Mendelssohn: A Midsummer Night’s Dream (Ferenc Fricsay) Rita Streich & Diana Eustrati
St. Rita was born at Spoleto, Italy in 1381. At an early age, she begged her parents to allow her to enter a convent. Instead they arranged a marriage for her. Rita became a good wife and mother, but … continue reading
Evgeny Kissin – Schumann-Liszt – Widmung (Liebeslied)
Ravel, Maurice (1875-1937) -composer
Véronique Gen -soprano
John Axelrod -conductor
Loire National Orchestra
Playlist “The art of French song: Faure, Debussy, Ravel, Poulenc, Satie…”: http://www.youtube.com/playlist?list=…
Ravel was drawn to the sensual allure of the Orient as early as 1898, when he composed the “Ouverture de Shéhérazade,” a work which quotes a Persian melody while drawing on the spiritual ancestry of Rimsky-Korsakov’s “Sheherazade” of 1888. He returned to its title in 1903 for this cycle of three songs for mezzo-soprano and orchestra, based on the exotic texts of the French poet Tristan Klingsor. With “Shéhérazade,” his first major statement for orchestra, Ravel demonstrates his mastery of muted and climactic orchestral details, while eliciting equal measures of ecstasy and restraint for the human voice.
Like the story in Rimsky-Korsakov’s famous suite, “Shéhérazade” conjures up Eastern tales of indulgence, perversity, death and danger. The first poem, “Asie” opens with a hushed string tremolo, followed by a meandering oboe melody, establishing a seductive atmosphere of Oriental fantasy. The opening four lines are declaimed syllabically and recitative-like (“Asia, Asia, Asia/marvelous old land of nursery tales/where fantasy sleeps like an empress/in her forest filled with mystery”). Pentatonic scale figures, grace notes and fluttering strings further impart the poem’s chilling decadence, leading to an accelerating climax on the words “I would like to see those who die for love as well as those who die for hatred.” The piece falls silent and shimmers to a close, as the recitative of the opening concludes the tale over a faintly rolling timpani.
“La Flute enchantée” and “L’indifferent,” are considerably shorter than “Asie,” and each song concludes with a brief yet subtly modified reference to the opening theme. “La Flute enchantée” is a timeless portrait of a girl listening to the sounds of a flute, while “L’indifferent” — sometimes regarded as the most beautiful of all of Ravel’s songs — concerns the attraction of the unattainable. If all three of the Tristan Klingsor settings in the cycle are expressions of longing, this final one finds a particularly personal tone, through false modality, and a final pandiatonically extended triad with a major ninth. After “Shéhérazade,” Ravel wrote no song with an erotic theme until he completed “Chansons madécasses” in 1926.
Buy the CD here: http://www.amazon.com/Berlioz-Hermini…
Death and Transfiguration (Tod und Verklärung, Op. 24) : Richard Strauss
“Ebullient, Cleansing, Awakening…
Refreshing, Graceful, Water …
The Well Spring of Life”
Tapestry of Sister Marie Alphonsine Danil Ghattas at St. Peter’s Basilica May 16. Credit: Daniel Ibanez / CNA.
Vatican City, May 17, 2015 / 06:38 pm (CNA/EWTN News).- The Catholic Church’s celebration of the canonization of two new women saints from Palestine on Sunday helps recognize both women’s important role in Arab culture and Arabs’ important role in Christianity.
“These two humble and simple women, consecrated women, give us also encouragement to pray for peace,” said Father Rifat Bader, general director of the Catholic Center for Studies and Media in Amman, Jordan.
He was in Rome for the May 17 canonizations of Saints Mariam Baouardy and Marie Alphonsine Danil Ghattas.
Saint Marie Alphonsine herself called for prayer of the Rosary “for peace and tranquility in our region,” Fr. Bader told CNA ahead of the event.
Pope Francis presided over the canonizations and Mass in Saint Peter’s Square, before a congregation of tens of thousands of people.
The canonization of these two women saints, Fr. Bader said, is “a good example for all the citizens,” Muslims, Jews, and Christians alike. The canonizations show “that the woman can do positive and good things in her society.”
“It’s very important issue to talk about the mission, or the role, of women in our Arab countries,” Fr. Bader said, explaining that the role of a woman within society and within her own family is not always recognized for its importance.
“Now, when we talk about these two examples, of saints, women, from the Holy Land, it gives encouragement for the woman to go ahead and to go forward.”
One of the new Palestinian saints, Sister Mariam Baouardy (1846-1878) was a mystic and stigmatic also known as Mary Jesus Crucified. She was a Palestinian and foundress of the Discalced Carmelites of Bethlehem. She and her family were members of the Melkite Greek Catholic Church. She spent time in France and India before helping to found the Carmelite congregation in Bethlehem in 1875.
The other new Palestinian saint, Sister Marie Alphonsine Danil Ghattas (1843-1927), was a co-founder of the Congregation of the Rosary Sisters. Born in Palestine, she spent much of her life in Bethlehem and its area, where she helped the poor and established schools and orphanages.
Father Bader explained the joint identity of being Arab and Christian simultaneously.
“We have the possibility to be saints, even if we are Arabs,” he said. “It’s not something impossible.”
The region is not unknown for its saints. “The Virgin Mary herself was living in the Holy Land,” Fr. Bader observed. Also from the region were all the companions of Jesus Christ, including Saint Peter who was buried at the very basilica where the canonizations took place.
“Now we have these new saints of the modern time,” he said. “That’s why we are happy: that modernity cannot forbid a person to be a saint.”
The Palestinian women were canonized alongside two others: Saint Jeanne Emilie de Villeneuve (1811-1854) and Saint Maria Cristina Brando (1856-1906), from France and Italy, respectively.
Tags: Women, Church in Middle East, Canonizations
just a thought: Just the fact that one is not part of the problem doesn’t make one part of the solution
Aleppo, Syria, Mar 15, 2015 / 06:02 am (CNA/EWTN News).- On April 22, 2013, both the Greek and Syriac Orthodox archbishops of Aleppo, Boulos Yazigi and Gregorios Yohanna Ibrahim, were kidnapped in Syria near the Turkish border. Their driver, Deacon Fatha’ Allah Kabboud, was killed.
Today, 23 months later, the bishops remain missing – though for some time it has been rumored that only one of them is still alive.
The bishops were abducted on their way back from the Turkish border, where they were negotiating the release of two priests, Fathers Michael Kayyal and Maher Mahfouz, who had themselves been kidnapped in February 2013.
Archbishop Ibrahim and Archbishop Yazigi are only two of the multitude of victims of the Syrian civil war, which today is entering its fifth year.
The war has claimed the lives of more than 220,000 people. There are 3.9 million Syrian refugees in nearby countries, most of them in Turkey and Lebanon, and an additional 8 million Syrian people are believed to have been internally displaced by the war.
On March 15, 2011, demonstrations sprang up in Syria protesting the rule of Bashar al-Assad, the nation’s president and leader of its Ba’ath Party. The next month, the Syrian army began to deploy to put down the uprisings, firing on protesters.
Since then, the violence has morphed into a civil war which is being fought among the Syrian regime and a number of rebel groups: the rebels include moderates, such as the Free Syrian Army; Islamists such as al-Nusra Front and Islamic State; and Kurdish separatists.
Only about a week before his kidnapping, two years into the war, Archbishop Ibrahim had told BBC Arabic that Syrian Christians are in the same situation as their Muslim neighbors: “There is no persecution of Christians and there is no single plan to kill Christians. Everyone respects Christians. Bullets are random and not targeting the Christians because they are Christians.”
Archbishop Ibrahim had written a book in Arabic in 2006 called “Accepting the Other.” At that time, before the start of the war, Syrians of different religions lived together in peace.
An excerpt of this work, focused on “the dialogue of life,” was translated into English for Aid to the Church in Need and appears below thanks to that international Catholic charity, which has pledged $2.8 million in emergency aid for the Christians of Syria:
The plurality of religions and faiths does not foment an inter-religious conflict due to the fact that the common denominator of its teachings, heritages and ethics affirms the oneness of God and the multiplicity and integrity of its people.
Whenever Christians and Muslims approach the sources of divine teaching, they may feel that their common heritage is part and parcel of the universal belief of the relationship between man (the weak) and the Creator (the mighty). Christians say we have one God and Muslim say there is no God but God.
From this understanding of our common heritages derived the concept of the “Dialogue of Life” – to which we owe our peaceful coexistence and the flourishing of our communities. However, even given the rich ethno-religious diversity of our communal tapestry, it is not at all like the concept of multiculturalism that is emerging in Western society.
The “Dialogue of life” is a rather simple, spontaneous, and natural way of life – a sort of coexistence sustained by the values of solidarity, humanity, impartiality and accepting the other unconditionally. Some may argue that our “Dialogue of Life” draws on the principles outlined in the Geneva Convention. Not so, our “Dialogue” has its own unwritten codes, whose values far predate this relatively new Western concept of dialogue and coexistence.
Although called a “Spanish Symphony” (see also Sinfonia concertante), it is considered a violin concerto by musicians today. The piece has Spanish motifs throughout, and launched a period when Spanish-themed music came into vogue. (Georges Bizet‘s opera Carmen premiered a month after the Symphonie espagnole.)
The Symphonie espagnole is one of Lalo’s two most often played works, the other being his Cello Concerto. His “official” Violin Concerto in F, and his Symphony in G minor, written thirteen years later, are neither performed nor recorded as often.
A typical performance runs just over one-half hour. One of the shorter recordings, conductor Eugene Ormandy’s 1967 recording with the Philadelphia Orchestra, featuring violinist Isaac Stern, runs 32 minutes and 43 seconds.
The Symphonie espagnole had some influence on the genesis of Tchaikovsky‘s Violin Concerto in D major. In March 1878, Tchaikovsky was staying at Nadezhda von Meck‘s estate at Clarens, Switzerland, while recovering from the breakdown of his disastrous marriage and his subsequent suicide attempt. His favourite pupil (and possibly his lover), the violinist Iosif Kotek, shortly arrived from Berlin with a lot of new music for violin. These included the Symphonie espagnole, which he and Tchaikovsky played through to great delight. This gave Tchaikovsky the idea of writing a violin concerto, and he immediately set aside his current work on a piano sonata and started on the concerto on 17 March. With Kotek’s technical help, the concerto was finished by 11 April.
Wilhelm Kempff, piano
Symphonie-Orchester des Bayerischem Rundfunks, Rafael Kubelik
Allegro affettuoso (A minor) 00:00:00
Intermezzo: Andantino grazioso (F major) 00:15:43
Allegro vivace (A major) 00:21:27
From Wikipedia, the free encyclopedia
The Piano Concerto in A minor, Op. 54, is a Romantic concerto by Robert Schumann, completed in 1845. The work premiered in Leipzig on 1 January 1846 with Clara Schumann playing the solo part. Ferdinand Hiller, the work’s dedicatee, conducted.
Schumann had earlier worked on several piano concerti: he began one in E-flat major in 1828, from 1829–31 he worked on one in F major, and in 1839, he wrote one movement of a concerto in D minor. None of these works were completed.
In 1841, Schumann wrote a fantasy for piano and orchestra, his Phantasie. His pianist wife Clara urged him to expand this piece into a full piano concerto. In 1845 he added the intermezzo and finale to complete the work. It was the only piano concerto that Schumann completed.
The work may have been used as a model by Edvard Grieg in composing his own Piano Concerto, also in A minor. Grieg’s concerto, like Schumann’s, employs a single powerful orchestral chord at its introduction before the piano’s entrance with a similar descending flourish. Rachmaninov also used the work as a model for his first Piano Concerto.
After this concerto, Schumann wrote two other pieces for piano and orchestra: the Introduction and Allegro Appassionato in G major (Op. 92), and the Introduction and Allegro Concertante in D minor (Op. 134).
The piece, as marked in the score, is in three movements:
There is no break between these last two movements (attacca subito).
Schumann preferred that the movements be listed in concert programs as only two movements:
The three movement listing is the more common form used.
The piece starts with an energetic strike by strings and timpani, followed by a fierce, descending attack by the piano. The first theme is introduced by the oboe along with wind instruments. The theme is then given to the soloist. Schumann provides great variety with this theme. He first offers it in the A minor key of the piece, then we hear it again in major, and we can also hear small snatches of the tune in a very slow, A flat section. The clarinet is often used against the piano in this movement. Toward the end of the movement, the piano launches into a long cadenza before the orchestra joins in with one more melody and builds for the exciting finish.
This movement is keyed in F major. The piano and strings open up the piece with a small, delicate tune, which is heard throughout the movement before the cellos and later the other strings finally take the main theme, with the piano mainly used as accompaniment. The movement closes with small glimpses of the first movement’s theme before moving straight into the third movement.
The movement opens with a huge run up the strings while the piano takes the main, A major theme. Schumann shows great color and variety in this movement. The tune is regal, and the strings are noble. Though it is in 3/4 timing, Schumann manipulates it so that the time signature is often ambiguous. The piece finishes with a restating of the previous material before finally launching into an exciting finale, and ending with a long timpani roll and a huge chord from the orchestra.
VATICAN CITY (RNS) Pope Francis will bestow sainthood on two Palestinian nuns on Sunday (May 17), a move that’s being seen as giving hope to the conflict-wracked Middle East and shining the spotlight on the plight of Christians in the region.
Sisters Maria Baouardy and Mary Alphonsine Danil Ghattas are due to be canonized by the pontiff along with two other 19th-century nuns, Sister Jeanne Emilie de Villeneuve, from France, and Italian Sister Maria Cristina dell’Immacolata.
“The canonization of these two Palestinian saints is a spiritual highpoint for the inhabitants of the Holy Land,” he told Vatican Insider.
“The fact that Mariam (Maria) and Marie (Mary) Alphonsine, the first modern Palestinian saints, are both Arabs is a sign of hope for Palestine, for the entire Holy Land and the Middle East: holiness is always possible, even in a war-torn region. May a generation of saints follow them!”
Twal will travel to the Vatican for the canonizations and has invited Palestinian President Mahmoud Abbas to the ceremony.
Palestinians have waited more than 30 years for the sainthood of Baouardy, following her beatification by St. John Paul II in 1983.
Born into the Melchite Greek Catholic Church in 1846, in a village near Nazareth, Baouardy went on to join the Carmel of Pau in France. Despite being illiterate, she was sent to India where she founded other convents, before moving to Bethlehem where she died in 1878.
Announcing the canonization in February, the Vatican said Baouardy “experienced many sufferings together with extraordinary mystic phenomena” from an early age.
Ghattas, who was beatified by Pope Benedict XVI in 2009, lived a distinctly less international life. Born in Jerusalem in 1843, she entered the Congregation of the Sisters of St. Joseph of the Apparition at the age of 15. She went on to found the Congregation of Sisters of the Most Holy Rosary of Jerusalem and “worked tirelessly to help young people and Christian mothers,” the Vatican said.
The canonization of the two nuns will inevitably draw attention to Palestine and the Middle East, a region that Francis has repeatedly highlighted in recent months.
In his Easter address, the pope said: “We pray for peace for all the peoples of the Holy Land. May the culture of encounter grow between Israelis and Palestinians and the peace process be resumed, in order to end years of suffering and division.”
Twal had no doubt that the approaching sainthoods would have a positive impact on the entire region.
“I am sure that it will rekindle the hope of our faithful in the Middle East and encourage them to remain firm in the faith and keep their eyes fixed on heaven,” he said, “especially in these difficult times that Christians are experiencing there.”
By Elise Harris
Vatican City, May 13, 2015 / 09:04 am (CNA/EWTN News).- In his general audience Pope Francis focused on the concrete challenges families face in daily life, and said that simply remembering to be grateful and to apologize can go a long way in avoiding conflict.
“Dear brothers and sisters, today’s catechesis is the opening of the door to a series of reflections on family life, real life, daily life,” the Pope told pilgrims present in St. Peter’s Square May 13.
“Above this door are written three words that we have already used other times: May I, thank you, and I’m sorry. They are words linked to good manners, (and) in their genuine sense of respect and desire for good, (they are) far away from any hypocrisy and duplicity,” he said.
Francis’ address was a continuation of his ongoing catechesis on the family, which he began at the end of last year as part of the lead-up to the World Day of Families in September, as well as October’s Synod of Bishops on the Family.
Although the words ’May I,’ ‘thank you’ and ‘I’m sorry’ can be hard to say or put into practice, their absence “can cause cracks in the foundation of the family, which can lead to its collapse,” the Pope said.
However, if families make a habit of including the phrases in their daily lives as a sign of love for one another rather than just a formal expression of good manners, they can strengthen a happy family life, he continued.
The word ‘May I’ is a reminder that we should be “delicate, respectful and patient with others,” he said. Even if we feel like we have the right to something, “when we speak to our spouse or family member with kindness we create space for a true spirit of marital and familial common life.”
Kindness helps to renew trust and respect, and reveals the love we have for others, the Pope noted, saying that we should always imitate Jesus, who stands at the door of our hearts and knocks, waiting for us to open it to him.
He then turned to the second word, noting that to say ‘thank you’ can seem like a contradiction in a distrustful society, which tends to view this attitude as weakness.
Despite this perception, it is through an “education in gratitude” that that social justice and the dignity of persons are upheld, he said.
Gratitude Francis continued, “is a virtue that for believers is born from the same heart of their faith… (it) is also the language of God, to whom above all we must express our gratitude.”
Bishop of Colonia in Palestine and a hermit. Born in Nicopolis, Armenia, he established a monastery at the age of eighteen. Appointed a bishop at the age of twenty-eight, he spent nine years in his … continue reading
Born and raised in India, English physician Ronald Ross joined the Indian Medical Service after completing medical school and undertook the study of malaria, then a disease that was not well understood. After years of research, he demonstrated the malarial parasite, Plasmodium, in the stomach of the Anopheles mosquito, identifying the disease’s mechanism of transmission. His discoveries earned him a Nobel Prize in 1902. When is World Mosquito Day, instituted by Ross, observed? More… Discuss
Henry Lee Higginson, who established the Boston Symphony Orchestra in 1881, believed that “concerts of a lighter kind of music” should be presented in the summer. People began to refer fondly to these summer concerts as “the Pops,” a name which became official in 1900. The Boston Pops tailors its programs around American music and musicians, medleys of popular songs, and familiar movements of classical works. Outside of its official concert season at Symphony Hall, where it performs through May and June, the Pops also tours the United States. More… Discuss
Cumin (/ˈkjuːmɨn/ or UK /ˈkʌmɨn/, US /ˈkuːmɨn/; sometimes spelled cummin; Cuminum cyminum) is a flowering plant in the family Apiaceae, native from the east Mediterranean to India. Its seeds (each one contained within a fruit, which is dried) are used in the cuisines of many different cultures, in both whole and ground form.
The English “cumin” derives from the Old English cymen (or Old French cumin), from Latin cuminum, which is the latinisation of the Greek κύμινον (kuminon), cognate with Hebrew כמון (kammon) and Arabic كمون (kammun). Forms of this word are attested in several ancient Semitic languages, including kamūnu in Akkadian. The ultimate source is the Sumerian word gamun. The earliest attested form of the word κύμινον (kuminon) is the Mycenaean Greek ku-mi-no, written in Linear B syllabic script.
Cumin is the dried seed of the herb Cuminum cyminum, a member of the parsley family. The cumin plant grows to 30–50 cm (0.98–1.6 ft) tall and is harvested by hand. It is an annual herbaceous plant, with a slender, branched stem 20–30 cm tall. The leaves are 5–10 cm long, pinnate or bipinnate, with thread-like leaflets. The flowers are small, white or pink, and borne in umbels. The fruit is a lateral fusiform or ovoid achene 4–5 mm long, containing a single seed. Cumin seeds resemble caraway seeds, being oblong in shape, longitudinally ridged, and yellow-brown in color, like other members of the umbelliferae family such as caraway, parsley and dill.
Cumin has been in use since ancient times. Seeds excavated at the Syrian site Tell ed-Der have been dated to the second millennium BC. They have also been reported from several New Kingdom levels of ancient Egyptian archaeological sites.
Originally cultivated in Iran and the Mediterranean region, cumin is mentioned in the Bible in both the Old Testament (Isaiah 28:27) and the New Testament (Matthew 23:23). The ancient Greeks kept cumin at the dining table in its own container (much as pepper is frequently kept today), and this practice continues in Morocco. Cumin was also used heavily in ancient Roman cuisine. It was introduced to the Americas by Spanish and Portuguese colonists. There are several different types of cumin but the most famous ones are black and green cumin which are both used in Persian cuisine.
Today, the plant is mostly grown in China, Uzbekistan, Tajikistan, Iran, Turkey, Morocco, Egypt, Syria, Mexico, Chile and India. Since cumin is often used as part of birdseed and exported to many countries, the plant can occur as a rare casual in many territories including Britain. Cumin occurs as a rare casual in the British Isles, mainly in Southern England; but the frequency of its occurrence has declined greatly. According to the Botanical Society of the British Isles’ most recent Atlas, only one record has been confirmed since 2000.
In India, cumin has been used for millennia as a traditional ingredient of innumerable kormas, masalas, soups and other spiced gravies.In Sanskrit, Cumin is known as jiraka. Jira means “that which helps digestion”. As per Ayurveda cumin seeds promote digestion and also enhance sexual vigour. It is a stimulant, thus works on erectile dysfunctions. Cumin also increases strength. It could be because of its property of stimulating metabolic digestion which helps in a thorough absorption of micro nutrients from the food. It also enhances taste of the food and alleviates Kapha. Cumin helps in lacto genesis so it could be given in small quantity to lactating mothers.
From Wikipedia, the free encyclopediaPepe Romero (born March 8, 1944 in Málaga, Spain) is a world-renowned classical and flamenco guitarist. He is particularly famous for his outstanding technique and colorful musical interpretations on the instrument.
Pepe Romero in 2000
|Born||March 8, 1944
|Genres||Classical music, flamenco|
|Years active||fl. ca. 1959 – present|
|Associated acts||The Romero Guitar Quartet|
As a soloist Pepe Romero has appeared in the United States, Canada, Europe, China, and many countries around the world with the Toronto, Philadelphia, Cleveland, Chicago, Houston, Pittsburgh, Boston, San Francisco and Dallas Symphony Orchestras, as well as with the Orpheus Chamber Orchestra, the New York, Bogota and Los Angeles Philharmonic Orchestras, the Boston Pops Orchestra, the Hong Kong Sinfonietta and the London Symphony Orchestra, the Academy of St. Martin-in-the-Fields, the Monte Carlo Philharmonic Orchestra, I Musici, the Zurich Chamber Orchestra, Philharmonia Hungarica, the Hungarian State Orchestra, the Spanish National Orchestra, the Spanish National Radio/Television Orchestra, L’Orchestre de la Suisse Romande, The New Moscow Chamber Orchestra, the Springfiled Orchestra, the Lausanne Chamber Orchestra, the American Sinfonietta and the Bournemouth Symphony. He has been a special guest at the festivals of Salzburg, Israel, Schleswig-Holstein, Menuhin, Osaka, Granada, Istanbul, Ravinia, Garden State, Hollywood Bowl, Blossom, Wolf Trap, Saratoga and Hong Kong.
Since his first recording (at the age of 15) he has recorded over 50 solo albums and 30 albums as part of the famed guitar quartet The Romeros. He has played for Presidents Carter and Nixon, the Queen of the Netherlands, the Prince of Wales and Pope John Paul II. He has numerous international recording awards to his credit and has received an Honorary Doctorate in Music from University of Victoria.
His contributions to the field of classical guitar have inspired a number of distinguished composers to write works specifically for him, including Joaquín Rodrigo, Federico Moreno Torroba, Rev. Francisco de Madina, Lorenzo Palomo, Michael Zearott, Enrique Diemecke, and Celedonio Romero.
Pepe Romero is the second son of Celedonio Romero, who was his only guitar teacher. His first professional appearance was in a shared concert with his father when Pepe was only seven years old. In 1957 Celedonio Romero left Franco‘s Spain for the United States with his family.
On February 11, 2000, King Juan Carlos I of Spain knighted Pepe Romero and his brothers, Celin and Ángel, into the Order of “Isabel la Catolica.” The official ceremony of this high honor took place at the USC Thornton School of Music, and included a gala performance by The Romeros with the Thornton Chamber Orchestra. He is currently Adjunct Professor of Classical Guitar at the Thornton School, where he was named “Distinguished Artist in Residence” in 2004.
Although originally a classical guitarist, he is talented in Flamenco and a popular Flamenco performer. His most famous Flamenco-only album is called ¡Flamenco Fenómeno!
By Marta Jimenez
Rome, Italy, May 7, 2015 / 06:05 am (CNA/EWTN News).- Pilgrims and tourists strolling down the streets of Rome in the coming months may come across an unexpected treat – a special “Jubilee of Mercy Ice Cream,” created in honor of the upcoming Holy Year.
Pope Francis has proclaimed the special Holy Year of Mercy, which is to last from Dec. 8, 2015, the Solemnity of the Immaculate Conception, to Nov. 20, 2016, the Solemnity of Christ the King.
The special Jubilee ice cream can be sampled at the Hedera ice cream shop, situated on the legendary Borgo Pio, one of the streets most traveled by Rome’s tourists.
Hedera stands out from among the other restaurants and souvenir shops because of the sprawling ivy vines that completely cover the building and the adjacent old drinking fountain with a papal crest that slakes the thirst of passersby.
“We have tradition and innovation in our DNA. The idea came to us thinking about a product inspired by the Jubilee, something very significant,” said business owner Francesco Ceravolo.
“We didn’t want to make a product just to advertise, but an excellent product. We used the best milk available in the area, the best cream and limoncello, he explained, adding, “We lowered the alcohol in it so everyone could have it: children, adults, the elderly.”
Ceravolo is a big admirer of Pope Francis and a descendant of master ice cream makers. He said that the idea was to create a unique flavor that would represent penance. The lemon liqueur was therefore chosen to symbolize purification.
Hedera prides itself on high-quality products, all sourced from Italy and without preservatives.
The “Jubilee ice cream” is just one example of how the people of Rome are preparing to welcome the thousands of pilgrims that will visit the city for the Jubilee of Mercy that the Pope has declared.
Mercy is a theme that is dear to Pope Francis, and is the central topic of his episcopal motto “miserando atque eligendo,” which he chose when ordained a bishop in 1992.
In speaking about the upcoming Holy Year of Mercy, the Pope has emphasized that mercy is inseparable from the life and mission of the Church, as well as the role of the Sacrament of Reconciliation.
Upon making the public proclamation of the Holy Year, Pope Francis explained that he had declared this Jubilee of mercy because we are living at a “time of great historical change” which calls the Church “to offer more evident signs of God’s presence and closeness.”
This period in history is a time where the faithful “need to be vigilant and to reawaken in ourselves the capacity to see what is essential,” he said.
“This is the time for mercy.”
The aim of Jubilee Year of Mercy is to encourage the faithful to “welcome the numerous signs of the tenderness which God offers to the whole world,” the Pope stressed.
Tags: Holy Year of Mercy
The anniversary of the death of Helena Petrovna Blavatsky (1831-1891) is commemorated by members of the Theosophical Society, which was founded in New York in 1875 by Blavatsky and Henry Olcott. Olcott and Blavatsky moved to India in 1878, and the international headquarters for the Theosophical movement remains in Adyar (near Madras) today. She completed her most important work, The Secret Doctrine (1888), an overview of Theosophical teachings, along with numerous other books, before her death in 1891. More… Discuss
just a thought : Is a right system of feelings more selfish than a wrong system of rationalizing?
Martyrs’ Day has been observed as a public holiday since 1970 to honor the fallen heroes of Arab nationalism. The date, May 6, was selected to commemorate the 21 Arab intellectuals who were hanged on that date in 1916 in Beirut, Lebanon, and Damascus, Syria, by an official of the occupying Ottoman Empire. On Martyrs’ Day, ceremonies of public commemoration are led by government officials in Beirut at Martyrs’ Square, named in honor of the murdered nationalists. Officials and citizens also lay wreaths at martyrs’ monuments in Beirut and throughout the country. More… Discuss