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Schubert Impromptu op. 142 No.3 B flat major
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Six moments musicaux, D 780 (Op. 94) is a collection of six short pieces for solo piano composed by Franz Schubert. The movements are as follows:
Along with the Impromptus, they are among the most frequently played of all Schubert’s piano music, and have been recorded many times. No. 3 in F minor has been arranged by Leopold Godowsky and others.
It has been said that Schubert was deeply influenced in writing these pieces by the Impromptus, Op. 7, of Jan Václav Voříšek (1822).[1][2]
They were published by Leidesdorf in Vienna in 1828, under the title “Six Momens [sic] musicals [sic]”. The correct French forms are now usually used – moments (instead of momens), and musicaux (instead of musicals). The sixth number was published in 1824 in a Christmas album under the title Les plaintes d’un troubadour.[2]
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Tagged Allegro, Antonín Dvořák, Franz Schubert, Frédéric Chopin, Impromptu, Johann Sebastian Bach, Ludwig van Beethoven, Moments Musicaux, Music, Piano, piano music, Raymond Smullyan, Raymond Smullyan Problems, Schubert, Schubert Impromptu, Six moments musicaux, Six moments musicaux (Schubert), wikipedia
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Tagged B-flat major, Franz Schubert, G-Flat Major, Impromptu, Piano, piano sonata, radu lupu, Schubert, Schubert Impromptu, Six moments musicaux (Schubert), Valentina Lisitsa
Great compositions/Performances: “Impromptu, Op. 90 D899 No. 3 in G-Flat Major” by Franz Schubert performed by Alexandre Tharaud as heard in Michael Haneke‘s Palme d’Or winner “Amour“
“Vladimir Horowitz, the last romantic”, 1985 filmed recital in his living room with his wife Wanda Toscanini-Horowitz.
1. Bach-Busoni, Chorale in G minor “Nun Komm der Heiden Heiland“
2. Mozart, Sonata in C major K330
3. Schubert, Impromptu op. 90 n° 4 in A flat major
4. Chopin, Mazurka op. 17 n° 4 in A minor
5. Chopin, Scherzo n° 1 in B minor
6. Liszt, Consolation n° 3 in D flat major
7. Rachmaninoff, Prelude op. 32 n° 12 in G sharp minor
8. Schumann, Novelette op. 21 in F major
9. Scriabin, Etude op. 2 n° 1 in C sharp minor
10. Chopin, Polonaise op. 53 in A flat major
11. Chopin, Etude op. 10 n° 5 “Black keys”
12. Moszkowski, Etude in F major
13. Liszt, “Au bord d’une source“
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Tagged A-flat major, Bach-Busoni Editions, Impromptu, liszt, Nun komm der Heiden Heiland, Prelude, Schubert, sergei rachmaninoff, vladimir horowitz, wife Wanda Toscanini-Horowitz.
00:00 – No. 1 in C minor, Allegro molto moderato
11:05 – No. 2 in E-flat major, Allegro
15:50 – No. 3 in G-flat major, Andante
21:40 – No. 4 in A-flat major, Allegretto
Piano: Maria João Pires, 1996
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From Wikipedia, the free encyclopedia
Franz Schubert‘s Impromptus are a series of eight pieces for solo piano composed in 1827. They were published in two sets of four impromptus each: the first set was published in the composer’s lifetime as Op. 90, and the second set was published posthumously as Op. posth. 142. They are now catalogued as D. 899 and D. 935 respectively. They are considered to be among the most important examples of this popular early 19th-century genre.[1]
Three other unnamed piano compositions (D. 946), written in May 1828, a few months before the composer’s death, are alternatively indicated as Impromptus orKlavierstücke (“piano pieces”).
The Impromptus are often considered companion pieces to the Six moments musicaux, and they are often recorded and published together.
It has been said that Schubert was deeply influenced in writing these pieces by the Impromptus, Op. 7 (1822) of Jan Václav Voříšek and by the music of Voříšek’s teacherVáclav Tomášek.[2][3]
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Posted in Educational, IN THE SPOTLIGHT, MEMORIES, PEOPLE AND PLACES HISTORY, GEOGRAPHY, Uncategorized, YouTube/SoundCloud: Music, Special Interest
Tagged Allegro, allegro molto moderato, Franz Schubert, Impromptu, Jan Václav Voříšek, Maria João Pires, Schubert, Schubert's Impromptus, Tempo, Václav Tomášek, wikipedia