Tag Archives: Royal College of Music

Rosemary Thomas: Mendelssohn – Song Without Words – Sweet Remembrance Op. 19 No. 1 (make music part of your life series)


Rosemary Thomas: Mendelssohn – Song Without Words – Sweet Remembrance Op. 19 No. 1

 

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Bacchus on make music part of your life series: Composer Joseph Horovitz – Blue Ridge – Societat “Unión Musical” de Crevillent


[youtube.com/watch?v=eweIcCGPEsI]

Bacchus on Blue Ridge (Joseph Horovitz) – Societat “Unión Musical” de Crevillent

Bacchus on Blue Ridge (Joseph Horovitz) - Societat "Unión Musical" de Crevillent

Bacchus on Blue Ridge (Joseph Horovitz) – Societat “Unión Musical” de Crevillent

From Wikipedia, the free encyclopedia
 
This article is about the British composer and conductor. For the American cultural historian, see Joseph Horowitz.

Joseph Horovitz (born 26 May 1926 in Vienna, Austria) is a British composer and conductor.

Biography

Horovitz’s Jewish family emigrated to England in 1938 to escape the Nazis. He studied music and modern languages at New College, Oxford, and later attended the Royal College of Music in London, studying composition with Gordon Jacob. He then undertook a year of further study with Nadia Boulanger in Paris. His musical career began in 1950, when he became music director at the Bristol Old Vic. He was subsequently active as a conductor of ballet and opera, and toured Europe and the United States.

Horovitz married Anna in 1956, shortly after coaching at the bi-centenary celebration for Mozart and Glyndeborne. They honeymooned in Majorca, staying in Paguera and visiting Valldemossa. He later used these two names for two clarinet pieces, based on Spanish folk-tunes he had heard there.

Horovitz has been Professor of Composition at the Royal College of Music since 1961, and a Council Member of the Composers’ Guild of Great Britain since 1970. Between 1969 and 1996 he belonged to the board of the Performing Rights Society. His works include 16 ballets, including Alice in Wonderland (1953), 2 one-act operas (The Dumb Wife, libretto Peter Shaffer; Gentlemen’s Island, libretto Gordon Snell), and concertos for violin, oboe, clarinet, bassoon, trumpet, euphonium, tuba and percussion, as well as a popular and often performed jazz concerto for harpsichord or piano.

A large number of his works have been written for wind orchestra and brass band. In 1959, he was awarded the Commonwealth Medal, and since then he has received many other awards for his compositions. His music for television has included Lillie, Rumpole of the Bailey, The Search for the Nile, The Fight Against Slavery, Wessex Tales and Partners in Crime.

Works

Orchestral Works

  • 1948 Concertante for Clarinet and Strings
  • 1963 Trumpet Concerto
  • 1971 Sinfonietta for Light Orchestra
  • 1972 Horizon Overture
  • 1973 Valse
  • 1976 Bassoon Concerto
  • 1977 Jubilee Toy Symphony
  • 1993 Oboe Concerto

Works for Wind Orchestra and Brass Band

  • 1964 Three Pieces From Music Hall Suite for brass band
  • 1970 Sinfonietta for brass band
    • 1. Allegro
    • 2. Lento moderato
    • 3. Con brio
  • 1972 Euphonium Concerto for euphonium and wind orchestra1975 The Dong with a Luminous Nose for brass band
    • 1. Moderato
    • 2. Lento
    • 3. Con moto
  • 1977 Samson for baritone, mixed chorus and brass band
  • 1983 Ballet for Band for brass band
  • 1984 Bacchus on Blue Ridge: Divertimento for wind orchestra
    • 1. Moderato
    • 2. Blues
    • 3. Vivo
  • 1985 Concertino Classico for 2 cornets (or trumpets) and brass band
    • 1. Con brio
    • 2. Larghetto
    • 3. Allegro rustico
  • 1991 Fete Galante for wind orchestra
    • 1. Pavane
    • 2. Menuet
    • 3. Bourée des masques
  • 1992 Dance SuiteAd Astra
    • 1. Allegro
    • 2. Andantino
    • 3. Vivace
  • Commedia Dell’Arte
  • Lillie Theme
  • Theme and Co-Operation for brass band
  • Tuba Concerto for tuba und brass bandWind-Harp
    • 1. Allegro
    • 2. Andante
    • 3. Con Moto

Film scores

Other works

  • 1952 Les Femmes d’Alger: Ballet in one act
  • 1953 The Dumb Wife: Comic opera in one act
  • 1953 Alice in Wonderland: Ballet in two acts
  • 1958 Concerto for Dancers: Ballet in one act
  • 1958 Gentleman’s Island (libretto by Gordon Snell) in English or German for tenor, baritone and chamber orchestra
  • 1961 Horrortorio (words by Alistair Sampson from a scenario by Maurice Richardson) for soloists, chorus and orchestra. It was performed at the Hoffnung Astronautical Musical Festival
  • 1962 Fantasia on a Theme of Couperin for wind nonet
  • 1965 Let’s Make a Ballet: Ballet in one act
  • 1970 Captain Noah and his Floating Zoo: Cantata (text by Michael Flanders) for mixed chorus with piano, double bass and percussion
  • 1970 Lady Macbeth Scena for mezzo-soprano and piano
  • 1975 Summer Sunday: a comical-tragical-ecological Pastoral for mixed choir and piano
  • 1980 Miss Carter Wore Pink: Ballet in one act

Chamber Music

  • 1964 Music Hall Suite for brass quintet1976 Brass Polka for brass quartet
    • 1. Soubrette Song
    • 2. Trick-cyclists
    • 3. Adagio-team
    • 4. Soft shoe shuffle
    • 5. Les Girls
  • 1969 String Quartet No. 5
  • Sonatina, op. 3 for oboe and piano
  • Quartet for oboe and strings, op. 18
  • Ghetto Song for solo guitar
  • 1981 Sonatina For Clarinet and Piano
    • 1. Allegro calmato
    • 2. Lento quasi Andante
    • 3. Con brio

 

Fantastic Composer/Compositions: St Paul’s Suite



St-Paul’s Suite, op. 29, no. 2 – Gustav Holst
1. Jig – Vivace
2. Ostinato – Presto
3. Intermezzo – Andante con moto
4. Finale (“The Dargason”) – Allegro
L’Orchestre de Chambre Lakeshore Chamber Orchestra
Stewart Grant, directeur musical et chef attitré, Music Director and Conductor
Concert aimez-vous Brahms?
26 Nov 2011
Église Valois United Church

From Wikipedia, the free encyclopedia
 
middle aged man in head and shoulder shot looking warily at camera

Gustav Holst, circa 1921 (photograph by Herbert Lambert)

Gustav Theodore Holst (born Gustavus Theodore von Holst: 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed a large number of works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, including the English folksong revival of the early 20th century.

There were professional musicians in the previous three generations of Holst’s family, and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father’s reservations, he pursued a career as a composer, studying at the Royal College of Music under Charles Villiers Stanford. Unable to support himself by his compositions, he played the trombone professionally, and later became a teacher—a great one, according to his colleague Ralph Vaughan Williams. Among other teaching activities he built up a strong tradition of performance at Morley College, where he served as musical director from 1907 until 1924. He was the founder of a series of Whitsun music festivals, which ran from 1916 for the remainder of his life. Holst’s works were played frequently in the early years of the 20th century, but it was not until the international success of The Planets in the years immediately after the First World War that he became a well-known figure. A shy man, he did not welcome this fame, and preferred to be left in peace to compose and teach.

In his later years his uncompromising, personal style of composition struck many music lovers as too austere, and his brief popularity declined. Nevertheless, he was a significant influence on a number of younger English composers, includingEdmund RubbraMichael Tippett and Benjamin Britten. Apart from The Planets and a handful of other works, his music was generally neglected until the 1980s, since when recordings of much of his output have been available.