Saint of the Day for Friday, May 8th, 2015: Saint of the Day for Friday, May 8th, 2015

Saint of the Day for Friday, May 8th, 2015

St. Peter of Tarantaise

Cistercian archbishop. Peter was born near Vienne, in Dauphine, France, and joined the Cistercian Order at Bonneveaux at the age of twenty with his two brothers and father. Known for his piety, at … continue reading

More Saints of the Day

St. Peter of Tarantaise St. Abran St. Acacius St. Desideratus St. Dionysius St. Helladius of Auxerre St. Indract

St. Maria Magdalen of Canossa St. Odrian St. Victor the Moor St. Victor Maurus St. Wiro St. Wiro

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Two brothers arrested on terrorism charges in Canada (terrorism is NOT a religion)

OTTAWA, Ontario – Royal Canadian Mounted Police say two brothers have been arrested and charged with terrorism related offences.

In a statement police said that Ashton Carleton Larmond and Carlos Larmond, both 25, were planning to leave Canada to engage in terrorist activities abroad.

Police say Ashton Larmond is charged with facilitating terrorist activity among other charges.

Carlos Larmond faces charges of participation in the activity of a terrorist group and attempting to leave Canada to participate in terrorist activity abroad.

via Two brothers arrested on terrorism charges in Canada.

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Elevazione – Adagio para oboé violoncelo, orquestra de cordas e orgão. Domenico Zipoli: make music part of your life series

Elevazione – Adagio para oboé violoncelo, orquestra de cordas e orgão. Domenico Zipoli

 FROM

Lília Rodrigues dos Reis

Recital de formatura em oboé. Oboé: Lília Reis; Cello: Rodolpho Borges.
Escola de Música de Brasília. 10/09/2009.

From Wikipedia, the free encyclopedia
Domenico Zipoli (17 October 1688 – 2 January 1726) was an Italian Baroque composer who worked and died in Córdoba (Argentina). He became a Jesuit in order to work in the Reductions of Paraguay where his musical expertise contributed to develop the natural musical talents of the Guaranis. He is remembered as the most accomplished musician among Jesuit missionaries.

Early training and career

Zipoli was born in Prato, Italy, where he received elementary musical training. However, there are no records of him having entered the cathedral choir. In 1707, and with the patronage of Cosimo III, Grand Duke of Tuscany, he was a pupil of the organist Giovani Maria Casini in Florence. In 1708 he briefly studied under Alessandro Scarlatti in Naples, then Bologna and finally in Rome under Bernardo Pasquini. Two of his oratorios date to this early period: San Antonio di Padova (1712) and Santa Caterina, Virgine e martire (1714). Around 1715 he was made the organist of the Church of the Gesù (a Jesuit parish, the mother church for The Society of Jesus), in Rome, a prestigious post. At the very beginning of the following year, he finished his best known work, a collection of keyboard pieces titled Sonate d’intavolatura per organo e cimbalo.

Jesuit musician-missionary

For reasons that are not clear, Zipoli travelled to Sevilla, Spain, in 1716, where, on 1 July, he joined the Society of Jesus with the desire to be sent to the Reductions of Paraguay in Spanish Colonial America. Still a novice, he left Spain with a group of 53 missionaries who reached Buenos Aires on 13 July 1717.

He completed his formation and sacerdotal studies in Cordoba (in contemporary Argentina) (1717–1724) though, for the lack of an available bishop, he could not be ordained priest. All through these few years he served as music director for the local Jesuit church. Soon his works came to be known in Lima, Peru. Struck by an unknown infectious disease, Zipoli died in the Jesuit house of Cordoba, on 2 January 1726. A previous theory placing his death in the ancient Jesuit church of Santa Catalina, in the hills of the Province of Córdoba (Argentina), has now been discredited. His burial place has never been found.

Legacy

Zipoli continues to be well known today for his keyboard music. His Italian compositions have always been known but recently some of his South American church music was discovered in Chiquitos, Bolivia: two Masses, two psalm settings, three Office hymns, a Te Deum laudamus and other pieces. A Mass copied in Potosí, Bolivia in 1784, and preserved in Sucre, Bolivia, seems a local compilation based on the other two Masses. His dramatic music, including two complete oratorios and portions of a third one, is mostly gone. Three sections of the ‘Mission opera’ San Ignacio de Loyola – compiled by Martin Schmid in Chiquitos many years after Zipoli’s death, and preserved almost complete in local sources – have been attributed to Zipoli.

Society of Jesus

The JHS or IHS monogram of the name of Jesus (or traditional Christogram symbol of western Christianity), derived from the first three letters of the Greek name of Jesus, Iota-Eta-Sigma (ΙΗΣΟΥΣ). Partly based on memories of church decorations. Has some degree of resemblance to a portion of the emblem of the Jesuits, due to common medieval influences (see Feast of the Holy Name of Jesus), but is not exactly the same, nor intended to be so. (Photo credit: Wikipedia) History of the Jesuits Regimini militantis Suppression Jesuit Hierarchy Superior General Adolfo Nicolás Ignatian Spirituality Spiritual Exercises Ad majorem Dei gloriam Magis Notable Jesuits St. Ignatius of Loyola St. Francis Xavier St. Peter Faber St. Aloysius Gonzaga St. Robert Bellarmine St. Peter Canisius St. Edmund Campion Pope Francis

 

 

Gustavo Dudamel Johannes Brahms variations sur un thème de Joseph Haydn en si Majeur opus 56a: great compositions/performances

Gustavo Dudamel Johannes Brahms variations sur un thème de Joseph Haydn en si Majeur opus 56a

FROM:

Maxime Brisole

From Wikipedia

Johannes Brahms

Les Variations sur un thème de Haydn, op. 56 (allemand : Variationen über ein Thema von Haydn) est une œuvre orchestrale en variations de Johannes Brahms, composée pendant l’été 1873. Cette œuvre est constituée d’un thème en si bémol majeur, de huit variations et d’un finale.

Le thème est extrait du choral Saint-Antoine de la Feldpartie en si bémol majeur, Hob. II/46 de Joseph Haydn. Brahms a écrit huit variations sur ce thème, plus un final. Le finale est une passacaille magnifique, dont le point culminant, une reformulation du choral, est un moment d’une grande transcendance, au point que Brahms, habituellement austère, se permet l’utilisation d’un triangle.

Deux versions existent : une version pour deux pianos, celle que Brahms a écrite en premier (mais désignée Op. 56b), et une version pour orchestre, dénommée op. 56a.

Cette dernière version est considérée comme « la première série de variations indépendantes pour orchestre dans l’histoire de la musique »¹. L’orchestre contient un piccolo, deux flûtes deux hautbois, deux clarinettes, deux bassons, un contrebasson, quatre cors (2 en mi bémol, 2 en si bémol), 2 trompettes, des timbales, un triangle ainsi que la composition habituelle des cordes (premiers et seconds violons, altos, violoncelles et contrebasses).

Les Variations sur un thème de Haydn, op. 56 (allemand : Variationen über ein Thema von Haydn) est une œuvre orchestrale en variations de Johannes Brahms, composée pendant l’été 1873. Cette œuvre est constituée d’un thème en si bémol majeur, de huit variations et d’un finale.

Le thème est extrait du choral Saint-Antoine de la Feldpartie en si bémol majeur, Hob. II/46 de Joseph Haydn. Brahms a écrit huit variations sur ce thème, plus un final. Le finale est une passacaille magnifique, dont le point culminant, une reformulation du choral, est un moment d’une grande transcendance, au point que Brahms, habituellement austère, se permet l’utilisation d’un triangle.

Deux versions existent : une version pour deux pianos, celle que Brahms a écrite en premier (mais désignée Op. 56b), et une version pour orchestre, dénommée op. 56a.

Cette dernière version est considérée comme « la première série de variations indépendantes pour orchestre dans l’histoire de la musique »¹. L’orchestre contient un piccolo, deux flûtes deux hautbois, deux clarinettes, deux bassons, un contrebasson, quatre cors (2 en mi bémol, 2 en si bémol), 2 trompettes, des timbales, un triangle ainsi que la composition habituelle des cordes (premiers et seconds violons, altos, violoncelles et contrebasses).

 

Great Composers/Performances: Nathaniel Mayfield plays Michael Haydn’s, Concerto in D for Baroque Trumpet

Michael Haydn‘s Concerto in D Major for Baroque Trumpet. Performed live in Concert by Nathaniel Mayfield in Montreal, Canada on Feb. 18, 2009
From Wikipedia, the free encyclopedia

Johann Michael Haydn (German: [ˈhaɪdən] ( listen); 14 September 1737 – 10 August 1806) was an Austriancomposer of the Classical period, the younger brother of Joseph Haydn.

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Today’s Birthday: JEANNE MANCE (1606)

Jeanne Mance (1606)

Mance was a member of a French association that planned a utopian colony at Montreal. With the support of the French queen, Anne of Austria, she sailed with the first settlers in 1641. Mance, who had cared for victims of the Thirty Years War and the plague while in France, opened Montreal’s first hospital, the Hôtel-Dieu, in 1644. In 1650, she visited France and returned with a large donation meant to fund the hospital. Rather than use it for its intended purpose, Mance did what with the money? More… Discuss

 

Luciano Pavarotti, Pietà, Signore Montreal, 1978

Leonard Cohen on Q TV (CBC exclusive) – An wonderful meet with Leonard Cohen!

http://www.cbc.ca/Q
To celebrate Q’s 2nd anniversary — poet, novelist, songwriter, legend…a special exclusive feature interview with Leonard Cohen… recorded at his home in Montreal.

Leonard Cohen on Q TV (CBC exclusive)

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To celebrate Q’s 2nd anniversary — poet, novelist, songwriter, legend…a special exclusive feature interview with Leonard Cohen… recorded at his home in Montreal.
A great interview by Jian Ghomeshi.

Sometimes I enjoy listening to Leonard Cohen reminding me the value of reverence, self respect…But more than anything I enjoy his enthusiasm, and dedication to his art, the understanding that creation is in the making, art is dynamic, just like the vibration of the music and verse his talent embodies and chants. Modesty is at work in Mr. Cohen’s musical career, perseverance to write something of value, something true about the human condition, love, life and the world and civilization of which he has been part of and a catalyst for change. Mr. Cohen’s philosophy of life has given us some memorable phrases, that are now part of more and more of his contemporaries.
One of the themes appearing is the feelings for the many people suffering in the world, and it really feels like today is a time as good, if not better than any before.

I truly hope that you will find this moments inspirational and enjoy its eloquence, clarity and sincerity and spirituality.

Love Friends.

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