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Great Performances: George Gershwin: An American In Paris / Gustavo Dudamel – Los Angeles Philharmonic Orchestra



Published on Jun 4, 2013
Gershwin An American In Paris Dudamel Gustavo Los Angeles Philharminic Orchestra

From Wikipedia, the free encyclopedia
  
This article is about the 1928 George Gershwin music. For the 1951 musical starring Gene Kelly, see An American in Paris (film). For Christopher Wheeldon‘s 2005 ballet, see An American in Paris (ballet).

A theme from George Gershwin’s orchestral
composition An American in Paris

An American in Paris is a symphonic tone poem by the American composer George Gershwin, written in 1928. Inspired by the time Gershwin had spent in Paris, it evokes the sights and energy of the French capital in the 1920s and is one of his best-known compositions.

Gershwin composed An American in Paris on commission from the New York Philharmonic. He scored the piece for the standard instruments of the symphony orchestra plus celestasaxophones, and automobile horns. He brought back some Parisian taxi horns for the New York premiere of the composition, which took place on December 13, 1928 in Carnegie Hall, with Walter Damrosch conducting the New York Symphony. Gershwin completed the orchestration on November 18, less than four weeks before the work’s premiere.[1]

Gershwin collaborated on the original program notes with the critic and composer Deems Taylor, noting that: “My purpose here is to portray the impression of an American visitor in Paris as he strolls about the city and listens to various street noises and absorbs the French atmosphere.” When the tone poem moves into the blues, “our American friend … has succumbed to a spasm of homesickness.” But, “nostalgia is not a fatal disease.” The American visitor “once again is an alert spectator of Parisian life” and “the street noises and French atmosphere are triumphant.”
Gershwin based An American in Paris on a melodic fragment called “Very Parisienne”, written in 1926 on his first visit to Paris as a gift to his hosts, Robert and Mabel Schirmer. He described the piece as a “rhapsodic ballet” because it was written freely and is more modern than his previous works. Gershwin explained in Musical America, “My purpose here is to portray the impressions of an American visitor in Paris as he strolls about the city, listens to the various street noises, and absorbs the French atmosphere.”

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