Tag Archives: lorin maazel

best classical music, Schubert Symphony No 5 B flat major Bavarian RSO Maazel , make music part of your life series


Schubert Symphony No 5 B flat major Bavarian RSO Maazel

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the best Classical music: Schubert Symphony No 2 B flat major Maazel Bavarian RSO , great compositions/performances


Schubert Symphony No 2 B flat major Maazel Bavarian RSO

 

Schubert Symphony No 6 C major, D.589, Bavarian RSO Maazel ,great compositions/performances


Franz Schubert Symphony No. 6 in C major, D. 589
Lorin Maazel conducts Bavarian Radio Symphony Orchestra

Schubert Symphony No 3 D major Maazel Bavarian RSO


Schubert Symphony No 3 D major Maazel Bavarian RSO

Schubert Symphony No 5 B flat major Bavarian RSO Maazel, great compositions/performances


Schubert Symphony No 5 B flat major Bavarian RSO Maazel

Schubert Symphony No 2 B flat major, D 125 / Maazel Bavarian RSO: make music part of your life series


Schubert Symphony No. 2, D125 B flat major Maazel Bavarian RSO

Valentina Lisitsa – Liszt “La Campanella”: great compositions/performances


It’s hot in LA…what can I say: GLAZUNOV: The Seasons – ‘Summer’ – Philharmonia Orchestra – Yevgeny Svetlanov: great compositions/performances


GLAZUNOV: The Seasons – ‘Summer’ – Philharmonia Orchestra – Yevgeny Svetlanov

Alexander Konstantinovich Glazunov (1865-1936 : Russia)

The Seasons (Ballet, Op.67)

Scene III. Summer

Scene Three depicts the height of summer in a wheatfield.
The Spirit of Corn (Kschessinska’s role) dances in the heat of
the day. Naiads carrying blue veils symbolize the coolness of
streams. Satyrs invade the field and attempt to carry off the
spirit of Corn who is protected by Zephyr and the flowers.
From booklet notes

I: Waltz 00:06
II: Barcarole 02:18
III: Variation 05:15
IV: Coda 06:38

Philharmonia Orchestra
Yevgeny Svetlanov, conductor

CDC-7 47847 2
1986 © Angel Records
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Links:
Alexander Konstantinovich Glazunov
http://en.wikipedia.org/wiki/Alexande…
Yevgeny Svetlanov
http://en.wikipedia.org/wiki/Yevgeny_…
Philharmonia Orchestra
http://www.philharmonia.co.uk/
Philharmonia Orchestra Facebook
https://www.facebook.com/philharmonia…
Philharmonia Orchestra YouTube
http://www.youtube.com/user/Philharmo…

“Los Grandes Compositores” CASSETTE #76: Albéniz – Granados – Falla : make music part of your life series


[youtube.com/watch?v=HJCLyVNZBhs]

“Los Grandes Compositores”  CASSETTE #76: Albéniz – Granados – Falla

This video is a scan of the cassette #76 of the encyclopedic collection “The Great Composers”, published in 1982 by the “Encyclopedia Salvat” in collaboration with the “Record Label Philips”.

All rights reserved copyright both Salvat and Philips.

This video has a didactic purpose only, to see if the process is correct fingering and listening acceptably. The user interaction will be helpful to learn more in the digitization process; most cassette will come in the future, I hope your feedback about it. Thank you.

Narciso Yepez en la guitarra, interpreta: [Narciso Yepez on guitar, plays:]

Isaac Albéniz:

Pista 1(track 1) – Suite española, Op. 47 #5 “Asturias” (Leyenda) [Spanish Suite, Op 47 # 5 “Asturias” (Leyenda)]

Pista 2(track 2) – Recuerdos de viaje, Op. 71 #6 “Rumores de la caleta” (Malagueña) [Souvenirs, Op 71 # 6 “Rumors of the creek” (Malagueña)]

Pista 3(track 3) – Piezas características, Op. 92 #12 “Torre Bermeja” (Serenata) [Characteristic Pieces, Op 92 # 12 “Torre Bermeja” (Serenade)]

Pista 4(track 4) – España, Op. 165 #3 “Malagueña” [Spain, Op 165 # 3 “Malagueña”]

Enrique Granados:

Pista 5(track 5) – Danza española #4 “Villanesca” [Spanish Dance # 4 “Villanesca”]

Manuel de Falla: El sombrero de tres picos, danzas: Interpretado por la Orquesta de la Radio de Berlin, dirigidos por el Sr. Lorin Maszel [The three-cornered hat, dance: Performed by the Orchestra of Radio Berlin, conducted by Mr. Lorin Maazel]

Pista 6(track 6) – Fandango

Pista 7(track 7) – Seguidillas

Pista 8(track 8) – Farruca

Pista 9(track 9) – Jota

GREAT PERFORMANCES: Schubert Symphony No 6 C major, D 589 Bavarian RSO Maazel



Franz Schubert Symphony No. 6 in C major, D. 589 
Lorin Maazel conducts Bavarian Radio Symphony Orchestra

 

From Wikipedia, the free encyclopedia

The Symphony No. 6 in C major, D. 589,[1] is a symphony by Franz Schubert composed between October 1817 and February 1818.[2] Its first public performance was in Vienna in 1828. It is nicknamed the “Little C major” to distinguish it from his later Ninth Symphony, in the same key, which is known as the “Great C major“.[3]

There are four movements:

  1. Adagio, 3/4 – Allegro, 2/2 7:23
  2. Andante, 2/4 in F major 12:27
  3. ScherzoPresto; Trio: Piu lento (Trio in E major), 3/4 17:12
  4. Allegro moderato, 2/4

 

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Yo-Yo Ma Plays Tchaikovsky Andante Cantabile


  • Buy “Andante Cantabile for Cello Solo and String Orchestra, Op. posth.” on

    Google PlayAmazonMP3iTunes

  • Artist
    Yo-Yo Ma;Pittsburgh Symphony Orchestra;Lorin Maazel

Thursday Evening at the Concert: Franz Schubert – Symphony No. 3 in D major, D. 200 (BRSO, Maazel)



Franz Schubert (1797-1828)
Symphony No. 3 in D major, D. 200: 

I. Adagio maestosoAllegro con brio

II. Allegretto
III. Menuetto. Vivace — Trio
IV. Presto vivace

(Sinfonieorchester des Bayerischen Rundfunks
Lorin Maazel, conductor)

(Recorded at Prinzregententheater München, 2001)

From Wikipedia:  The Allegro con brio, which follows a broad introduction in a form which reminds us of the French Overture in two parts, the first slow and dramatic, the second more lyrical, is remarkable for its charm and the interplay of solo clarinet with syncopated strings, which developed pp from within the bounds of the style of chamber music to the larger sphere of the symphonic form. This is an extremely dramatic movement in sonata form. It owes much, as Michael Trapp points out in the liner notes of Günter Wand’s recording, to the influence of Rossini, whose music was quite popular at the time, particularly evident in the overture-like structure.

A delightful Allegretto in ternary form follows, full of grace and humor.

Then comes a high-spirited Minuet, which, with its accented up-beats, suggests a scherzo and a popular flavor due to this low and popular gesture, and is contrasted by a graceful Ländler-like trio.

The concluding Presto in tarantella rhythm is remarkable for its bold harmonic progressions and for its wealth of dynamic contrast. This movement is in sonata form with a looser conception.

External links

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