Tag Archives: mozart symphonies

Make Music Part of Your Life Series: Mozart: Symphony No.29 – André Previn Wiener Philharmoniker(2000Live)


[youtube.com/watch?v=sXMRimMFV7M]

Mozart: Symphony No.29André Previn Wiener Philharmoniker (2000Live)

Wolfgang Amadeus Mozart (1756-1791)
Symphony No.29 in A major, K.201
André Previn
Wiener Philharmoniker
Festspielhaus, Salzburg, 28 1/2000

The Symphony No. 29 in A major, K. 201/186a, was completed by Wolfgang Amadeus Mozart on 6 April 1774.[1] It is, along with Symphony No. 25, one of his better known early symphonies. Stanley Sadie characterizes it as “a landmark … personal in tone, indeed perhaps more individual in its combination of an intimate, chamber music style with a still fiery and impulsive manner.”[2]

Structure

The symphony is scored for 2 oboes, 2 horns and strings, as was typical of early-period Mozart symphonies.

There are four movements:

  1. Allegro moderato, 2/2
  2. Andante, 2/4
  3. Menuetto: Allegretto – Trio, 3/4
  4. Allegro con spirito, 6/8

The first movement is in sonata form, with a graceful principal theme characterized by an octave drop and ambitious horn passages. The second movement is scored for muted strings with limited use of the winds, and is also in sonata form. The third movement, a minuet, is characterized by nervous dotted rhythms and staccato phrases; the trio provides a more graceful contrast. The energetic last movement, another sonata-form movement in 6/8 time, connects back to the first movement with its octave drop in the main theme.

Enhanced by Zemanta

Great Composers/Compositions: Mozart – Symphony No. 29 in A, K. 201



The Symphony No. 29 in A major, K. 201/186a, was completed by Wolfgang Amadeus Mozart on 6 April 1774. It is, along with Symphony No. 25, one of his better known early symphonies. Stanley Sadie characterizes it as “a landmark … personal in tone, indeed perhaps more individual in its combination of an intimate, chamber music style with a still fiery and impulsive manner.” The symphony is scored for 2 oboes, 2 horns and strings, as was typical of early-period Mozart symphonies.
There are four movements:
1. Allegro moderato, 2/2
2. Andante, 2/4
3. Menuetto: Allegretto — Trio, 3/4
4. Allegro con spirito, 6/8
The first movement is in sonata form, with a graceful principal theme characterized by an octave drop and ambitious horn passages. The second movement is scored for muted strings with limited use of the winds, and is also in sonata form. The third movement, a minuet, is characterized by nervous dotted rhythms and staccato phrases; the trio provides a more graceful contrast. The energetic last movement, another sonata-form movement in 6/8 time, connects back to the first movement with its octave drop in the main them

 

Enhanced by Zemanta

Mozart – Symphony No. 29 in A, K. 201



The Symphony No. 29 in A major, K. 201/186a, was completed by Wolfgang Amadeus Mozart on 6 April 1774. It is, along with Symphony No. 25, one of his better known early symphonies. Stanley Sadie characterizes it as “a landmark … personal in tone, indeed perhaps more individual in its combination of an intimate, chamber music style with a still fiery and impulsive manner.” The symphony is scored for 2 oboes, 2 horns and strings, as was typical of early-period Mozart symphonies.
There are four movements:
1. Allegro moderato, 2/2
2. Andante, 2/4
3. Menuetto: Allegretto — Trio, 3/4
4. Allegro con spirito, 6/8
The first movement is in sonata form, with a graceful principal theme characterized by an octave drop and ambitious horn passages. The second movement is scored for muted strings with limited use of the winds, and is also in sonata form. The third movement, a minuet, is characterized by nervous dotted rhythms and staccato phrases; the trio provides a more graceful contrast. The energetic last movement, another sonata-form movement in 6/8 time, connects back to the first movement with its octave drop in the main theme. 
—————————————-­————————————-
FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

 

Mozart – Symphony No. 36 in C, K. 425, ‘Linz’


The Symphony No. 36 in C major, KV 425, (known as the Linz Symphony) was written by Wolfgang Amadeus Mozart during a stopover in the Austrian town of Linz on his and his wife’s way back home to Vienna from Salzburg in late 1783. The entire symphony was written in four days to accommodate the local count’s announcement, upon hearing of the Mozarts’ arrival in Linz, of a concert. The première in Linz took place on 4 November, 1783. The composition was also premièred in Vienna on 1 April, 1784. The autograph score of the “Linz Symphony” was not preserved. The symphony is scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. There are four movements:
1. Adagio, 3/4 — Allegro spiritoso, 4/4
2. Poco adagio, 6/8
3. Menuetto, 3/4
4. Finale (Presto), 2/4.
Continue reading

Mozart – Symphony No. 36 in C, K V 425 (Linz)


Linz by night

Linz by night (Photo credit: uitdragerij)


The Symphony No. 36 in C major, KV 425, (known as the Linz Symphony) was written by Wolfgang Amadeus Mozart during a stopover in the Austrian town of Linz on his and his wife’s way back home to Vienna from Salzburg in late 1783. The entire symphony was written in four days to accommodate the local count’s announcement, upon hearing of the Mozarts’ arrival in Linz, of a concert. The première in Linz took place on 4 November, 1783. The composition was also premièred in Vienna on 1 April, 1784. The autograph score of the “Linz Symphony” was not preserved. The symphony is scored for 2 oboes, 2 bassoons, 2 horns, 2 trumpets, timpani and strings. There are four movements:
1. Adagio, 3/4 — Allegro spiritoso, 4/4
2. Poco adagio, 6/8
3. Menuetto, 3/4
4. Finale (Presto), 2/4.
Every movement except the minuet is in sonata form. The slow movement has a siciliano character and meter which was rare in Mozart’s earlier symphonies (only used in one of the slow movements of the “Paris“) but would appear frequently in later works such as #38 and #40. The next symphony by Mozart is Symphony No. 38. The work known as “Symphony No. 37” is mostly by Michael Haydn.