Tag Archives: Music

Watch “Nina Simone – Sinnerman” and Tom Ellis on YouTube (2 videos)



Oh, sinnerman, where you gonna run to?
Sinnerman where you gonna run to?
Where you gonna run to?
All on that day
We got to run to the rock
Please hide me, I run to the rock
Please hide me, run to the rock
Please hide here
All on that day
But the rock cried out
I can’t hide you, the rock cried out
I can’t hide you, the rock cried out
I ain’t gonna hide you there
All on that day
I said rock
What’s the matter with you rock?
Don’t you see I need you, rock?
Good Lord, Lord
All on that day
So I run to the river
It was bleedin’, I run to the sea
It was bleedin’, I run to the sea
It was bleedin’, all on that day
So I run to the river
It was boilin’, I run to the sea
It was boilin’, I run to the sea
It was boilin’, all on that day

So I run to the Lord
Please hide me, Lord
Don’t you see me prayin’?
Don’t you see me down here prayin’?
But the Lord said
Go to the Devil, the Lord said
Go to the Devil
He said go to the Devil
All on that day
So I ran to the Devil
He was waitin’, I ran to the Devil
He was waitin’, ran to the Devil
He was waitin’, all on that day
I cried, power, power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Kingdom (power, Lord)
Kingdom (power, Lord)
Kingdom (power, Lord)
Kingdom (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Oh yeah
Oh yeah
Oh yeah
Well, I run to the river
It was boilin’, I run to the sea
It was boilin’, I run to the sea
It was boilin’, all on that day
So I ran to the Lord
I said Lord, hide me
Please hide me
Please help me, all on that day
He said, hide?
Where were you?
When you oughta have been prayin’
I said Lord, Lord
Hear me prayin’, Lord, Lord
Hear me prayin’, Lord, Lord
Hear me prayin’, all on that day
Sinnerman, you oughta be prayin’
Outghta be prayin’, sinnerman
Oughta be prayin’, all on that day
Up come power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
(Power, Lord)
Hold down (power, Lord)
Go down (power, Lord)
Kingdom (power, Lord)
Power (power, Lord)
Power (power, Lord)
Power (power, Lord)
Na-na-na, na-na-na-na
Na-na-na, na-na-na-na
Na-na-na, na-na-na-na
Woah, ho
Ha-ha-ha-ha
Ha-ha-ha-ha, oh Lord
Nu, nu, nu
No-no-no-no, ma-na-na-na-na, don’t you know I need you Lord?
Don’t you know that I need you?
Don’t you know that I need you?
Oh, Lord
Wait
Oh, Lord
Oh, Lord, Lord
Source: LyricFind


Songwriters: Nina Simone
Sinnerman lyrics © Warner Chappell Music, Inc

Sunday – SoundCloud (“SUNDAY BY FLAMINGOSIS)


Listen to Sunday by Flamingosis on #SoundCloud

HAVE A BLESSED SUNDAY FRIENDS FROM EVERYWHERE!

Thanks, everyone of you who have visited in the past and keep coming back! This website wouldn’t a thing without your continuous support!

EUZICASA

Like a Rolling Stone: Bob Dylan’s


“How does it feel…To be all alone…

Like a complete unknown…

Like a rolling stone…”

Continue reading

This is how pieces de résistance are born: Watch “Bob Fosse on All That Jazz” on YouTube


This is How pieces de résistance are born

Watch “Richard Wagner – The Valkyrie, WWV 86b, Ride of the Valkyries (Oslo Philharmonic/ Maris Jansons)” on YouTube


Fabulous rendition: Mozart Concerto D Minor K466 Freiburger Mozart-Orchester, Michael Erren,Valentina Lisitsa


Mozart Concerto D Minor K466 Freiburger Mozart-Orchester, Michael Erren,Valentina Lisitsa

great compositions/performances: Mozart – Horn Concerto No. 2 in E flat, K. 417 [complete]


Mozart – Horn Concerto No. 2 in E flat, K. 417 [complete]

 

historic Musical Bits: Wilhelm Kempff plays Chopin Impromptu No. 3 in G flat Op. 51 (rec.1958)


Wilhelm Kempff plays Chopin Impromptu No. 3 in G flat Op. 51 (rec.1958)

historic musical bits: Koeckert-Quartett · Antonín Dvořák · String Quartet F major op. 96 “American” (rec ~1953)


Koeckert-Quartett · Antonín Dvořák · String Quartet F major op. 96 “American”

best classical music: Rimsky-Korsakov: Scheherazade / Gergiev · Vienna Philharmonic · Salzburg Festival 2005


Rimsky-Korsakov: Scheherazade / Gergiev · Vienna Philharmonic · Salzburg Festival 2005

great compositions/performances: Beethoven String Quartet No 4 Op 18 in C minor Alban Berg Quartet


Beethoven String Quartet No 4 Op 18 in C minor Alban Berg Quartet

Fabulous Renditions: Beethoven “Für Elise” Valentina Lisitsa Seoul Philharmonic


Beethoven “Für Elise” Valentina Lisitsa Seoul Philharmonic

Fabulous renditions: Valentina Lisitsa – Paganini-Liszt La Campanella (two Separate musical events)


Paganini-Liszt La Campanella 


Uploaded on Dec 7, 2008

Live from Seoul. Encore #1. Liszt “La Campanella”
Buy La Campanella video http://www.amazon.co.uk/Live-Royal-Al…
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La campanella

From Wikipedia, the free encyclopedia
 
 
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Performed by Romuald Greiss on an 1850 Budynowicz piano

Problems playing this file? See media help.

“La campanella” (Italian for “The little bell”) is the nickname given to the third of Franz Liszt‘s six Grandes études de Paganini (“Grand Paganini Études”), S. 141 (1851). It is in the key of G-sharp minor. This piece is a revision of an earlier version from 1838, the Études d’exécution transcendente d’après Paganini, S. 140. Its melody comes from the final movement of Niccolò Paganini‘s Violin Concerto No. 2 in B minor, where the tune was reinforced by a little handbell.[1][2][3]

The étude is played at a brisk allegretto tempo and studies right hand jumping between intervals larger than one octave, sometimes even stretching for two whole octaves within the time of a sixteenth note. As a whole, the étude can be practiced to increase dexterity and accuracy at large jumps on the piano, along with agility of the weaker fingers of the hand. The largest intervals reached by the right hand are fifteenths (two octaves) and sixteenths (two octaves and a second). Sixteenth notes are played between the two notes, and the same note is played two octaves or two octaves and a second higher with no rest. Little time is provided for the pianist to move the hand, thus forcing the pianist to avoid tension within the muscles. Fifteenth intervals are quite common in the beginning of the étude, while the sixteenth intervals appear twice, at the thirtieth and thirty-second measures.

 
The two red notes are 35 half-steps apart, which is about 46cm apart on a piano.

However, the left hand studies about four extremely large intervals, larger than those in the right hand. For example, in bar 101, the left hand makes a sixteenth-note jump of just a half-step below three octaves. The étude also involves other technical difficulties, e.g. trills with the fourth and fifth fingers.

The work has been arranged by other composers and pianists, most notably Ferruccio Busoni and Marc-André Hamelin.
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Published on Jan 27, 2014

Valentina Lisitsa performed Liszt La Campanella from Paganini Etude No 3 at Concert hall, Seoul Art Center, 25th November, 2013 under Masters Series which Composer Jeajoon Ryu present.(Encore after 3 hours recital.)

Valentina Lisitsa – Liszt La Campanella – from Paganini Etude No. 3

 

fabulous Renditions: Valentina Lisitsa – Edvard Grieg – The Piano Concerto in A minor, Op. 16(two videos)


 Edvard Grieg – The Piano Concerto in A minor, Op. 16(two videos)- Valentina Lisitsa

historic music bits: BEETHOVEN Piano Trio No.7 ‘Archduke’ | E.Gilels, L.Kogan, M.Rostropovich | 1956


BEETHOVEN Piano Trio No.7 ‘Archduke’ | E.Gilels, L.Kogan, M.Rostropovich | 1956

great compositions/performances: Franz Schubert: String Quartet No. 13 in A minor (the Rosamunde Quartet), D. 804, Op. 29


Franz Schubert: String Quartet No. 13 in A minor (the Rosamunde Quartet), D. 804, Op. 29

fabulous musical renditions: Freiburger Mozart-Orchester, Michael Erren,Valentina Lisitsa


Freiburger Mozart-Orchester, Michael Erren,Valentina Lisitsa

FABULOUS MUSICAL RENDITIONS: Exploding Beethoven: Tempest Sonata Live from Paris Valentina Lisitsa


Exploding Beethoven: Tempest Sonata Live from Paris Valentina Lisitsa

Best musical Interpretations: Beethoven Sonata Op 57 “Appassionata” Mov1, ,3, Valentina Lisitsa, piano


Beethoven Sonata Op 57 “Appassionata” Mov1

Best musical collections: Mozart – Symphonies No. 25, 29, 35, 36, 38, 39, 40, 41 Wiener Philharmoniker Leonard Bernstein


Mozart – Symphonies No. 25, 29, 35, 36, 38, 39, 40, 41 (Bernstein)

historic musical bits: Claudio Arrau Beethoven Piano Sonata No. 30


Claudio Arrau Beethoven Piano Sonata No. 30

historic musical bits: MOZART Symphony No 40 in G minor, KV550, LEONARD BERNSTEIN|Boston Symphony Orchestra


MOZART Symphony No 40 in G minor KV550 LEONARD BERNSTEIN

historic musical bits: Franz Schubert Symphony No.8 “Unfinished” D 759, Leonard Bernstein


Franz Schubert Symphony No.8 “Unfinished” D 759, Leonard Bernstein

historic musical bits: Leonard Bernstein “Overture König Stephan” Beethoven, Wiener Philharmoniker


Leonard Bernstein “Overture König Stephan” Beethoven

great compositions/performances: Beethoven Piano Sonata 10 G major Barenboim


Beethoven Piano Sonata 10 G major Barenboim

 

Historic Musical Bits: Mozart: Piano concerto n. No. 21 in C major, K.467(“Elvira Madigan”) Pollini-Muti


Mozart: Piano concerto n. No. 21 in C major, K.467 (“Elvira Madigan”) Pollini-Muti

Great compositions/performances: Mendelssohn – Violin Sonata in F minor, Op. 4 Classical Music Best Piano and Violin


Mendelssohn – Violin Sonata in F minor, Op. 4 – Classical Music Best Piano and Violin

historic musical bits: Shostakovich Plays Shostakovich – Piano Concerto No. 2 in F major, Op. 102


Shostakovich Plays Shostakovich – Piano Concerto No. 2 in F major, Op. 102

Historic musical bits: Mendelssohn: Symphony no. 3 “Scottish” – Klemperer & Philharmonia Orchestra


Mendelssohn: Symphony no. 3 “Scottish” – Klemperer & Philharmonia Orchestra