Tag Archives: new york philharmonic

Ernest Chausson (1855 – 1899) Poème, Op.25: New York Philharmonic Orchestra/Zubin Mehta,Itzhak Perlman, violin


Ernest Chausson (1855 – 1899) Poème, Op.25

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Nikolay Rimsky-Korsakov – Fantasia on Russian Themes / Фантазия на русские темы , great compositions/performances


Nikolay Rimsky-Korsakov – Fantasia on Russian Themes / Фантазия на русские темы

Nicolai Rimsky-Korsakov,Symphonic Suite:”Antar” (Symphony No.2) , great compositions/performances


Nicolai Rimsky-Korsakov,Symphonic Suite:”Antar” (Symphony No.2).

Borodin In the Steppes of Central Asia – Svetlanov , great compositions/performances


Borodin In the Steppes of Central Asia – Svetlanov

Leonard Bernstein – Maria (from West Side Story) , great compositions/performances


English: Leonard Bernstein, conductor and musi...

English: Leonard Bernstein, conductor and musical director of New York City Symphony Español: Leonard Bernstein, director de orquesta y director musical de la New York City Symphony (Photo credit: Wikipedia)

 

George Gershwin – An American in Paris, (performed in 1959 by the New York Philharmonic, conducted by Leonard Bernstein.), great compositions/performances


George Gershwin – An American in Paris

Bach – Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060 – Isaac Stern & Harold Gomberg


Bach – Concerto for Oboe, Violin and Orchestra in C minor, BWV 1060 – Isaac Stern & Harold Gomberg

Leonard Bernstein – Mozart Schlittenfahrt (Sleigh Ride) 1967: Great compositions/performances


Leonard Bernstein – Mozart Schlittenfahrt (Sleigh Ride) 1967

Schubert Symphony No 2 B flat major, D 125 / Maazel Bavarian RSO: make music part of your life series


Schubert Symphony No. 2, D125 B flat major Maazel Bavarian RSO

Paganini – The Violin Concerto No. 2 in B minor, Op. 7 (La Campanella): Great compositions/performances


[embeds]https://www.youtube.com/watch?v=0aTl80L0YFE[/embed]

Paganini – The Violin Concerto No. 2 in B minor, Op. 7

NYP: KURT MASUR Dukas The Sorcerer’s Apprentice: great compositions/performances


NYP: KURT MASUR Dukas The Sorcerer’s Apprentice

Prokofiev – Piano Concerto No. 1, Op. 10: make music part of your life series


Prokofiev – Piano Concerto No. 1, Op. 10

Antonín Dvořák – Water Goblin, Op. 107: MAKE MUSIC PART OF YOUR LIFE SERIES


Antonín Dvořák – Water Goblin, Op. 107
FROM:

Prokofiev: Piano Concerto n. 2 – Yefim Bronfman: make music part of your life series



From:

orso1149  orso1149

Prokofiev: Piano Concerto n. 2 – Yefim Bronfman

Yefim Bronfman plays the Prokofiev’s Piano Concerto n. 2 in G minor op. 16
Andantino – Allegretto, Scherzo, Intermezzo, Allegro tempestoso
Vassily Sinaisky conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Nazionale della Rai)
Giampaolo Pretto, flute
Turin, 1997

Elevazione – Adagio para oboé violoncelo, orquestra de cordas e orgão. Domenico Zipoli: make music part of your life series


Elevazione – Adagio para oboé violoncelo, orquestra de cordas e orgão. Domenico Zipoli

 FROM

Recital de formatura em oboé. Oboé: Lília Reis; Cello: Rodolpho Borges.
Escola de Música de Brasília. 10/09/2009.

From Wikipedia, the free encyclopedia
Domenico Zipoli (17 October 1688 – 2 January 1726) was an Italian Baroque composer who worked and died in Córdoba (Argentina). He became a Jesuit in order to work in the Reductions of Paraguay where his musical expertise contributed to develop the natural musical talents of the Guaranis. He is remembered as the most accomplished musician among Jesuit missionaries.

Early training and career

Zipoli was born in Prato, Italy, where he received elementary musical training. However, there are no records of him having entered the cathedral choir. In 1707, and with the patronage of Cosimo III, Grand Duke of Tuscany, he was a pupil of the organist Giovani Maria Casini in Florence. In 1708 he briefly studied under Alessandro Scarlatti in Naples, then Bologna and finally in Rome under Bernardo Pasquini. Two of his oratorios date to this early period: San Antonio di Padova (1712) and Santa Caterina, Virgine e martire (1714). Around 1715 he was made the organist of the Church of the Gesù (a Jesuit parish, the mother church for The Society of Jesus), in Rome, a prestigious post. At the very beginning of the following year, he finished his best known work, a collection of keyboard pieces titled Sonate d’intavolatura per organo e cimbalo.

Jesuit musician-missionary

For reasons that are not clear, Zipoli travelled to Sevilla, Spain, in 1716, where, on 1 July, he joined the Society of Jesus with the desire to be sent to the Reductions of Paraguay in Spanish Colonial America. Still a novice, he left Spain with a group of 53 missionaries who reached Buenos Aires on 13 July 1717.

He completed his formation and sacerdotal studies in Cordoba (in contemporary Argentina) (1717–1724) though, for the lack of an available bishop, he could not be ordained priest. All through these few years he served as music director for the local Jesuit church. Soon his works came to be known in Lima, Peru. Struck by an unknown infectious disease, Zipoli died in the Jesuit house of Cordoba, on 2 January 1726. A previous theory placing his death in the ancient Jesuit church of Santa Catalina, in the hills of the Province of Córdoba (Argentina), has now been discredited. His burial place has never been found.

Legacy

Zipoli continues to be well known today for his keyboard music. His Italian compositions have always been known but recently some of his South American church music was discovered in Chiquitos, Bolivia: two Masses, two psalm settings, three Office hymns, a Te Deum laudamus and other pieces. A Mass copied in Potosí, Bolivia in 1784, and preserved in Sucre, Bolivia, seems a local compilation based on the other two Masses. His dramatic music, including two complete oratorios and portions of a third one, is mostly gone. Three sections of the ‘Mission opera’ San Ignacio de Loyola – compiled by Martin Schmid in Chiquitos many years after Zipoli’s death, and preserved almost complete in local sources – have been attributed to Zipoli.

Society of Jesus
The JHS or IHS monogram of the name of Jesus (...

The JHS or IHS monogram of the name of Jesus (or traditional Christogram symbol of western Christianity), derived from the first three letters of the Greek name of Jesus, Iota-Eta-Sigma (ΙΗΣΟΥΣ). Partly based on memories of church decorations. Has some degree of resemblance to a portion of the emblem of the Jesuits, due to common medieval influences (see Feast of the Holy Name of Jesus), but is not exactly the same, nor intended to be so. (Photo credit: Wikipedia)

History of the Jesuits
Regimini militantis
Suppression

Jesuit Hierarchy
Superior General
Adolfo Nicolás

Ignatian Spirituality
Spiritual Exercises
Ad majorem Dei gloriam
Magis

Notable Jesuits
St. Ignatius of Loyola
St. Francis Xavier
St. Peter Faber
St. Aloysius Gonzaga
St. Robert Bellarmine
St. Peter Canisius
St. Edmund Campion
Pope Francis

 

 

make music part of your life series: Leonard Bernstein – Maria (from West Side Story)


[youtube.com/watch?v=kpF1IZ4xLuE]

Leonard Bernstein – Maria (from West Side Story)

Leonard Bernstein (1918 – 1990) was probably best known to the public as the longtime music director of the New York Philharmonic, for conducting concerts by many of the world’s leading orchestras, and for writing the music for West Side Story, a musical based on William Shakespeare’s Romeo and Juliet.

make music part of your life series: Pepe Romero – Suite Espanola, Op. 47, No. 3 Sevilla (Isaac Albeniz)


[youtube.com/watch?v=KZIxc8RoEbU]

Pepe Romero – Suite Espanola, Op. 47, No. 3 Sevilla (Isaac Albeniz)

 

make music part of your life series: Lullaby for String Quartet, George Gershwin, Members of the LA Philharmonic, Feb 10, 2013


[youtube.com/watch?v=F3Tq07BpKgo]

Lullaby for String Quartet, George Gershwin, Members of the LA Philharmonic, Feb 10, 2013

Lullaby for String Quartet, George Gershwin, Members of the LA Philharmonic: Mischa Lefkowitz, Violin, Minyoung Chang, Violin, Michael Larco, Viola, Jason Lippmann, Cello, Baxter Concert Series, Whittier, California, February 10, 2013

great compositions/performances: Isaac Stern – Edouard Lalo – Symphonie Espagnole, Op.21


[youtube.com/watch?v=p-C5ujRHpZw]

Isaac Stern – Edouard Lalo – Symphonie Espagnole, Op.21

Eugene Ormandy conducting Philadelphia Symphony Orchestra
I. Allegro non troppo
II. Scherzando
III. Intermezzo
IV. Andante
V. Rondo

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MAKE MUSIC PART OF YOUR LIFE SERIES: Igor Stravinsky – Pétrouchka (1911)/ Mitropoulos


[youtube.com/watch?v=IW84HhzoodE]

Igor Stravinsky: Pétrouchka (1911)/ Mitropoulos

Igor Stravinsky (1882-1971): Pétrouchka, balletto in quattro quadri (versione originale 1911) — New York Philharmonic diretta da Dimitri Mitropoulos

I. Fête populaire de la semaine grasse – Le tour de passe-passe – Danse russe
II. Chez Pétrouchka
III. Chez le maure – Danse de la ballerine – Valse. La ballerine et le maure
IV. Fête populaire de la semaine grasse (vers le soir) – Danse des nousnous – Danse des cochers et des palefreniers – Les déguisés

— cover image by Mikhail Fokine

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GREAT COMPOSITIONS/PERFORMANCES: George Gershwin – An American in Paris ( This was performed in 1959 by the New York Philharmonic, conducted by Leonard Bernstein.)


[youtube.com/watch?v=zi0ENw-JlUI]

George GershwinAn American in Paris ( This was performed in 1959 by the New York Philharmonic, conducted by Leonard Bernstein.)

An American in Paris is a symphonic tone poem by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy of the French capital in the 1920s. It is one of Gershwin’s best-known compositions.
Gershwin composed the piece on commission from the New York Philharmonic. He also did the orchestration (he did not orchestrate his musicals). Gershwin scored An American in Paris for the standard instruments of the symphony orchestra plus celesta, saxophones, and automobile horns. Gershwin brought back some Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928 in Carnegie Hall, with Walter Damrosch conducting the New York Philharmonic.
Gershwin collaborated on the original program notes with the critic and composer Deems Taylor, noting that: “My purpose here is to portray the impression of an American visitor in Paris as he strolls about the city and listens to various street noises and absorbs the French atmosphere.” When the tone poem moves into the blues, “our American friend … has succumbed to a spasm of homesickness.” But, “nostalgia is not a fatal disease.” The American visitor “once again is an alert spectator of Parisian life” and “the street noises and French atmosphere are triumphant.”

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Great Compositions/Performances: W. A. Mozart – Symphony No. 41 “Jupiter” in C major, K. 551 (1788)


[youtube.com/watch?v=zK5295yEQMQ]

W. A. MozartSymphony No. 41 “Jupiter” in C major, K. 551 (1788):
1. Allegro vivace, 4/4
2. Andante cantabile, 3/4 in F major
3. Menuetto: Allegretto – Trio, 3/4
4. Molto allegro, 2/2

The Chamber Orchestra of Europe
Conductor – Nicolaus Harnoncourt
Grosser Musikvereinsaal Wien

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Make Music Part of Your Life Series: Leonard Bernstein – Maria (from “West Side Story”)


[youtube.com/watch?v=kpF1IZ4xLuE]

Leonard Bernstein – Maria (from “West Side Story”)

Leonard Bernstein (1918 – 1990) was probably best known to the public as the longtime music director of the New York Philharmonic, for conducting concerts by many of the world’s leading orchestras, and for writing the music for West Side Story, a musical based on William Shakespeare’s Romeo and Juliet.

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Make Music Part of Your Life Series: The Berlin Celebration Concert – Beethoven, Symphony No 9 Bernstein 1989



Make Music Part of Your Life Series: The Berlin Celebration Concert – Beethoven, Symphony No 9 Bernstein 1989

Published on Mar 30, 2013

Conducted by Leonard Bernstein, THE BERLIN CELEBRATION CONCERT is an historic performance marking the fall of the Berlin Wall. Performed on Christmas Day 1989 in the former East Berlin, the concert unites an international cast of celebrated musicians and vocalists for a moving performance of Beethoven’s Ninth Symphony.

Symphonieorchester des Bayerisches Rundfunks and members of Staatskapelle Dresden, Orchestra of the Leningrad Kirov Theatre, London Symphony Orchestra, New York Philharmonic and Orchestre de Paris.

 

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Make Music Part of Your Life Series: Dmitri Shostakovich – The second waltz


Make Music Part of Your Life Series:
*****Dmitri Shostakovich – The second waltz*****

Tombstone of Shostakovich, showing his D-E♭-C-...

Tombstone of Shostakovich, showing his D-E♭-C-B motif. Novodevichy Cemetery, Moscow. (Photo credit: Wikipedia)

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Great Performances: George Gershwin: An American In Paris / Gustavo Dudamel – Los Angeles Philharmonic Orchestra



Published on Jun 4, 2013
Gershwin An American In Paris Dudamel Gustavo Los Angeles Philharminic Orchestra

From Wikipedia, the free encyclopedia
  
This article is about the 1928 George Gershwin music. For the 1951 musical starring Gene Kelly, see An American in Paris (film). For Christopher Wheeldon‘s 2005 ballet, see An American in Paris (ballet).

A theme from George Gershwin’s orchestral
composition An American in Paris

An American in Paris is a symphonic tone poem by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy of the French capital in the 1920s and is one of his best-known compositions.

Gershwin composed An American in Paris on commission from the New York Philharmonic. He scored the piece for the standard instruments of the symphony orchestra plus celestasaxophones, and automobile horns. He brought back some Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928 in Carnegie Hall, with Walter Damrosch conducting the New York Symphony. Gershwin completed the orchestration on November 18, less than four weeks before the work’s premiere.[1]

Gershwin collaborated on the original program notes with the critic and composer Deems Taylor, noting that: “My purpose here is to portray the impression of an American visitor in Paris as he strolls about the city and listens to various street noises and absorbs the French atmosphere.” When the tone poem moves into the blues, “our American friend … has succumbed to a spasm of homesickness.” But, “nostalgia is not a fatal disease.” The American visitor “once again is an alert spectator of Parisian life” and “the street noises and French atmosphere are triumphant.”
Gershwin based An American in Paris on a melodic fragment called “Very Parisienne”, written in 1926 on his first visit to Paris as a gift to his hosts, Robert and Mabel Schirmer. He described the piece as a “rhapsodic ballet” because it was written freely and is more modern than his previous works. Gershwin explained in Musical America, “My purpose here is to portray the impressions of an American visitor in Paris as he strolls about the city, listens to the various street noises, and absorbs the French atmosphere.”

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Fabulous Compositions/ Composers: L. Bernstein – Mendelssohn Symphony No.5 in Dmajor/D minor “Reformation” Op.107



Mendelssohn Symphony No.5 in D major/D minor “Reformation” Op.107 Complete

1. Andante — Allegro con fuoco
2. Allegro vivace
3. Andante
4. Andante con moto — Allegro maestoso

NY Philharmonic Orchestra
Leonard Bernstein Conductor

L. Bernstein – Mendelssohn Symphony No.5 in D major/D minor “Reformation” Op.107



Mendelssohn Symphony No.5 in D major/D minor “Reformation” Op.107 Complete

1. Andante — Allegro con fuoco
2. Allegro vivace
3. Andante
4. Andante con moto — Allegro maestoso

NY Philharmonic Orchestra
Leonard Bernstein Conductor

 

George Gershwin – An American in Paris



This was performed in 1959 by the New York Philharmonic, conducted by Leonard Bernstein.

An American in Paris is a symphonic tone poem by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy of the French capital in the 1920s. It is one of Gershwin’s best-known compositions.
Gershwin composed the piece on commission from the New York Philharmonic. He also did the orchestration (he did not orchestrate his musicals). Gershwin scored An American in Paris for the standard instruments of the symphony orchestra plus celesta, saxophones, and automobile horns. Gershwin brought back some Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928 in Carnegie Hall, with Walter Damrosch conducting the New York Philharmonic.
Gershwin collaborated on the original program notes with the critic and composer Deems Taylor, noting that: “My purpose here is to portray the impression of an American visitor in Paris as he strolls about the city and listens to various street noises and absorbs the French atmosphere.” When the tone poem moves into the blues, “our American friend … has succumbed to a spasm of homesickness.” But, “nostalgia is not a fatal disease.” The American visitor “once again is an alert spectator of Parisian life” and “the street noises and French atmosphere are triumphant.”

 

Antonín Dvořák – Water Goblin, Op. 107



Janácek Philharmonic Orchestra, Theodore Kuchar

 

Bohemian Dance – Georges Bizet Leonard Berntein



Bohemian Dance by Georges Bizet conducted by Leonard Bernstein and the New York Philharmonic from the album “Carmen Suites 1 And 2/Peer Gynt Suites 1 And 2” (Columbia Masterworks, 1973).

Mussorgsky – Night On Bald Mountain


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L. Bernstein – Mendelssohn Symphony No.5 in D major/D minor “Reformation” Op. 107



Mendelssohn Symphony No.5 in D major/D minor “Reformation” Op.107 Complete

1. Andante — Allegro con fuoco
2. Allegro vivace
3. Andante
4. Andante con moto — Allegro maestoso

NY Philharmonic Orchestra
Leonard Bernstein Conductor

George Gershwin – An American in Paris



An American in Paris is a symphonic tone poem by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy of the French capital in the 1920s.

Gershwin composed the piece on commission from the New York Philharmonic. He also did the orchestration (he did not orchestrate his musicals). Gershwin scored An American in Paris for the standard instruments of the symphony orchestra plus celesta, saxophone, and automobile horns. Gershwin brought back some Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928 in Carnegie Hall, with Walter Damrosch conducting the New York Philharmonic.

Conductor: Richard Hayman
Orchestra: Slovak Philharmonic Orchestra