Tag Archives: Jerome Robbins

The Nutcracker


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The Nutcracker

The Nutcracker, a celebrated ballet by Tchaikovsky, tells the story of a young girl whose Christmas gift of a nutcracker turns into a prince and leads her to a magical land. In 1954, George Balanchine choreographed and premiered his New York City Ballet version, which was later made into a feature film. Mikhail Baryshnikov choreographed another enormously popular version for the American Ballet Theatre. What novel instrument did Tchaikovsky use in the Nutcracker score? More… Discuss
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The Nutcracker Suite (Full Album) – Tchaikovsky

Published on Oct 27, 2014

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Song titles for Tchaikovsky: The Nutcracker in order:
1. Op. 71 – 2. March 0:00
2. Op. 71 – 4. Dance 2:47
3. Op. 71 – 5. Scene & The Grandfather Dance
4. Op. 71 – 6. Scene
5. Op. 71 – 7. Scene
6. Op. 71 – 8. Scene
7. Op. 71 – 12. Arabian Dance, “Coffee”
8. Op. 71 – 13. Waltz Of The Flowers
9. Op. 71 – 14. Pas De Deux
10. Op. 71 – 15. Closing Waltz & Grand Finale

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Leonard Bernstein – Maria (from West Side Story) , great compositions/performances


English: Leonard Bernstein, conductor and musi...

English: Leonard Bernstein, conductor and musical director of New York City Symphony Español: Leonard Bernstein, director de orquesta y director musical de la New York City Symphony (Photo credit: Wikipedia)

 

Great compositions/Interpretations:Debussy – Six Epigraphes Antiques – Piano Duet: Valeria Szervánszky & Ronald Cavaye


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Great compositions/Interpretations:Debussy – Six Epigraphes Antiques – Piano Duet: Valeria Szervánszky & Ronald Cavaye
Painting by Jenö Szervánszky

Antique Epigraphs is a ballet made on New York City Ballet by balletmaster Jerome Robbins to an orchestrated version of Debussy’s Six épigraphes antiques, L131, for piano, four hands, from 1914:…..

  • “Pour invoquer Pan, dieu du vent d’été”
  • “Pour un tombeau sans nom”
  • “Pour que la nuit soit propice”
  • “Pour la danseuse aux crotales”
  • “Pour l’égyptienne”
  • “Pour remercier la pluie au matin”

…..and his Syrinx, L129, a melody for unaccompanied flute from 1913. Six épigraphes antiques were originally written to accompany Pierre Louys‘ Chanson de Bilitis, prose poetry which was purported to be a translation of freshly discovered autobiographical verse by Sappho (it was not).[1][2] The premiere took place on February 2, 1984, at the New York State TheaterLincoln Center, with costumes by Florence Klotz and lighting by Jennifer Tipton.

 

 

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