Tag Archives: Planets

Gustav Holst – Brook Green Suite (Prelude-Air-Dance): make music part of your life series


Gustav Holst – Brook Green Suite (Prelude-Air-Dance)

Advertisements

G. Holst – The planets Op. 32 – Venus, the Bringer of Peace – Berliner Philharmoniker- Karajan: great compositions/performances


G. Holst – The planets Op. 32 – Venus, the Bringer of Peace – Berliner Philharmoniker- Karajan (2/7)

doramas67  doramas67
The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1916. Each movement of the suite is named after a planet of the Solar System and its corresponding astrological character as defined by Holst. With the exception of Earth (the centre of all yet influentially inert astrologically[1]), all the astrological planets known during the work’s composition[2] are represented.

From its premiere to the present day, the suite has been enduringly popular, influential, widely performed and frequently recorded. The work was not heard in a complete public performance, however, until some years after it was completed. Although there were four performances between September 1918 and October 1920, they were all either private (the first performance, in London) or incomplete (two others in London and one in Birmingham). The premiere was at the Queen’s Hall on 29 September 1918, conducted by Holst’s friend Adrian Boult before an invited audience of about 250 people. The first complete public performance was finally given in London by Albert Coates conducting the London Symphony Orchestra on 15 November 1920.

Instrumentation

The work is scored for an exceptionally large orchestra:
Woodwind: 4 flutes (3rd doubling 1st piccolo; 4th doubling 2nd piccolo and a “bass flute in G”, actually an alto flute), 3 oboes (3rd doubling bass oboe), an English horn, 3 clarinets in B-flat, a bass clarinet in B-flat, 3 bassoons and a contrabassoon
Brass: 6 horns in F, 4 trumpets in C, 3 trombones (2 tenor and 1 bass), a “tenor tuba” (euphonium in B-flat) and a bass tuba
Keyboards: a celesta, and an organ
Percussion: 6 timpani (2 players, 3 drums each except in “Uranus” having 4 drums for 1st and 2 drums for 2nd), a bass drum, a snare drum, cymbals, a triangle, a tam-tam, a tambourine, a glockenspiel, a xylophone, and tubular bells
Strings: 2 harps, 1st and 2nd violins, violas, cellos, and double basses
Voices: (“Neptune” only), 2 three-part women’s choruses (SSA) located in an adjoining room which is to be screened from the audience

The suite has seven movements, each named after a planet and its corresponding astrological character (see Planets in astrology):

1.Mars, the Bringer of War
2.Venus, the Bringer of Peace
3.Mercury, the Winged Messenger
4.Jupiter, the Bringer of Jollity
5.Saturn, the Bringer of Old Age
6.Uranus, the Magician
7.Neptune, the Mystic

The Planets (Los planetas) op. 32, es la obra más conocida del compositor inglés Gustav Holst y fue compuesta entre 1914 y 1918. Es una suite de siete movimientos a cada uno de los cuales Holst le dio el nombre de un planeta (y su correspondiente deidad en la mitología grecorromana).

The Planets, como reza su subtítulo, es una suite “para gran orquesta”. Instrumentos nada habituales, como la flauta baja o el oboe barítono o bajo y unos nutridos efectivos de percusión (bombo, batería, platillos, Triángulo (instrumento musical), tambor militar, pandereta, gong, campanas, xilófono y glockenspiel, así como dos timbalistas) y metal (6 trompas, 4 trompetas, 3 trombones, tuba tenor y tuba bajo) forman, entre otros, la nómina de la suite. Es quizás la orquesta más grande empleada jamás por Holst.

Estructura

La suite está formada por los siguientes movimientos:
Marte, el portador de la guerra.
Venus, el portador de la paz.
Mercurio, el mensajero alado.
Júpiter, el portador de la alegría.
Saturno, el portador de la vejez.
Urano, el mago.
Neptuno, el místico.

Encumbered not, poetic thought by George-B (The smudge and other poems


Encumbered not, poetic thought by George-B  (The smudge and other poems)

Unnoticed, silence breathed its way in:

can you watch now the growing grass,
the snowflakes parachutes landing and,
dust settling on top of dusty old, furniture tops?

almost instantaneously
night had moved over everything:

can you see now the shadows,
and the listless moon in owe,
eyeing the blue, as if…its dust,
were not to remain undisturbed
eons ahead,
except for a few boot prints…
cold of course, and odorless, and sterile…
encumbered not…

Photo: Earth and moon seen from space shuttle

Fantastic Composer/Compositions: St Paul’s Suite



St-Paul’s Suite, op. 29, no. 2 – Gustav Holst
1. Jig – Vivace
2. Ostinato – Presto
3. Intermezzo – Andante con moto
4. Finale (“The Dargason”) – Allegro
L’Orchestre de Chambre Lakeshore Chamber Orchestra
Stewart Grant, directeur musical et chef attitré, Music Director and Conductor
Concert aimez-vous Brahms?
26 Nov 2011
Église Valois United Church

From Wikipedia, the free encyclopedia
 
middle aged man in head and shoulder shot looking warily at camera

Gustav Holst, circa 1921 (photograph by Herbert Lambert)

Gustav Theodore Holst (born Gustavus Theodore von Holst: 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed a large number of works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, including the English folksong revival of the early 20th century.

There were professional musicians in the previous three generations of Holst’s family, and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father’s reservations, he pursued a career as a composer, studying at the Royal College of Music under Charles Villiers Stanford. Unable to support himself by his compositions, he played the trombone professionally, and later became a teacher—a great one, according to his colleague Ralph Vaughan Williams. Among other teaching activities he built up a strong tradition of performance at Morley College, where he served as musical director from 1907 until 1924. He was the founder of a series of Whitsun music festivals, which ran from 1916 for the remainder of his life. Holst’s works were played frequently in the early years of the 20th century, but it was not until the international success of The Planets in the years immediately after the First World War that he became a well-known figure. A shy man, he did not welcome this fame, and preferred to be left in peace to compose and teach.

In his later years his uncompromising, personal style of composition struck many music lovers as too austere, and his brief popularity declined. Nevertheless, he was a significant influence on a number of younger English composers, includingEdmund RubbraMichael Tippett and Benjamin Britten. Apart from The Planets and a handful of other works, his music was generally neglected until the 1980s, since when recordings of much of his output have been available.

G. Holst – The planets Op. 32 – Mercury, the Winged Messenger – Berliner Philharm. – Karajan (3/7)



The Planets, Op. 32, is a seven-movement orchestral suite by the English composer Gustav Holst, written between 1914 and 1916. Each movement of the suite is named after a planet of the Solar System and its corresponding astrological character as defined by Holst. With the exception of Earth (the centre of all yet influentially inert astrologically[1]), all the astrological planets known during the work’s composition[2] are represented.

The suite has seven movements, each named after a planet and its corresponding astrological character (see Planets in astrology):

 

1.Mars, the Bringer of War
2.Venus, the Bringer of Peace
3.Mercury, the Winged Messenger
4.Jupiter, the Bringer of Jollity
5.Saturn, the Bringer of Old Age
6.Uranus, the Magician
Continue reading

Song to the Moon – Antonín Dvořák



See lyrics translated into English below.

Soprano Renee Fleming sings this aria. Dvorak’s composition relies upon expansive arpeggiated chords to capture the fairy tale ambiance of Rusalka. The amicable old Spirit of the Lake, Jezibab, is enjoying the singing of the Wood Nymphs, when his daughter, Rusalka, sadly approaches him. She admits that she has fallen in love with a handsome prince. Yearning to know the bliss of union with him, she wishes to become human. Deeply saddened, the Spirit of the Lake consents to her request, and leaves. All alone, Rusalka sings this magnificent aria and shares the secrets of her longing to the moon.

Featuring the paintings and artwork of William Bouguereau, Paul Cezanne, Claude Monet, J.W. Waterhouse, Armand Guillaumin, and Spadecaller.

Lyrics (translation)

Silver moon upon the deep dark sky,
Through the vast night pierce your rays.
This sleeping world you wander by,
Smiling on man’s homes and ways.
Oh moon ere past you glide, tell me,
Tell me, oh where does my loved one bide?
Oh moon ere past you glide, tell me
Tell me, oh where does my loved one bide?
Tell him, oh tell him, my silver moon,
Mine are the arms that shall hold him,
That between waking and sleeping he may
Think of the love that enfolds him,
May between waking and sleeping
Think of the love that enfolds him.
Light his path far away, light his path,
Tell him, oh tell him who does for him stay!
Human soul, should it dream of me, Let my memory wakened be.
Moon, moon, oh do not wane, do not wane,
Moon, oh moon, do not wane….