Tag Archives: Respighi

Best Classical Music, O. Respighi Ancient Airs and Dances Suite III. Complete , great compositions/performances

O. Respighi Ancient Airs and Dances Suite III. Complete

Respighi – Pines of Rome – Noseda

Respighi – Pines of Rome – Noseda

Respighi: Ancient Airs and Dances, Suite No. 3,: great compositions/performances

Respighi: Ancient Airs and Dances, Suite No. 3

Rome (music: Respighi – Fountains of Rome): make music part of you r life series

Rome (music: Respighi – Fountains of Rome)

Respighi: Ancient Airs and Dances, Suite No. 2 [COMPLETE]: make music part of your life series

Respighi: Ancient Airs and Dances, Suite No. 2 [COMPLETE]

Ottorino Respighi – Three Botticelli Pictures: grest compositions/performances

Ottorino Respighi – Three Botticelli Pictures


great Compositions/performances: ” Lauda per la Natività del Signore” Ottorino Respighi (The City of London Sinfonia Richard Hickox, conductor)


” Lauda per la Natività del Signore” Ottorino Respighi

Ottorino Respighi “Lauda per la Nativitá del Signore”
Patricia Rosario(soprano), Angel
Louise Winter(mezzo soprano), Mary
Lynton Atkinson(tenor), Shepherd
The Richard Hickox Singers
The City of London Sinfonia
Richard Hickox, conductor

The Lauda per la Natività del Signore (or Laud for the Nativity) is a beautiful pastoral work that depicts the nativity of Jesus as the shepherds might have seen it. Respighi employs several archaic forms and devices: madrigals (“Contenti ne andremo”), Monteverdi-like arioso (“Seignor tu sei descieso”), some plainchant, and even a touch of fugue in the “Gloria” section. In addition to chorus, a small wind orchestra and piano, the work features three soloists: soprano (“The Angel”), mezzo-soprano (“Mary”), and tenor (“The Shepherd”).

Respighi dedicated his Lauda per la Natività del Signore to Count Guido Chigi Saracini, founder of the Accademia Chigiana in Siena. The work received its premiere in the count’s palace on St. Cecilia‘s Day, 1930, performed by the Piccolo Coro di Santa Cecilia under the direction of the composer; Elsa Respighi sang the role of Mary. A month later, on December 26, the work was first performed in Rome.

Make Music Part of Your Life Series: Respighi – The Birds


Respighi – The Birds

Ottorino Respighi

Ottorino Respighi (Photo credit: lorenzog.)

Atlanta Symphony OrchestraLouis Lane conductor
For information and analysis of this work, visit http://muswrite.blogspot.com/2012/03/…
For information and analysis of other works, visit Musical Musings at : http://muswrite.blogspot.com/

Enhanced by Zemanta

Make Music Part of Your Life Series: Ottorino Respighi – Three Botticelli Pictures


Ottorino Respighi – Three Botticelli Pictures

Published on Jul 5, 2012

Three Botticelli Pictures (Trittico Botticelliano)
0:01 = The Spring (La Primavera)
5:32 = The Adoration of the Magi (L’adorazione dei Magi)
14:09 = The Birth of Venus (La nascita di Venere)

In this 1990 studio recording, Tamás Vásáry conducts the Bournemouth Sinfonietta. This recording is owned by Chandos.
If you’re interested in buying the CD/MP3, it is available at ArkivMusic:

And at Amazon:

The CD/MP3 also includes Respighi’s The Birds and Adagio con variazioni.
I’ve already uploaded Respighi’s Adagio on my channel:
Here are the links to the images (which aren’t mine) featured in this video:
0:22 = http://www.publicdomainpictures.net/v…
3:01 = http://www.publicdomainpictures.net/v…
5:35 = http://www.publicdomainpictures.net/v…
9:08 = http://www.publicdomainpictures.net/v…
10:17 = http://www.publicdomainpictures.net/v…
11:24 = http://www.publicdomainpictures.net/v…
14:14 = http://www.publicdomainpictures.net/v…
16:55 = http://www.publicdomainpictures.net/v…

Enhanced by Zemanta

Great Composers/Compositions: Respighi: Ancient Airs and Dances, Suite No. 3

Ottorino Respighi (1879 – 1936)
Ancient Airs and Dances / Antiche arie e danze per liuto
Suite No. 3 (1932)

I. Italiana (0:00)
II. Arie di corte (1:55)
III. Siciliana (8:39)
IV. Passacaglia (12:18)

Sir Neville Marriner
Los Angeles Chamber Orchestra
From Wikipedia, the free encyclopedia

Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi. In addition to being a renowned composer and conductor, Respighi was also a notable musicologist. His interest in Italian music of the 16th, 17th, and 18th centuries led him to compose works inspired by the music of these periods.

Suite No. 3 was composed in 1932. It differs from the previous two suites in that it is arranged for strings only and somewhat melancholy in overall mood. It is based on lute songs by Besard, a piece for baroque guitar by Ludovico Roncalli, and lute pieces by Santino Garsi da Parma and additional anonymous composers.

  1. Italiana (Anonymous: Italiana (Fine sec.XVI) – Andantino)
  2. Arie di corte (Jean-Baptiste Besard: Arie di corte (Sec.XVI) – Andante cantabile – Allegretto – Vivace – Slow with great expression – Allegro vivace – Vivacissimo – Andante cantabile)
  3. Siciliana (Anonymous: Siciliana (Fine sec.XVI) – Andantino)
  4. Passacaglia (Lodovico Roncalli: Passacaglia (1692) – Maestoso – Vivace)



Enhanced by Zemanta

RESPIGHI Suite for Organ and Strings In G

RESPIGHI Suite for Organ and Strings
Performed by Ars Nova Chamber Orchestra at Vienna Presbyterian Church on October 27​, 2012.


Enhanced by Zemanta

Ottorino Respighi Ancient Airs and Dances Suite III


Maurice Ravel – Miroirs (wonderful composition: Fluid, dripping like a light rainfall)

wonderful composition: fluid, dripping like a light rainfall

“Miroirs” (Reflections) is a suite for solo piano written by French impressionist composer Maurice Ravel between 1904 and 1905, first performed by Ricardo Viñes in 1906.
Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or “hooligans”, a term coined by Ricardo Viñes to refer to his band of “artistic outcasts”. To pay tribute to his fellow artists, Ravel began composing Miroirs in 1904 and finished it the following year. Movements 3 and 4 were subsequently orchestrated by Ravel, while Movement 5 was orchestrated by Percy Grainger, among other.
Miroirs has five movements, each dedicated to a member of Les Apaches:
1. “Noctuelles” (“Night Moths”) – Dedicated to Léon-Paul Fargue, Noctuelles is a highly chromatic work, maintaining a dark, nocturnal mood throughout. The middle section is calm with rich, chordal melodies, and the recapitulation takes place a fifth below the first entry.
2. “Oiseaux tristes” (“Sad Birds”) – Dedicated to Ricardo Viñes, this movement represents a lone bird whistling a sad tune, after which others join in. The rambunctious middle section is offset by a solemn cadenza which brings back the melancholy mood of the beginning.
3. “Une barque sur l’océan” (“A boat on the Ocean”) – Dedicated to Paul Sordes, the piece recounts a small boat as it sails upon the waves of the ocean. Arpeggiated sections and sweeping melodies imitate the flow of ocean currents. It is the longest piece of the set, and, with the exception of Alborada del Gracioso, the most technically difficult.
4. “Alborada del gracioso” (“The Gracioso’s Aubade”) – Dedicated to Michel-Dimitri Calvocoressi, Alborada is a technically challenging piece that incorporates Spanish musical themes into its complicated melodies.
5. “La vallée des cloches” (“The Valley of Bells”) – Dedicated to Maurice Delage, the piece evokes the sounds of various bells through its use of sonorous harmonies.

Pianist: Jean-Efflam Bavouzet