Antonin Dvorak : Serenade for String Op 22
If you think this is fun, I can’t wait for you to hear the
REAL DEAL 🙂 With Orchestra ! With London Symphony 🙂
It is released today in digital. Be the first to hear it !
Amazon US http://tinyurl.com/aakjorf
Amazon UK http://tinyurl.com/bdr9us7
iTunes US https://itunes.apple.com/album/rachma…
A message in a bottle for anybody who worried it’s too fast, please check Rachmaninoff playing his own 3rd Concerto :
Admittedly he was supposed to know which tempos he wanted for this piece 🙂
The first movement revolves around a diatonic melody that soon develops into complex pianistic figuration. The second theme opens with quiet exchanges between the orchestra and the piano before fully diving into a slower theme in a major key. The first part of the first theme is restated before the movement is pulled into a loud development section which opens with toccata like quavers in the piano and reaches a loud chordal section. The whole development exhibits features similar to a canon, such as an eighth note passage in the piano in which the left hand and the right hand play overlapping figures. The movement reaches a number of ferocious climaxes, especially in the cadenza. Rachmaninoff wrote two versions of this cadenza: the chordal original, which is commonly notated as the ossia, and a second one with a lighter, toccata-like style. Both cadenzas lead into a quiet solo section including the flute, clarinet and horn accompanied by delicate arpeggios in the piano. The piano then restates the first theme in its entirety and closes with a tutti, silent, rippling coda reminiscent of the second theme.