Tag Archives: Fabulous renditions: Valentina Lisitsa – Paganini-Liszt La Campanella

Fabulous renditions: Valentina Lisitsa – Paganini-Liszt La Campanella (two Separate musical events)


Paganini-Liszt La Campanella 


Uploaded on Dec 7, 2008

Live from Seoul. Encore #1. Liszt “La Campanella”
Buy La Campanella video http://www.amazon.co.uk/Live-Royal-Al…
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La campanella

From Wikipedia, the free encyclopedia
 
 
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Performed by Romuald Greiss on an 1850 Budynowicz piano

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“La campanella” (Italian for “The little bell”) is the nickname given to the third of Franz Liszt‘s six Grandes études de Paganini (“Grand Paganini Études”), S. 141 (1851). It is in the key of G-sharp minor. This piece is a revision of an earlier version from 1838, the Études d’exécution transcendente d’après Paganini, S. 140. Its melody comes from the final movement of Niccolò Paganini‘s Violin Concerto No. 2 in B minor, where the tune was reinforced by a little handbell.[1][2][3]

The étude is played at a brisk allegretto tempo and studies right hand jumping between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand. The largest intervals reached by the right hand are fifteenths (two octaves) and sixteenths (two octaves and a second). Sixteenth notes are played between the two notes, and the same note is played two octaves or two octaves and a second higher with no rest. Little time is provided for the pianist to move the hand, thus forcing the pianist to avoid tension within the muscles. Fifteenth intervals are quite common in the beginning of the étude, while the sixteenth intervals appear twice, at the thirtieth and thirty-second measures.

 
The two red notes are 35 half-steps apart, which is about 46cm apart on a piano.

However, the left hand studies about four extremely large intervals, larger than those in the right hand. For example, in bar 101, the left hand makes a sixteenth-note jump of just a half-step below three octaves. The étude also involves other technical difficulties, e.g. trills with the fourth and fifth fingers.

The work has been arranged by other composers and pianists, most notably Ferruccio Busoni and Marc-André Hamelin.
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Published on Jan 27, 2014

Valentina Lisitsa performed Liszt La Campanella from Paganini Etude No 3 at Concert hall, Seoul Art Center, 25th November, 2013 under Masters Series which Composer Jeajoon Ryu present.(Encore after 3 hours recital.)

Valentina Lisitsa – Liszt La Campanella – from Paganini Etude No. 3

 

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