Tag Archives: Dumitru Fărcaş

Dumitru Farcas: Go, Longing, to Rocky Montains (Romanian a folkloric Song)



Dumitru Fărcaş – Du-te, dor, în munţi de piatră

Toate pozele sunt făcute de mine, pe Masivul Ceahlău (Carpaţii Orientali)

All the pictures are took by me in the Ceahlău Massif (the Carpathian Mountains, in Moldavia region of Romania)

Dumitru Farcas: Go, Longing, to Rocky Montains

Photos taken in Ceahlau Massif, Moldova, Romania

Dumitru Fărcaş – taragot- Crihalma ( folkloric dance from Crihalma, Fagaras County, Romania


Folclor Nepieritor, Dumitru Fărcaş – Învârtita ca-n Ardeal (Transyvanian Dance)


 It is possible that instruments from both traditions were combined into one entity. The tárogató has a Persian origin, and it appeared in Hungary during the Turkish wars.[2] Up to about the 18th century, the tárogató was a type of shawm, with a double reed, conical bore, and no keys.

Being a very loud and raucous instrument, the tárogató was used as a signaling instrument in battle (like the bugle or the bagpipe).[1]

Because the tárogató was an iconic instrument of the Rákóczi’s War for Independence (1703–1711). Its use was suppressed in the 18th century by the Habsburg monarchy.[1][2] The instrument was eventually abandoned being considered too loud for a concert hall.[2]

Modern usage

Dumitru Dobrican, a taragot folk musician from Dăntăuşii din Groşi, Romania.

In the 1890s a modern version was invented by Vencel József Schunda, a Budapest instrument maker.[2] It uses a single reed, like a clarinet or saxophone, and has a conical bore, similar to the saxophone. The instrument is made of wood, usually black grenadilla wood like a clarinet. The most common size, the soprano tárogató in B♭, is about 29 inches (74 cm) in length and has a mournful sound similar to a cross between an English horn and a soprano saxophone. Other sizes exist; one maker, János Stowasser, advertised a family of seven sizes of which the largest was a contrabass tárogató in E♭.[1] The new tárogató bears very little resemblance with the historical tárogató and the two instruments should not be confused.[1][3] It has been suggested that the name schundaphone would have been more accurate, but tárogató was used because of the nationalistic image that the original instrument had.[4]

This instrument was a symbol of Hungarian aristocracy, and the favorite woodwind instrument of Governor Miklós Horthy.
(Source:  http://en.wikipedia.org/wiki/Taragot)