Pastravaria Vistisoara un loc in rai, Tara Fagarsului (accesibil de aici)

Just a Thought: “So long as we adapt without giving up or giving in.”


Just a Thought:  “So long as we adapt without giving up or giving in.”

By George-B, July 1, 2015.

great compositions/performances: Dvorák – Symphony No 8 in G major, Op 88 – Krivine


Dvorák – Symphony No 8 in G major, Op 88 – Krivine

great compositions/performances: ,Claude Debussy – Nocturnes


Claude Debussy – Nocturnes

great compositions/performances: Glazunov “Symphony No 7″ USSR Ministry of Culture Symphony OrchestraGennadi Rozhdestvensky


Glazunov “Symphony No 7″ Gennadi Rozhdestvensky

today’s birthday: Frida Kahlo (1907)


Frida Kahlo (1907)

Kahlo, a Mexican artist noted for her self-portraits, taught herself to paint while recovering from a severe bus accident that crippled her as a teen and required her to undergo some 35 operations. Drawing on her personal experiences, her works often starkly portray pain and the harsh lives of women. Though once known only as the wife of famous Mexican artist Diego Rivera, she eventually eclipsed his fame. Of her 143 paintings, how many are self-portraits? More… Discuss


Schumann Kinderszenen op. 15 Radu Lupu

Published on Oct 18, 2013

Robert Schumann Kinderszenen, op. 15
Radu Lupu , January 1993

Kinderszenen

From Wikipedia, the free encyclopedia
 

First edition title page

Kinderszenen (German pronunciation: [ˈkɪndɐˌst͡seːnən]; original spelling Kinderscenen, “Scenes from Childhood”), Opus 15, by Robert Schumann, is a set of thirteen pieces of music for piano written in 1838. In this work, Schumann provides us with his adult reminiscences of childhood. Schumann had originally written 30 movements for this work, but chose 13 for the final version.[1] Robert Polansky has discussed the unused movements.[2]

Nr. 7, Träumerei, is one of Schumann’s best known pieces; it was the title of a 1944 German biographical film on Robert Schumann.[3] Träumerei is also the opening and closing musical theme in the 1947 Hollywood film Song of Love, starring Katharine Hepburn as Clara Wieck Schumann.[4]

Schumann had originally labeled this work Leichte Stücke (Easy Pieces). Likewise, the section titles were only added after the completion of the music, and Schumann described the titles as “nothing more than delicate hints for execution and interpretation”.[5] Timothy Taylor has discussed Schumann’s choice of titles for this work in the context of the changing situation of music in 19th century culture and economics.[6]

In 1974, Eric Sams noted that there was no known complete manuscript of Kinderszenen.[7]

Parts/Movements

  1. Von fremden Ländern und Menschen (Of Foreign Lands and Peoples),  G major
  2. Curiose Geschichte (A Curious Story),  D major
  3. Hasche-Mann (Blind Man’s Buff), B minor
  4. Bittendes Kind (Pleading Child), D major
  5. Glückes genug (Quite Happy), D major
  6. Wichtige Bebebenheit (An Important Event), A major
  7. Träumerei (Dreaming), F major
  8. Am Camin (At the Fireside), F major
  9. Ritter vom Steckenpferd (Knight of the Hobby-Horse), C major
  10. Fast zu ernst (Almost too Serious), G-sharp minor
  11. Fürchtenmachen (Frightening), E minor
  12. Kind im Einschlummern (Child Falling Asleep), E minor
  13. Ffrom Der Dichter spricht (The Poet Speaks), G major

Description by Blair Johnston  (ALL MUSIC)

The 13 pieces that constitute Robert Schumann‘s Kinderszenen for piano (Scenes from Childhood), Op. 15 (1838) showcase their creator’s musical imagination at the peak of its poetic clarity. As a result, the Kinderszenen have long been staples of the repertoire as utterly charming yet substantial miniatures, the sort of compact keyboard essays in which Schumann‘s genius found full expression. Kinderszenen was one of the projects Schumann worked on during the spring of 1838 to get through a difficult period of separation from his fiancée, Clara Wieck, who was on tour as a pianist and whose father objected to the idea of her marriage to the composer. In March of that year, Schumann wrote to Clara, “I have been waiting for your letter and have in the meantime filled several books with pieces…. You once said to me that I often seemed like a child, and I suddenly got inspired and knocked off around 30 quaint little pieces…. I selected several and titled them Kinderszenen. You will enjoy them, though you will need to forget that you are a virtuoso when you play them.” The Kinderszenen are a touching tribute to the eternal, universal memories and feelings of childhood from a nostalgic adult perspective; unlike a number of Schumann‘s collections of piano character pieces (e.g. Album for the Young, Op. 68), the Kinderszenen are not intended to be played by children. Schumann claimed that the picturesque titles attached to the pieces were added as an afterthought in order to provide subtle suggestions to the player, a model Debussy followed decades later in his Preludes. Almost all of the Kinderszenen are miniature ternary (ABA) forms. Scene No. 1, “Von fremden Ländern und Menschen” (Of Foreign Lands and People), opens with a lovely melody whose basic motivic substance, by appearing in several vague guises throughout many of the other pieces, serves as a general unifying element. The seventh Scene, “Träumerei” (Reverie), is easily the most famous piece in the set; its charming melody and quieting power have recommended it to generations of concert pianists who wish to calm audiences after a long series of rousing encores. The Kinderszenen contain many delicate musical touches; Scene No. 4, “Bittendes Kind” (Pleading Child), for example, is harmonically resolved only when an unseen force (a parent?) gives in and grant the child’s wish at the beginning of No. 5, “Glückes genug” (Quite Happy). In the final piece, “Der Dichter spricht” (The Poet Speaks), Schumann removes himself just a bit from the indulgent reverie to formulate a narrator’s omniscient view of the child. Quietly, gently, the many moods and feelings that Schumann touched upon over the course of this remarkable 20-minute work are lovingly recalled, and the composition concludes, contentedly, in the same key of G major in which it began.

Lafayette’s Hermione, by George-B: HAPPY JULY 4!


Lafayette's Hermione,  by George-, B Copyright 2105 (no Getty's you can't claim this...It's mine!)

Lafayette’s Hermione, by George-, B Copyright 2105 (no Getty’s you can’t claim this…It’s mine!)

Lafayette’s Hermione,  by George-B (copyright 2015)

From Saints Peter and Paul Pray for Us.


Sts-Peter-and-Paul - Pray for Us

Sts-Peter-and-Paul – Pray for Us (access CBCP News from EUZICASA)

CBCP News

Saints Peter and Paul, pray for us.

Download this cool graphic at our website
http://www.cbcpnews.com/cbcpnews/?p=58893

Great compositions/performances: ALEXANDER BORODIN – String Quartet No 2 in D major


ALEXANDER BORODIN – String Quartet No 2 in D major

Great compositions/performances: Antonin Dvorak , String Quintet No. 3, In E Flat Major, Op 97, by Dvorak Quartet, with Josef Kodousesk, viola


Henry David Thoreau — ‘A lake is a landscape’s most beautiful and expressive feature. … ― Henry David Thoreau, Walden.

Antonin Dvorak,String Quintet No.3, In E Flat Major, Op 97(It is a Viola Quitet)

this day in the yesteryear: Henry David Thoreau Begins Two Years of Simple Living (1845)


Henry David Thoreau Begins Two Years of Simple Living (1845)

In 1845, Thoreau, an American author and naturalist, built himself a cabin on the shore of Walden Pond in Massachusetts. He spent the next two years, two months, and two days there, observing nature, reading, and writing. He also kept a journal that he later used to write his masterpiece, Walden, or Life in the Woods, which compresses his time there into a single calendar year and uses the passage of the seasons to symbolize human development. What were Thoreau’s enigmatic last words? More… Discuss

great compositions/performances: Schubert – String Quartet No. 13 in A minor, D. 804 (Pražák Quartet )


Schubert – String Quartet No. 13 in A minor, D. 804

Saint of the Day for Thursday, July 2nd, 2015: St. Bernardino Realino


Image of St. Bernardino Realino

St. Bernardino Realino

St. Bernardino Realino was born into a noble family of Capri, Italy in 1530. After receiving a thorough and devout Christian education at the hands of his mother, he went on to study medicine at the … continue reading

More Saints of the Day

Cetatea Făgăraşului added a new photo. – Cetatea Făgăraşului: Cetatea Rupea


Cetatea Rupea

Cetatea Rupea, Tara Fagarasului, Romania

Astazi ne indreptam privirea asupra unei Cetati vecine!

Cetatea Rupea este unul dintre cele mai vechi vestigii arheologice de pe teritoriul României, primele semne de așezări omenești datând din paleotic si neoliticul timpuriu (5.500-3.500 î.H.). Prima atestare documentară datează din anul 1324 când sașii răsculați împotriva regelui Carol Robert, al Ungariei s-au refugiat în interiorul cetății, Castrum Kuholm. Numele de Kuholom face referire la roca pe care a fost ridicata: bazaltul. Documente din secolul al XV-lea menționează cetatea ca fiind un important centru comercial și meșteșugăresc, cu 12 bresle. Cetatea a servit de-a lungul timpului ca fortificație dar și refugiu pentru populația ce locuia dealurile și valea din împrejurimi, așezarea ei fiind strategică: la îmbinarea drumurilor ce făceau legătura între Transilvania, Moldova și Țara Românească prin pasurile sud-estice.

Cetatea Rupea, ridicatǎ pe Dealul Cohalmului, dominând de sus orașul, a fost construitǎ și extinsǎ în secolele al XIV-lea– al XVII-lea, ca cetate și refugiu pentru satele din împrejurimi. În prezent este în stadiu de ruinǎ. Curtinele formează 4 incinte, fiind întărite din loc în loc cu turnuri poligonale, circulația fiind controlatǎ de mai multe porți interioare care compartimenteazǎ ansamblul fortificat. Incinta centralǎ este prevăzută cu un reduit și cu o capelă.

sursa info: wikipedia

sursa foto: Johann Hantzy Kessler

via Cetatea Făgăraşului added a new photo. – Cetatea Făgăraşului.

Holy Mass with the imposition of the Pallium 2015.06.29


Holy Mass with the imposition of the Pallium 2015.06.29

great compositions/performances: Richard Wagner – Siegfried Idyll (BBC Proms 2012)


Wagner – Siegfried Idyll (Proms 2012)

greaat compositions/performances: Pepe Romero: Concierto de Aranjuez ( Joaquin Rodrigo), Recuerdos de la Alhambra ( Francisco Tarrega)


Pepe Romero: Concierto de Aranjuez ( Joaquin Rodrigo), Recuerdos de la Alhambra ( Francisco Tarrega)

picture of the day: Geronimo



Geronimo

Geronimo (June 16, 1829?February 17, 1909) was a prominent Native American leader of the Chiricahua Apache. For over 25 years, Geronimo fought against the U.S.’s encroachment on his tribal lands and people.

Photo: Library of Congress (1886)

quotation: “It’s extraordinary how we go through life with eyes half shut, with dull ears, with dormant thoughts….” (Joseph Conrad (1857-1924))


It’s extraordinary how we go through life with eyes half shut, with dull ears, with dormant thoughts. Perhaps it’s just as well; and it may be that it is this very dullness that makes life to the incalculable majority so supportable and so welcome.

Joseph Conrad (1857-1924) Discuss


Saint Peter’s tomb

From Wikipedia, the free encyclopedia
 

 
The floor above Saint Peter’s tomb (see text)

 
St. Peter’s baldachin, by Bernini, in the modern St. Peter’s Basilica. St. Peter’s tomb lies directly below this structure.

Saint Peter’s tomb is a site under St. Peter’s Basilica that includes several graves and a structure said by Vatican authorities to have been built to memorialize the location of St. Peter’s grave. St. Peter’s tomb is near the west end of a complex of mausoleums that date between about AD 130 and AD 300.[1] The complex was partially torn down and filled with earth to provide a foundation for the building of the first St. Peter’s Basilica during the reign of Constantine I in about AD 330. Though many bones have been found at the site of the 2nd-century shrine, as the result of two campaigns of archaeological excavation, Pope Pius XII stated in December 1950 that none could be confirmed to be Saint Peter’s with absolute certainty.[2] However, following the discovery of further bones and an inscription, on June 26, 1968 Pope Paul VI announced that the relics of St. Peter had been identified.

The grave claimed by the Church to be that of St. Peter lies at the foot of the aedicula beneath the floor. The remains of four individuals and several farm animals were found in this grave.[3] In 1953, after the initial archeological efforts had been completed, another set of bones were found that were said to have been removed without the archeologists’ knowledge from a niche (loculus) in the north side of a wall (the graffiti wall) that abuts the red wall on the right of the aedicula. Subsequent testing indicated that these were the bones of a 60-70-year-old man.[4] Margherita Guarducci argued that these were the remains of St. Peter and that they had been moved into a niche in the graffiti wall from the grave under the aedicula “at the time of Constantine, after the peace of the church” (313).[5] Antonio Ferrua, the archaeologist who headed the excavation that uncovered what is known as the St. Peter’s Tomb, said that he wasn’t convinced that the bones that were found were those of St. Peter.[6]

The upper image shows the area of the lower floor of St. Peter’s Basilica that lies above the site of St. Peter’s tomb. A portion of the aedicula that was part of St. Peter’s tomb rose above level of this floor and was made into the Niche of the Pallium[7] which can be seen in the center of the image.

Death of Peter at Vatican Hill

 

The earliest reference to Peter’s death is in a letter of Clement, bishop of Rome, to the Corinthians. (1 Clement, (a.k.a. Letter to the Corinthians), written c. 96 AD. The historian Eusebius, a contemporary of Constantine, wrote that St. Peter “came to Rome, and was crucified with his head downwards,” attributing this information to the much earlier theologian Origen, who died c. 254 AD.[8] St. Peter’s martyrdom is traditionally depicted in religious iconography as crucifixion with his head pointed downward.

Peter’s place and manner of death are also mentioned by Tertullian (c. 160-220) in Scorpiace,[9] where the death is said to take place during the Christian persecutions by Nero. Tacitus (56-117) describes the persecution of Christians in his Annals, though he does not specifically mention Peter.[10] “They were torn by dogs and perished, or were nailed to crosses, or were doomed to the flames and burnt.” Furthermore, Tertullian says these events took place in the imperial gardens near the Circus of Nero. No other area would have been available for public persecutions after the Great Fire of Rome destroyed the Circus Maximus and most of the rest of the city in the year 64 AD.

This account is supported by other sources. In the The Passion of Peter and Paul, dating to the fifth century, the crucifixion of Peter is recounted. While the stories themselves are apocryphal, they were based on earlier material, helpful for topographical reasons. It reads, “Holy men … took down his body secretly and put it under the terebinth tree near the Naumachia, in the place which is called the Vatican.”[11] The place called Naumachia would be an artificial lake within the Circus of Nero where naval battles were reenacted for an audience. The place called Vatican was at the time a hill next to the complex and also next to the Tiber River, featuring a cemetery of both Christian and pagan tombs.

Tracing the original tombs

Dionysius of Corinth mentions the burial place of Peter as Rome when he wrote to the Church of Rome in the time of the Pope Soter (died 174), thanking the Romans for their financial help. “You have thus by such an admonition bound together the planting of Peter and of Paul at Rome and Corinth. For both of them planted and likewise taught us in our Corinth. And they taught together in like manner in Italy, and suffered martyrdom at the same time.”[12]

 
Fourth century glass mosaic of St. Peter, located at the Catacombs of Saint Thecla.

Catholic tradition holds that the bereaved Christians followed their usual custom in burying him as near as possible to the scene of his suffering. According to Catholic lore, he was laid in ground that belonged to Christian proprietors, by the side of a well-known road leading out of the city, the Via Cornelia (site of a known pagan and Christian cemetery) on the hill called Vaticanus. The actual tomb was an underground vault, approached from the road by a descending staircase, and the body reposed in a sarcophagus of stone in the center of this vault.[11]

The Book of Popes mentions that Pope Anacletus built a “sepulchral monument” over the underground tomb of St. Peter shortly after his death.[13] This was a small chamber or oratory over the tomb, where three or four persons could kneel and pray over the grave. The pagan Roman Emperor, Julian the Apostate, mentions in 363 A.D. in his work Three Books Against the Galileans that the tomb of St. Peter was a place of worship, albeit secretly.[14]

There is evidence of the existence of the tomb (trophoea, i.e., trophies, as signs or memorials of victory) at the beginning of the 3rd century, in the words of the presbyter Caius refuting the Montanist traditions of a certain Proclus: “But I can show the trophies of the Apostles. For if you will go to the Vatican, or to the Ostian way, you will find the trophies of those who laid the foundations of this church.”[12]

Pope Francis’ answer to ‘What is faith?’ :: Catholic News Agency (CNA)


Vatican City, Jun 28, 2015 / 08:59 am (CNA/EWTN News).- The Pope focused on the virtue of faith during his Sunday Angelus address, saying the whole gospel is written in its light.

“Faith is this: to touch Jesus and to draw from him the grace which saves,” Pope Francis explained June 28 at St. Peter’s Square, reflecting on the healing of a haemorrhaging woman in the day’s Gospel reading. She believed that if she could but touch Christ’s clothes, she would be healed.

“And so it is,” said Pope Francis. “The need to be freed drives her to dare, and faith ‘snatches’, so to speak, healing from the Lord.”

He waxed on the Gospel reading, saying that the Father, through Christ’s healing, in a sense, said “Daughter, you are not cursed, you are not excluded, rather, you are my daughter!”

“And every time Jesus comes to us, when we go to him with faith, we hear this from the Father: ‘You are my son, you are my daughter! You are healed, you are healed. I forgive all, all. I heal everyone and everything.’”

Pope Francis also discussed Christ’s raising of a 12 year old girl who had died, saying that in her father’s appeal to Jesus, we feel “the great faith which this man has in Jesus.”

Christ’s reaction – “Do not fear, only have faith” – give courage, the Pope said. “He says to us, so often: ‘Do not fear, only have faith!’”

“These two episodes – a healing and a raising from death – have a single center: faith. The message is clear, and can be summarized in one question: do we believe that Jesus can heal and can raise from the dead? The whole Gospel is written in the light of this faith: Jesus is risen, has conquered death, and because of this victory we too will be resurrected.”

Francis lamented that “this faith, which for the first Christians was secure, can tarnish and become uncertain, to the point that some confuse resurrection with reincarnation.”

“The word of God this Sunday invites us to live in the certainty of the resurrection: Jesus is the Lord, Jesus has power over evil and over death, and wants to take us to the Father’s house, where life reigns. And there we will meet all, all of us in this square today, we will meet in the Father’s house, in the life that Jesus gives us.”

He added that Christ’s resurrection “acts in history as a principle of renewal and of hope. Anyone who is desperate and weary unto death, if they rely on Jesus and on his love, can begin to live again … faith is a force of life, it gives fullness to our humanity; and who believes in Christ must be recognized precisely because they promote life in all situations, so that everyone, especially the weakest, can experience the love of God which frees and saves.”

Concluding, Pope Francis said, “We ask the Lord, through the intercession of the Virgin Mary, the gift of a strong and courageous faith, which drives us to speakers of hope and of life among our brethren.”

via Pope Francis’ answer to ‘What is faith?’ :: Catholic News Agency (CNA).

Saint of the Day for Monday, June 29th, 2015: St. Peter, First Pope (St. Apostol Petru)


Image of St. Peter, First Pope

St. Peter, First Pope

St. Peter, from the Crypt of St. Peter, c.700 Ad Giclee Print

St. Peter, from the Crypt of St. Peter, c.700 Ad Giclee Print

Simon Peter or Cephas, the first pope, Prince of the Apostles, and founder, with St. Paul, of the see of Rome. Peter was a native of Bethsaida, near Lake Tiberias, the son of John, and worked, like … continue reading
29 июня в день памяти апостола его ...

The New Testament indicates that Peter was the son of John (or Jonah or Jona)[4] and was from the village of Bethsaida in the province of Galilee or Gaulanitis. His brother Andrew was also an apostle. According to New Testament accounts, Peter was one of twelve apostles chosen by Jesus from his first disciples. Originally a fisherman, he played a leadership role and was with Jesus during events witnessed by only a few apostles, such as the Transfiguration. According to the gospels, Peter confessed Jesus as the Messiah,[5] was part of Jesus’s inner circle,[6] thrice denied Jesus,[7] and preached on the day of Pentecost.[8]

According to Christian tradition, Peter was crucified in Rome under Emperor Nero Augustus Caesar. It is traditionally held that he was crucified upside down at his own request, since he saw himself unworthy to be crucified in the same way as Jesus. Tradition holds that he was crucified at the site of the Clementine Chapel. His mortal remains are said to be those contained in the underground Confessio of St. Peter’s Basilica, where Pope Paul VI announced in 1968 the excavated discovery of a first-century Roman cemetery. Every June 29 since 1736, a statue of Saint Peter in St. Peter’s Basilica is adorned with papal tiara, ring of the fisherman, and papal vestments, as part of the celebration of the Feast of Saints Peter and Paul. According to Catholic doctrine, the direct papal successor to Saint Peter is Pope Francis

 MORE HERE:

More Saints of the Day

Catholics and Orthodox should meet, cooperate more often, Pope exhorts :: Catholic News Agency (CNA)


Pope Francis addresses delegates of Bartholomew I, Ecumenical Patriarch of Constantinople, at the Private Library of the Apostolic Palace in the Vatican, June 27, 2015. Credit: L’Osservatore Romano.

Pope Francis addresses delegates of Bartholomew I, Ecumenical Patriarch of Constantinople, at the Private Library of the Apostolic Palace in the Vatican, June 27, 2015. Credit: L’Osservatore Romano.

Vatican City, Jun 27, 2015 / 11:48 am (CNA/EWTN News).- Greeting a delegation of the leader of Eastern Orthodoxy on Saturday, Pope Francis voiced hope that Catholics and Eastern Orthodox would encounter each other more often, so as to overcome prejudices.

“I hope, therefore, that opportunities may increase for meeting each other, for exchange and cooperation among Catholic and Orthodox faithful, in such a way that as we deepen our knowledge and esteem for one another, we may be able to overcome any prejudice and misunderstanding that may remain as a result of our long separation,” the Bishop of Rome said June 27 at the Vatican’s Apostolic Palace.

He was receiving representatives of Bartholomew I, Ecumenical Patriarch of Constantinople, who are in Rome to observe the June 29 feast of Saints Peter and Paul, who were martyred in the city and who are the principal patrons of the Church of Rome.

“Your presence at the celebrations of our feast testifies once again to the deep relationship between the sister Churches of Rome and Constantinople, foreshadowed by the bond which unites the respective patron Saints of our Churches, the Apostles Peter and Andrew, brothers in blood and faith, united in apostolic service and martyrdom,” Francis told them.

He recalled his own visit to Constantinople and to Patriarch Bartholomew, for the feast of St. Andrew, that Church’s patron, saying, “The embrace of peace exchanged with His Holiness was an eloquent sign of that fraternal charity which encourages us along the path of reconciliation, and which will enable us one day to participate together at the altar of the Eucharist.”

“Attaining that goal, towards which we have set out together in trust, represents one of my main concerns, for which I do not cease to pray to God,” reflected the Bishop of Rome. “It is my desire that we may be able to face, in truth but also with a fraternal spirit, the difficulties which still exist.”

He mentioned his support for the Joint International Commission for Theological Dialogue between the Catholic Church and the Orthodox Church, adding that “the problems which we may encounter in the course of our theological dialogue must not lead us to discouragement or resignation.”

“The careful examination of how in the Church the principle of synodality and the service of the one who presides are articulated, will make a significant contribution to the progress of relations between our Churches.”

The Pope looked forward to the Pan-Orthodox Synod, assuring the delegates of his prayers “and that of many Catholics,” adding that “I trust also in your prayers for the Ordinary Assembly of the Synod of Bishops of the Catholic Church, on the theme of the family, which will take place here in the Vatican this coming October, at which we are looking forward also to the participation of a fraternal delegate from the Ecumenical Patriarchate.”

“I renew my gratitude for your presence and for your cordial expressions of closeness,” he concluded. “I ask you to convey my fraternal greeting to His Holiness Patriarch Bartholomew and to the Holy Synod, together with my most heartfelt appreciation for having desired to send eminent representatives to share our joy.”

“Please pray for me and for my ministry.”

Tags: Eastern Orthodoxy

via Catholics and Orthodox should meet, cooperate more often, Pope exhorts :: Catholic News Agency (CNA).

make music part of your life series: Franz Anton Rösler (Rosetti). Symphony in D major, A12


Franz Anton Rösler (Rosetti). Symphony in D major, A12

historic musical bits: Horowitz plays Schumann Blumenstück (1966 live)


Horowitz plays Schumann Blumenstück (1966 live)

make music part of your life series: Mozart – String Quartet No. 14 in G, K. 387 (“Spring”)


https://www.youtube.com/watch?v=5BS_rG_XZ0Y%5B/emebed%5D

Mozart – String Quartet No. 14 in G, K. 387 [complete] (Spring)

this day in the yesteryear: Austrian Archduke Franz Ferdinand Assassinated (1914)


Austrian Archduke Franz Ferdinand Assassinated (1914)

Nephew of Francis Joseph, emperor of Austria and king of Hungary, Ferdinand became heir apparent in 1896. While visiting Sarajevo, he and his wife were assassinated by Serbian nationalist Gavrilo Princip. Austria soon declared war on Serbia, prompting countries allied with Austria-Hungary—the Central Powers—and those allied with Serbia—the Triple Entente—to declare war on each other, precipitating WWI. The assassination was not the first attempt on his life. What had happened earlier that day? More… Discuss

this day in the yesteryear: Custer Dies at the Battle of the Little Bighorn (1876)


Custer Dies at the Battle of the Little Bighorn (1876)

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this day in the yesteryear: South Africa Wins the Rugby World Cup (1995)


South Africa Wins the Rugby World Cup (1995)

In 1995, the recently unified nation of South Africa hosted the third Rugby World Cup. The first major event to be held in what had been dubbed “the Rainbow Nation,” it is now remembered as one of the greatest moments in the country’s sporting history. The dramatic victory of the South African team, supported by President Nelson Mandela, is seen as a major step in the reconciliation of white and black South Africans in the post-Apartheid era. What team did South Africa defeat in the final match? More… Discuss

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Sviatoslav Richter – Liszt – Piano Concerto No 2 in A major

historic musical bits: Johannes Brahms – Symphony No.1 – Wiener Philharmoniker – Bernstein – 1981


Johannes Brahms – Symphony No.1 – Wiener Philharmoniker – Bernstein – 1981

What happens when an entire country becomes infested with demons? :: Catholic News Agency (CNA)


What happens when an entire country becomes infested with demons?

Credit: Estitxu Carton via Flickr (CC BY-SA 2.0).

Credit: Estitxu Carton via Flickr (CC BY-SA 2.0).

Vatican City, Jun 16, 2015 / 03:09 am (CNA/EWTN News).- Can a country with deep Christian roots like Mexico find itself at the mercy of demons? Some in the Church fear so.

And as a result, they called for a nation-wide exorcism of Mexico, carried out quietly last month in the cathedral of San Luis Potosí.

High levels of violence, as well as drug cartels and abortion in the country, were the motivation behind the special rite of exorcism, known as “Exorcismo Magno.”

Cardinal Juan Sandoval Íñiguez, the archbishop emeritus of Guadalajara, presided at the closed doors ceremony, the first ever in the history of Mexico.

Also participating were Archbishop Jesús Carlos Cabrero of San Luis Potosí, Spanish demonologist and exorcist Father José Antonio Fortea, and a smaller group of priests and lay people.

The event was not made known to the general public beforehand. According to Archbishop Cabrero, the reserved character of the May 20 ceremony was intended to avoid any misguided interpretations of the ritual.

But how can an entire country become infested by demons to the point that it’s necessary to resort to an Exorcismo Magno?

“To the extent sin increases more and more in a country, to that extent it becomes easier for the demons to tempt (people),” Fr. Fortea told CNA.

The Spanish exorcist warned that “to the extent there is more witchcraft and Satanism going on in a country, to that extent there will be more extraordinary manifestations of those powers of darkness.”

Fr. Fortea said that “the exorcism performed in San Luís Potosí is the first ever carried out in Mexico in which the exorcists came from different parts of the country and gathered together to exorcise the powers of darkness, not from a person, but from the whole country.”

“This rite of exorcism, beautiful and liturgical, had never before taken place in any part of the world. Although it had taken place in a private manner as when Saint Francis (exorcised) the Italian city of Arezzo,” he stated.

The Spanish exorcist explained, however, that the celebration of this ritual will not automatically change the difficult situation Mexico is going through in a single day.

“It would be a big mistake to think that by performing a full scale exorcism of the country everything would automatically change right away.”

Nevertheless, he emphasized that “if with the power we’ve received from Christ we expel the demons from a country, this will certainly have positive repercussions, because we’ll make a great number of the tempters flee, even if this exorcism is partial.”

“We don’t drive out all the evil spirits from a country with just one ceremony. But even though all will not be expelled, those that were removed are not there anymore.”

Fr. Fortea emphasized that “when the exorcists of a country drive out its demons, it has to be done in faith. You’re not going to see anything, feel anything, there’s not going to be any extraordinary phenomenon. We have to have faith that God conferred on the apostles a power, and that we can use this power.”

“In any case, if this ritual were to be carried out in more countries once year, before or after, this would put an end to any extraordinary manifestations which would show us the rage of the devil. Because, without a doubt, the demons hate to be driven out of a place or to be bound with the power of Christ.”

The Spanish exorcist said that “it would be very desirable that when there’s an annual meeting of exorcists in a country, a ritual such as this exorcismo magno that took place in Mexico be performed.”

He also emphasized that a bishop “can authorize its occurrence once a year with his priests in the cathedral.”

“The bishop is the shepherd and he can use the power he has received to drive away the invisible wolves from the sheep, since Satan is like a roaring lion prowling around looking for someone to devour, and the shepherds can drive away the predator from the victim,” he concluded.

Tags: Mexico, Exorcism, Demons

via What happens when an entire country becomes infested with demons? :: Catholic News Agency (CNA).