George Enescu – Rapsodia Romana Nr. 1 (completa) dirijor Sergiu Celibidache
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The national holiday of Romania has been celebrated since 1990, after the fall of the Romanian Communist Party head Nicolae Ceausescu, with military parades, speeches, and a holiday from work. This day marks the unification in 1918 of Romania and Transylvania and the formation of the Romanian state within its present-day boundaries. Romania’s full independence had been recognized in 1878, but Transylvania had remained outside the new state. On December 1, a Romanian assembly passed the resolution of unity celebrated on National Day. More… Discuss
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Tagged Gheorghe Ursu, Hunger strike, Klaus Iohannis, national holiday, Nicolae Ceaușescu, Prosecutor, Romania, Romania National Day, Romanian Communist Party, Romanian literature, Romanian state, Romanians, Securitate, Transylvania, Victor Ponta
Ciprian Porumbescu (born Cyprian Gołęmbiowski on October 14, 1853 July 6, 1883) was an Romanian composer born in Şipotele Sucevei in Bukovina (now Shepit, Putyla Raion, Ukraine). He was among the most celebrated Romanian composers of his time; his popular works include Crai nou, Trei culori, Song for the 1st of May, Ballad for violin and piano, and Serenada. In addition, he composed the music for Pe-al nostru steag e scris Unire, which was used for Albania’s national anthem, Hymni i Flamurit. His work spreads over various forms and musical genres, but the majority of his work is choral and operetta. Ciprian Porumbescu was born into the family of Iraclie Gołęmbiowski (who changed the Polish-sounding family name to its Romanian translation), an ethnic Romanian writer and Orthodox priest of possible Polish origins. He studied music in Suceava and Cernăuţi, then continued at the Konservatorium für Musik und darstellende Kunst in Vienna from 1879 to 1881 under Anton Bruckner and Franz Krenn. His artistic career as a composer, conductor, violinist, and pianist started in Cernăuţi, and continued in Vienna, and later in Braşov where he taught vocal music at Romanian schools.
Ciprian Porumbescu wrote poetry, lyrics and press articles, and actively participated in the public cultural life. He helped the rise of the Romanian music school during an age of enthusiasm generated by Romania’s independence. Some of the most remarkable musical pages of the composer were inspired by national heroes and great army leaders, such as Stephen III of Moldavia and Dragoş Vodă. The appreciation of his music came from the melodic nature of his compositions and their folklore inspiration.
Ciprian Porumbescu left a legacy of more than 250 works, bringing him fame and popularity through his short life. The composer saw his work Crai Nou (New Moon) performed in Braşov, while his vocal works Pe-al nostru steag (On our flag), Treiculorul (Three coloured), Cântec de primăvară (Spring song), Serenada, Cântecul gintei latine (Latin nation song), La malurile Prutului (On the Prut’s shores), and Altarul manastirii Putna (Putna monastery’s altar) were already in the public conscience. He died at the age of 29 in Stupca, which was renamed Ciprian Porumbescu in his honor.
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Please forgive me as I find myself sometimes reposting and reposting music, like this elders dance from (one of the many distinctive folkloric identities within the family of Romanians: I just cannot help, nor celebrating the treasures of our larger than life soul thru the soft instrument: the tarragot, and masterfully interpreted by Dumitru Farcas. I really think that the value of this music are too larger than the Mioritic Space, we Romanians like to refer to as our land, water, air and life within our ever changing physical, and man-marked borders. So, out there in the immensity of the Earth, our larger than soul home, we too should remember a little of our treasure chest of traditions and keep them alive: They are too beautiful not to sing from all mountaintops.