[youtube.com/watch?v=WH5NXUnwTr0]
Maurizio Pollini – Frederic Chopin – Barcarolle in F sharp op.60 (excerpt)
- Buy “Chopin: Barcarolle in F sharp, Op.60” on
- Artist
Maurizio Pollini
Provided to YouTube by Universal Music Group North America
Mendelssohn: Four Pieces for String Quartet, Op.81 – 2. Scherzo · Emerson String Quartet
℗ 2005 Deutsche Grammophon GmbH, Hamburg
Composer: Mendelssohn
Auto-generated by YouTube.
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Tagged All rights reserved, Amateur Radio on the International Space Station, Ezio Auditore da Firenze, Florence, Italy, Op.52, Palazzo Vecchio, Ponte Vecchio, robert schumann, ROBERT SCHUMANN - Ouverture, scherzo, Scherzo und Finale
Scherzo: La Reine Mab from
Romèo et Juliette, op 17 by Hector Berlioz
NBC Symphony Orchestra
Arturo Toscanini, conductor
05.II.1938
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Tagged arturo toscanini, Arturo Toscanini "Scherzo: La Reine Mab" Berlioz, Berlioz Addiobelpassato, Hector Berlioz NBC Symphony Orchestra Arturo Toscanini, Historic Musical bits, La Reine Mab, Roméo et Juliette, scherzo
38:17 – Symphony No.4, Op.13 – Allegro
47:55 – Symphony No.4, Op.13 – Andante e molto cantabile
59:25 – Symphony No.4, Op.13 – Scherzo, allegro feroce
01:06:03 – Symphony No.4, Op.13 – Finale, allegro con brio
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Tagged Allegro, Brandenburg concertos, cleveland orchestra, dvorak, Dvorak - Symphony No.3 & 4, EUZICASA, Glossary of musical terminology, Great Compositions/Performances, Op.10 & 13|make music part of your life series, Piano concerto, scherzo, slovak philharmonic orchestra, Symphony No. 3, Symphony No. 3 (Dvořák), Tempo
I. Introduzione e Allegro. Moderato assai (Tempo di marcia funebre) – Allegro brillante (0:00)
II. Alla tedesca. Allegro moderato e semplice – Trio (15:30)
III. Andante. Andante elegiaco (26:38)
IV. Scherzo. Allegro vivo – Trio (36:32)
V. Finale. Allegro con fuoco (Tempo di polacca) (42:42)
Royal Philharmonic Orchestra
Yuri Temirkanov, cond.
Recorded in 1991
http://www.amazon.com/6-Symphonies-P-…
***Image: Tchaikovsky (published 1906), courtesy Wikipedia
“The purpose of this video is to foster a love of music. No copyright infringement of this recording is intended, but if you hold the copyright and would like this video removed, please let me know, and I will do so.”
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Tagged Allegro, Glossary of musical terminology, Great Compositions/Performances, Pyotr Ilyich Tchaikovsky, scherzo, Serenade for Strings, Symphony No. 3 (Beethoven), Tempo, wikipedia
Antonín Dvořák – Symphony No. 7 in D minor, Op. 70, B. 141
1. Allegro maestoso 12’42
2. Poco adagio 10’21
3. Scherzo, vivace 7’49
4. Finale, allegro 9’49
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Overture, Scherzo and Finale, Op. 52.
The Hanover Band, on period instruments. Conducted by Roy Goodman. Composed by R. Schumann (1810-56).
[youtube.com/watch?v=QwTiYa2rpgE]
Slovak Philharmonic Orchestra, Zdenek Kosler
Antonín Dvořák – Symphony No. 6 in D major, Op. 60, B. 112
1. Allegro non tanto 12’52
2. Adagio 10’56
3. Scherzo, Furiant 6’55
4. Finale, allegro con spirito 10’34
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Tagged Allegro, Antonín Dvořák, B. 112 Slovak Philharmonic Orchestra, Furiant, Johannes Brahms, scherzo, Slavonic Dance, Symphony no. 6, Tempo, Zdenek Kosler Antonín Dvořák
[youtube.com/watch?v=obkheDWz9_w]
Franz Schubert:
Piano Sonata in B Major D575:
Mvt.I: Allegro ma non troppo 00:00
Mvt.II: Andante 08:04
Mvt.III: Scherzo. Allegretto 13:49
Mvt.IV: Allegro giusto 19:25
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Overture, Scherzo and Finale, Op. 52.
The Hanover Band, on period instruments. Conducted by Roy Goodman. Composed by R. Schumann (1810-56).
I. Overture (0:00)
II. Scherzo (6:20)
III. Finale (10:48)
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Tagged Finale, Hanover Band, Historically informed performance, Ludwig van Beethoven, Overture, Overture Scherzo and Finale, period instruments, R. Schumann, robert schumann, Roy Goodman, scherzo, Scherzo and Finale, Zwickauer Symphony
Robert Schumann (1810 – 1856) – Symphony n°2 in C major opus 61
I. Sostenuto assai (00:00) – Allegro ma non troppo (03:41)
II. Scherzo. Allegro vivace (12:26)
III. Adagio espressivo (19:20)
IV. Allegro molto vivace (32:46)
Bavarian Radio Symphony Orchestra (Symphonieorchester des Bayerischen Rundfunks), dir Leonard Bernstein
(live recording 1983)
Related articles
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Tagged Allegro, Bavarian Radio Symphony Orchestra, Leonard Bernstein, london symphony orchestra, robert schumann, scherzo, Tempo, Violin Concerto (Brahms)
Symphony No. 1 in F minor, Op. 10 (1923-25)
I. Allegretto – Allegro non troppo [0:00]
II. Allegro (Scherzo) [9:16]
III. Lento – [13:43]
IV. Allegro molto [23:29]
The first symphony by Russian composer Dmitri Shostakovich (1906-1975), which he dedicated to his friend Mikhail Kvadri. Shostakovich completed the work at age 19 as his graduation assignment for the Petrograd (formerly St. Petersburg, later Leningrad) Conservatory, which was directed at the time by Alexander Glazunov. Shostakovich’s main composition teacher Maximilian Steinberg oversaw the project. The composer initially wished to use his Scherzo, Op. 7 (1923-24) as the second movement of the symphony, but Steinberg was appalled by its grotesque character and suggested that Shostakovich compose a different movement. He followed his teacher’s advice in composing a new movement, but it was ever more steeped in grotesquerie than the earlier scherzo, and the same brash, brittle character pervades much of the symphony; as Shostakovich wrote to his friend Lev Oborin, “It would be more fitting to call this work the ‘Symphony-Grotesque’.” Although the symphony is vintage Shostakovich, it also bears the influence of earlier Russian masters – from the piquant harmonies of Stravinsky’s Petrushka and the sharp wit of the young Prokofiev to the lush colours and chromaticism of Scriabin and the long-drawn lyricism of Tchaikovsky.
The symphony’s premiere on May 12, 1926 in the Great Hall of the Leningrad Philharmonic (conducted by Nikolai Malko) was a resounding success. Shostakovich’s mother recalled the performance: “All went more than brilliantly – a splendid orchestra and magnificent execution … At the end, Mitya was called to the stage over and over again. When our handsome young composer appeared, looking almost like a little boy, the enthusiasm turned into one long thunderous ovation.”
This recording dates from 1951. The conductor Kirill Kondrashin leads the USSR State Symphony Orchestra.
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Tagged alexander glazunov, Allegro, Dmitri Shostakovich, Kirill Kondrashin, Lev Oborin, Maximilian Steinberg, Nikolai Malko, Saint Petersburg, scherzo, Shostakovich
Henryk Wieniawski ( July 10, 1835 Lublin, Congress Poland, Russian Empire – March 31, 1880 Moscow) was a Polish composer and violinist. (Photo credit: Wikipedia)
Henryk WIENIAWSKI: Scherzo-Tarantelle, in G minor Op.16 (1855)
Ruggiero RICCI, violin – Joanna Gruenberg, piano (rec: 1980)
__________________________________________________
full CD: http://www.youtube.com/playlist?list=…
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Wilhelm Furtwängler conducts the Symphonies of Robert Schumann
Legendary Recordings LR002
Download this CD here – http://www.abbajustlikethat.comyr.com…
Robert Schumann – Symphony No. 4 in D minor Op. 120 (Revised 1851 version)
1. First Movement – Ziemlich langsam – Lebhaft 11:51
2. Second Movement – Romanze: Ziemlich langsam 05:20
3. Third Movement – Scherzo: Lebhaft 05:55
4. Fourth Movement – Langsam; Lebhaft 8:01
Berlin Philharmonic Orchestra conducted by Wilhelm Furtwängler
Studio Recording, Berlin, May 14, 1953
Restoration notes –
“Widely considered to be the greatest recording of Schumann’s 4th symphony ever made, it is quite fortunate then that the original audio was quite good to begin with. I focused on reducing the harsh edge on the violins, trying to make them sound more natural, and giving a more rounded sound to the orchestra. The result is fantastic.
Audio Restored and Remastered by Rudolf Ondrich, 12-13 October 2012.”
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Tagged Berlin, berlin philharmonic, berlin philharmonic orchestra, Compact Disc, robert schumann, Romance, scherzo, schumann, Symphonies of Robert Schumann Legendary Recordings, wilhelm furtwängler, Wilhelm Furtwängler Studio Recording
Published on Mar 6, 2013
Robert Schumann (1810 – 1856) – Symphony n°2 in C major opus 61
I. Sostenuto assai (00:00) – Allegro ma non troppo (03:41)
II. Scherzo. Allegro vivace (12:26)
III. Adagio espressivo (19:20)
IV. Allegro molto vivace (32:46)
Bavarian Radio Symphony Orchestra (Symphonieorchester des Bayerischen Rundfunks), dir Leonard Bernstein
(live recording 1983)
The Symphony in C major by German composer Robert Schumann was published in 1847 as his Symphony No. 2, Op. 61, although it was the third symphony he had completed, counting the B-flat major symphony published as No. 1 in 1841, and the original version of his D minor symphony of 1841 (later revised and published as No. 4).
Schumann began to sketch the symphony on December 12, 1845, and had a robust draft of the entire work by December 28. He spent most of the next year orchestrating, beginning February 12, 1846.[1] His depression and poor health, including ringing in his ears, prevented him finishing the work until October 19. Publication followed in 1847.
The uplifting tone of the symphony is remarkable in the face of Schumann’s health problems—the work can be seen as a Beethovenian triumph over fate/pessimism. It is written in the traditional four-movement form, and as often in the nineteenth century the Scherzo precedes the Adagio. All four movements are in C major, except the first part of the slow movement (in C minor); the work is thus homotonal:
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Tagged Allegro, Allegro ma non troppo, Allegro molto vivace, allegro vivace, Bavarian Radio Symphony Orchestra, Bayerischen Rundfunks, German composer Robert Schumann, Glossary of musical terminology, Leonard Bernstein, robert schumann, scherzo, Symphonieorchester des Bayerischen Rundfunks, Tempo
Georges BIZET: Jeux d’enfants Op.22, 12 pieces for piano 4 hands -complete-
0:05 / 1. L’Escarpolette (Reverie. Andantino) [2’52”]
2:57 / 2. La Toupie (Impromptu. Allegro vivo) [0’57”]
3:53 / 3. La Poupée (Berceuse. Andantino semplice) [2’49”]
6:42 / 4. Les Chevaux de Bois (Scherzo. Allegro vivo) [1’18”]
8:01 / 5. Le Volant (Fantaisie. Andantino molto) [1’14”]
9:15 / 6. Trompette et Tambour (Marche. Allegretto) [2’07”]
11:22 / 7. Les Bulles de Savon (Rondino. Allegretto) [1’22”]
12:44 / 8. Les Quatre Coins (Esquisse. Allegro vivo) [2’07”]
14:52 / 9. Colin-Maillard (Nocturno. Andante non troppo) [1’58”]
16:50 / 10. Saute-Mouton (Caprice. Allegro molto) [1’21”]
18:10 / 11. Petit Mari, petite Femme! (Duo. Andantino) [3’00”]
21:10 / 12. Le Bal (Galop. Presto) [1’39”]
Alfons & Aloys Kontarsky, piano (rec. 1982 – vinyl (p)1983 DGG)
From Wikipedia, the free encyclopedia
Bizet orchestrated five of these (Nos. 6, 3, 2, 11, 12) as the Petite Suite. The remaining movements were later orchestrated by Roy Douglas andHershy Kay and the complete orchestral suite has been recorded.[1]
Sigfrid Karg-Elert wrote his orchestral suite after Bizet’s Jeux d’enfants, Op. 21, in 1902.[2]
In 1955, George Balanchine choreographed the entire suite as the ballet Jeux d’enfants. In 1975 he made a new ballet, The Steadfast Tin Soldier, using only four of the movements.
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Amati Chamber Ensemble. Gil Sharon, violin. Ron Ephrat, viola. Alexander Hülshoff, cello. Jean Sassen, double-bass. Dalia Ouziel, piano.
Franz Schubert – Quintet for piano, violin, viola, cello & double-bass, in A major, D 667 “The Trout“
I. Allegro vivace
II. Andante
III. Scherzo, presto
IV. Tema con variazioni (Die Forelle)
V. Allegro giusto
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Robert SCHUMANN
Overture, Scherzo and Finale, Op.52
1. Overture – 00.05
2. Scherzo – 07.13
3. Finale – 11.30
Sinfonietta Sofia Orchestra conducted by Christo Pavlov
New Concert Hall, 01 Oct 2011
Sofia, Bulgaria
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Klára Würtz, piano.
Franz Schubert – Piano Sonata in B flat major, D 960 (Op. posth.)
I. Motto moderato
II. Andante sostenuto
III. Scherzo, allegro vivace con delicatezza
IV. Allegro, ma non troppo
Franz Schubert – Piano Sonata in B major, D 575 (Op. posth. 147)
I. Allegro, ma non troppo
II. Andante
III. Scherzo, allegretto
IV. Allegro giusto
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Tagged Allegro, B-flat major, D 575 (Op. posth. 147), D 960 (Op. posth.), Franz Schubert, Ludwig van Beethoven, Music, Piano, piano sonata, Piano Sonata in B flat major, Piano Sonata in B major, scherzo, Schubert, Tempo, wikipedia
F.A.E. – Violin Sonata (1853) – “In Erwartung der Ankfunt des verehrten und geliebten Freundes JOSEPH JOACHIM, schrieben diese Sonate – Robert SCHUMANN, Johannes BRAHMS, Albert DIETRICH”
0:10 / DIETRICH (1829-1908) – I. Allegro, in A minor [13’40”]
13:37 / SCHUMANN (1810-1856) – II. Intermezzo (Bewegt, doch nicht zu Schnell) WoO 22 [2’26”]
16:16 / BRAHMS (1833-1897) – III. Scherzo (Allegro) in C minor WoO 2 [5’36”]
21:53 / SCHUMANN (1810-1856) – IV. Finale (Markirtes, ziemlich lebhaftes tempo) WoO 22 [6’58”]
Franco GULLI, violin – Enrica Cavallo, piano
(rec: June 1990, Dynamic Studio, Genova)
__________________________________________________
Duo Gulli-Cavallo – STRAUSS: http://youtu.be/l8H081NCP7c
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Tagged Albert DIETRICH, Allegro, brahms, Clara Schumann, DIETRICH, Hyundai Sonata, Johannes Brahms, Notation, Piano, robert schumann, scherzo, schumann, violin sonata
Franz Schubert:
String Quintet in C major, D. 956, op. posth. 163:
00:00 I. Allegro ma non troppo
19:54 II. Adagio
34:54 III. Scherzo. Presto – Trio. Andante sostenuto
45:42 IV. Allegretto
[Villa Musica Ensemble]
Photography: Wu Kai Sha, Hong Kong, by Lifeguard.
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Franz Schubert Piano Sonatas D557, D575, D894
CD4
Sonata in A flat major D557 0:00–12:41
1. Allegro moderato
2. Andante
3. Allegro
Sonata in B major D575 12:41–37:50
4. Allegro ma non troppo
5. Andante
6. Scherzo. Allegro – Trio
7. Allegro giusto
Sonata in G major D894 37:50
8. Molto moderato e cantabile
9. Andante
10. Menuetto: Allegro moderato – Trio
11. Allegretto
András Schiff Piano
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Detroit Symphonic Orchestra !!
0:00 : Idylle
4:04 : Danse villageoise
8:24 : Sous-Bois
11:22 : Scherzo-Valse
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Robert SCHUMANN
Overture, Scherzo and Finale, Op.52
1. Overture – 00.05
2. Scherzo – 07.13
3. Finale – 11.30
Sinfonietta Sofia Orchestra conducted by Christo Pavlov
New Concert Hall, 01 Oct 2011
Sofia, Bulgaria
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Robert SCHUMANN
Overture, Scherzo and Finale, Op.52
1. Overture – 00.05
2. Scherzo – 07.13
3. Finale – 11.30
Sinfonietta Sofia Orchestra conducted by Christo Pavlov
New Concert Hall, 01 Oct 2011
Sofia, Bulgaria
Quatuor Szymanowski :
Andrej Bielow, violon
Grzegorz Kotow, violon
Vladimir Mykytka, alto
Marcin Sieniawski, violoncelle
Allegro
Adagio cantabile
Scherzo : Allegro
Allegro molto, quasi Presto
Concert du 1er septembre 2012