Category Archives: SPIRITUALITY

Watch “What A Wonderful World”Louis Armstrong on YouTube



I see trees of green, red roses too
I see them bloom for me and you
And I think to myself what a wonderful world

I see skies of blue and clouds of white
The bright blessed day, the dark sacred night
And I think to myself what a wonderful world
The colors of the rainbow so pretty in the sky
Are also on the faces of people going by
I see friends shaking hands saying how do you do
They’re really saying I love you
I hear babies crying, I watch them grow
They’ll learn much more than I’ll never know
And I think to myself what a wonderful world
Yes I think to myself what a wonderful world
Source: LyricFind


Songwriters: Robert Thiele / George Douglas / George David Weiss
What A Wonderful World lyrics © BMG Rights Management, Round Hill Music Big Loud Songs, Royalty Network, Concord Music Publishing LLC, Carlin America Inc

Watch “Louis Armstrong-Go Down Moses” on YouTube


GO DOWN MOSES LYRICS

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Go down Moses way down in Egypt land
Tell old Pharaoh to let My people go

When Israel was in Egypt land
Let my people go
Oppressed so hard they could not stand
Let My people go

So the God sayeth, “Go down, Moses way down in Egypt land
Tell old Pharaoh to let My people go”

So Moses went to Egypt land
Let My people go
He made old Pharaoh understand
Let My people go

Yes The Lord said, “Go down, Moses way down in Egypt land
Tell old Pharaoh to let My people go”

Thus spoke the Lord, bold Moses said
Let My people go
“If not I’ll smite your firstborns dead”
Let My people go

God, The Lord said, “Go down, Moses way down in Egypt land
Tell old Pharaoh to let My people go”

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Tell old Pharaoh to let My people go

Watch “In the Upper Room” Mahalia Jackson on YouTube


In the Upper Room
Song by Mahalia Jackson
In the upper room with Jesus
Singing in tears blessed fears
Daily there my sins confessing
Beggin for his mercy sweet
Trusting his grace and power
Seeking help in loving prayers
It is this how I feel the spirit
And I sat with him and pray
Oh, he’s in in the upper room
With Jesus
Oh, it’s in the upper room
When my lord and your god
When he’s in the upper room
Yes, he’s in the upper room
Well he’s in the upper room
Talking with the Lord
Oh my, Hallelujah, Lord
He’s in the upper room
With Jesus
Oh, he’s in the upper room
Talking with my Lord
Yes, and your God
I know he’s in the upper room
It’s in the upper room
Lord, he’s in, yeah, the upper room
Talking with the Lord, oh yes
But Hallelujah
In the upper room
In the upper room
In the upper room
In the upper room
In the upper room
In the upper room
In the upper room, Lord
In the upper room
In the upper room
In the upper room
In the upper room, Lord
In the upper room
Yeah, in the upper room, Lord
In the upper room
Talking with my Lord
Oh, and your God
Hallelujah
It’s in the upper room
With Jesus
Oh, in the upper room
Talking with my Lord
Yes, and your God
You know I’m in the upper room, whoo
It’s in the upper room
Lord, he in the upper room
Talking with the Lord
Oh, yeah, yeah
Hallelujah
It’s in the upper room
With Jesus
Now I’m in the upper room
Talking with my Lord
Yes, and you God
You know I’m in the upper room
Yeah, I’m in the upper room
Lord, he’s in, in the upper room
Talking with my Lord, oh yeah
Source: LyricFind


Songwriters: Mahalia Jackson
In the Upper Room lyrics © Bess Music

Watch “Fred Neil – A Little Bit Of Rain” on YouTube



If I should leave you
Try to remember the good times
Warm days filled with sunshine
And just a little bit of rain
And just a little bit of rain

And if you look back
Try to forget all the bad times
Lonely blue and sad times
And just a little bit of rain
And just a little bit of rain
And if I look back
I’ll remember all the good times
Warm days filled with sunshine
And just a little bit of rain
And just a little bit of rain
If I should leave you
Try to remember all the good times
Warm days filled with sunshine
And just a little bit of rain
And just a little bit of rain
Source: LyricFind


Songwriters: Fred Neil
Little Bit of Rain lyrics © BMG Rights Management US, LLC

St. ANTHONY THE GREAT


St. ANTHONY THE GREAT

St. ANTHONY THE GREAT

https://pin.it/awnqcqhwonifdh

WINSTON CHURCHILL: SOCIALISM IS THE PHILOSOPHY OF FAILURE, THE CREED OF IGNORANCE AND THE GOSPEL OF ENVY.


WINSTON CHURCHILL: SOCIALISM IS THE PHILOSOPHY OF FAILURE, THE CREED OF IGNORANCE AND THE GOSPEL OF ENVY.

WINSTON CHURCHILL: SOCIALISM IS THE PHILOSOPHY OF FAILURE, THE CREED OF IGNORANCE AND THE GOSPEL OF ENVY.

https://pin.it/q5rlcwgl6zqefx

Gun control is really people CONTROL AND ENSLAVEMENT


Gun control is really people CONTROL AND ENSLAVEMENT

Gun control is really people CONTROL AND ENSLAVEMENT

https://pin.it/4r2l42zhituus5

Watch “Leonard Cohen on Preparing for Death | The New Yorker” on YouTube


Yoga: Namasté


Yoga: Namasté

Yoga: Namasté

https://pin.it/e7iwct76sfe6wx

Watch “Jim James – State Of The Art (A.E.I.O.U.)” on YouTube



Daylight come
Daylight go
How far will it reach?
Ain’t nobody know
And when the dawn breaks
The cradle will fall
And down come baby
Cradle and all
Now I know you need the dark
Just as much as the sun
But you signin’ on forever
When you ink it in blood

A.E.I.O.U.
E.I.O.U.
A.E.I.O.U.
I, I use my state of the art
Technology
Supposed to make for better living
Are we better human beings?
We’ve got our wires all crossed
The tubes are all tied
And I’m straining to remember
Just what it means to be alive
A life worth living
Now you can feel it in your chest
Buildin’ like little birds
Just building up the nest
And you build it up strong
And you fill it up with love
And you pray for good rain
All from the lord above
A.E.I.O.U.
E.I.O.U.
A.E.I.
I use my state of the art
Technology
Now don’t you forget it
It ain’t using me
‘Cause when the power’s goes out
I got over me
‘Cause the power’s goin’ out
I think the power’s goin’ out
I mean it, the power’s goin’ out
I really mean it the powers goin’ out
Source: LyricFind


Songwriters: James Edward Olliges Jr.
State of the Art (A.E.I.O.U.) lyrics © Words & Music A Div Of Big Deal Music LLC

Watch “Léo Ferré – Avec le temps (enregistrement TRS)” on YouTube



Avec le temps
Avec le temps va tout s’en va
On oublie le visage et l’on oublie la voix
Le cœur quand ça bat plus
C’est pas la peine d’aller chercher plus loin
Faut laisser faire et c’est très bien

Avec le temps
Avec le temps va tout s’en va
L’autre qu’on adorait, qu’on cherchait sous la pluie
L’autre qu’on devinait au détour d’un regard
Entre les mots, entre les lignes et sous le fard
D’un serment maquillé qui s’en va faire sa nuit
Avec le temps tout s’évanouit
Avec le temps
Avec le temps va tout s’en va
Même les plus chouettes souvenirs ça t’as une de ces gueules
À la Galerie j’farfouille dans les rayons d’la mort
Le samedi soir quand la tendresse s’en va toute seule
Avec le temps
Avec le temps va tout s’en va
L’autre à qui l’on croyait pour un rhume pour un rien
L’autre à qui l’on donnait du vent et des bijoux
Pour qui l’on eût vendu son âme pour quelques sous
Devant quoi l’on s’traînait comme traînent les chiens
Avec le temps va tout va bien
Avec le temps
Avec le temps va tout s’en va
On oublie les passions et l’on oublie les voix
Qui vous disaient tout bas les mots des pauvres gens
Ne rentre pas trop tard surtout ne prend pas froid
Avec le temps
Avec le temps va tout s’en va
Et l’on se sent blanchi comme un cheval fourbu
Et l’on se sent glacé dans un lit de hasard
Et l’on se sent tout seul peut-être mais peinard
Et l’on se sent floué par les années perdues
Alors vraiment
Avec le temps on n’aime plus
Translate to English

Source: Musixmatch


Songwriters: Leo Ferre
Avec le temps lyrics © Les Nouvelles EDI.MERIDIAN, Editorial Avenue, Les Nouvelles Editions Meridian, La Memoire Et La Mer, Editions Chanson Music, S D R M, MATHIEU FERRE ET CIE, MERIDIAN ED

Watch “Charlotte Church – The Lord’s Prayer (Live From Jerusalem 2001)” on YouTube


https://en.m.wikipedia.org/wiki/Lord%27s_Prayer

Lord’s Prayer

Read in another language
Watch this page
Edit

For other uses, see Lord’s Prayer (disambiguation), Our Father (disambiguation) and Pater Noster (disambiguation).
James Tissot—The Lord’s Prayer (Le Pater Noster)—Brooklyn Museum

The Lord’s Prayer, also called the Our Father (Latin, Pater Noster), is a venerated Christian prayer which, according to the New Testament, Jesus taught as the way to pray:

Pray then in this way … (Matthew 6:9 NRSV)
When you pray, say … (Luke 11:2 NRSV)

Two versions of this prayer are recorded in the gospels: a longer form within the Sermon on the Mount in the Gospel of Matthew, and a shorter form in the Gospel of Luke when “one of his disciples said to him, ‘Lord, teach us to pray, as John taught his disciples.'” (Luke 11:1 NRSV). Lutheran theologian Harold Buls suggested that both were original, the Matthean version spoken by Jesus early in his ministry in Galilee, and the Lucan version one year later, “very likely in Judea”.[1]

The first three of the seven petitions in Matthew address God; the other four are related to human needs and concerns. The Matthew account alone includes the “Your will be done” and the “Rescue us from the evil one” (or “Deliver us from evil”) petitions. Both original Greek texts contain the adjective epiousios, which does not appear in any other classical or Koine Greek literature; while controversial, “daily” has been the most common English-language translation of this word. Protestants usually conclude the prayer with a doxology, a later addendum appearing in some manuscripts of Matthew.
Matthew 6:9-13 (NRSV) Luke 11:2-4 (NRSV)
Our Father in heaven, Father, [Other ancient authorities read Our father in heaven]
hallowed be your name. hallowed be your name.
Your kingdom come. Your kingdom come.
[A few ancient authorities read Your Holy Spirit come upon us and cleanse us.]
Your will be done, on earth as it is in heaven. [Other ancient authorities add Your will be done, on earth as in heaven]
Give us this day our daily bread. [Or our bread for tomorrow] Give us each day our daily bread. [Or our bread for tomorrow]
And forgive us our debts, as we also have forgiven our debtors. and forgive us our sins, for we ourselves forgive everyone indebted to us.
And do not bring us to the time of trial, [Or us into temptation] but rescue us from the evil one. [Or from evil] And do not bring us to the time of trial. [Or us into temptation. Other ancient authorities add but rescue us from the evil one (or from evil)]
[Other ancient authorities add, in some form, For the kingdom and the power and the glory are yours forever. Amen.]

Initial words on the topic from the Catechism of the Catholic Church teach that it “is truly the summary of the whole gospel”.[2] The prayer is used by most Christian churches in their worship; with few exceptions, the liturgical form is the Matthean. Although theological differences and various modes of worship divide Christians, according to Fuller Seminary professor Clayton Schmit, “there is a sense of solidarity in knowing that Christians around the globe are praying together … and these words always unite us.”[3]

In biblical criticism, the prayer’s absence in the Gospel of Mark together with its occurrence in Matthew and Luke has caused scholars who accept the two-source hypothesis (against other document hypotheses) to conclude that it is probably a logion original to Q.[4]
Text
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Last edited 3 hours ago by an anonymous user
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Content is available under CC BY-SA 3.0 unless otherwise noted.

Lifestyle: purpose chart


Lifestyle: purpose chart

Lifestyle: purpose chart

https://pin.it/abumdskkvi7xlc

Symphony No. 6 (Beethoven) – Wikipedia


https://en.m.wikipedia.org/wiki/Symphony_No.6%28Beethoven%29

Symphony No. 6 (Beethoven)

The Symphony No. 6 in F major, Op. 68, also known as the Pastoral Symphony (German: Pastorale[1]), is a symphony composed by Ludwig van Beethoven and completed in 1808. One of Beethoven’s few works containing explicitly programmatic content,[2] the symphony was first performed in the Theater an der Wien on 22 December 1808[3] in a four-hour concert.[4]

Symphony No. 6
by Ludwig van Beethoven
Beethoven sym 6 script.PNG

Part of a sketch by Beethoven for the symphony

Other namePastoral SymphonyKeyF majorOpusOp. 68PeriodClassical periodFormSymphonyBased onNatureComposed1802–1808DedicationPrince Lobkowitz
Count RazumovskyDurationAbout 40 minutesMovementsFiveScoringOrchestraPremiereDateDecember 22, 1808LocationTheater an der Wien, ViennaConductorLudwig van Beethoven

Background

Instrumentation

Form

In film

Notes

References

External links

https://www.npr.org/templates/story/story.php?storyId=5478661

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MUSIC
Beethoven’s Symphony No. 6 in F Major, Op. 68
June 12, 200610:39 AM ET
Audio will be available later today.
Hear an Interview with Conductor Christoph Eschenbach
“Pastoral”

Composed in 1808

Premiered December 1808

Published 1809 in Leipzig

Many of Beethoven’s works are titled, yet many of these names came from friends or from those to whom the pieces were dedicated. The Sixth Symphony, however, is one of only two symphonies Beethoven intentionally named. Beethoven’s full title was “Pastoral Symphony, or Recollections of Country Life.” Although it was composed in the same time period and dedicated to the same people as the Fifth, the works have many differences. The “Pastoral” is known as a “characteristic” symphony and closely resembles “Le musical de la nature” by Rheinish composer Justin Heinrich Knecht. Beethoven publicly declared the piece’s “extramusical” purpose: an expression of nature. His affinity for nature and his love for walks through the country outside Vienna were captured in the Sixth, as well as in the notes scribbled on sketches of the symphony.

Notes on Beethoven’s Sixth Symphony
CHRISTOPHER H. GIBBS

Most of the familiar titles attached to Beethoven’s works were put there by someone other than the composer. Critics, friends, and publishers invented the labels “Moonlight,” “Tempest,” and “Appassionata” for popular piano sonatas. Prominent patrons’ names—Archduke Rudolph, Count Razumovsky, Count Waldstein—became wedded to compositions they either commissioned or that are dedicated to them, thereby winning a sort of immortality for those who supported the composer.

Beethoven himself crossed out the heading “Bonaparte” from the title page of the Third Symphony, but later wrote in “Sinfonia eroica” (Heroic Symphony), and it is his only symphony besides the Sixth to bear an authentic title. To be sure, stories about “fate knocking at the door” in the Fifth and the choral finale of the Ninth have encouraged programmatic associations for those works, beginning in Beethoven’s own time. But, in the end, it is the Sixth Symphony, the “Pastoral,” that stands most apart from his others, and indeed from nearly all of Beethoven’s instrumental and keyboard music, in its intentional, publicly declared, and often quite audible extramusical content. Beethoven’s full title is: “Pastoral Symphony, or Recollections of Country Life.”

“More an Expression of Feeling Than Painting”

And yet the Sixth Symphony does not aspire to the level of musical realism found in a work like Berlioz’s Symphonie fantastique or in Richard Strauss’s later tone poems. In the program for its premiere, Beethoven famously noted that the “Pastoral” contained “more an expression of feeling than painting.” He had earlier objected to some of the musical illustration in Haydn’s oratorios The Creation (1798) and The Seasons (1801), with their imitations of storms, frogs, and other phenomena. He probably would not have cared much for what the “New German School” of Berlioz, Liszt, and Wagner would later advocate and create.

Beethoven’s “Pastoral” Symphony belongs to a tradition, going back to the previous century, of “characteristic” symphonies. Indeed, the titles for the movements that Beethoven provided closely resemble those of “Le Portrait musical de la nature,” written nearly 25 years earlier by the Rheinish composer Justin Heinrich Knecht. (It is doubtful Beethoven knew the music of the piece, but he did know the titles.) Scattered comments that Beethoven made in his sketches for the Symphony are revealing: “The hearers should be allowed to discover the situations / Sinfonia caracteristica—or recollection of country life / All painting in instrumental music is lost if it is pushed too far / Sinfonia pastorella. Anyone who has an idea of country life can make out for himself the intentions of the composer without many titles / Also without titles the whole will be recognized as a matter more of feeling than of painting in sounds.”

Regardless of the musical and aesthetic implications that the “Pastoral” Symphony raises with respect to the program music—a key issue for debate over the rest of the century—it unquestionably offers eloquent testimony to the importance and power of nature in Beethoven’s life. The composer reveled in walking in the environs of Vienna and spent nearly every summer in the country. When Napoleon’s second occupation of the city in 1809 meant that he could not leave, he wrote to his publisher: “I still cannot enjoy life in the country, which is so indispensable to me.” Indeed, Beethoven’s letters are filled with declarations of the importance of nature in his life, such as one from 1810: “How delighted I will be to ramble for awhile through the bushes, woods, under trees, through grass, and around rocks. No one can love the country as much as I do. For surely woods, trees, and rocks produce the echo that man desires to hear.”

Companion Symphonies

Beethoven wrote the “Pastoral” primarily during the spring and fall of 1808, although some sketches date back years earlier. Its composition overlapped in part with that of the Fifth Symphony, which might be considered its non-identical twin. Not only did both have the same period of genesis and the same dedicatees (Count Razumovsky and Prince Lobkowitz), but they were also published within weeks of one another in the spring of 1809 and premiered together (in reverse order and with their numbers switched).

The occasion was Beethoven’s famous marathon concert of December 22, 1808, at the Theater an der Wien, and was the only time he premiered two symphonies together. Moreover, the program also included the first public performance of the Fourth Piano Concerto, two movements from the Mass in C, the concert aria Ah! perfido, and the “Choral” Fantasy. Reports indicate that all did not go well, as musicians playing after limited rehearsal struggled their way through this demanding new music, and things fell apart during the “Choral” Fantasy. Although the Fifth and Sixth symphonies are extremely different from one another in overall mood, there are notable points of convergence, such as the innovations in instrumentation (the delayed and dramatic introduction of piccolo and trombones in the fourth movements) and the splicing together of the final movements.

A Closer Look

Beethoven’s descriptive movement titles for the “Pastoral” were made public to the audience before the premiere. The first movement, “Awakening of cheerful feelings upon arriving in the country,” engages with a long musical tradition of pastoral music. From the opening drone of an open fifth in the lower strings to the jovial coda, the leisurely and often repetitive pace of the movement is far from the intensity of the Fifth Symphony. The second movement, “Scene by the brook,” includes the famous birdcalls: flute for the nightingale, oboe for the quail, and two clarinets for the cuckoo (Berlioz copied the effect for two of the birds in the pastoral third movement of his Symphonie fantastique).

This is Beethoven’s only symphony with five movements and the last three lead one into the next. The third is entitled “Merry gathering of peasants” and suggests a town band of limited ability playing dance music. The dance is interrupted by a “Tempest, storm” that approaches from afar as ominous rumblings give way to the full fury of thunder and lightning. The storm is far more intense than other well-known storms—such as by Vivaldi and Haydn—and presages later ones by Berlioz and Wagner. Just as the storm had approached gradually, so it passes, leaving some scattered moments of disruption before the “Shepherds’ hymn—Happy and thankful feelings after the storm” brings the work to its close. Regardless of Beethoven’s declared intentions, this music seems to function on both descriptive and expressive levels, therein fueling arguments about the issue ever since his time.

Program note © 2006. All rights reserved. Program note may not be reprinted without written permission from The Philadelphia Orchestra Association.

Web Resources
The Philadelphia Orchestra’s Site
Philadelphia Orchestra
Ludwig van Beethoven
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Watch “je vous salue marie-georges brassens” on YouTube


Par le petit garçon qui meurt près de sa mère
Tandis que des enfants s’amusent au parterre
Et par l’oiseau blessé qui ne sait pas comment
Son aile tout à coup s’ensanglante et descend
Par la soif et la faim et le délire ardent
Je vous salue, Marie
Par les gosses battus, par l’ivrogne qui rentre
Par l’âne qui reçoit des coups de pied au ventre
Et par l’humiliation de l’innocent châtié
Par la vierge vendue qu’on a déshabillée
Par le fils dont la mère a été insultée
Je vous salue, Marie

Par la vieille qui, trébuchant sous trop de poids
S’écrie “mon Dieu !” par le malheureux dont les bras
Ne purent s’appuyer sur une amour humaine
Comme la Croix du Fils sur Simon de Cyrène
Par le cheval tombé sous le chariot qu’il traîne
Je vous salue, Marie

Par les quatre horizons qui crucifient le monde
Par tous ceux dont la chair se déchire ou succombe
Par ceux qui sont sans pieds, par ceux qui sont sans mains
Par le malade que l’on opère et qui geint
Et par le juste mis au rang des assassins
Je vous salue, Marie

Par la mère apprenant que son fils est guéri
Par l’oiseau rappelant l’oiseau tombé du nid
Par l’herbe qui a soif et recueille l’ondée
Par le baiser perdu par l’amour redonné
Et par le mendiant retrouvant sa monnaie
Je vous salue, Marie

Translate to English
Source: LyricFind
Songwriters: Georges Charles Brassens / Francis Jammes / Oswald Antoine Marie D’Andrea
La prière lyrics © Warner Chappell Music France

For interpretation of the lyrics see:

https://fr.m.wikipedia.org/wiki/La_Pri%C3%A8re?wprov=sfla1

Today’s Holiday: Maskal


Today’s Holiday:
Maskal

Maskal is a Christian festival in Ethiopia to commemorate the True Cross, the cross on which Christ was said to have been crucified. In communities throughout the nation, a tall pole called a demara is set up and topped with a cross. Families place smaller demaras against the big one, and in the evening they are made into a huge bonfire. Religious ceremonies are performed around the bonfire, with songs and dancing. The ashes of the burned-out fire are considered holy, so the people place the powder of the ashes on their foreheads. More…: https://play.google.com/store/apps/details?id=com.tfd.mobile.TfdSearch

Watch “Nina Simone – Sinnerman” and Tom Ellis on YouTube (2 videos)



Oh, sinnerman, where you gonna run to?
Sinnerman where you gonna run to?
Where you gonna run to?
All on that day
We got to run to the rock
Please hide me, I run to the rock
Please hide me, run to the rock
Please hide here
All on that day
But the rock cried out
I can’t hide you, the rock cried out
I can’t hide you, the rock cried out
I ain’t gonna hide you there
All on that day
I said rock
What’s the matter with you rock?
Don’t you see I need you, rock?
Good Lord, Lord
All on that day
So I run to the river
It was bleedin’, I run to the sea
It was bleedin’, I run to the sea
It was bleedin’, all on that day
So I run to the river
It was boilin’, I run to the sea
It was boilin’, I run to the sea
It was boilin’, all on that day

So I run to the Lord
Please hide me, Lord
Don’t you see me prayin’?
Don’t you see me down here prayin’?
But the Lord said
Go to the Devil, the Lord said
Go to the Devil
He said go to the Devil
All on that day
So I ran to the Devil
He was waitin’, I ran to the Devil
He was waitin’, ran to the Devil
He was waitin’, all on that day
I cried, power, power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Kingdom (power, Lord)
Kingdom (power, Lord)
Kingdom (power, Lord)
Kingdom (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Oh yeah
Oh yeah
Oh yeah
Well, I run to the river
It was boilin’, I run to the sea
It was boilin’, I run to the sea
It was boilin’, all on that day
So I ran to the Lord
I said Lord, hide me
Please hide me
Please help me, all on that day
He said, hide?
Where were you?
When you oughta have been prayin’
I said Lord, Lord
Hear me prayin’, Lord, Lord
Hear me prayin’, Lord, Lord
Hear me prayin’, all on that day
Sinnerman, you oughta be prayin’
Outghta be prayin’, sinnerman
Oughta be prayin’, all on that day
Up come power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
(Power, Lord)
Hold down (power, Lord)
Go down (power, Lord)
Kingdom (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Na-na-na, na-na-na-na
Na-na-na, na-na-na-na
Na-na-na, na-na-na-na
Woah, ho
Ha-ha-ha-ha
Ha-ha-ha-ha, oh Lord
Nu, nu, nu
No-no-no-no, ma-na-na-na-na, don’t you know I need you Lord?
Don’t you know that I need you?
Don’t you know that I need you?
Oh, Lord
Wait
Oh, Lord
Oh, Lord, Lord
Source: LyricFind


Songwriters: Nina Simone
Sinnerman lyrics © Warner Chappell Music, Inc

ESL: MATH SYMBOLS


ESL: MATH SYMBOLS

ESL: MATH SYMBOLS

https://pin.it/sqp7tqlytorjl3

We’ll wait and see, but chances are… (Poetic thought by GeorgeB) visit my poetry page Here


We’ll wait and see, but chances are… (Poetic thought by GeorgeB)

Detached from the dormant tree
All the dried leaves have fallen but one…a special one,

for unknown reasons…
The winds didn’t detach it,

nor did the cold rains,

the freezing breezes of December or

the early mornings’ icy crystals of frozen water…

all these barely scratched new tears

upon its dried out reddish-brown, wrinkled face…

Will it survive the winter?

Will it hang around till spring?

Will it be the exceptional leave its home, no matter what?

Will it be the last of the survivors, born on the death list,

in the country of the dead,

under the symbols of the crossed sickle-n- hammer?

We’ll wait and see, but chances are…
(Transmission interupted here)

(Poetic thought by GeorgeB) HERE

Watch “Castiel: My Story – The Man Who Would Be King” on YouTube (A Witnessing Angel’s Monologue)


From Wikipedia:

http://www.supernaturalwiki.com/6.20_The_Man_Who_Would_Be_King

6.20 The Man Who Would Be King

Manwhowouldbekingpromo.jpg

Title The Man Who Would Be King
Episode # Season 6, Episode 20
First aired May 6, 2011
Directed by Ben Edlund
Written by Ben Edlund
On IMDB The Man Who Would Be King
Outline Castiel tells his story.
Monster Crowley
Castiel
Timeline
Location(s) Sioux Falls, South Dakota
« Previous Episode | Next Episode »

Promotional poster for “The Man Who Would Be King.”
Castiel prays to God for direction. He recalls many things – the beginning of man’s evolution, the Tower of Babel, Sodom and Gomorrah – but the thing that stands out the most in his mind is how he, Dean, Sam and Bobby averted the Apocalypse. They ripped up destiny, leaving freedom and choice, but after everything he’s done since then, Castiel doesn’t know if it was the right thing after all. He resolves to tell his story.

Dean is driving the Impala when Castiel appears next to him. He tells Dean that he’s looking for Crowley and isn’t sure how he’s still alive. Dean makes it clear that killing Crowley is their first priority, but tells Castiel that they haven’t found anything yet, either. Sam is tracking a djinn in Omaha, and so Dean is going there to meet him. Before Castiel leaves, Dean asks him to call if he gets into real trouble.

After Castiel leaves Dean, he meets with Crowley, who is busy experimenting on Eve’s body. Castiel reminds Crowley of their ultimate goal – opening the door to Purgatory – and Crowley gets angry. Eve could have opened the door to Purgatory, but Castiel let Dean and Sam kill her, and now he has to find another way in. He also accuses Castiel of being distracted because of the Winchesters – he can smell “the stench of the Impala” on him. Castiel tells Crowley that he had to check and see what they knew, and Crowley says that he knows they’re after him and he’s worried about Castiel’s conflict of interest.

Castiel admits to himself that he does have a conflict of interest. He still considers himself the Winchesters’ guardian because of everything they taught him and everything they accomplished together. After the Apocalypse was averted and Castiel resurrected, he healed Dean, resurrected Bobby, and then went to Hell to resurrect Sam. He thought he’d managed to bring back all of Sam, but he realizes now that he was being arrogant, and that he should have known something was wrong with Sam. So, when Crowley tells Castiel to kill the Winchesters, he refuses. Crowley says that he’ll kill them himself, but Castiel says he’ll just bring them back and that Crowley shouldn’t worry about them. Instead, Crowley needs to focus on finding Purgatory, or they will both “die again and again until the end of time.”

Meanwhile, Sam and Bobby are interrogating a demon named Redd about Crowley. Dean appears – he was lying when he told Castiel that Sam was in Omaha – and tells Sam that he wants to bring Castiel in the loop. Dean doesn’t believe that Castiel is working with Crowley, but Bobby and Sam aren’t so sure. As they discuss the possibility of a “Superman who’s gone dark side” and the need for kryptonite, Castiel watches them, unseen. He’s there when they torture the demon into revealing that he works for Crowley through a dispatcher named Ellsworth. Castiel is aware of Ellsworth, who he describes as the demon counterpart to Bobby, and because Castiel knows that they’re getting close, he preemptively kills Ellsworth and the other demons at his headquarters.

While Dean, Sam, and Bobby burst into Ellsworth’s headquarters and find nothing, Castiel watches, and remembers Heaven after stopping the Apocalypse. The other angels, including Rachel, believed that God resurrected Castiel so that he could lead them, but Castiel told them that they had free will and didn’t need a leader. They were lost without direction, however, and Raphael stepped in. He wanted Castiel to give him his allegiance and then help him to free Lucifer and Michael so they could restart the Apocalypse. When Castiel refused to join him, Raphael easily overpowered him.

Back in the present, Dean convinces Sam and Bobby to call Castiel, but Castiel doesn’t appear when Sam prays, too afraid of the questions they’ll have for him. Just as they turn to leave Ellsworth’s headquarters, though, more demons appear. They are assassins sent by Crowley, and Castiel appears and quickly dispatches them. Dean, Sam, and Bobby take this to mean that Castiel is on their side, and they apologize to Castiel for doubting him. He forgives them for thinking he was “Superman going to the dark side” and agrees with Dean when Dean says they can “put away the kryptonite.” He doesn’t realize it at the time, but because of what he says, Dean realizes that Castiel has been spying on them.

Castiel goes to confront Crowley, who he tells not to touch a hair on the heads of his friends. He then reveals the reason he partnered with Crowley: after Raphael beat him so easily, he considered going to Dean for help, but Crowley waylaid him and offered him a deal. Together, they would open Purgatory, and then they both would use the monster souls inside to grow more powerful. Castiel needed to be more powerful right away, however, so Crowley advanced him 50,000 souls, which Castiel used to overpower Raphael and then start his civil war in Heaven.

After threatening Crowley, Castiel answers another call from Dean, who is still at Ellsworth’s headquarters with Sam and Bobby. Sam tells Castiel that they’ve figured out a way to track Crowley, and Castiel walks straight into their trap. He is surrounded by a ring of burning holy oil, and they start questioning him about Crowley. He tells them that he is working with Crowley only because he needs to defeat Raphael, and that they need to trust him. He then reveals that he is the one who resurrected Sam, and Sam asks Castiel if he purposefully raised him without his soul. Castiel denies it, but it’s clear that Dean, Sam, and Bobby no longer trust him. They tell Castiel that working with Crowley is wrong, and he knows it, which is why he kept his actions a secret from them. Castiel seems repentant, but when a cloud of demons appears outside, he tells them that it’s too late to go back now. Dean, Sam, and Bobby flee the approaching demons, and Crowley soon appears to free Castiel from the burning holy oil.

Castiel goes to visit Dean at Bobby’s house. He tells Dean that he wants him to understand what he’s doing and to know that he’s doing it all because of what Dean taught him about free will. Dean tells Castiel that he’s like a brother to him and that he needs to trust him when he tells him not to work with Crowley. If he keeps trying to open Purgatory, Dean will stop him. Castiel tells him that he can’t stop him, apologizes, and then leaves.

Castiel is alone, praying to God. After having told his story, he asks again if he’s doing the right thing. He begs for a sign and says that, if he doesn’t get one, he’s going to do whatever he must. There is no sign.

Characters
Sam Winchester
Dean Winchester
Castiel
Bobby Singer
Crowley
Raphael
Rachel
Ellsworth
Redd
Definitions
Aliases
Angel Lore
Bobby’s Hats
Dark Side
Demon Smoke
Devil’s Trident
Goblet of blood
Heaven
Hell
Holy Oil
Purgatory
Smiting
Soul
Warding Sigils
Music
“Me and Mrs. Jones” by Billy Paul
(plays while Crowley tortures)
An der schönen blauen Donau, Op. 314 by Johann Strauss II
(plays when Crowley and Cas are in Hell)
Quotes
Castiel: I remember being at a shoreline, watching a little grey fish heave itself up on the beach. And an older brother saying, “Don’t step on that fish, Castiel, big plans for that fish. I remember the Tower of Babel – all 37 feet of it, which I suppose was impressive at the time. And when it fell they howled, “Divine Wrath!” But come on, dried dung can only be stacked so high.
Castiel: And of course, I remember the most remarkable event. Remarkable because it never came to pass. It was averted by two boys, an old drunk, and a fallen angel. The grand story, and we ripped up the ending, and the rules, and destiny, leaving nothing but freedom and choice. Which is all well and good, except… but what if I’ve made the wrong choice?
Crowley: Don’t worry about — what, like Lucifer didn’t worry? Or Michael? Or Lilith or Alastair or Azazel didn’t worry?! Am I the only game piece on the board who doesn’t underestimate those denim-wrapped nightmares?!
Bobby: If there’s a snowball of a snowball’s chance here, that means we’re dealing with a Superman who’s gone darkside, which means we’ve got to be cautious, we’ve got to be smart, and maybe stock up on some kryptonite.
Dean: (to Sam) This makes you Lois Lane.
Castiel: I did it to protect the boys, or to protect myself. I don’t know anymore.
Castiel: Freedom is a length of rope. God wants you to hang yourself with it.
Castiel: Explaining freedom to angels is a bit like teaching poetry to fish.
Castiel: Are you joking?
Raphael: Do I look like I’m joking?

Castiel: …You never look like you’re joking.
Crowley: See, problem with the old place was most of the inmates were masochists already. A lot of “thank you, sir, can I have another hot spike up the jacksy?” But just look at them. No one likes waiting in line.
Castiel: What happens when they reach the front?

Crowley: Nothing. They go right back to the end again. That’s efficiency.
Crowley: What are you planning to do about Raphael?
Castiel: What can I do besides submit or die?

Crowley: Submit or die? What are you, French? How about resist!
Castiel: Sam, I am the one who raised you from perdition.
Sam: What? … Well, no offence, but you did a pretty piss poor job of it.
Castiel: You don’t understand. It’s complicated.
Dean: No, actually, it’s not, and you know that. Why else would you keep this whole thing a secret, huh, unless you knew that it was wrong? When crap like this comes around, we deal with it… Like we always have. What we don’t do is we don’t go out and make another deal with the Devil!
Castiel: It sounds so simple when you say it like that. Where were you when I needed to hear it?

Dean: I was there. Where were you?
Trivia & References
The Man Who Would Be King is a short story by Rudyard Kipling, made into a 1975 film by John Houston starring Sean Connery and Michael Caine. It tells the story of two ex-officers of the British Raj who become adventurers and become hailed as deities in a remote village in the Hindu Kush. They lead successful battles against the villages enemies, but become wrapped up in their own delusions of grandeur. Eventually the villages turn against them. In the movie, the story unfolds as the surviving character relates his story to a journalist.
Some of the film clips used in Castiel’s flashback montage at the beginning where he remembers the fall of the Tower of Babel, appear to be from the the fall of Babylon section of the 1916 movie by D.W. Griffith Intolerance. This movie also features a non-linear narrative and spans 2,500 years of history. It is considered on of the masterpieces of the silent era of movies (Source). You can see a clip from the movie here.
Crowley: Single best chance to get over the rainbow, and the Winchesters killed her!
“Over the Rainbow” is a song that was written for the movie The Wizard of Oz. It refers to another world that one can reach only by going over the rainbow. Here, Crowley uses it to refer to Purgatory.
Crowley refers to the vampire he’s torturing as Chocula, which is a reference to the breakfast cereal Count Chocula, which has a vampire for a mascot.
Dean: He’s the Balki Bartokomus of Heaven – he can make a mistake.
Dean is comparing Castiel to Balki Batokumus was a character in the 1980s ‘fish-out-of-water/buddy’ genre sitcom Perfect Strangers. Balki was a naive shepherd from the fictional country Mypos, who immigrates to U.S. and moves in with a distant cousin.
Bobby: You sure about that? Cause we can twist again all the way to next summer.
Bobby is quoting the song “Let’s Twist Again” recorded by Chubby Checker.
Bobby: Well, who do you deal with?
Redd: The Dispatcher – a demon named Ellsworth
Castiel: (voiceover) If there was a demon counterpart to Bobby Singer, Ellsworth would be it.

Jim Beaver played a character called Ellsworth in Deadwood. Ellsworth the demon is shown to resemble Bobby, and rather than having a number of phones has a collection of blood goblets. He also impersonates an FBI officer as Bobby does.
Ellsworth: I want you to get down to New Mexico and bag me that wendigo!
A wendigo is what Dean and Sam hunted in 1.02 Wendigo.
The devil’s trap on the ceiling above Redd is the same one that was used on Meg in 1.22 Devil’s Trap and again in 2.14 Born Under a Bad Sign. It was also used in the season 3 title card.
Castiel: (about visiting Heaven) I favor the eternal Tuesday afternoon of an autistic man who drowned in a bathtub in 1953.
This may be a reference to the hit song by The Moody Blues from 1968 titled “Tuesday Afternoon” (sometimes known as “Forever Afternoon”). Watch the song here
Castiel: Whose Heaven is this?
Raphael: Ken Lay’s. I’m borrowing it.
Castiel: I still question his admittance here.
Raphael: He’s devout. Trumps everything.

Ken Lay was the corrupt CEO whose fraud led to the bankruptcy of the Enron corporation. He was convicted on a number of charges, but died in 2006 before he was sentenced. Former president George H.W. Bush attended the memorial service.
Bobby: Yeah, but it’s like Mr. Clean clean, you know?
Mr. Clean is a brand name known as Flash in the UK. Its mascot is a muscular, tanned, bald man who cleans things very well.
Dean: Yeah, you think, Kojak?
Kojak was a 1970s TV detective.
Crowley: Well I’ve got news for you, kitten: a whore is a whore is a whore.
This may be a parody of Hemingway’s line in For Who The Bell Tolls “a bitch is a bitch is a bitch is a bitch,” which in itself a reference to the famous line by Gertrude Stein a rose is a rose is a rose is a rose. In which Stein is basically saying things are the way they are.
Crowley: Ah, Castiel, Angel of Thursday. Just not your day, is it?
According to A Dictionary of Angels: Including the Fallen Angels, Castiel is an Angel of Thursday in the occult lore. This may be a reference to the fact that Supernatural aired on Thursday nights on The CW when the character was introduced in season four. Beginning with season six, the show has aired on Fridays, which may be why Crowley says it’s “not Castiel’s day.”
Among the list of demons and angels that Crowley claims underestimated Sam and Dean, he mentions Lilith, though she fully intended for the brothers to kill her. It is likely, though, that no demons knew that her death was the final seal.
Crowley: Ding ding ding, tell him what he’s won, Vanna.
Vanna White is the long-time hostess on the TV game show Wheel of Fortune.
Minutiae
There was a rumor amongst fans that Ben Edlund appears in the episode as one of the people queuing in line in Hell. This hasn’t been confirmed. The guy who is taking a ticket as Crowley and Castiel arrive is played by Michael Bardach, and is credited on IMDB as “Ticket Guy.”
Above the line in hell is a sign that says:
NEXT IN LINE
6,611,527,124
The number changes to 6,611,527,125 while Crowley and Castiel stand under it.
One of the demons that brings Ellsworth a monster – before being killed by Castiel – also played a demon in 1.22 Devil’s Trap. In 1.22 Devil’s Trap, he is wearing an auto mechanic uniform with the name “Kim.”
Sides, Scripts & Transcripts
6.20 The Man Who Would Be King (Transcript)
Promotion
Episode title
Ben Edlund to direct
Video of Ben talking about writing and directing the episode at Paleyfest
Episode spoilers from EW
Official Synopsis
Promo pics
Promo clip
Preview Clip
Ben Edlund talks about the relationships in the episode
Promotional ad
Sera introduces the episode
Comments by Misha on the episode at Zap2it
Mark Sheppard comments on the episode
Mark Sheppard comments on the episode
Ben Edlund on the episode by Zap2It
Ben Edlund on the episode by TV Squad
Ben Edlund on the episode by TV Line
Ben Edlund on the episode by EW
Ben Edlund on the episode by TV Overmind
Ben Edlund on the episode by EONline
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You’re gonna love it: List of nuclear whistleblowers


READ ENTIRE ARTICLE HERE

L

List of nuclear whistleblowers

Wikimedia list article


There have been a number of nuclear whistleblowers, often nuclear engineers, who have identified safety concerns about nuclear power and nuclear weapons production. In 1976 Gregory Minor, Richard Hubbard and Dale Bridenbaugh “blew the whistle” on safety problems at nuclear power plants in the United States, and Fukushima in Japan. George Galatis was a senior nuclear engineer who reported safety problems at the Millstone 1 Nuclear Power Plant, relating to reactor refueling procedures, in 1996. Other nuclear power whistleblowers include Arnold Gundersen and David Lochbaum.

2000 candles in memory of the Chernobyl disaster in 1986, at a commemoration 25 years after the nuclear accident, as well as for the Fukushima nuclear disaster of 2011.

Karen Silkwood

The first prominent nuclear whistleblower was Karen Silkwood, who worked as a chemical technician at a Kerr-McGee nuclear fuel plant. Silkwood became an activist in the Oil, Chemical and Atomic Workers International Union in order to protest health and safety issues. In 1974, she testified to the United States Atomic Energy Commission about her concerns. A few months later she died in a car crash under mysterious conditions on the way to a meeting with a New York Times reporter and a national union leader. The 1983 film Silkwood is an account of this story.

The “GE Three”

On 2 February 1976, Gregory C. Minor, Richard B. Hubbard, and Dale G. Bridenbaugh (known as the GE Three) “blew the whistle” on safety problems at nuclear power plants, and their action has been called “an exemplary instance of whistleblowing“.

The three engineers gained the attention of journalists and their disclosures about the threats of nuclear power had a significant impact. They timed their statements to coincide with their resignations from responsible positions in General Electric‘s nuclear energy division, and later established themselves as consultants on the nuclear power industry for state governments, federal agencies, and overseas governments. The consulting firm they formed, MHB Technical Associates, was technical advisor for the movie, “The China Syndrome.” The three engineers participated in Congressional hearings which their disclosures precipitated.

Browns Ferry Unit 1 under construction

Browns Ferry nuclear power plant construction began in 1966. It was located in Alabama and in 1967 it earned a federal construction permit. The plant received new design standards which call for “physical separation of electrical cables.” There was an issue with the instructions on how to accomplish this so the AEC inspector F.U. Bower requested that the AEC elaborate; however, there was no response from the organization and installation went on. Still, no instructions were issued after five failed inspections in 1970. The lack of cable separation instructions led to the sacrifice of safety coolant systems in two of the units in order to improve one with severe safety violation. The ignorance of the AEC led to the fire that occurred on 22 March 1975, that almost led to a radiation leak. The substance separating the wires caught fire when tests to find air leaks with a candle ignited it thus resulting in damage to the control systems. With damage to the control systems, the cooling system that keeps the units from leaking radiation did not work properly. Somehow the situation was avoided and the units were put out of service. Throughout the occurrence of these events Bridenbaugh had been discussing his reservations on the safety at the plant in vain and in 1976 a year later Bridenbaugh, Hubbard and Minor resigned.

Crystal River 3 and Lou Putney

Lou Putney came on the scene of the Crystal River 3 plant after receiving a call from a plant engineer. The engineer claimed that the managers hired engineers based on “good ol’ boy mentality.” The plant had experience numerous shut downs since 1978. Along with this concern, the engineer was not confident that the manager possessed the qualifications to be a manager. Although the engineer pursued nothing further with his complaint, it prompted Putney to purchase shares of stock in the company that would allow him to file “shareholder resolutions.” Putney had looked into the nuclear reactors that were built of an unsafe material for emergency cooling procedures. The NRC had placed Crystal River on the top 14 worst reactors list because of this. So, the shares were purchased in 1981, which is when Putney filed his first shareholder resolution requesting the plant be shut down. This tradition was upheld by Putney for seven years until he was required to purchase more stock in order to continue filing resolutions. Over the course of sixteen years, Putney filed a total of fourteen shareholder resolutions. All of these resolutions were ignored and were met with offers to buy out his shares so he could no longer file the resolutions. The plant was officially decommissioned in September 2009.

Ronald Goldstein

Ronald J. Goldstein was a supervisor employed by EBASCO, which was a major contractor for the construction of the South Texas plants. In the summer of 1985, Goldstein identified safety problems to SAFETEAM, an internal compliance program established by EBASCO and Houston Lighting, including noncompliance with safety procedures, the failure to issue safety compliance reports, and quality control violations affecting the safety of the plant.

SAFETEAM was promoted as an independent safe haven for employees to voice their safety concerns. The two companies did not inform their employees that they did not believe complaints reported to SAFETEAM had any legal protection. After he filed his report to SAFETEAM, Goldstein was fired. Subsequently, Golstein filed suit under federal nuclear whistleblower statutes.

The U.S. Department of Labor ruled that his submissions to SAFETEAM were protected and his dismissal was invalid, a finding upheld by Labor Secretary Lynn Martin. The ruling was appealed and overturned by the Fifth Circuit Court of Appeals, which ruled that private programs offered no protection to whistleblowers. After Goldstein lost his case, Congress amended the federal nuclear whistleblower law to provide protection reports made to internal systems and prevent retaliation against whistleblowers.

Fernald Nuclear Incidents

Aerial view of Fernald Feed Materials Production Center
Uranium components fabricated at Fernald

The Fernald Feed Materials Production Center was built in Crosby Township, Ohio in 1951, and decommissioned in 1989. Fernald processed uranium trioxide and uranium tetrafluoride, among other radioactive materials, to produce the uranium fuel cores for nuclear weapons. It was shrouded in suspicion with many manager changes and the people of the town ill-informed of the purpose of the plant. The Fernald Feed Materials Production Center also conducted an evaluation of how much material was contaminated by Radium. Using 138 pieces of the CR-39 film assays, they were able to determine that people working in the area where K-65 silos ( Underground chamber used to store missiles) had lower levels of exposure of materials contaminated by Radon than the Q-11 silos between the period of 1952-1988 Journal of Exposure Science and Environmental Epidemiology.Throughout 1951-1995 the plant had numerous scandals including faking numbers for contamination and disregarding evidence of ground water pollution. Among the citizens affected by the pollution was Mrs. Lisa Crawford who took action. Crawford and other residents filed a lawsuit in 1985 and became president of the organization FRESH (Fernald Residents for Environmental Safety and Health). A lawsuit was then filed once again against Fernald by former employees several years later in 1990. After several years of being heavily advised not to blow the whistle, the workers earned themselves a $15 million settlement and lifelong medical monitoring. In 1992, FERMCO was hired to construct a cleanup plan for the plant and in 1996, around accusations of wasteful spending, the cleanup of ground water and soil was completed.

Mordechai Vanunu

Mordechai Vanunu 2009

Mordechai Vanunu blew the whistle on the nuclear plant in Dimona, Israel in an interview with The Sunday Times that was published on 5 October 1986. According to Vanunu, this plant had been producing nuclear weapons for 10 to 20 years. It is estimated that there may be around 200 nuclear weapons in possession of Israel’s nuclear weapons program. Vanunu demonstrated his knowledge to Frank Barnaby and John Steinbach and they confirmed the credibility of his story. Frank Barnaby wrote in his Declaration of Frank Barnaby in the Matter of Mordechai Vanunu that Vanunu had the bare minimum knowledge of nuclear physics that a technician should have and accurately described the makeup of the nuclear plant in Dimona. Having served in full his 18 years prison term, ruled in closed door trial, including 11 years in solitary Vanunu has been further in and out of jail after. In 2007, sentenced to six months for violating terms of his parole, and in May 2010, again to three months for having met foreigners in violation of his release terms from jail.

Vanunu is ethnic Mizrahi Jew, born in Marrakesh Morocco, having emigrated to Israel, following its independence in 1948, like did many of the North African Jewish community did. Amnesty International issued a press release on 2 July 2007, stating that “The organisation considers Mordechai Vanunu to be a prisoner of conscience and calls for his immediate and unconditional release.”[6] Vanunu has been characterized internationally as a whistleblower[7][8] and by Israel as a traitor. Despite the whistle blown towards the operation of the nuclear weapons program in Israel, the Israeli government denied the existence of all allegations.Mordechai Vanunu is known as Israel`s Nuclear Whistleblower.

Arnold Gundersen

In 1990 Arnold Gundersen discovered radioactive material in an accounting safe at Nuclear Energy Services in Danbury, Connecticut, the consulting firm where he held a $120,000-a-year job as senior vice-president. Three weeks after he notified the company president of what he believed to be radiation safety violations, Gundersen was fired. According to The New York Times, for three years, Gundersen “was awakened by harassing phone calls in the middle of the night” and he “became concerned about his family’s safety”. Gundersen believes he was blacklisted, harassed and fired for doing what he thought was right.

The New York Times reports that Gundersen’s case is not uncommon, especially in the nuclear industry. Even though nuclear workers are encouraged to report potential safety hazards, those who do risk demotion and dismissal. Instead of correcting the problems, whistleblowers say, industry management and government agencies attack them as the cause of the problem. Driven out of their jobs and shunned by neighbors and co-workers, whistleblowers often turn to each other for support.

The Whistleblower Support Fund is an organization that has compiled resources for whistleblowers to access if they are considering whistleblowing. It was founded by Donald Ray Soeken, who has counseled whistleblowers for 35 years. In addition, a social network to connect whistleblowers to other whistleblowers will be implemented. It will be a private discussion where whistleblowers can safely seek support.

David Lochbaum

In the early 1990s, nuclear engineer David Lochbaum and a colleague, Don Prevatte, identified a safety problem in a plant where they were working, but were ignored when they raised the issue with the plant manager, the utility and the U.S. Nuclear Regulatory Commission (NRC). After bringing their concerns to Congress, the problem was corrected not just at the original nuclear plant but at plants across the country.

Gerald W. Brown

Gerald W. Brown

Gerald W. Brown was the whistleblower on the Thermo-Lag scandal, as well as on silicone foam firestop issues in the US and Canada, exposing the fact that fireproofing of wiring between control rooms and reactors did not function as intended and exposing bounding and combustibility issues with organic firestops.

George Galatis

George Galatis was a senior nuclear engineer and whistleblower who reported safety problems at the Millstone 1 Nuclear Power Plant, relating to reactor refueling procedures, in 1996. The unsafe procedures meant that spent fuel rod pools at Unit 1 had the potential to boil, possibly releasing radioactive steam throughout the plant. Galatis eventually took his concerns to the Nuclear Regulatory Commission, to find that they had “known about the unsafe procedures for years”. As a result of going to the NRC, Galatis experienced “subtle forms of harassment, retaliation, and intimidation”.

Rainer Moormann

Rainer Moormann in 2004

Rainer Moormann is a German chemist and nuclear power whistleblower. Since 1976 he has been working at the Forschungszentrum Jülich, doing research on safety problems with pebble bed reactors, fusion power and spallation neutron sources. In 2008 Moormann published a critical paper on the safety of pebble bed reactors, which raised attention among specialists in the field, and managed to distribute it via the media, facing considerable opposition. For doing this despite the occupational disadvantages he had to accept as a consequence, Moormann was awarded the whistleblower award of the Federation of German Scientists (VDW) and of the German section of the International Association of Lawyers Against Nuclear Arms (IALANA).

Setsuo Fujiwara

Setsuo Fujiwara, who used to design reactors, said he clashed with supervisors over an inspection audit he conducted in March 2009 at the Tomari nuclear plant in Japan. Fujiwara refused to approve a routine test by the plant’s operator, Hokkaido Electric Power, saying the test was flawed. A week later, he was summoned by his supervisor, who ordered him to correct his written report to indicate that the test had been done properly. After Fujiwara refused, his employment contract was not renewed. “They told me my job was just to approve reactors, not to raise doubts about them”, said Fujiwara, 62, who is now suing the nuclear safety organization to get rehired. In a written response to questions from The New York Times, the agency said it could not comment while the court case was under way. Along with the lawsuit Mr. Fujiwara filed against the agency he used to work for, he had gone to the Tokyo District Court to further write several complaints about how the JNES ( Japan Nuclear Energy Safety Organization) failed to follow the UN laws concerning how to properly inspect nuclear energy reactors. Mr. Fujiwara also submitted several documents and emails that dealt with how the reactor inspections were improperly handled by JNES even though JNES denies all allegations. [42]

Walter Tamosaitis

The Hanford site resulted in a number of whistleblowers during the efforts to clean the site up. Walter Tamosaitis blew the whistle on the Energy Department’s plan for waste treatment at the Hanford site in 2011. Tamosaitis’s concern was the possibility of explosive hydrogen gas being built up inside tanks that the company was to store the harmful chemical sludge they were trying to put into hibernation for its chemical life. Shortly after this Tamosaitis was demoted and two years later, fired which triggered his lawsuit for wrongful termination. A $4.1 million settlement was offered to Tamosaitis from AECOM on 12 August 2015. Tamosaitis has since been reinstated.

Donna Busche blew the whistle resulting in her 2013 lawsuit with claims that the URS “retaliated against her. She was head of nuclear safety and a URS employee around the time when she expressed her concerns.

Gary Brunson reported 34 safety and engineering violations after quitting in 2012. Brunson was federal engineering chief before he quit.

Shelly Doss earned “$20,000 in emotional distress and $10,000 in callous disregard of her rights” as well as reinstatement in 2014. Doss was an environmental specialist at the time of her firing in 2011 working for Washington River Protection Solutions.

Larry Criscione and Richard H. Perkins

In 2012, Larry Criscione and Richard H. Perkins publicly accused the US Nuclear Regulatory Commission of downplaying flood risks for nuclear plants which are sited on waterways downstream from large reservoirs and dams. They are engineers with over 20 years of combined government and military service who work for the NRC. Other nuclear safety advocates have supported their complaints.

ist of nuclear whistleblowers

Wikimedia list article


There have been a number of nuclear whistleblowers, often nuclear engineers, who have identified safety concerns about nuclear power and nuclear weapons production. In 1976 Gregory Minor, Richard Hubbard and Dale Bridenbaugh “blew the whistle” on safety problems at nuclear power plants in the United States, and Fukushima in Japan. George Galatis was a senior nuclear engineer who reported safety problems at the Millstone 1 Nuclear Power Plant, relating to reactor refueling procedures, in 1996. Other nuclear power whistleblowers include Arnold Gundersen and David Lochbaum.

2000 candles in memory of the Chernobyl disaster in 1986, at a commemoration 25 years after the nuclear accident, as well as for the Fukushima nuclear disaster of 2011.

Karen Silkwood

The first prominent nuclear whistleblower was Karen Silkwood, who worked as a chemical technician at a Kerr-McGee nuclear fuel plant. Silkwood became an activist in the Oil, Chemical and Atomic Workers International Union in order to protest health and safety issues. In 1974, she testified to the United States Atomic Energy Commission about her concerns. A few months later she died in a car crash under mysterious conditions on the way to a meeting with a New York Times reporter and a national union leader. The 1983 film Silkwood is an account of this story.

The “GE Three”

On 2 February 1976, Gregory C. Minor, Richard B. Hubbard, and Dale G. Bridenbaugh (known as the GE Three) “blew the whistle” on safety problems at nuclear power plants, and their action has been called “an exemplary instance of whistleblowing“.

The three engineers gained the attention of journalists and their disclosures about the threats of nuclear power had a significant impact. They timed their statements to coincide with their resignations from responsible positions in General Electric‘s nuclear energy division, and later established themselves as consultants on the nuclear power industry for state governments, federal agencies, and overseas governments. The consulting firm they formed, MHB Technical Associates, was technical advisor for the movie, “The China Syndrome.” The three engineers participated in Congressional hearings which their disclosures precipitated.

Browns Ferry Unit 1 under construction

Browns Ferry nuclear power plant construction began in 1966. It was located in Alabama and in 1967 it earned a federal construction permit. The plant received new design standards which call for “physical separation of electrical cables.” There was an issue with the instructions on how to accomplish this so the AEC inspector F.U. Bower requested that the AEC elaborate; however, there was no response from the organization and installation went on. Still, no instructions were issued after five failed inspections in 1970. The lack of cable separation instructions led to the sacrifice of safety coolant systems in two of the units in order to improve one with severe safety violation. The ignorance of the AEC led to the fire that occurred on 22 March 1975, that almost led to a radiation leak. The substance separating the wires caught fire when tests to find air leaks with a candle ignited it thus resulting in damage to the control systems. With damage to the control systems, the cooling system that keeps the units from leaking radiation did not work properly. Somehow the situation was avoided and the units were put out of service. Throughout the occurrence of these events Bridenbaugh had been discussing his reservations on the safety at the plant in vain and in 1976 a year later Bridenbaugh, Hubbard and Minor resigned.

Crystal River 3 and Lou Putney

Lou Putney came on the scene of the Crystal River 3 plant after receiving a call from a plant engineer. The engineer claimed that the managers hired engineers based on “good ol’ boy mentality.” The plant had experience numerous shut downs since 1978. Along with this concern, the engineer was not confident that the manager possessed the qualifications to be a manager. Although the engineer pursued nothing further with his complaint, it prompted Putney to purchase shares of stock in the company that would allow him to file “shareholder resolutions.” Putney had looked into the nuclear reactors that were built of an unsafe material for emergency cooling procedures. The NRC had placed Crystal River on the top 14 worst reactors list because of this. So, the shares were purchased in 1981, which is when Putney filed his first shareholder resolution requesting the plant be shut down. This tradition was upheld by Putney for seven years until he was required to purchase more stock in order to continue filing resolutions. Over the course of sixteen years, Putney filed a total of fourteen shareholder resolutions. All of these resolutions were ignored and were met with offers to buy out his shares so he could no longer file the resolutions. The plant was officially decommissioned in September 2009.

Ronald Goldstein

Ronald J. Goldstein was a supervisor employed by EBASCO, which was a major contractor for the construction of the South Texas plants. In the summer of 1985, Goldstein identified safety problems to SAFETEAM, an internal compliance program established by EBASCO and Houston Lighting, including noncompliance with safety procedures, the failure to issue safety compliance reports, and quality control violations affecting the safety of the plant.

SAFETEAM was promoted as an independent safe haven for employees to voice their safety concerns. The two companies did not inform their employees that they did not believe complaints reported to SAFETEAM had any legal protection. After he filed his report to SAFETEAM, Goldstein was fired. Subsequently, Golstein filed suit under federal nuclear whistleblower statutes.

The U.S. Department of Labor ruled that his submissions to SAFETEAM were protected and his dismissal was invalid, a finding upheld by Labor Secretary Lynn Martin. The ruling was appealed and overturned by the Fifth Circuit Court of Appeals, which ruled that private programs offered no protection to whistleblowers. After Goldstein lost his case, Congress amended the federal nuclear whistleblower law to provide protection reports made to internal systems and prevent retaliation against whistleblowers.

Fernald Nuclear Incidents

Aerial view of Fernald Feed Materials Production Center
Uranium components fabricated at Fernald

The Fernald Feed Materials Production Center was built in Crosby Township, Ohio in 1951, and decommissioned in 1989. Fernald processed uranium trioxide and uranium tetrafluoride, among other radioactive materials, to produce the uranium fuel cores for nuclear weapons. It was shrouded in suspicion with many manager changes and the people of the town ill-informed of the purpose of the plant. The Fernald Feed Materials Production Center also conducted an evaluation of how much material was contaminated by Radium. Using 138 pieces of the CR-39 film assays, they were able to determine that people working in the area where K-65 silos ( Underground chamber used to store missiles) had lower levels of exposure of materials contaminated by Radon than the Q-11 silos between the period of 1952-1988 Journal of Exposure Science and Environmental Epidemiology.Throughout 1951-1995 the plant had numerous scandals including faking numbers for contamination and disregarding evidence of ground water pollution. Among the citizens affected by the pollution was Mrs. Lisa Crawford who took action. Crawford and other residents filed a lawsuit in 1985 and became president of the organization FRESH (Fernald Residents for Environmental Safety and Health). A lawsuit was then filed once again against Fernald by former employees several years later in 1990. After several years of being heavily advised not to blow the whistle, the workers earned themselves a $15 million settlement and lifelong medical monitoring. In 1992, FERMCO was hired to construct a cleanup plan for the plant and in 1996, around accusations of wasteful spending, the cleanup of ground water and soil was completed.

Mordechai Vanunu

Mordechai Vanunu 2009

Mordechai Vanunu blew the whistle on the nuclear plant in Dimona, Israel in an interview with The Sunday Times that was published on 5 October 1986. According to Vanunu, this plant had been producing nuclear weapons for 10 to 20 years. It is estimated that there may be around 200 nuclear weapons in possession of Israel’s nuclear weapons program. Vanunu demonstrated his knowledge to Frank Barnaby and John Steinbach and they confirmed the credibility of his story. Frank Barnaby wrote in his Declaration of Frank Barnaby in the Matter of Mordechai Vanunu that Vanunu had the bare minimum knowledge of nuclear physics that a technician should have and accurately described the makeup of the nuclear plant in Dimona. Having served in full his 18 years prison term, ruled in closed door trial, including 11 years in solitary Vanunu has been further in and out of jail after. In 2007, sentenced to six months for violating terms of his parole, and in May 2010, again to three months for having met foreigners in violation of his release terms from jail.

Vanunu is ethnic Mizrahi Jew, born in Marrakesh Morocco, having emigrated to Israel, following its independence in 1948, like did many of the North African Jewish community did. Amnesty International issued a press release on 2 July 2007, stating that “The organisation considers Mordechai Vanunu to be a prisoner of conscience and calls for his immediate and unconditional release.”[6] Vanunu has been characterized internationally as a whistleblower[7][8] and by Israel as a traitor. Despite the whistle blown towards the operation of the nuclear weapons program in Israel, the Israeli government denied the existence of all allegations.Mordechai Vanunu is known as Israel`s Nuclear Whistleblower.

Arnold Gundersen

In 1990 Arnold Gundersen discovered radioactive material in an accounting safe at Nuclear Energy Services in Danbury, Connecticut, the consulting firm where he held a $120,000-a-year job as senior vice-president. Three weeks after he notified the company president of what he believed to be radiation safety violations, Gundersen was fired. According to The New York Times, for three years, Gundersen “was awakened by harassing phone calls in the middle of the night” and he “became concerned about his family’s safety”. Gundersen believes he was blacklisted, harassed and fired for doing what he thought was right.

The New York Times reports that Gundersen’s case is not uncommon, especially in the nuclear industry. Even though nuclear workers are encouraged to report potential safety hazards, those who do risk demotion and dismissal. Instead of correcting the problems, whistleblowers say, industry management and government agencies attack them as the cause of the problem. Driven out of their jobs and shunned by neighbors and co-workers, whistleblowers often turn to each other for support.

The Whistleblower Support Fund is an organization that has compiled resources for whistleblowers to access if they are considering whistleblowing. It was founded by Donald Ray Soeken, who has counseled whistleblowers for 35 years. In addition, a social network to connect whistleblowers to other whistleblowers will be implemented. It will be a private discussion where whistleblowers can safely seek support.

David Lochbaum

In the early 1990s, nuclear engineer David Lochbaum and a colleague, Don Prevatte, identified a safety problem in a plant where they were working, but were ignored when they raised the issue with the plant manager, the utility and the U.S. Nuclear Regulatory Commission (NRC). After bringing their concerns to Congress, the problem was corrected not just at the original nuclear plant but at plants across the country.

Gerald W. Brown

Gerald W. Brown

Gerald W. Brown was the whistleblower on the Thermo-Lag scandal, as well as on silicone foam firestop issues in the US and Canada, exposing the fact that fireproofing of wiring between control rooms and reactors did not function as intended and exposing bounding and combustibility issues with organic firestops.

George Galatis

George Galatis was a senior nuclear engineer and whistleblower who reported safety problems at the Millstone 1 Nuclear Power Plant, relating to reactor refueling procedures, in 1996. The unsafe procedures meant that spent fuel rod pools at Unit 1 had the potential to boil, possibly releasing radioactive steam throughout the plant. Galatis eventually took his concerns to the Nuclear Regulatory Commission, to find that they had “known about the unsafe procedures for years”. As a result of going to the NRC, Galatis experienced “subtle forms of harassment, retaliation, and intimidation”.

Rainer Moormann

Rainer Moormann in 2004

Rainer Moormann is a German chemist and nuclear power whistleblower. Since 1976 he has been working at the Forschungszentrum Jülich, doing research on safety problems with pebble bed reactors, fusion power and spallation neutron sources. In 2008 Moormann published a critical paper on the safety of pebble bed reactors, which raised attention among specialists in the field, and managed to distribute it via the media, facing considerable opposition. For doing this despite the occupational disadvantages he had to accept as a consequence, Moormann was awarded the whistleblower award of the Federation of German Scientists (VDW) and of the German section of the International Association of Lawyers Against Nuclear Arms (IALANA).

Setsuo Fujiwara

Setsuo Fujiwara, who used to design reactors, said he clashed with supervisors over an inspection audit he conducted in March 2009 at the Tomari nuclear plant in Japan. Fujiwara refused to approve a routine test by the plant’s operator, Hokkaido Electric Power, saying the test was flawed. A week later, he was summoned by his supervisor, who ordered him to correct his written report to indicate that the test had been done properly. After Fujiwara refused, his employment contract was not renewed. “They told me my job was just to approve reactors, not to raise doubts about them”, said Fujiwara, 62, who is now suing the nuclear safety organization to get rehired. In a written response to questions from The New York Times, the agency said it could not comment while the court case was under way. Along with the lawsuit Mr. Fujiwara filed against the agency he used to work for, he had gone to the Tokyo District Court to further write several complaints about how the JNES ( Japan Nuclear Energy Safety Organization) failed to follow the UN laws concerning how to properly inspect nuclear energy reactors. Mr. Fujiwara also submitted several documents and emails that dealt with how the reactor inspections were improperly handled by JNES even though JNES denies all allegations. [42]

Walter Tamosaitis

The Hanford site resulted in a number of whistleblowers during the efforts to clean the site up. Walter Tamosaitis blew the whistle on the Energy Department’s plan for waste treatment at the Hanford site in 2011. Tamosaitis’s concern was the possibility of explosive hydrogen gas being built up inside tanks that the company was to store the harmful chemical sludge they were trying to put into hibernation for its chemical life. Shortly after this Tamosaitis was demoted and two years later, fired which triggered his lawsuit for wrongful termination. A $4.1 million settlement was offered to Tamosaitis from AECOM on 12 August 2015. Tamosaitis has since been reinstated.

Donna Busche blew the whistle resulting in her 2013 lawsuit with claims that the URS “retaliated against her. She was head of nuclear safety and a URS employee around the time when she expressed her concerns.

Gary Brunson reported 34 safety and engineering violations after quitting in 2012. Brunson was federal engineering chief before he quit.

Shelly Doss earned “$20,000 in emotional distress and $10,000 in callous disregard of her rights” as well as reinstatement in 2014. Doss was an environmental specialist at the time of her firing in 2011 working for Washington River Protection Solutions.

Larry Criscione and Richard H. Perkins

In 2012, Larry Criscione and Richard H. Perkins publicly accused the US Nuclear Regulatory Commission of downplaying flood risks for nuclear plants which are sited on waterways downstream from large reservoirs and dams. They are engineers with over 20 years of combined government and military service who work for the NRC. Other nuclear safety advocates have supported their complaints.

Yoga: how to Upward Facing Dog Pose (Urdha Mukha Svanasana)


Yoga: how to Upward Facing Dog Pose (Urdha Mukha Svanasana)

Yoga: how to Upward Facing Dog Pose (Urdha Mukha Svanasana)

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Yoga: how to eagle pose


Yoga: how to eagle pose

Yoga: how to eagle pose

https://pin.it/lnwma53xpv2qkc

Common mistakes in performing three legged dog


Common mistakes in performing three legged dog

Common mistakes in performing three legged dog

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Quote by Henry Miller: “To walk in money through the night crowd, prote…” | Goodreads


https://www.goodreads.com/quotes/7942315-to-walk-in-money-through-the-night-crowd-protected-by

Quote by Henry Miller: “To walk in money through the night crowd, prote...” | Goodreads

Common mistakes in Upavistha Konasana B


Common mistakes in Upavistha Konasana B

Common mistakes in Upavistha Konasana B

https://pin.it/wq4uga6j5n7yax

Common mistakes in Upavistha Konasana B

This is one of my favorite (unexpected) poses to pop into a fun vinyasa flow. I like to come out of it by crossing the ankles out in front and then rocking forward and jumping back into chaturanga.

The thing about this pose, however, is that I find myself teetering precariously (and often tipping over, who am I kidding) so I wanted to go over some pointers in case anyone else was dealing with the same thing. The biggest tip I can give with this pose is to focus on keeping the chest open by drawing the shoulder blades toward one another. This helps to bring everything into alignment, and then on an exhale, focus relaxing the shoulders away from the ears.

If the flexibility isn’t there yet in the back of the legs, I would suggest bending the knees and keeping the shins parallel with the ground and then focus on getting the rest of the pose in alignment.

Staff pose (dandasana)


https://www.yogabycandace.com/blog/2013/9/5/how-to-do-staff-pose?epik=dj0yJnU9ODQ1NDRYck1rOHJrWUExQzZfTk9YUVp4R0VxMWFYV1kmbj1JVm5rendDTDZwTGo4UU9hMEpMNi1RJm09MyZ0PUFBQUFBRjFtenBB

Staff pose (dandasana)

Staff pose (dandasana)

NOTE: ENGAGE YOUR LEGS MUSCLES AND PULL UP THE KNEE CAPS, SO THAT YOUR HILLS WILL NOT TOUCH THE FLOOR, LEAVING AT LEAST 1 INCH OF SPACE WITH THE MAT! STRETCH YOUR FEET. SO THAT YOUR HILLS POINT OUT. THIS WILL REALIGNED YOUR ENTIRE BONE STRUCTURE OF YOUR LEGS, BONES, AND CARTILAGES AND MUSCLES!

Staff pose (dandasana), is a pose you should add to your practice if you’d like to improve posture. It also strengthens the back muscles and stretches the chest. It doesn’t look very challenging, but you’ll find that once you’re in it, it’s more work than you thought. I mean, how often do we sit up straight like that with our legs out? If you’ve got really tight hamstrings and your legs don’t extent straight, try sitting on a rolled up blanket or a couple books. Also, if you find this really difficult, try sitting against a wall until you can sit comfortably away from it. Feel free to ask question questions below in the comments.

PS- Yoga poses to improve posture, the most frustrating thing I’m asked, and 6 ways to find time for exercise.

How to do halfway lift.


How to do halfway lift. (ARDHA UTTANASANA)

How to do Ardha Uttanasana

This is a pose we see over and over again in vinyasa yoga. It is the pose to do if you’re working on hamstring flexibility. It’s also good for finding length in the back, spine, and between the ribs. Hope these tips help – feel free to get in touch on facebook or twitter if you have any questions or would like to see a specific pose covered!

Yoga, Practice,Tags, ardha uttanasana, halfway lift, how to do halfway lift,

The chair pose: “UTKATASANA” is a standing asana in modern yoga as exercise. The Chair Pose, was a low squatting asana in medieval hatha yoga.


The chair pos: Utkatasana is a standing asana in modern yoga as exercise. The Chair Pose, was a low squatting asana in medieval hatha yoga.

 

The chair pose: “Utkatasana” is a standing asana in modern yoga as exercise. The Chair Pose, was a low squatting asana in medieval hatha yoga.

 

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Melanie’s “Nickel Song”: Let’s sing it in choir, before its getting really cold


…The larger the choir, the lowder we sing, the warmer the weather will be, got it ?

There are seldom the times to remember the way things thouched one the first time around. It was the rediscovery of Melanie, that reminded me of the duty we have in cherishing that that we once enjoyed, at the degree afforded by either memory only or by the trigger mechanism of association (to make a short story…long really).

In few words: I rediscovered her: Nickel..Song, somewhere in the recess between the pillows of my couch (Yes my couch is…that old (just joking), and just at the perfect time, considering…You know what..The rhyme goes just as it used to, except that nickel is now worth about .0001 cents.

The social value of the song on the other hand, breaks the bar of the balance: Heeeeaaaavvvyyyyyyy !

Melanie\’s \”The Nickel Song\”widget.php?song_id=178067

Like a Rolling Stone: Bob Dylan’s


“How does it feel…To be all alone…

Like a complete unknown…

Like a rolling stone…”

Continue reading

Il n’y a pas d’amour heureux: Georges Brassens


Georges Brassens
Il N’y A Pas D’amour Heureux lyrics

Pome de Louis Aragon
Musique : Georges Brassens

Rien n’est jamais acquis l’homme ni sa force
Ni sa faiblesse ni son coeur et quand il croit
Ouvrir ses bras son ombre est celle d’une croix
Et quand il croit serrer son bonheur il le broie
Sa vie est un trange et douloureux divorce
Il n’y a pas d’amour heureux.
2Sa vie elle ressemble ces soldats sans armes
Qu’on avait habills pour un autre destin
quoi peut leur servir de se lever matin
Eux qu’on retrouve au soir dsarms incertains
Dites ces mots ma vie et retenez vos larmes
Il n’y a pas d’amour heureux.
3Mon bel amour mon cher amour ma dchirure
Je te porte dans moi comme un oiseau bless
Et ceux-l sans savoir nous regardent passer
Rptant aprs moi ces mots que j’ai tresss
Et qui pour tes grands yeux tout aussitt moururent
Il n’y a pas d’amour heureux.
4Le temps d’apprendre vivre il est dj trop tard
Que pleurent dans la nuit nos coeurs l’unisson
Ce qu’il faut de malheur pour la moindre chanson
Ce qu’il faut de regrets pour payer un frisson
Ce qu’il faut de sanglots pour un air de guitare
Il n’y a pas d’amour heureux

John Lennon: Imagine All The People


What The Statue Of Liberty (USA), Traian Hotel (Iasi, Romania), And Gustave Eiffel Hold In Commun ?


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This is what: Gustave built them both, together with many more churches, public buildings, bridges around the world. Today we thank him for his unique vision of a modern world, on his birthday.

I hope that his vision, of the world is not only remembered and cherished, but that his humanistic approach to our civilization inspire us: He built bridges over troubled waters, to use one very appropriate verse, to bring people closer to each other. He built a statue that holds high the torch of Liberty, and the tallest tour, just so that people have a larger horizon to the land bellow. And then so much more.

Ludwig van Beethoven ● Piano Trio No. 7 Op. 97 “Erzherzog Trio”, part 1 Allegro moderato



performed by the “Million Dollar Trio” Artur Rubinstein, Jascha Heifetz and Emanuel Feuermann, 1941.

The Piano Trio No. 7 in B-flat major, Op. 97, by Ludwig van Beethoven is a piano trio for piano, violin, and cello, published in 1811. It is commonly referred to as the Archduke Trio, because it was dedicated to the amateur pianist and composition student of Beethoven, Archduke Rudolph of Austria.

It was written during the “middle” period of Beethoven’s compositional career, which spans approximately 1803 until 1814. Composition began in the summer of 1810 and it was completed in March 1811.
(Source: http://en.wikipedia.org/wiki/Piano_Trio_No.7(Beethoven)

Handel’s Messiah:The Biblical Message Behind The Musical Masterpiece (NEW FULL LENGTH)


Caricature of Handel by Joseph Goupy (1754)

Image via Wikipedia


George Frideric Handel‘s musical masterpiece MESSIAH, illustrated with beautiful motion pictures and short narrative between the songs to tell the Biblical story behind the music. This presentation emphasizes the purpose of Jesus’ life, death and resurrection. Features The Academy of Ancient Music, Christopher Hogwood conductor, and the Smithsonian Chamber Players.

Watch “The Wilderness Survival @WildernessSurvivalSkill: Catching giant crab and meal preparations” on YouTube


@wildernessSurvivalSkill, giant crab, wilderness, food preparation, wood fire, talented enactors, Thailand, natural resources, jungle

Everliving music/fabulous composition: Watch “Respighi: Ancient Airs and Dances, Suite No. 3 – Sir Neville Marriner, Los Angeles Chamber Orchestra” on YouTube


Yoga + Baby Boomers = A Healthier Lifestyle


How would you wish to “come of age”?

How would you wish to “come of age”?

Nowadays, folks are attentive to obtaining match and healthy. this can be simply a standard response to each new and rare sickness taking off or being discovered nearly each day. What with the advancement of technology within the process of the foods we have a tendency to eat and additional typically the dearth of it, results to unbalanced nutrients and improper diet.

The only trend that is patronized by each the young and also the not-so young is fitness craze. it’s simply ironic that once folks area unit young, they can’t wait to mature. oncethey return ancient, thus to talk, all they wished is to remain young.

Aging is one traditional development that folks area unit afraid to expertise. WHO would need to urge recent? obtaining wiser and recenter shouldn’t be in consonance with obtaining old and looking out old.

The traditional conception of obtaining recent is being redefined by Baby Boomers. The generation of Baby Boomers enjoyed every stage or innovate life for much longer than the other previous generation, due to their positive outlook in health maintenance and execising. And similar to the other profession or career they persisted to, they’re additionally keen about staying young and healthy, in addition as wanting young and attractive.

The Baby Boomers started the supposed “health club” era. They indulged themselves into the majority varieties of physical activity adore aerobic exercise and gymnasium workouts, to form their bodies healthier and their appearance higher. however because the reality of aging catches them, they flip their attention to less strenuous and effortful exercises to remain match and healthy.

Yoga is one nice style of exercise Baby Boomers area unit into. Yoga exercise focuses on the comfort and respiratory strategies. it’s terribly low impact to the body of someone, that any age in any size will apply yoga and build a fascinating impact to their health. this can be as a result of yoga doesn’t stress out the muscles and bones of someone, particularly people who area unit in their advanced age wherever bones and muscles area unit brittle and simply broken.

Through the comfort and respiratory techniques of yoga exercise, one is assured of transfer down the pressure and relieving stress that is contributing to heart attacks. it’s been evidenced way back that yoga exercise is incredibly effective in calming nerves therefore promoting higher heart health.

By frequently active yoga, it will facilitate in reducing weight. Statistics show that persons ancient 45 (45) with traditional weight, WHO apply yoga for a minimum of thirty (30) minutes per week for a minimum of 5 (5) consecutive years gain 3 (3) pounds less in a very decade, only if every year, the gain weight of a standard person is one (1) pound a year.

For the generation of Baby boomers, yoga extremely works. Yoga is way additional economical than doing gymnasium workouts for building flexibility and strength, additional effectual than aerobic exercise exercise for building breath management and stamina, and additional calming than cardiopulmonary exercise.

Moreover, yoga will offset pathology, cleanse the within organs, balance out and invigorate the biological process and system, relieve signs of biological time, lower rear pains and headaches normally knowledgeable by folks coming back ancient adore the Baby Boomers.

Detoxification is another craze immediately within the health circles, however except for detoxifying the body, the mind additionally must be cleaned. Yoga is one good way to own peace of mind and a positive outlook in life. Through this, someone will feel lighter and additional productive in their work and jobs. Baby Boomers will like this as they’re subjected to several pressures in their lives. Taking the day out to yoga will certainly detoxify their minds and build them feel higher.

Yoga, attributable to the invigorating effects on the person’s body and its soothing influence on one’s mind, is named the non-public “source of youth” of man. Constant yoga apply leads man to a far larger awareness of one’s body. larger non secular enlightenment can even be achieved tho’ yoga exercises.

Baby boomers, all across the world, do everything they’ll to carry on to their youth. Through yoga, these Baby Boomers have an opportunity to redefine themselves at any age they’d need to.

WordPress.com: how is it that this closed account is still able to have membership at my website? What would it take for you to do your jobs, and allow administrators to reject whoever they don’t care to see at their website? In this case it’s about Nimish Singh Parihar (read the photos bellow for further info!)


Watch “Richard Wagner – The Valkyrie, WWV 86b, Ride of the Valkyries (Oslo Philharmonic/ Maris Jansons)” on YouTube


Loved songs and singers: Watch “Janis Joplin – Me & Bobby McGee” on YouTube


Watch Valentina Lisitsa: F. Schubert Sonata A major # 20 D.959 Valentina Lisitsa Another exceptional interpretation, from the unequaled Valentina Lisitsa


F. Schubert Sonata A major # 20 D.959 Valentina Lisitsa

Published on Jul 25, 2016

Does it seem to you that the world has gone mad? Wars, bombings, killings, hate….
I can offer but a little remedy, an escape rather. Music equivalent of “slow TV”, something created not to excite our over-driven nerves, but to soothe, to lull, to put in ultimate trance, to make the time stand still and the troubles of outside world fade away, if only for a few minutes.
Nobody has done it better than my beloved Franz Schubert.
There is a famous quip about two musicians arguing over the merits ( or weaknesses) of Schubert late piano sonatas, one describing the unusual time span of the pieces as “the heavenly lengths”, another – replying “they aren’t that heavenly, they are just plain LENGTHS”.
Yes, Schubert is unique in a sense that he’s dispensed not only with customary time restrains established by the need to keep the listener “interested”, but also with the medley of rather theatrical “action heroes” prerequisite for a virtuoso performer to feel adequate 🙂 His music is not about heroes and villains, gods and devils.
His music is about you and I, about regular people living their lives, loving, longing, suffering, dying….all without the world taking notice and without the headlines.That’s the real charm and beguiling spell of his music – this is about us, the regular human beings, whom he understood better than any other composer.
You might not be able to fully enjoy this piece from the first try, or if you have your thoughts wondering around, thinking of million little things, looking for easy gratification of virtuoso finger-work and thunderous chords.
You will enjoy it if you allow yourself to surrender to this music, to its flow, as slow, smooth and spellbinding neurasthenia waters of mythical river Lethe, the river of forgetfulness and oblivion.

“J’ai trop vu,
trop senti,
trop aimé dans ma vie;
Je viens chercher vivant le calme du Léthé.”

“I have seen too much,
felt too much,
loved too much in my life;

I come to seek, still living,
the calm of Lethe.”

A.de Lamartine

00:00 1. Allegro
17:17 2. Andantino
26:14 3. Scherzo: Allegro vivace – Trio: Un poco più lento
31:20 4. Rondo: Allegretto – Presto.

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Granduca Pietro Leopoldo tra la fine del Settecento e l’inizio dell’Ottocento.


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La Galleria è situata in alcuni fra i più bei saloni del Palazzo (dal quale deriva appunto il nome Palatina cioè del Palazzo), nel piano nobile. La superba collezione di dipinti è centrata sul periodo del tardo Rinascimento e il barocco, l’epoca d’oro del palazzo stesso, ed è il più importante esempio in Italia di quadreria, dove, a differenza di un allestimento museale moderno, i quadri non sono esposti con criteri sistematici, ma puramente decorativi, coprendo tutta la superficie della parete in schemi simmetrici, molto fedele all’allestimento originario voluto dal Granduca Pietro Leopoldo tra la fine del Settecento e l’inizio dell’Ottocento.

Holy Gospel of Jesus Christ according to Saint John 17:20-26.


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Christ in Majesty, 7th century. Church of Santa Maria Antiqua, Rome.

(Christ in Majesty, 7th century. Church of Santa Maria Antiqua, Rome.)

Holy Gospel of Jesus Christ according to Saint John 17:20-26.

Lifting up his eyes to heaven, Jesus prayed saying: “I pray not only for them, but also for those who will believe in me through their word,
so that they may all be one, as you, Father, are in me and I in you, that they also may be in us, that the world may believe that you sent me.
And I have given them the glory you gave me, so that they may be one, as we are one,
I in them and you in me, that they may be brought to perfection as one, that the world may know that you sent me, and that you loved them even as you loved me.
Father, they are your gift to me. I wish that where I am they also may be with me, that they may see my glory that you gave me, because you loved me before the foundation of the world.
Righteous Father, the world also does not know you, but I know you, and they know that you sent me.
I made known to them your name and I will make it known, that the love with which you loved me may be in them and I in them.”

Mural:  Christ in Majesty, 7th century. Church of Santa Maria Antiqua, Rome.

Cripta di San Vito Vecchio (Gravina in Puglia) fine XIII – inizio XIV secolo.ī


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Cripta di San Vito Vecchio (Gravina in Puglia) fine XIII – inizio XIV secolo.

The Ascension. Benjamin West. 1801. Denver Art Museum, Colorado, United States.


The Ascension. Benjamin West. 1801. Denver Art Museum, Colorado, United States.

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The Ascension. Benjamin West. 1801. Denver Art Museum, Colorado, United States.

From a sermon by Saint Augustine, bishop
(Sermo de Ascensione Domini, Mai 98, 1-2: PLS 2, 494-495)

“No one has ever ascended into heaven except the one who descended from heaven”

Today our Lord Jesus Christ ascended into heaven; let our hearts ascend with him. […] For just as he remained with us even after his ascension, so we too are already in heaven with him, even though what is promised us has not yet been fulfilled in our bodies. […]

While in heaven he is also with us; and we while on earth are with him. He is here with us by his divinity, his power and his love. We cannot be in heaven, as he is on earth, by divinity, but in him, we can be there by love.

He did not leave heaven when he came down to us; nor did he withdraw from us when he went up again into heaven. The fact that he was in heaven even while he was on earth is borne out by his own statement: No one has ever ascended into heaven except the one who descended from heaven, the Son of Man, who is in heaven. […]

These words are explained by our oneness with Christ, for he is our head and we are his body. No one ascended into heaven except Christ because we also are Christ: he is the Son of Man by his union with us, and we by our union with him are the sons of God. So the Apostle says: Just as the human body, which has many members, is a unity, because all the different members make one body, so is it also with Christ. He too has many members, but one body.

The Ascension. Benjamin West. 1801. Denver Art Museum, Colorado, United States.

Holy Gospel of Jesus Christ according to Saint John 17:20-26.


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Holy Gospel of Jesus Christ according to Saint John 17:20-26.

Lifting up his eyes to heaven, Jesus prayed saying: “I pray not only for them, but also for those who will believe in me through their word, so that they may all be one, as you, Father, are in me and I in you, that they also may be in us, that the world may believe that you sent me.
And I have given them the glory you gave me, so that they may be one, as we are one,
I in them and you in me, that they may be brought to perfection as one, that the world may know that you sent me, and that you loved them even as you loved me.
Father, they are your gift to me. I wish that where I am they also may be with me, that they may see my glory that you gave me, because you loved me before the foundation of the world.
Righteous Father, the world also does not know you, but I know you, and they know that you sent me.
I made known to them your name and I will make it known, that the love with which you loved me may be in them and I in them.”

Ascension,  les Très Riches Heures du Duc de Berry. By the Limbourg brothers, 15th century. Musée Condé, Chantilly, France

Questioning, by GeorgeB


Questioning,  by GeorgeB

I’m closing my eye, now,
Over the vast desert of the skies filled with shine…
Covered by the green grass, with a pillow…of sea grass…
I let my inner eye open…
to alert me…
                                        should
The rain will fall
The thunder clouds will explode
The snow will engulf me alive
The fire will not be extinguished in time
The earth will open
where I lay…
Oh God, what a good guardian you are…

Do I deserve your love?
———————————

(Copywright 2016,
The smudge and other poems page)

I love this little Forest Chapel in Vermont


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I love this little Forest Chapel in Vermont … 🙂
.
a single beam of sunlight
broke through the clouds
and rained down into the
clearing in the woods
onto the church standing
quite all by itself
.
the peculiar shaft of light
drew one’s gaze
past the wild sunflowers
that stood guard next to
a barbed wire fence
with rugged weathered poles
that looked like the thick
branches of trees
past the horses grazing
in the afternoon sunlight
past the rocks and stones
half-buried scattered in the field
at the foot of these ancient hills
.
the hills stood like sentries
overlooking their domain below
watching and waiting for parishioners
to grace her walls in prayer and song
.
and if you listened carefully
you can hear them still
.
oh so faintly like a distant echo
their voices rising lifting up
to the heavens
the children at play
after service
their laughter
their joy
flitting here
and there
like butterflies
glittering
in the sun
.
~ poem “Another Time” by Michael Traveler, author
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about Photo:  this little chapel in the woods is located in Stowe, Vermont on  a hillside behind the Trapp family home (the real life family that the movie the Sound of Music was based on), Werner von Trapp built a stone chapel in thanksgiving for his safe return from World War II (in the early 1940s). 

Learn more about the von Trapp family here … http://www.trappfamily.com/story
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photo by Greg Camilleri
http://www.gcamilleri.com/
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