Well I’ve heard there was a secret chord That David played and it pleased the Lord But you don’t really care for music, do you? Well it goes like this: The fourth, the fifth, the minor fall and the major lift The baffled king composing Hallelujah
Hallelujah Hallelujah Hallelujah Hallelujah
Well your faith was strong but you needed proof You saw her bathing on the roof Her beauty and the moonlight overthrew ya She tied you to her kitchen chair And she broke your throne and she cut your hair And from your lips she drew the Hallelujah
Hallelujah Hallelujah Hallelujah Hallelujah
But baby I’ve been here before I’ve seen this room and I’ve walked this floor You know, I used to live alone before I knew ya And I’ve seen your flag on the marble arch And love is not a victory march It’s a cold and it’s a broken Hallelujah
Hallelujah Hallelujah Hallelujah Hallelujah
Well there was a time when you let me know What’s really going on below But now you never show that to me do ya But remember when I moved in you And the holy dove was moving too And every breath we drew was Hallelujah
Hallelujah Hallelujah Hallelujah Hallelujah
Maybe there’s a God above But all I’ve ever learned from love Was how to shoot somebody who outdrew ya
And it’s not a cry that you hear at night It’s not somebody who’s seen the light It’s a cold and it’s a broken Hallelujah
Hello darkness, my old friend I’ve come to talk with you again Because a vision softly creeping Left its seeds while I was sleeping And the vision that was planted in my brain Still remains Within the sound of silence In restless dreams I walked alone Narrow streets of cobblestone ‘Neath the halo of a street lamp I turned my collar to the cold and damp When my eyes were stabbed by the flash of a neon light That split the night And touched the sound of silence
And in the naked light I saw Ten thousand people, maybe more People talking without speaking People hearing without listening People writing songs that voices never share And no one dare Disturb the sound of silence
“Fools” said I, “You do not know Silence like a cancer grows Hear my words that I might teach you Take my arms that I might reach you” But my words like silent raindrops fell And echoed In the wells of silence
And the people bowed and prayed To the neon god they made And the sign flashed out its warning In the words that it was forming And the sign said, “The words of the prophets
Are written on the subway walls And tenement halls” And whisper’d in the sounds of silence
I remember you well in the Chelsea Hotel You were talking so brave and so sweet Giving me head on the unmade bed While the limousines wait in the street Those were the reasons and that was New York We were running for the money and the flesh And that was called love for the workers in song Probably still is for those of them left
Ah but you got away, didn’t you babe You just turned your back on the crowd You got away, I never once heard you say I need you, I don’t need you I need you, I don’t need you And all of that jiving around
I remember you well in the Chelsea Hotel You were famous, your heart was a legend You told me again you preferred handsome men But for me you would make an exception And clenching your fist for the ones like us Who are oppressed by the figures of beauty You fixed yourself, you said, “Well never mind, We are ugly but we have the music”
And you got away, didn’t you babe, You just turned your back on the crowd You got away, I never once heard you say, I need you, I don’t need you I need you, I don’t need you And all of that jiving around
I don’t mean to suggest that I loved you the best I can’t keep track of each fallen robin I remember you well in the Chelsea Hotel That’s all, I don’t even think of you that often
I remember you well in the Chelsea Hotel You were talking so brave and so sweet Giving me head on the unmade bed While the limousines wait in the street Those were the reasons and that was New York We were running for the money and the flesh And that was called love for the workers in song Probably still is for those of them left
Ah but you got away, didn’t you babe You just turned your back on the crowd You got away, I never once heard you say I need you, I don’t need you I need you, I don’t need you And all of that jiving around
I remember you well in the Chelsea Hotel You were famous, your heart was a legend You told me again you preferred handsome men But for me you would make an exception And clenching your fist for the ones like us Who are oppressed by the figures of beauty You fixed yourself, you said, “Well never mind, We are ugly but we have the music”
And you got away, didn’t you babe, You just turned your back on the crowd You got away, I never once heard you say, I need you, I don’t need you I need you, I don’t need you And all of that jiving around
I don’t mean to suggest that I loved you the best I can’t keep track of each fallen robin I remember you well in the Chelsea Hotel That’s all, I don’t even think of you that often
It’s four in the morning, the end of December I’m writing you now just to see if you’re better New York is cold, but I like where I’m living There’s music on Clinton Street all through the evening
I hear that you’re building your little house deep in the desert You’re living for nothing now, I hope you’re keeping some kind of record
Yes, and Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear Did you ever go clear?
Ah, the last time we saw you you looked so much older Your famous blue raincoat was torn at the shoulder You’d been to the station to meet every train, and You came home without Lili Marlene
And you treated my woman to a flake of your life And when she came back she was nobody’s wife
Well I see you there with the rose in your teeth One more thin gypsy thief Well, I see Jane’s awake She sends her regards
And what can I tell you my brother, my killer What can I possibly say? I guess that I miss you, I guess I forgive you I’m glad you stood in my way
If you ever come by here, for Jane or for me Well, your enemy is sleeping, and his woman is free
Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried
And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear
If you are the dealer, I’m out of the game If you are the healer, it means I’m broken and lame If thine is the glory then mine must be the shame You want it darker We kill the flame
Magnified, sanctified, be thy holy name Vilified, crucified, in the human frame A million candles burning for the help that never came You want it darker
Hineni, hineni I’m ready, my lord
There’s a lover in the story But the story’s still the same There’s a lullaby for suffering And a paradox to blame But it’s written in the scriptures And it’s not some idle claim You want it darker We kill the flame
They’re lining up the prisoners And the guards are taking aim I struggled with some demons They were middle class and tame I didn’t know I had permission to murder and to maim You want it darker
Hineni, hineni I’m ready, my lord
Magnified, sanctified, be thy holy name Vilified, crucified, in the human frame A million candles burning for the love that never came You want it darker We kill the flame
If you are the dealer, let me out of the game If you are the healer, I’m broken and lame If thine is the glory, mine must be the shame You want it darker
The ponies run, the girls are young,
The odds are there to beat.
You win a while, and then it’s done ?
Your little winning streak.
And summoned now to deal
With your invincible defeat,
You live your life as if it?s real,
A Thousand Kisses Deep.
I’m turning tricks, I’m getting fixed,
I’m back on Boogie Street.
You lose your grip, and then you slip
Into the Masterpiece.
And maybe I had miles to drive,
And promises to keep:
You ditch it all to stay alive,
A Thousand Kisses Deep.
And sometimes when the night is slow,
The wretched and the meek,
We gather up our hearts and go,
A Thousand Kisses Deep.
Confined to sex, we pressed against
The limits of the sea:
I saw there were no oceans left
For scavengers like me.
I made it to the forward deck.
I blessed our remnant fleet…
And then consented to be wrecked,
A Thousand Kisses Deep.
I’m turning tricks, I’m getting fixed,
I’m back on Boogie Street.
I guess they won’t exchange the gifts
That you were meant to keep.
And quiet is the thought of you,
The file on you complete,
Except what we forgot to do,
A Thousand Kisses Deep.
And sometimes when the night is slow,
The wretched and the meek,
We gather up our hearts and go,
A Thousand Kisses Deep.
The ponies run, the girls are young,
The odds are there to beat .
I saw you this morning.
You were moving so fast.
Can’t seem to loosen my grip
On the past.
And I miss you so much.
There’s no one in sight.
And we’re still making love
In My Secret Life.
I smile when I’m angry.
I cheat and I lie.
I do what I have to do
To get by.
But I know what is wrong,
And I know what is right.
And I’d die for the truth
In My Secret Life.
Hold on, hold on, my brother.
My sister, hold on tight.
I finally got my orders.
I’ll be marching through the morning,
Marching through the night,
Moving cross the borders
Of My Secret Life.
Looked through the paper.
Makes you want to cry.
Nobody cares if the people
Live or die.
And the dealer wants you thinking
That it’s either black or white.
Thank G-d it’s not that simple
In My Secret Life.
I bite my lip.
I buy what I’m told:
From the latest hit,
To the wisdom of old.
But I’m always alone.
And my heart is like ice.
And it’s crowded and cold
In My Secret Life.
Highlight lyrics and explain them to earn Karma points.
Now the swan it floated on the english river Ah the rose of high romance it opened wide A sun tanned woman yearned me through the summer And the judges watched us from the other side
I told my mother “mother I must leave you Preserve my room but do not she’d a tear Should rumour of a shabby ending reach you It was half my fault and half the atmosphere”
But the rose I sickened with a scarlet fever And the swan I tempted with a sense of shame She said at last I was her finest lover And if she withered I would be to blame
The judges said you missed it by a fraction Rise up and brace your troops for the attack Ah the dreamers ride against the men of action Oh see the men of action falling back
But I lingered on her thighs a fatal moment I kissed her lips as though I thirsted still My falsity had stung me like a hornet The poison sank and it paralysed my will
I could not move to warn all the younger soldiers That they had been deserted from above So on battlefields from here to barcelona I’m listed with the enemies of love
And long ago she said “i must be leaving, Ah but keep my body here to lie upon You can move it up and down and when I’m sleeping Run some wire through that rose and wind the swan”
So daily I renew my idle duty I touch her here and there — I know my place I kiss her open mouth and I praise her beauty And people call me traitor to my face
Suzanne takes you down to her place near the river You can hear the boats go by You can spend the night beside her And you know that she’s half crazy But that’s why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you’ve always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you’ve touched her perfect body with your mind. And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said “All men will be sailors then Until the sea shall free them” But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you’ll trust him For he’s touched your perfect body with his mind.
Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she’s touched your perfect body with her mind.
Oh, the sisters of mercy, they are not departed or gone They were waiting for me when I thought that I just can’t go on And they brought me their comfort and later they brought me this song Oh, I hope you run into them, you who’ve been travelling so long
Yes, you who must leave everything that you cannot control It begins with your family, but soon it comes around to your soul Well, I’ve been where you’re hanging, I think I can see how you’re pinned When you’re not feeling holy, your loneliness says that you’ve sinned
Well, they lay down beside me, I made my confession to them They touched both my eyes and I touched the dew on their hem If your life is a leaf that the seasons tear off and condemn They will bind you with love that is graceful and green as a stem
When I left they were sleeping, I hope you run into them soon Don’t turn on the lights, you can read their address by the moon And you won’t make me jealous if I hear that they sweetened your night We weren’t lovers like that and besides, it would still be all right We weren’t lovers like that and besides, it would still be all right
Now the Swan it floated on the English river Ah the Rose of High Romance it opened wide A sun tanned woman yearned me through the summer and the judges watched us from the other side I told my mother “Mother I must leave you preserve my room but do not shed a tear Should rumour of a shabby ending reach you it was half my fault and half the atmosphere”
But the Rose I sickened with a scarlet fever and the Swan I tempted with a sense of shame She said at last I was her finest lover and if she withered I would be to blame
The judges said you missed it by a fraction rise up and brace your troops for the attack Ah the dreamers ride against the men of action Oh see the men of action falling back
But I lingered on her thighs a fatal moment I kissed her lips as though I thirsted still My falsity had stung me like a hornet The poison sank and it paralysed my will
I could not move to warn all the younger soldiers that they had been deserted from above So on battlefields from here to Barcelona I’m listed with the enemies of love
And long ago she said “I must be leaving, Ah but keep my body here to lie upon You can move it up and down and when I’m sleeping Run some wire through that Rose and wind the Swan”
So daily I renew my idle duty I touch her here and there — I know my place I kiss her open mouth and I praise her beauty and people call me traitor to my face
The Antony part in the Leonard Cohen documentary – I’m your Man
LEONARD COHEN LYRICS
Play Music
“If It Be Your Will”
If it be your will That I speak no more And my voice be still As it was before I will speak no more I shall abide until I am spoken for If it be your will If it be your will That a voice be true From this broken hill I will sing to you From this broken hill All your praises they shall ring If it be your will To let me sing From this broken hill All your praises they shall ring If it be your will To let me sing
If it be your will If there is a choice Let the rivers fill Let the hills rejoice Let your mercy spill On all these burning hearts in hell If it be your will To make us well
And draw us near And bind us tight All your children here In their rags of light In our rags of light All dressed to kill And end this night If it be your will
If it be your will.
Writer(s): Leonard Cohen
Copyright: Bad Monk Publishing, Sony/ATV Songs LLC
The story of Joan of Arc is one of the most wonderful stories in the history of any nation of Europe. In the hour of France’s need, when she was being conquered by English armies, when her forces were so divided by civil war that it seemed as if there were no true Frenchmen, but that every lord and district were for themselves, when she had no recognized king, but only an uncrowned Dauphin…….in this hour of her need there appeared for France a Maiden, a deliverer.
Joan died a cruel death, but the work which she had begun in France did not die with her. She had united the French and they did not fall apart again into quarrelsome factions. King Charles showed a new spirit as he began his reign. Even through the dangers of war he took time to unite his nobles and keep them in order under him. The English were driven out by this newly roused French nation. The Hundred Years’ War was ended, and a peace was concluded by which France was left free within her own provinces, untroubled by foreigners.
Many movies, books, poems, songs have been written on the subject of Joan of Arc. In this video, the Leonard Cohen song, “Joan of Arc” is featured as sung by Jennifer Warnes with several images that are hopefully interwoven to reflect a variety of Joan of Arc facets in the past and in our present day. I chose to focus on the face of Renée Maria Falconetti from the 1928 movie “La Passion de Jeanne d’Arc” -The director, Dreyer, wrote in his “Thoughts on My Craft”, “Nothing in the world can be compared to the human face. It is a land one can never tire of exploring”. Dreyer’s film was a visionary work of art which has to be seen to be appreciated. But, Falconetti’s performance was so intense for her that she suffered a mental breakdown after the filming.
Songs, poems, symbols are all able to carry multiple messages, depending on who is interpreting them (or when in their life they are doing the interpreting). I have chosen to interpret the fire as being God (Jesus for Joan). Some have said that they saw the fire as the Devil. Not I.
Best viewed at 720p on a full screen.
Now the flames they followed Joan of arc As she came riding through the dark; No moon to keep her armour bright, No man to get her through this very smoky night. She said, I’m tired of the war, I want the kind of work I had before, A wedding dress or something white To wear upon my swollen appetite.Well, I’m glad to hear you talk this way, You know I’ve watched you riding every day And something in me yearns to win Such a cold and lonesome heroine. And who are you? she sternly spoke To the one beneath the smoke. Why, I’m fire, he replied, And I love your solitude, I love your pride.Then fire, make your body cold, I’m going to give you mine to hold, Saying this she climbed inside To be his one, to be his only bride. And deep into his fiery heart He took the dust of Joan of arc, And high above the wedding guests He hung the ashes of her wedding dress.
It was deep into his fiery heart He took the dust of Joan of arc, And then she clearly understood If he was fire, oh then she must be wood. I saw her wince, I saw her cry, I saw the glory in her eye. Myself I long for love and light, But must it come so cruel, and oh so bright?
Jennifer Jean Warnes (born March 3, 1947) is an Americansinger, songwriter, arranger, and record producer. She is known for her interpretations of compositions written by herself and many others as well as an extensive playlist as a vocalist on movie soundtracks. She is a close friend of and collaborator with Canadian singer-songwriter and poet, Leonard Cohen.
Come over to the window, my little darling I’d like to try to read your palm I used to think I was some kind of Gypsy boy Before I let you take me home
Now so long, Marianne, it’s time that we began To laugh and cry and cry and laugh about it all again
Well you know that I love to live with you But you make me forget so very much I forget to pray for the angels And then the angels forget to pray for us
Now so long, Marianne, it’s time that we began
We met when we were almost young Deep in the green lilac park You held on to me like I was a crucifix As we went kneeling through the dark
Oh so long, Marianne, it’s time that we began
Your letters they all say that you’re beside me now Then why do I feel alone? I’m standing on a ledge and your fine spider web Is fastening my ankle to a stone
Now so long, Marianne, it’s time that we began
For now I need your hidden love I’m cold as a new razor blade You left when I told you I was curious I never said that I was brave
Oh so long, Marianne, it’s time that we began Oh, you are really such a pretty one I see you’ve gone and changed your name again And just when I climbed this whole mountainside To wash my eyelids in the rain
Tango Scene ~ Al Pacino and Gabrielle Anwar ~ Scent of a Woman ~ Movie CLIP (1992) Leonard Cohen ~ Dance Me To The End Of Love
Lyrics:
Dance me to your beauty with a burning violin Dance me through the panic ’til I’m gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love Dance me to the end of love
Oh let me see your beauty when the witnesses are gone Let me feel you moving like they do in Babylon Show me slowly what I only know the limits of Dance me to the end of love Dance me to the end of love Dance me to the wedding now, dance me on and on Dance me very tenderly and dance me very long We’re both of us beneath our love, we’re both of us above Dance me to the end of love Dance me to the end of love
Dance me to the children who are asking to be born Dance me through the curtains that our kisses have outworn Raise a tent of shelter now, though every thread is torn Dance me to the end of love
Dance me to your beauty with a burning violin Dance me through the panic till I’m gathered safely in Touch me with your naked hand or touch me with your glove Dance me to the end of love Dance me to the end of love Dance me to the end of love
Promotional video clip for tribute LP “Poets In New York” (1986). Leonard Cohen performs Take This Waltz, his song based on his own translation of Garcia Lorca’s Pequeño vals vienés.
The Leonard Cohen Files says: “The video was filmed in Spain, in the city of Granada, famous for the Alhambra Castle. Leonard Cohen is shown in the house of Federico Garcia Lorca. 6 min, color.”
Note: This is 1986 version of the song, produced for the Spanish tribute album “Poets In New York”. Later, Cohen released the same track on his 1988 album I’m Your Man, adding Raffi Hakopian’s violin and Jennifer Warnes’ vocals in overlayers. So don’t be alarmed if you don’t hear Warnes’ duetting on some verses and no violin at all.
According to some sources, this wasn’t real video clip, but promotional clip which originally was the part of TV programme accompanying “Poets in New York” LP. Strangely enough, there’s another version at YouTube, recorded from TV Espana, two minutes longer, re-edited and re-cut – some extra shots show Cohen playing the piano, walking through Garcia Lorca’s house museum etc. http://www.youtube.com/watch?v=PV97_R… My version is 4 minutes, while The Leonard Cohen Files says it should be six minutes. Nevertheless, my version is obviously also complete clip, and I took it from the home-made DVDR which was shown on Leonard Cohen Event organised by The LC Files, while the DVDR’s contents came from press kit tapes sent by Mr. Cohen, so…
“Take This Waltz” is track #18 on the album Live In London. It was written by Cohen, Leonard / Lorca, Garcia.
Now in Vienna there’s ten pretty women There’s a shoulder where death comes to cry There’s a lobby with nine hundred windows There’s a tree where the doves go to die There’s a piece that was torn from the morning And it hangs in theGallery of Frost
Aey, aey, aey, aey Take this waltz, take this waltz Take this waltz with the clamp on its jaws
Oh I want you, I want you, I want you On a chair with a dead magazine In the cave at the tip of the lily In some hallway where love’s never been On a bed where the moon has been sweating In a cry filled with footsteps and sand
Aey, aey, aey, aey Take this waltz, take this waltz Take its broken waist in your hand This waltz, this waltz, this waltz, this waltz With its very own breath of brandy and death Dragging its tail in the sea
There’s a concert hall in Vienna Where your mouth had a thousand reviews There’s a bar where the boys have stopped talking They’ve been sentenced to death by the blues But who is it climbs to your picture With a garland of freshly cut tears?
Aey, aey, aey, aey Take this waltz, take this waltz Take this waltz it’s been dying for years
There’s an attic where children are playing Where I’ve got to lie down with you soon In a dream of Hungarian lanterns In the mist of some sweet afternoon And I’ll see what you’ve chained to your sorrow All your sheep and your lilies of snow
Aey, aey, aey, aey Take this waltz, take this waltz With its, I’ll never forget you, you know This waltz, this waltz, this waltz, this waltz With its very own breath of brandy and death Dragging its tail in the sea
And I’ll dance with you in Vienna I’ll be wearing a river’s disguise The hyacinth wild on my shoulder My mouth on the dew of your thighs And I’ll bury my soul in a scrapbook With the photographs there, and the moss
And I’ll yield to the flood of your beauty My cheap violin and my cross And you’ll carry me down on your dancing To the pools that you lift on your wrist Oh my love, oh my love Take this waltz, take this waltz It’s yours now, it’s all that there is
Leonard Cohen – Alexandra Leaving -The Book of longing_FotoSketcher_FotoSketcher (Click to enlarge)
As someone long prepared for the occasion; In full command of every plan you wrecked— Do not choose a coward’s explanation that hides behind the cause and the effect,You who were bewildered by a meaning, whose code was broken, crucifix uncrossed— Say goodbye to Alexandra leaving. Then say goodbye to Alexandra lost.
Sharon Robinson sings Alexandra leaving at the Leonard Cohen Ghent concert on August 15th 2012.
*****Please read the poem ‘Alexandra Leaving’ HERE
‘I could’ve included the poem in this post but I really wanted to give my audience a chance to first read the poem and then watch the video and listen to the marvelous interpretation by Sharon Robinson.’
Suddenly the night has grown colder. Some deity preparing to depart. Alexandra hoisted on his shoulder, they slip between the sentries of your heart.
Upheld by the simplicities of pleasure, they gain the light, they formlessly entwine; and radiant beyond your widest measure they fall among the voices and the wine.
lt’s not a trick, your senses all deceiving, a fitful dream the morning will exhaust— Say goodbye to Alexandra leaving, Then say goodbye to Alexandra lost.
Even though she sleeps upon your satin. Even though she wakes you with a kiss. Do not say the moment was imagined, Do not stoop to strategies like this.
As someone long prepared for this to happen, Go firmly to the window. Drink it in. Exquisite music, Alexandra laughing. Your first commitments tangible again.
You who had the honor of her evening, And by that honor had your own restored— Say goodbye to Alexandra leaving. Alexandra leaving with her lord.
As someone long prepared for the occasion; In full command of every plan you wrecked— Do not choose a coward’s explanation that hides behind the cause and the effect,
You who were bewildered by a meaning, whose code was broken, crucifix uncrossed— Say goodbye to Alexandra leaving. Then say goodbye to Alexandra lost.
How I Got My Song, Leonard Cohen’s speech at the Oct 21, 2011 Prince of Asturias Awards is already available on video uploads, all of which suffer from overdubbing in Spanish that sometimes obscures Cohen’s words. In this version, however, all but the first 2-3 minutes of the talk are played from an audio tape with no overdubbing. While that portion of the tape contains ambient noise and some volume and pitch fluctuations, it is significantly easier to understand. A direct English transcript is also available at 1HeckOfAGuy.com: http://1heckofaguy.com/2011/10/24/leo…….
Español: Ceremonia de entrega de los Premios Príncipe de Asturias 2010. (Photo credit: Wikipedia)
The transcription begins just after the Cohen’s opening salutations to the audience.
Transcription:
It is a great honour to stand here before you tonight. Perhaps, like the great maestro, Riccardo Muti,
English: Prince of Asturias Foundation Emblem (Prince of Asturias Awards) Español: Escudo de la Fundación Príncipe de Asturias (Premios Príncipe de Asturias) (Photo credit: Wikipedia)
I’m not used to standing in front of an audience without an orchestra behind me, but I will do my best as a solo artist tonight.
I stayed up all night last night wondering what I might say to this assembly. After I had eaten all the chocolate bars and peanuts from the minibar, I scribbled a few words. I don’t think I have to refer to them. Obviously, I’m deeply touched to be recognized by the Foundation. But I have come here tonight to express another dimension of gratitude; I think I can do it in three or four minutes.
When I was packing in Los Angeles, I had a sense of unease because I’ve always felt some ambiguity about an award for poetry. Poetry comes from a place that no one commands, that no one conquers.So I feel somewhat like a charlatan to accept an award for an activity which I do not command. In other words, if I knew where the good songs came from I would go there more often.
I was compelled in the midst of that ordeal of packing to go and open my guitar. I have a Conde guitar, which was made in Spain in the great workshop at number 7 Gravina Street. I pick up an instrument I acquired over 40 years ago. I took it out of the case, I lifted it, and it seemed to be filled with helium it was so light. And I brought it to my face and I put my face close to the beautifully designed rosette, and I inhaled the fragrance of the living wood. We know that wood never dies. I inhaled the fragrance of the cedar as fresh as the first day that I acquired the guitar. And a voice seemed to say to me, “You are an old man and you have not said thank you, you have not brought your gratitude back to the soil from which this fragrance arose. And so I come here tonight to thank the soil and the soul of this land that has given me so much.
Because I know that just as an identity card is not a man, a credit rating is not a country.
Now, you know of my deep association and confraternity with the poet Frederico Garcia Lorca. I could say that when I was a young man, an adolescent, and I hungered for a voice, I studied the English poets and I knew their work well, and I copied their styles, but I could not find a voice. It was only when I read, even in translation, the works of Lorca that I understood that there was a voice. It is not that I copied his voice; I would not dare. But he gave me permission to find a voice, to locate a voice, that is to locate a self, a self that that is not fixed, a self that struggles for its own existence.
As I grew older, I understood that instructions came with this voice. What were these instructions? The instructions were never to lament casually. And if one is to express the great inevitable defeat that awaits us all, it must be done within the strict confines of dignity and beauty.
And so I had a voice, but I did not have an instrument. I did not have a song.
And now I’m going to tell you very briefly a story of how I got my song.
Because – I was an indifferent guitar player. I banged the chords. I only knew a few of them. I sat around with my college friends, drinking and singing the folk songs and the popular songs of the day, but I never in a thousand years thought of myself as a musician or as a singer.
One day in the early sixties, I was visiting my mother’s house in Montreal. Her house was beside a park and in the park was a tennis court where many people come to watch the beautiful young tennis players enjoy their sport. I wandered back to this park which I’d known since my childhood, and there was a young man playing a guitar. He was playing a flamenco guitar, and he was surrounded by two or three girls and boys who were listening to him. I loved the way he played. There was something about the way he played that captured me. It was the way that I wanted to play and knew that I would never be able to play.
And, I sat there with the other listeners for a few moments and when there was a silence, an appropriate silence, I asked him if he would give me guitar lessons. He was a young man from Spain, and we could only communicate in my broken French and his broken French. He didn’t speak English. And he agreed to give me guitar lessons. I pointed to my mother’s house which you could see from the tennis court, and we made an appointment and settled a price.
He came to my mother’s house the next day and he said, “Let me hear you play something.” I tried to play something, and he said, “You don’t know how to play, do you?’
I said, “No, I don’t know how to play.” He said “First of all, let me tune your guitar. It’s all out of tune.” So he took the guitar, and he tuned it. He said, “It’s not a bad guitar.” It wasn’t the Conde, but it wasn’t a bad guitar. So, he handed it back to me. He said, “Now play.”
I couldn’t play any better.
He said “Let me show you some chords.” And he took the guitar, and he produced a sound from that guitar I had never heard. And he played a sequence of chords with a tremolo, and he said, “Now you do it.” I said, “It’s out of the question. I can’t possibly do it.” He said, “Let me put your fingers on the frets,” and he put my fingers on the frets. And he said, “Now, now play.”
It was a mess. He said, ” I’ll come back tomorrow.”
He came back tomorrow, he put my hands on the guitar, he placed it on my lap in the way that was appropriate, and I began again with those six chords – a six chord progression. Many, many flamenco songs are based on them.
I was a little better that day. The third day – improved, somewhat improved. But I knew the chords now. And, I knew that although I couldn’t coordinate my fingers with my thumb to produce the correct tremolo pattern, I knew the chords; I knew them very, very well.
The next day, he didn’t come. He didn’t come. I had the number of his, of his boarding house in Montreal. I phoned to find out why he had missed the appointment, and they told me that he had taken his life. That he committed suicide.
I knew nothing about the man. I did not know what part of Spain he came from. I did not know why he came to Montreal. I did not know why he played there. I did not know why he he appeared there at that tennis court. I did not know why he took his life.
I was deeply saddened, of course. But now I disclose something that I’ve never spoken in public. It was those six chords, it was that guitar pattern that has been the basis of all my songs and all my music. So, now you will begin to understand the dimensions of the gratitude I have for this country.
Everything that you have found favourable in my work comes from this place. Everything , everything that you have found favourable in my songs and my poetry are inspired by this soil.
So, I thank you so much for the warm hospitality that you have shown my work because it is really yours, and you have allowed me to affix my signature to the bottom of the page.
“Tower of Song” is track #20 on the album Live In London. It was written by Cohen, Leonard.
Well my friends are gone and my hair is gray I ache in the places where I used to play And I’m crazy for love but I’m not coming on I’m just paying my rent every day in the tower of song
I said to Hank Williams, “How lonely does it get?” Hank Williams hasn’t answered yet But I hear him coughing all night long Oh, a hundred floors above me in the tower of song
I was born like this, I had no choice I was born with the gift of a golden voice And twenty-seven angels from the great beyond They tied me to this table right here in the tower of song
So you can stick your little pins in that voodoo doll I’m very sorry, baby, doesn’t look like me at all I’m standing by the window where the light is strong Ah they don’t let a woman kill you not in the tower of song
Now you can say that I’ve grown bitter but of this you may be sure The rich have got their channels in the bedrooms of the poor And there’s a mighty judgment coming, but I may be wrong You see, you hear these funny voices in the tower of song
I see you standing on the other side I don’t know how the river got so wide I loved you baby, way back when And all the bridges are burning that we might have crossed But I feel so close to everything that we lost We’ll never, we’ll never have to lose it again
Now I bid you farewell, I don’t know when I’ll be back They’re moving us tomorrow to that tower down the track But you’ll be hearing from me baby, long after I’m gone I’ll be speaking to you sweetly from a window in the tower of song
Yeah, my friends are gone and my head is gray I ache in the places where I used to play And I’m crazy for love but I’m not coming on I’m just paying my rent every day in the tower of song
Dance me to your beauty with a burning violin Dance me through the panic ’til I’m gathered safely in Lift me like an olive branch and be my homeward dove Dance me to the end of love Dance me to the end of love Oh let me see your beauty when the witnesses are gone Let me feel you moving like they do in Babylon Show me slowly what I only know the limits of Dance me to the end of love Dance me to the end of love
Dance me to the wedding now, dance me on and on Dance me very tenderly and dance me very long We’re both of us beneath our love, we’re both of us above Dance me to the end of love Dance me to the end of love
Dance me to the children who are asking to be born Dance me through the curtains that our kisses have outworn Raise a tent of shelter now, though every thread is torn Dance me to the end of love
Dance me to your beauty with a burning violin Dance me through the panic till I’m gathered safely in Touch me with your naked hand or touch me with your glove Dance me to the end of love Dance me to the end of love Dance me to the end of love
Music video by Leonard Cohen performing In My Secret Life. YouTube view counts pre-VEVO: 619,026 (C) 2001 SONY BMG MUSIC (CANADA) INC.
Lyrics:
In my secret life In my secret life In my secret life In my secret life
I saw you this mornin’ You were movin’ so fast Cant seem to loosen my grip On the past
And I miss you so much There’s no one in sight And were still makin’ love
In my secret life In my secret life
I smile when I’m angry I cheat and I lie I do what I have to do To get by
But I know what is wrong And I know what is right And Id die for the truth
In my secret life In my secret life
Hold on, hold on, my brother My sister, hold on tight I finally got my orders Ill be marching through the mornin’ Marchin’ through the night Movin ‘cross the borders of my secret life
Looked through the paper Makes you want to cry Nobody cares if the people Live or die And the dealer wants you thinkin’ That its either black or white Thank God its not that simple In my secret life
I bite my lip I buy what I’m told From the latest hit To the wisdom of old
But I’m always alone And my heart is like ice And its crowded and cold
In my secret life In my secret life In my secret life In my secret life
In my secret life In my secret life In my secret life In my secret life
The poem is about accepting things we can’t change, and accepting a path we didn’t exactly envision for ourselves. Believe there is a quiet courage in accepting the path that is laid ahead of you, as you gather up your heart and go a thousand kisses deep..
(Thanks so much Monsieur Leonard Cohen!)
1. You came to me this morning And you handled me like meat. You´d have to live alone to know How good that feels, how sweet. My mirror twin, my next of kin, I´d know you in my sleep. And who but you would take me in A thousand kisses deep?
2. I loved you when you opened Like a lily to the heat. I´m just another snowman Standing in the rain and sleet, Who loved you with his frozen love His second-hand physique – With all he is, and all he was A thousand kisses deep.
3. All soaked in sex, and pressed against The limits of the sea: I saw there were no oceans left For scavengers like me. We made it to the forward deck I blessed our remnant fleet – And then consented to be wrecked A thousand kisses deep.
4. I know you had to lie to me, I know you had to cheat. But the Means no longer guarantee The Virtue in Deceit. That truth is bent, that beauty spent, That style is obsolete – Ever since the Holy Spirit went A thousand kisses deep.
5. (So what about this Inner Light That´s boundless and unique? I´m slouching through another night A thousand kisses deep.)
6. I´m turning tricks; I´m getting fixed, I´m back on Boogie Street. I tried to quit the business – Hey, I´m lazy and I´m weak. But sometimes when the night is slow, The wretched and the meek, We gather up our hearts and go A thousand kisses deep.
7. (And fragrant is the thought of you, The file on you complete – Except what we forgot to do A thousand kisses deep.)
8. The ponies run, the girls are young, The odds are there to beat. You win a while, and then it´s done – Your little winning streak. And summoned now to deal With your invincible defeat, You live your life as if it´s real A thousand kisses deep.
9. (I jammed with Diz and Dante – I did not have their sweep – But once or twice, they let me play A thousand kisses deep.)
10. And I´m still working with the wine, Still dancing cheek to cheek. The band is playing “Auld Lang Syne” – The heart will not retreat. And maybe I had miles to drive, And promises to keep – You ditch it all to stay alive A thousand kisses deep.
11. And now you are the Angel Death And now the Paraclete; And now you are the Savior’s Breath And now the Belsen heap. No turning from the threat of love, No transcendental leap – As witnessed here in time and blood A thousand kisses deep.
Simon & Garfunkel – The Sound of Silence 1966 live
Hello darkness, my old friend I’ve come to talk with you again Because a vision softly creeping Left its seeds while I was sleeping And the vision that was planted in my brain Still remains Within the sound of silence
In restless dreams I walked alone Narrow streets of cobblestone ‘Neath the halo of a street lamp I turned my collar to the cold and damp When my eyes were stabbed by the flash of a neon light That split the night And touched the sound of silence
And in the naked light I saw Ten thousand people, maybe more People talking without speaking People hearing without listening People writing songs that voices never share And no one dared Disturb the sound of silence
“Fools”, said I, “You do not know Silence like a cancer grows Hear my words that I might teach you Take my arms that I might reach you” But my words, like silent raindrops fell And echoed In the wells of silence
And the people bowed and prayed To the neon god they made And the sign flashed out its warning In the words that it was forming And the sign said, “The words of the prophets are written on the subway walls And tenement halls” And whispered in the sounds of silence
Mandy Aftel is widely acclaimed as a trailblazer in natural perfumery. Over two decades of sourcing the finest aromatic ingredients from all over the world and creating artisanal fragrances, she has been an evangelist for the transformative power of scent. In Fragrant, through five major players in the epic of aroma, she explores the profound connection between our sense of smell and the appetites that move us, give us pleasure, make us fully alive. The Avid Reader Show is sponsored by Wellington Square Bookshop in Chester County, PA. The show airs every Monday at 5PM EST. Please visit our website at http://www.wellingtonsquarebooks.com
A divine composition based on a unique poem, made a complete Leonard Cohen pièce de résistance, and the rendition beyond the realm of words by Martha Wainwright not to forget the out of this world musical arrangement: I am so happy to be able to appreciate this historic moment of excellence in the making. The explanation given by Mr. Cohen to the meaning of the verse describes a predicament in which each and every one of us found ourselves at least once in life, which makes it our life story, within which we can dissolve completely.
The world is indeed the theater in which we’re actors, directors and spectators:
Now the Swan it floated on the English river Ah the Rose of High Romance it opened wide A sun tanned woman yearned me through the summer and the judges watched us from the other side
I told my mother “Mother I must leave you preserve my room but do not shed a tear Should rumour of a shabby ending reach you it was half my fault and half the atmosphere”
But the Rose I sickened with a scarlet fever and the Swan I tempted with a sense of shame She said at last I was her finest lover and if she withered I would be to blame
The judges said you missed it by a fraction rise up and brace your troops for the attack Ah the dreamers ride against the men of action Oh see the men of action falling back
But I lingered on her thighs a fatal moment I kissed her lips as though I thirsted still My falsity had stung me like a hornet The poison sank and it paralysed my will
I could not move to warn all the younger soldiers that they had been deserted from above So on battlefields from here to Barcelona I’m listed with the enemies of love
And long ago she said “I must be leaving, Ah but keep my body here to lie upon You can move it up and down and when I’m sleeping Run some wire through that Rose and wind the Swan”
So daily I renew my idle duty I touch her here and there — I know my place I kiss her open mouth and I praise her beauty and people call me traitor to my face
Leonard Cohen: “It was called “The traitor”. It was about the feeling that we have of betraying some mission that we were mandated to fulfill, and being unable to fulfill it, and then coming to understand that the real mandate was not to fulfill it, and that the deeper courage was to stand guiltless in the predicament in which you found yourself”.
Music video by Leonard Cohen performing In My Secret Life. YouTube view counts pre-VEVO: 619,026 (C) 2001 SONY BMG MUSIC (CANADA) INC. *************************************************************************
LEONARD COHEN LYRICS
“In My Secret Life”
I saw you this morning. You were moving so fast. Can’t seem to loosen my grip On the past. And I miss you so much. There’s no one in sight. And we’re still making love In My Secret Life.
I smile when I’m angry. I cheat and I lie. I do what I have to do To get by. But I know what is wrong, And I know what is right. And I’d die for the truth In My Secret Life.
Hold on, hold on, my brother. My sister, hold on tight. I finally got my orders. I’ll be marching through the morning, Marching through the night, Moving cross the borders Of My Secret Life.
Looked through the paper. Makes you want to cry. Nobody cares if the people Live or die. And the dealer wants you thinking That it’s either black or white. Thank G-d it’s not that simple In My Secret Life.
I bite my lip. I buy what I’m told: From the latest hit, To the wisdom of old. But I’m always alone. And my heart is like ice. And it’s crowded and cold In My Secret Life.
Suzanne takes you down to her place near the river You can hear the boats go by You can spend the night beside her And you know that she’s half crazy But that’s why you want to be there And she feeds you tea and oranges That come all the way from China And just when you mean to tell her That you have no love to give her Then she gets you on her wavelength And she lets the river answer That you’ve always been her lover And you want to travel with her And you want to travel blind And you know that she will trust you For you’ve touched her perfect body with your mind.
And Jesus was a sailor When he walked upon the water And he spent a long time watching From his lonely wooden tower And when he knew for certain Only drowning men could see him He said “All men will be sailors then Until the sea shall free them” But he himself was broken Long before the sky would open Forsaken, almost human He sank beneath your wisdom like a stone And you want to travel with him And you want to travel blind And you think maybe you’ll trust him For he’s touched your perfect body with his mind. Now Suzanne takes your hand And she leads you to the river She is wearing rags and feathers From Salvation Army counters And the sun pours down like honey On our lady of the harbour And she shows you where to look Among the garbage and the flowers There are heroes in the seaweed There are children in the morning They are leaning out for love And they will lean that way forever While Suzanne holds the mirror And you want to travel with her And you want to travel blind And you know that you can trust her For she’s touched your perfect body with her mind.
Tower Of Song – Video clip from the film ‘I’m Your Man’ Video INCLUDED in DVD version – U2 : Window in the Skies
LEONARD COHEN
Tower Of Song Lyrics
Songwriters: Cohen, Leonard;
Well my friends are gone and my hair is gray I ache in the places where I used to play And I’m crazy for love but I’m not coming on I’m just paying my rent every day in the tower of song
I said to Hank Williams, “How lonely does it get?” Hank Williams hasn’t answered yet But I hear him coughing all night long Oh, a hundred floors above me in the tower of song
I was born like this, I had no choice I was born with the gift of a golden voice And twenty-seven angels from the great beyond They tied me to this table right here in the tower of song
So you can stick your little pins in that voodoo doll I’m very sorry, baby, doesn’t look like me at all I’m standing by the window where the light is strong Ah they don’t let a woman kill you not in the tower of song
Now you can say that I’ve grown bitter but of this you may be sure The rich have got their channels in the bedrooms of the poor And there’s a mighty judgment coming, but I may be wrong You see, you hear these funny voices in the tower of song
I see you standing on the other side I don’t know how the river got so wide I loved you baby, way back when And all the bridges are burning that we might have crossed But I feel so close to everything that we lost We’ll never, we’ll never have to lose it again
Now I bid you farewell, I don’t know when I’ll be back They’re moving us tomorrow to that tower down the track But you’ll be hearing from me baby, long after I’m gone I’ll be speaking to you sweetly from a window in the tower of song
Yeah, my friends are gone and my head is gray I ache in the places where I used to play And I’m crazy for love but I’m not coming on I’m just paying my rent every day in the tower of song
The door it opened slowly, My father he came in, I was nine years old. And he stood so tall above me, His blue eyes they were shining And his voice was very cold. He said, “I’ve had a vision And you know I’m strong and holy, I must do what I’ve been told.” So he started up the mountain, I was running, he was walking, And his axe was made of gold.
Well, the trees they got much smaller, The lake a lady’s mirror, We stopped to drink some wine. Then he threw the bottle over. Broke a minute later And he put his hand on mine. Thought I saw an eagle But it might have been a vulture, I never could decide. Then my father built an altar, He looked once behind his shoulder, He knew I would not hide.
You who build these altars now To sacrifice these children, You must not do it anymore. A scheme is not a vision And you never have been tempted By a demon or a god. You who stand above them now, Your hatchets blunt and bloody, You were not there before, When I lay upon a mountain And my father’s hand was trembling With the beauty of the word.
And if you call me brother now, Forgive me if I inquire, “just according to whose plan?” When it all comes down to dust I will kill you if I must, I will help you if I can. When it all comes down to dust I will help you if I must, I will kill you if I can. And mercy on our uniform, Man of peace or man of war, The peacock spreads his fan.
The Partisan. When they poured across the border I was cautioned to surrender, this I could not do; I took my gun and vanished. I have changed my name so often, I’ve lost my wife and children but I have many friends, and some of them are with me.
An old woman gave us shelter, kept us hidden in the garret, then the soldiers came; she died without a whisper.
There were three of us this morning I’m the only one this evening but I must go on; the frontiers are my prison.
Oh, the wind, the wind is blowing, through the graves the wind is blowing, freedom soon will come; then we’ll come from the shadows.
Les Allemands e’taient chez moi, (The Germans were at my home) ils me dirent, “Signe toi,” (They said, “Sign yourself,”) mais je n’ai pas peur; (But I am not afraid) j’ai repris mon arme. (I have retaken my weapon.)
J’ai change’ cent fois de nom, (I have changed names a hundred times) j’ai perdu femme et enfants (I have lost wife and children) mais j’ai tant d’amis; (But I have so many friends) j’ai la France entie`re. (I have all of France)
Un vieil homme dans un grenier (An old man, in an attic) pour la nuit nous a cache’, (Hid us for the night) les Allemands l’ont pris; (The Germans captured him) il est mort sans surprise. (He died without surprise.)
Oh, the wind, the wind is blowing, through the graves the wind is blowing, freedom soon will come; then we’ll come from the shadows.
A divine composition based on a unique poem, made a complete Leonard Cohen pièce de résistance, and the rendition beyond the realm of words by Martha Wainwright not to forget the out of this world musical arrangement: I am so happy to be able to appreciate this historic moment of excellence in the making. The explanation given by Mr. Cohen to the meaning of the verse describes a predicament in which each and every one of us found ourselves at least once in life, which makes it our life story, within which we can dissolve completely.
The world is indeed the theater in which we’re actors, directors and spectators:
Now the Swan it floated on the English river Ah the Rose of High Romance it opened wide A sun tanned woman yearned me through the summer and the judges watched us from the other side
I told my mother “Mother I must leave you preserve my room but do not shed a tear Should rumour of a shabby ending reach you it was half my fault and half the atmosphere”
But the Rose I sickened with a scarlet fever and the Swan I tempted with a sense of shame She said at last I was her finest lover and if she withered I would be to blame
The judges said you missed it by a fraction rise up and brace your troops for the attack Ah the dreamers ride against the men of action Oh see the men of action falling back
But I lingered on her thighs a fatal moment I kissed her lips as though I thirsted still My falsity had stung me like a hornet The poison sank and it paralysed my will
I could not move to warn all the younger soldiers that they had been deserted from above So on battlefields from here to Barcelona I’m listed with the enemies of love
And long ago she said “I must be leaving, Ah but keep my body here to lie upon You can move it up and down and when I’m sleeping Run some wire through that Rose and wind the Swan”
So daily I renew my idle duty I touch her here and there — I know my place I kiss her open mouth and I praise her beauty and people call me traitor to my face
“It was called “The traitor”. It was about the feeling that we have of betraying some mission that we were mandated to fulfill, and being unable to fulfill it, and then coming to understand that the real mandate was not to fulfill it, and that the deeper courage was to stand guiltless in the predicament in which you found yourself”. (Leonard Cohen)
It’s four in the morning, the end of December I’m writing you now just to see if you’re better New York is cold, but I like where I’m living There’s music on Clinton Street all through the evening. I hear that you’re building your little house deep in the desert You’re living for nothing now, I hope you’re keeping some kind of record. Yes, and Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear Did you ever go clear? Ah, the last time we saw you you looked so much older Your famous blue raincoat was torn at the shoulder You’d been to the station to meet every train And you came home without Lili Marlene
And you treated my woman to a flake of your life And when she came back she was nobody’s wife.
Well I see you there with the rose in your teeth One more thin gypsy thief Well I see Jane’s awake —
She sends her regards.
And what can I tell you my brother, my killer What can I possibly say? I guess that I miss you, I guess I forgive you I’m glad you stood in my way.
If you ever come by here, for Jane or for me Your enemy is sleeping, and his woman is free.
Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried.
And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear —
Sincerely, L. Cohen
From Wikipedia, the free encyclopedia“Famous Blue Raincoat” is a song by Leonard Cohen. It is the sixth track on his third album, Songs of Love and Hate, released in 1971. The song is written in the form of a letter (although many of the lines are written in amphibrachs). The lyric tells the story of a love triangle between the speaker, a woman named Jane, and the male addressee, who is identified only briefly as “my brother, my killer.” The lyrics contain references to the German love song “Lili Marlene,” to Scientology, and to Clinton Street. Cohen lived on Clinton Street in the Lower East Side of Manhattan in the 1970s when it was a lively Latino area.[1]In the 1999 book, The Complete Guide to the Music of Leonard Cohen, the authors comment that Cohen’s question, “Did you ever go clear?”, in the song, is a reference to the Scientology state of “Clear“.[2] Cohen was very briefly a member of the Church of Scientology, which he had heard was a “good place to meet women.” [3][4]
In the liner notes to 1975’s The Best of Leonard Cohen, which includes the song, he mentions that the famous blue raincoat to which he refers actually belonged to him, and not someone else:
I had a good raincoat then, a Burberry I got in London in 1959. Elizabeth thought I looked like a spider in it. That was probably why she wouldn’t go to Greece with me. It hung more heroically when I took out the lining, and achieved glory when the frayed sleeves were repaired with a little leather. Things were clear. I knew how to dress in those days. It was stolen from Marianne’s loft in New York sometime during the early seventies. I wasn’t wearing it very much toward the end.
Ron Cornelius played guitar on Songs of Love and Hate and was Cohen’s band leader for several years. He told Songfacts: “We played that song a lot before it ever went to tape. We knew it was going to be big. We could see what the crowd did – you play the Royal Albert Hall, the crowd goes crazy, and you’re really saying something there. If I had to pick a favorite from the album, it would probably be ‘Famous Blue Raincoat.'” [5]
I stumbled out of bed I got ready for the struggle I smoked a cigarette And I tightened up my gut I said this can’t be me Must be my double And I can’t forget, I can’t forget I can’t forget but I don’t remember what I’m burning up the road I’m heading down to Phoenix I got this old address Of someone that I knew It was high and fine and free Ah, you should have seen us And I can’t forget, I can’t forget I can’t forget but I don’t remember who
I’ll be there today With a big bouquet of cactus I got this rig that runs on memories And I promise, cross my heart, They’ll never catch us But if they do, just tell them it was me
Yeah I loved you all my life And that’s how I want to end it The summer’s almost gone The winter’s tuning up Yeah, the summer’s gone But a lot goes on forever And I can’t forget, I can’t forget I can’t forget but I don’t remember what
The poem is about accepting things we can’t change, and accepting a path we didn’t exactly envision for ourselves. Believe there is a quiet courage in accepting the path that is laid ahead of you, as you gather up your heart and go a thousand kisses deep..
You came to me this morning And you handled me like meat. You´d have to be a man to know How good that feels, how sweet. My mirror twin, my next of kin, I´d know you in my sleep. And who but you would take me in A thousand kisses deep?
I loved you when you opened Like a lily to the heat. You see, I´m just another snowman Standing in the rain and sleet, Who loved you with his frozen love His second-hand physique – With all he is, and all he was A thousand kisses deep.
I know you had to lie to me, I know you had to cheat. To pause all hot and high behind the veils of sheer deceit Our perfect porn aristocrat So elegant and cheap I’m old, but I’m still into that A thousand kisses deep
I’m good at love, I’m good at hate It’s in between I freeze I’d work it out but it’s too late It’s been too late for years But you look good, you really do They love you on the street If you were here I’d kneel for you A thousand kisses deep
The Autumn moved across your skin Got something in my eye A light that doesn’t need to live and Doesn’t need to die A riddle in the book of love obscure and obsolete To witness tear and time and blood A thousand kisses deep
And I’m still working with the wine Still dancing cheek to cheek The band is playing Auld Lang Syne But the heart will not retreat I ran with Diz I sang with Ray – I did not have their sweep – But once or twice, they let me play A thousand kisses deep
I loved you when you opened Like a lily to the heat You see, I´m just another snowman Standing in the rain and sleet, Who loved you with his frozen love His second-hand physique – With all he is and all he was A thousand kisses deep
But you don’t need to hear me now And every word I speak It counts against me anyhow A thousand kisses deep
If it be your will That I speak no more And my voice be still As it was before I will speak no more I shall abide until I am spoken for If it be your will If it be your will That a voice be true From this broken hill I will sing to you From this broken hill All your praises they shall ring If it be your will To let me sing From this broken hill All your praises they shall ring If it be your will To let me sing
If it be your will If there is a choice Let the rivers fill Let the hills rejoice Let your mercy spill On all these burning hearts in hell If it be your will To make us well
And draw us near And bind us tight All your children here In their rags of light In our rags of light All dressed to kill And end this night If it be your will
The Traitor_Martha Wainwright_Leonard Cohen_I’m Your Man A divine composition based on a unique poem, made a complete Leonard Cohen pièce de résistance, and the rendition beyond the realm of words by Martha Wainwright not to forget the out of this world musical arrangement: I am so happy to be able to appreciate this historic moment of excellence in the making. The explanation given by Mr. Cohen to the meaning of the verse describes a predicament in which each and every one of us found ourselves at least once in life, which makes it our life story, within which we can dissolve completely.
The world is indeed the theater in which we’re actors, directors and spectators:
Now the Swan it floated on the English river Ah the Rose of High Romance it opened wide A sun tanned woman yearned me through the summer and the judges watched us from the other side
I told my mother “Mother I must leave you preserve my room but do not shed a tear Should rumour of a shabby ending reach you it was half my fault and half the atmosphere”
But the Rose I sickened with a scarlet fever and the Swan I tempted with a sense of shame She said at last I was her finest lover and if she withered I would be to blame
The judges said you missed it by a fraction rise up and brace your troops for the attack Ah the dreamers ride against the men of action Oh see the men of action falling back
But I lingered on her thighs a fatal moment I kissed her lips as though I thirsted still My falsity had stung me like a hornet The poison sank and it paralysed my will
I could not move to warn all the younger soldiers that they had been deserted from above So on battlefields from here to Barcelona I’m listed with the enemies of love
And long ago she said “I must be leaving, Ah but keep my body here to lie upon You can move it up and down and when I’m sleeping Run some wire through that Rose and wind the Swan”
So daily I renew my idle duty I touch her here and there — I know my place I kiss her open mouth and I praise her beauty and people call me traitor to my face
Leonard Cohen: “It was called “The traitor”. It was about the feeling that we have of betraying some mission that we were mandated to fulfill, and being unable to fulfill it, and then coming to understand that the real mandate was not to fulfill it, and that the deeper courage was to stand guiltless in the predicament in which you found yourself”.
Lyrics Its four in the morning, the end of december Im writing you now just to see if youre better New york is cold, but I like where Im living Theres music on clinton street all through the evening.
I hear that youre building your little house deep in the desert Youre living for nothing now, I hope youre keeping some kind of record.
Yes, and Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear Did you ever go clear?
Ah, the last time we saw you you looked so much older Your famous blue raincoat was torn at the shoulder Youd been to the station to meet every train And you came home without lili marlene
And you treated my woman to a flake of your life And when she came back she was nobodys wife.
Well I see you there with the rose in your teeth One more thin gypsy thief Well I see janes awake —
She sends her regards. And what can I tell you my brother, my killer What can I possibly say? I guess that I miss you, I guess I forgive you Im glad you stood in my way.
If you ever come by here, for Jane or for me Your enemy is sleeping, and his woman is free.
Yes, and thanks, for the trouble you took from her eyes I thought it was there for good so I never tried.
And Jane came by with a lock of your hair She said that you gave it to her That night that you planned to go clear
The Partisan, by Leonard Cohen
When they poured across the border I was cautioned to surrender, this I could not do; I took my gun and vanished. I have changed my name so often, I’ve lost my wife and children but I have many friends, and some of them are with me.
An old woman gave us shelter, kept us hidden in the garret, then the soldiers came; she died without a whisper.
There were three of us this morning I’m the only one this evening but I must go on; the frontiers are my prison.
Oh, the wind, the wind is blowing, through the graves the wind is blowing, freedom soon will come; then we’ll come from the shadows.
Les Allemands e’taient chez moi, (The Germans were at my home) ils me dirent, “Signe toi,” (They said, “Sign yourself,”) mais je n’ai pas peur; (But I am not afraid) j’ai repris mon arme. (I have retaken my weapon.)
J’ai change’ cent fois de nom, (I have changed names a hundred times) j’ai perdu femme et enfants (I have lost wife and children) mais j’ai tant d’amis; (But I have so many friends) j’ai la France entie`re. (I have all of France)
Un vieil homme dans un grenier (An old man, in an attic) pour la nuit nous a cache’, (Hid us for the night) les Allemands l’ont pris; (The Germans captured him) il est mort sans surprise. (He died without surprise.)
Oh, the wind, the wind is blowing, through the graves the wind is blowing, freedom soon will come; then we’ll come from the shadows.
Well, the door it opened slowly, my father he came in, I was nine years old. And he stood so tall above me, and his blue eyes they were shining and his voice was very cold. He said, “I’ve had a vision and you know I’m strong and holy, I must do what I’ve been told.” So we started up the mountain, I was running, he was walking, and his axe was made of burning gold.
Well, the trees they got much smaller, yes, the lake a lady’s mirror when we stopped to drink some wine. Then he threw the bottle over, broke a minute later and he put his hand on mine. Thought I saw an eagle but it might have been a vulture, I never could decide. Then my father built an altar, he looked once behind his shoulder, I guess he knew I would not hide.
You who build these altars now to sacrifice our children, you must not do it anymore. A scheme is not a vision and you never have been tempted by a demon or a god. You who stand above them now, your hatchets blunt and bloody, you were not there before. When I lay upon a mountain and my father’s hand was trembling with the beauty, I mean the beauty of the word.
And if you call me brother now, forgive me but I must inquire, “Just according to whose plan?” When it all comes down to dust I will kill you if I must, I will help you if I can. When it all comes down to dust I will help you if I must, I’ll kill you if I can. And mercy, mercy on our uniform, man of peace, man of war, the peacock spreads his deadly fan.
I stumbled out of bed I got ready for the struggle I smoked a cigarette And I tightened up my gut I said this can’t be me Must be my double And I can’t forget, I can’t forget I can’t forget but I don’t remember what I’m burning up the road I’m heading down to Phoenix I got this old address Of someone that I knew It was high and fine and free Ah, you should have seen us And I can’t forget, I can’t forget I can’t forget but I don’t remember who
I’ll be there today With a big bouquet of cactus I got this rig that runs on memories And I promise, cross my heart, They’ll never catch us But if they do, just tell them it was me
Yeah I loved you all my life And that’s how I want to end it The summer’s almost gone The winter’s tuning up Yeah, the summer’s gone But a lot goes on forever And I can’t forget, I can’t forget I can’t forget but I don’t remember what
The Best of Leonard Cohen (Photo credit: Wikipedia)
Leonard Cohen – Joan Of Arc Lyrics Songwriters: WEBB, RICHARD / COHEN, DAVID JONATHAN / NORRIS, CAROLINE
Now the flames they followed Joan of Arc As she came riding through the dark; No moon to keep her armour bright, No man to get her through this very smoky night. She said, “i’m tired of the war, I want the kind of work I had before, A wedding dress or something white To wear upon my swollen appetite.”
Well, I’m glad to hear you talk this way, You know I’ve watched you riding every day And something in me yearns to win Such a cold and lonesome heroine. “and who are you? ” she sternly spoke To the one beneath the smoke. “why, I’m fire,” he replied, “and I love your solitude, I love your pride.”
“then fire, make your body cold, I’m going to give you mine to hold,” Saying this she climbed inside To be his one, to be his only bride. And deep into his fiery heart He took the dust of joan of arc, And high above the wedding guests He hung the ashes of her wedding dress.
It was deep into his fiery heart He took the dust of joan of arc, And then she clearly understood If he was fire, oh then she must be wood. I saw her wince, I saw her cry, I saw the glory in her eye. Myself I long for love and light, But must it come so cruel, and oh so bright?
Well, my friends are gone and my hair is grey I ache in the places where I used to play And I’m crazy for love but I’m not comin’ on I’m just payin’ my rent every day in the Tower of Song
I said to Hank Williams: “How lonely does it get?” Hank Williams hasn’t answered yet But I hear him coughing all night long Oh, a hundred floors above me in the Tower of Song
I was born like this, I had no choice I was born with the gift of a golden voice And twenty-seven angels from the Great Beyond They tied me to this table right here in the Tower of Song
So you can stick your little pins in that voodoo doll I’m very sorry, baby, it doesn’t look like me at all I’m standin’ by the window where the light is strong Ah, they don’t let a woman kill you, not in the Tower of Song
Now, you can say that I’ve grown bitter but of this you may be sure: The rich have got their channels in the bedrooms of the poor And there’s a mighty Judgement comin’ but I may be wrong You see, I hear these funny voices in the Tower of Song
I see you standin’ on the other side I don’t know how the river got so wide I loved you, baby, way back when… And all the bridges are burnin’ that we might’ve crossed But I feel so close to everything that we lost We’ll never, we’ll never have to lose it again
Now, I bid you farewell, I don’t know when I’ll be back They’re movin’ us tomorrow to the tower down the track But you’ll be hearin’ from me, baby, long after I’m gone I’ll be speakin’ to you sweetly from a window in the Tower of Song.
Yeah, my friends are gone and my hair is grey I ache in the places where I used to play And I’m crazy for love but I’m not comin’ on I’m just payin’ my rent everyday in the Tower of Song