Tag Archives: Paul Verlaine

Claude Debussy – Suite bergamasque


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Debussy: Suite bergamasque – 3. Clair de lune (1890-1905)



Claude Debussy 
(1862 – 1918) 
Complete music for piano solo (in chronological order) 
Suite bergamasque – 3. Clair de lune (1890-1905)

From Wikipedia, the free encyclopedia
 

An excerpt from “Clair de lune,” the third movement of the Suite bergamasque.

The Suite bergamasque (French pronunciation: ​[bɛʁɡamask]) is one of the most famous pianosuites by Claude Debussy. Debussy commenced the suite in 1890 at age 28, but he did not finish or publish it until 1905.[1]

The Suite bergamasque was first composed by Debussy around 1890, but was significantly revised just before its publication in 1905. It seems that by the time a publisher came to Debussy in order to cash in on his fame and have these pieces published, Debussy loathed the earlier piano style in which these pieces were written.[1] While it is not known how much of the Suite was written in 1890 and how much was written in 1905, it is clear that Debussy changed the names of at least two of the pieces. “Passepied” was called “Pavane”, and “Clair de lune” was originally titled “Promenade Sentimentale.” These names also come fromPaul Verlaine‘s poems.[1]

Movements

The Suite bergamasque consists of four movements:

  1. “Prélude”
  2. “Menuet”
  3. “Clair de lune”
  4. “Passepied”

The suite has been orchestrated by many composers, including André CapletLeopold Stokowski, and Lucien CaillietDimitri Tiomkin arranged “Clair de lune” for organ for his musical score for Warner Brothers’ 1956 film Giant.

 

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Danee Robinson – Debussy’s 1883 “Mandoline”, L 29 (The poem of Paul Verlaine)



Danee Robinson is gifted with a pure, soprano angelic voice. She is an evolving presence in the world of classical music, and is getting more and more attention in the world of music, from an ever larger audience. 

How to describe in words her presence in the universe that’s larger than any imagination, the universe of music:

‘I am therefore I sing’

I feel  her  message  throughout her musical career, in her album “Canto di Gioia” (Song of Joy) on stage, and in this beautiful interpretation of “Mandoline”, composed by Claude Debussy, in 1883, for piano and soloist on the poem of Paul Verlaine. A composition exuding youth, and its capacity of playfulness, freedom and happyness…Of love everlasting. Continue reading