Tag Archives: piano concerto no 1

Daniil Trifonov – Glazunov Piano Concerto No 2 in B major: great compositions/performances

Daniil Trifonov – Glazunov Piano Concerto No 2 in B major

Liszt: Piano Concerto No. 1 in E flat major, S124/R455, Piano: Harumi Hanafusa

李斯特 第一號鋼琴協奏曲
Liszt, Franz 
Piano Concerto No. 1 in E flat major, S124/R455
1. » Allegro maestoso
2. » Quasi adagio
3. » Allegro marziale animato

Piano: Harumi Hanafusa
鋼琴: 花房晴美

Conductor: Heinz Wallberg
指揮: 華爾貝格

NHK Symphony

Sergei Rachmaninoff – Piano Concerto No. 1 in F sharp minor, Op. 1

Earl Wild – Jascha Horenstein – Royal Philharmonic Orchestra
Sergei Rachmaninoff – Piano Concerto No. 1 in F sharp minor, Op. 1
I. Vivace
II. Andante
III. Allegro vivace

Chopin Piano Concerto No.1 in E minor, Op.11 – François, Frémaux

Chopin: Piano Concerto No.1 in E minor, Op.11

Mvt.1 – Allegro moderato
Mvt.2 – Romance. Larghetto
Mvt.3 – Rondo. Vivace

Samson François, piano
Orchestre National de l’Opéra de Monte Carlo
Louis Frémaux, conductor

Rec. 1965

Sergey Prokofiev Piano Concerto No.1 in D flat major, op.10

Maxim Valkov conducts The St-Petersburg State Capella Orchestra.
Nikolay Mazhara, piano.

Ludwig van Beethoven – Piano Concerto No. 1, No. 2 and No. 3 – Daniel Barenboim, piano

The painting is described thus: "Ludwig v...

The painting is described thus: “Ludwig van Beethoven was recognised as a child prodigy. He worked at the age of 13 as organist, pianist/harpsichordist and violist at the court in Bonn, and had published three early piano sonatas. This portrait in oils is the earliest authenticated likeness of Beethoven.” (Photo credit: Wikipedia)


Piano Concerto No. 1 in C major, op. 15

Ludwig van Beethoven’s Piano Concerto No. 1 in C major, op. 15, was written during 1796 and 1797. The first performance was in Prague in 1798, with Beethoven himself playing the piano, dedicated to his student Babette Countess Keglevics.

Although this was Beethoven’s first piano concerto to be published, it was, in fact, his third attempt at the genre, following an unpublished piano concerto in E-flat major (not to be confused with Beethoven’s more famous “Emperor” concerto, also in E-flat) and the Piano Concerto No. 2, published after Piano Concerto No. 1 (in 1801) but composed almost ten years earlier.    More: 

Piano Concerto No. 2 in B-flat major, Op. 19

The Piano Concerto No. 2 in B-flat major, Op. 19, by Ludwig van Beethoven was composed primarily between 1787 and 1789, although it did not attain the form it was published as until 1795. Beethoven did write another finale for it in 1798 for performance in Prague, but that is not the finale that it was published with. It was used by the composer as a vehicle for his own performances as a young virtuoso, initially intended with the Bonn Hofkapelle. It was published in 1801, by which time he had also published the Piano Concerto No. 1 in C major, although it had been composed after this work, in 1796 and 1797.
The B-flat major Piano Concerto became an important display piece for the young Beethoven as he sought to establish himself after moving from Bonn to Vienna. He was the soloist at its premiere on 29 March 1795, at Vienna’s Burgtheater in a concert marking his public debut.] (Prior to that, he had performed only in the private salons of the Viennese nobility.) While the work as a whole is very much in the concerto style of Mozart, there is a sense of drama and contrast that would be present in many of Beethoven’s later works. Beethoven himself apparently did not rate this work particularly highly, remarking to the publisher Franz Anton Hoffmeister that, along with the Piano Concerto No. 1, it was “not one of my best.” The version that he premiered in 1795 is the version that is performed and recorded today.   More:.. 

Piano Concerto No. 3 in C minor, Op. 37

The Piano Concerto No. 3 in C minor, Op. 37, was composed by Ludwig van Beethoven in 1800 and was first performed on 5 April 1803, with the composer as soloist. During that same performance, the Second Symphony and the oratorio Christ on the Mount of Olives were also debuted.[1] The composition was dedicated to Prince Louis Ferdinand of Prussia. The first primary theme is reminiscent of that of Mozart’s 24th Piano Concerto.
The concerto is scored for 2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 2 horns in E-flat, 2 trumpets in C, timpani, strings and piano soloist.   More:…


Ludwig van Beethoven ( /ˈlʊdvɪɡ væn ˈbeɪt.hoʊvən/; German pronunciation: [ˈluːtvɪç fan ˈbeːt.hoːfən] ( listen); baptized 17 December 1770[1] — 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential of all composers.
Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in his late twenties, yet he continued to compose, conduct, and perform, even after becoming completely deaf.       More:


Daniel Barenboim, KBE (born 15 November 1942) is an Argentine-born pianist and conductor. He has served as music director of several major symphonic and operatic orchestras and made numerous recordings.
Currently, he is general music director of La Scala in Milan, the Berlin State Opera, and the Staatskapelle Berlin; he previously served as Music Director of the Chicago Symphony Orchestra and the Orchestre de Paris. Barenboim is also known for his work with the West-Eastern Divan Orchestra, a Sevilla-based orchestra of young Arab and Israeli musicians, and as an outspoken critic of the Israeli occupation of Palestinian territories.
Barenboim has received numerous awards and prizes, including Britain’s Knight Commander of the Order of the British Empire, France’s Légion d’honneur both as a Commander and Grand Officier, the German Großes Bundesverdienstkreuz and Willy Brandt Award, and, together with the Palestinian-American scholar Edward Said, Spain’s Prince of Asturias Concord Award. He has won seven Grammy awards for his work and discography.

We think of celebrations in terms of years while some of us forget what a celebration is about altogether, as the years begin  being heavy on  the shoulders…

I celebrate  Beethoven’s music with every moment. His music is to my mind, what air is to my being. His music is universal, his harmony is everywhere to be found, and I don’t even have to stop in my track to listen. Actually I can safely operate dangerous machinery, like a car for instance as a so called “road rage” antidote, and I don’t even need water to swallow it I’m just keeping my ears full of sound, and the eyes on the road (looks more like an parking lot, more and more at all times).  Music like the one composed by Beethoven helps one go to sleep each night, and wake up in the morning,  with a new sense of BEING.

I hope that you enjoy music too! I Hope you have  a very special,  musical, harmonious and inspired weekend! Hope this post helps a little!
(It helped me write this few words!)”


Excerpts from Robert Cummings’ article:  “The genesis of Liszt’s Piano Concerto No. 1 in E flat major dates to 1830, when the composer sketched out the main theme in a notebook. It wasn’t until the 1840s, however, that Liszt actually commenced work on the concerto. As a neophyte in the art of orchestration — his output to that point consisted almost entirely of keyboard music — Liszt enlisted the assistance of his pupil Joachim Raff in providing the work an instrumental skin. Liszt completed the concerto in 1849 but made a number of revisions over the next several years. The final version of the work dates from 1856.”

Read more: http://www.answers.com/topic/piano-concerto-no-1-in-e-flat-major-s-124-lw-h4#ixzz1wyUzMamM