Tag Archives: Chicago Sun-Times

euzicasa: Blue, White and Green: Turnbull Canyon-Audio (Nightfall In) The Far Dunes – Tim Fachen (moods) 2:23 George Bost


Blue, White and Green: Turnbull Canyon-Audio (Nightfall In) The Far Dunes – Tim Fachen (moods) 2:23

I created this video with the YouTube Video Editor (http://www.youtube.com/editor) Filmed with Android: LG OPTIMUS ELITE
White clouds, blue skies, all seen through the green branches of the trees, with a background of running breeze through the fresh, green leafage…If we are lucky enough we can just let it fill us with the miracle of nature we take for granted every moment because:
There is nothing to replace it, nothing to act as its surrogate, nothing in waiting, after all this natural creation is destroyed.
Respect and preserve nature, find its meaning keep it clean, as you would your garden…It is your garden!

This insignificant video was taken under a tree along the trail at Turnbull Canyon, yesterday. Enjoy!
This is my personal video: As such it cannot be used by any for profit organization, including any TV station in the USA, or Abroad (this selection does not appear anywhere in the long list…)

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Years Of Censoring `Oz’ – Chicago Tribune


The-Wonderful-Wizard-of-Oz

Years Of Censoring `Oz’ – Chicago Tribune.

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GREAT PERFORMANCES: Angela Gheorghiu – Addio del passato – La Traviata



Angela Gheorghiu – Addio del passato – La Traviata (Giuseppe Verdi)
Angela Gheorghiu sings ‘Addio del passato’ from the opera ‘La Traviata’
at a concert in Brussels in 2004. Yoel Levi is the conductor.

From Wikipedia, the free encyclopedia

 

Giuseppe Verdi
Verdi.jpg
 

La traviata (Italian: [la traˈvjaːta], “The Fallen Woman”[1][2]) is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias(1852), a play adapted from the novel by Alexandre Dumas, fils. The opera was originally entitled Violetta, after the main character. It was first performed on 6 March 1853 at the La Fenice opera house in Venice.

Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, “c. 1700”. It was not until the 1880s that the composer and librettist’s original wishes were carried out and “realistic” productions were staged.[3]

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