Mendelssohn: Four Pieces for String Quartet, Op.81 – 2. Scherzo

 

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Published on Nov 8, 2014

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Mendelssohn: Four Pieces for String Quartet, Op.81 – 2. Scherzo · Emerson String Quartet

℗ 2005 Deutsche Grammophon GmbH, Hamburg

Composer: Mendelssohn

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ROBERT SCHUMANN – Ouverture, Scherzo und Finale, Op.52

musicmusikmusique

Published on Nov 27, 2013

GILBERTO SEREMBE, conductor
O.R.T. – Orchestra Regionale Toscana
Firenze, Teatro della Compagnia, 9 June 1995
http://www.italianconductingacademy.com

historic musical bits: Arturo Toscanini “Scherzo: La Reine Mab” Berlioz

Arturo Toscanini “Scherzo: La Reine Mab” Berlioz

Addiobelpassato

Published on Jun 3, 2012

Scherzo: La Reine Mab from
Romèo et Juliette, op 17 by Hector Berlioz
NBC Symphony Orchestra
Arturo Toscanini, conductor
05.II.1938

Dvorak – Symphony No.3 & 4, Op.10 & 13|great compositions/performances

Dvorak – Symphony No.3 & 4,

Op.10 & 13

  AljoshaKaramazov’s channel

00:00 – Symphony No.3, Op.10 – Allegro moderato
11:00 – Symphony No.3, Op.10 – Adagio molto
29:45 – Symphony No.3, Op.10 – Finale, allegro vivace

38:17 – Symphony No.4, Op.13 – Allegro
47:55 – Symphony No.4, Op.13 – Andante e molto cantabile
59:25 – Symphony No.4, Op.13 – Scherzo, allegro feroce
01:06:03 – Symphony No.4, Op.13 – Finale, allegro con brio

Slovak Philharmonic Orchestra,  Zdenek Kosler

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Beethoven | Piano Sonata No. 12 in A-flat major, Op. 26 | Daniel Barenboim: great compositions/performances

Beethoven | Piano Sonata No. 12 in A-flat major, Op. 26 | Daniel Barenboim

OndaCC

Español: Sonata para Piano nº12 en La bemol Mayor, Op. 26

* 1st Movement (Andante con Variazioni)
* 2nd Movement (Scherzo, Allegro Molto)
* 3rd Movement (Marcia funebre sulla morte d’un Eroe)
* 4th Movement (Allegro)

Work: Piano Sonata No. 12 in A-flat major, Op. 26
Composer: Ludwig van Beethoven
Soloist: Daniel Barenhoim

Symphony No. 3 in D Major, Op. 29 “Polish” – Pyotr Ilyich Tchaikovsky: great compositions/performances

Symphony No. 3 in D Major, Op. 29 “Polish” – Pyotr Ilyich Tchaikovsky

  SymphonyOfAThousand

Symphony No. 3 in D Major, Op. 29 “Polish” – Pyotr Ilyich Tchaikovsky
Composed in 1875

I. Introduzione e Allegro. Moderato assai (Tempo di marcia funebre) – Allegro brillante (0:00)
II. Alla tedesca. Allegro moderato e semplice – Trio (15:30)
III. Andante. Andante elegiaco (26:38)
IV. Scherzo. Allegro vivo – Trio (36:32)
V. Finale. Allegro con fuoco (Tempo di polacca) (42:42)

Royal Philharmonic Orchestra
Yuri Temirkanov, cond.
Recorded in 1991
http://www.amazon.com/6-Symphonies-P-…

***Image: Tchaikovsky (published 1906), courtesy Wikipedia

“The purpose of this video is to foster a love of music. No copyright infringement of this recording is intended, but if you hold the copyright and would like this video removed, please let me know, and I will do so.”

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• Tchaikovsky : Symphony No.2 in C minor, Op.17 “Little Russian”

Schumann – Symphony No 2 in C major, Op 61 – Harding: make music part of your life series

Schumann – Symphony No 2 in C major, Op 61 – Harding

  Opus 13

Robert Schumann
Symphony No 2 in C major, Op 61

1 Sostenuto assai – Allegro, ma non troppo
2 Scherzo. Allegro vivace
3 Adagio espressivo
4 Allegro molto vivace

Mahler Chamber Orchestra
Daniel Harding, conductor

London, Proms 2013

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Prokofiev: Piano Concerto n. 2 – Yefim Bronfman: make music part of your life series

From:

  orso1149

Prokofiev: Piano Concerto n. 2 – Yefim Bronfman

Yefim Bronfman plays the Prokofiev’s Piano Concerto n. 2 in G minor op. 16
Andantino – Allegretto, Scherzo, Intermezzo, Allegro tempestoso
Vassily Sinaisky conducts the Rai National Symphony Orchestra (Orchestra Sinfonica Nazionale della Rai)
Giampaolo Pretto, flute
Turin, 1997

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Antonín Dvořák – Symphony No. 7 in D minor, Op. 70, B. 141: great compositions/performances

FROM:  Wolfgang Amadé Mozart’s You Tube Channel:

Antonín Dvořák – Symphony No. 7 in D minor, Op. 70, B. 141

Slovak Philharmonic Orchestra, Zdenek Kosler

Antonín Dvořák – Symphony No. 7 in D minor, Op. 70, B. 141
1. Allegro maestoso 12’42
2. Poco adagio 10’21
3. Scherzo, vivace 7’49
4. Finale, allegro 9’49

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Symphony No. 1 in G Minor, Op. 13 “Winter Dreams” – Pyotr Ilyich Tchaikovsky: make music part of your life series

Symphony No. 1 in G Minor, Op. 13 “Winter Dreams” – Pyotr Ilyich Tchaikovsky

FROM

SymphonyOfAThousand

Symphony No. 1 in G Minor, Op. 13 “Winter Dreams” – Pyotr Ilyich Tchaikovsky
Composed in 1866

I. Allegro tranquillo (0:00)
II. Adagio cantabile (12:17)
III. Scherzo. Allegro scherzando giocoso (24:45)
IV. Finale. Andante lugubre (32:53)

Royal Philharmonic Orchestra
Yuri Temirkanov, cond.
Recorded in 1993
http://www.amazon.com/6-Symphonies-P-…

Image: Tchaikovsky (published 1906), courtesy Wikipedia

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Schumann – Overture, Scherzo and Finale, Op. 52 (make music part of your life series)

Schumann – Overture, Scherzo and Finale, Op. 52

Overture, Scherzo and Finale, Op. 52.

The Hanover Band, on period instruments. Conducted by Roy Goodman. Composed by R. Schumann (1810-56).

I. Overture (0:00)
II. Scherzo (6:20)
III. Finale (10:48)

make music part of your life series: Antonín Dvořák – Symphony No. 6 in D major, Op. 60, B. 112

[youtube.com/watch?v=QwTiYa2rpgE]

Antonín Dvořák – Symphony No. 6 in D major, Op. 60, B. 112

Slovak Philharmonic Orchestra, Zdenek Kosler

Antonín Dvořák – Symphony No. 6 in D major, Op. 60, B. 112
1. Allegro non tanto 12’52
2. Adagio 10’56
3. Scherzo, Furiant 6’55
4. Finale, allegro con spirito 10’34

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• Antonín Dvořák – Slavonic Dances

great compositions/performances:Kempff plays Schubert Piano Sonata in B Major D575

[youtube.com/watch?v=obkheDWz9_w]

Kempff plays Schubert Piano Sonata in B Major D575

Franz Schubert:
Piano Sonata in B Major D575:
Mvt.I: Allegro ma non troppo 00:00
Mvt.II: Andante 08:04
Mvt.III: Scherzo. Allegretto 13:49
Mvt.IV: Allegro giusto 19:25

Wilhelm Kempff: piano

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Schumann – Overture, Scherzo and Finale, Op. 52

Overture, Scherzo and Finale, Op. 52. 

The Hanover Band, on period instruments. Conducted by Roy Goodman. Composed by R. Schumann (1810-56). 

I. Overture (0:00)
II. Scherzo (6:20)
III. Finale (10:48)

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Make Music Part of Your Life Series: ROBERT SCHUMANN – Overture, Scherzo und Finale, Op.52

Make Music Part of Your Life Series: ROBERT SCHUMANN – Overture, Scherzo und Finale, Op.52:

GILBERTO SEREMBE, conductor
O.R.T. – Orchestra Regionale Toscana
Firenze, Teatro della Compagnia, 9 June 1995
http://www.italianconductingacademy.com

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• Clara Schumann’s Life
• Schumann: Symphony No 2; Overtures Manfred, Genoveva – review

Make Music Part of Your Life: P. I. Tchaikovsky – Symphony No. 3 in D major, Op. 29 (Fedoseyev)

Pyotr Ilyich Tchaikovsky – Symphony No. 3 [“Polish”] in D major, Op. 29 (1875)
1. Introduzione e Allegro
2. Alla tedesca. Allegro moderato e semplice
3. Andante elegiaco
4. Scherzo. Allegro vivo
5. Finale. Allegro con fuoco

Moskow Radio Symphony Orchestra
Conductor – Vladimir Fedoseyev
Recorded live at the Alte Oper Frankfurt, 1991

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Make Music Part of Your Life series: Schumann – Symphony No. 2 in C Op.61 – Leonard Bernstein (live recording)

Robert Schumann (1810 – 1856) – Symphony n°2 in C major opus 61

I. Sostenuto assai (00:00) – Allegro ma non troppo (03:41)
II. Scherzo. Allegro vivace (12:26)
III. Adagio espressivo (19:20)
IV. Allegro molto vivace (32:46)

Bavarian Radio Symphony Orchestra (Symphonieorchester des Bayerischen Rundfunks), dir Leonard Bernstein
(live recording 1983)
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Make Music Part of Your Life Series: Shostakovich – Symphony No. 1 in F minor, Op. 10 [Kirill Kondrashin, USSR State SO, 1951]

Symphony No. 1 in F minor, Op. 10 (1923-25)

I. Allegretto – Allegro non troppo [0:00]
II. Allegro (Scherzo) [9:16]
III. Lento – [13:43]
IV. Allegro molto [23:29]

The first symphony by Russian composer Dmitri Shostakovich (1906-1975), which he dedicated to his friend Mikhail Kvadri. Shostakovich completed the work at age 19 as his graduation assignment for the Petrograd (formerly St. Petersburg, later Leningrad) Conservatory, which was directed at the time by Alexander Glazunov. Shostakovich’s main composition teacher Maximilian Steinberg oversaw the project. The composer initially wished to use his Scherzo, Op. 7 (1923-24) as the second movement of the symphony, but Steinberg was appalled by its grotesque character and suggested that Shostakovich compose a different movement. He followed his teacher’s advice in composing a new movement, but it was ever more steeped in grotesquerie than the earlier scherzo, and the same brash, brittle character pervades much of the symphony; as Shostakovich wrote to his friend Lev Oborin, “It would be more fitting to call this work the ‘Symphony-Grotesque’.” Although the symphony is vintage Shostakovich, it also bears the influence of earlier Russian masters – from the piquant harmonies of Stravinsky’s Petrushka and the sharp wit of the young Prokofiev to the lush colours and chromaticism of Scriabin and the long-drawn lyricism of Tchaikovsky.

The symphony’s premiere on May 12, 1926 in the Great Hall of the Leningrad Philharmonic (conducted by Nikolai Malko) was a resounding success. Shostakovich’s mother recalled the performance: “All went more than brilliantly – a splendid orchestra and magnificent execution … At the end, Mitya was called to the stage over and over again. When our handsome young composer appeared, looking almost like a little boy, the enthusiasm turned into one long thunderous ovation.”

This recording dates from 1951. The conductor Kirill Kondrashin leads the USSR State Symphony Orchestra.

 

Great Compositions/Performances: Ruggiero RICCI plays WIENIAWSKI Scherzo-Tarantelle Op.16 – 1980

Henryk Wieniawski ( July 10, 1835 Lublin, Congress Poland, Russian Empire – March 31, 1880 Moscow) was a Polish composer and violinist. (Photo credit: Wikipedia)

Henryk WIENIAWSKI: Scherzo-Tarantelle, in G minor Op.16 (1855)
Ruggiero RICCI, violin – Joanna Gruenberg, piano (rec: 1980)
________________________________________­__________
full CD: http://www.youtube.com/playlist?list=…

Fabulous Composers/Compositions: Schumann – Symphony No. 4 in D minor Op. 120 – Furtwängler, BPO, 1953 (Remastered 2012)

Wilhelm Furtwängler conducts the Symphonies of Robert Schumann
Legendary Recordings LR002
Download this CD here – http://www.abbajustlikethat.comyr.com…
Robert Schumann – Symphony No. 4 in D minor Op. 120 (Revised 1851 version)
1. First Movement – Ziemlich langsam – Lebhaft 11:51
2. Second Movement – Romanze: Ziemlich langsam 05:20
3. Third Movement – Scherzo: Lebhaft 05:55
4. Fourth Movement – Langsam; Lebhaft 8:01
Berlin Philharmonic Orchestra conducted by Wilhelm Furtwängler
Studio Recording, Berlin, May 14, 1953

Restoration notes –

Wilhelm Furtwängler (timbre Berlin-Ouest / Briefmarke Westberlin) (Photo credit: Wikipedia)

“Widely considered to be the greatest recording of Schumann’s 4th symphony ever made, it is quite fortunate then that the original audio was quite good to begin with. I focused on reducing the harsh edge on the violins, trying to make them sound more natural, and giving a more rounded sound to the orchestra. The result is fantastic.

Audio Restored and Remastered by Rudolf Ondrich, 12-13 October 2012.”

GREAT PERFORMANCES: Schumann – Symphony n°2 – Leonard Bernstein (live recording)

Published on Mar 6, 2013
Robert Schumann (1810 – 1856) – Symphony n°2 in C major opus 61

I. Sostenuto assai (00:00) – Allegro ma non troppo (03:41)
II. Scherzo. Allegro vivace (12:26)
III. Adagio espressivo (19:20)
IV. Allegro molto vivace (32:46)

Bavarian Radio Symphony Orchestra (Symphonieorchester des Bayerischen Rundfunks), dir Leonard Bernstein
(live recording 1983)

From Wikipedia, the free encyclopedia

  

The Symphony in C major by German composer Robert Schumann was published in 1847 as his Symphony No. 2, Op. 61, although it was the third symphony he had completed, counting the B-flat major symphony published as No. 1 in 1841, and the original version of his D minor symphony of 1841 (later revised and published as No. 4).

Schumann began to sketch the symphony on December 12, 1845, and had a robust draft of the entire work by December 28. He spent most of the next year orchestrating, beginning February 12, 1846.^[1] His depression and poor health, including ringing in his ears, prevented him finishing the work until October 19. Publication followed in 1847.

The uplifting tone of the symphony is remarkable in the face of Schumann’s health problems—the work can be seen as a Beethovenian triumph over fate/pessimism. It is written in the traditional four-movement form, and as often in the nineteenth century the Scherzo precedes the Adagio. All four movements are in C major, except the first part of the slow movement (in C minor); the work is thus homotonal:

1. Sostenuto assai — Allegro, ma non troppo
2. Scherzo: Allegro vivace
3. Adagio espressivo
4. Allegro molto vivace

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Duo Kontarsky @ BIZET Jeux d’enfants Op.22 – 1982

Georges BIZET: Jeux d’enfants Op.22, 12 pieces for piano 4 hands -complete-
0:05 / 1. L’Escarpolette (Reverie. Andantino) [2’52”]
2:57 / 2. La Toupie (Impromptu. Allegro vivo) [0’57”]
3:53 / 3. La Poupée (Berceuse. Andantino semplice) [2’49”]
6:42 / 4. Les Chevaux de Bois (Scherzo. Allegro vivo) [1’18”]
8:01 / 5. Le Volant (Fantaisie. Andantino molto) [1’14”]
9:15 / 6. Trompette et Tambour (Marche. Allegretto) [2’07”]
11:22 / 7. Les Bulles de Savon (Rondino. Allegretto) [1’22”]
12:44 / 8. Les Quatre Coins (Esquisse. Allegro vivo) [2’07”]
14:52 / 9. Colin-Maillard (Nocturno. Andante non troppo) [1’58”]
16:50 / 10. Saute-Mouton (Caprice. Allegro molto) [1’21”]
18:10 / 11. Petit Mari, petite Femme! (Duo. Andantino) [3’00”]
21:10 / 12. Le Bal (Galop. Presto) [1’39”]
Alfons & Aloys Kontarsky, piano (rec. 1982 – vinyl (p)1983 DGG)

From Wikipedia, the free encyclopedia

Bizet orchestrated five of these (Nos. 6, 3, 2, 11, 12) as the Petite Suite. The remaining movements were later orchestrated by Roy Douglas andHershy Kay and the complete orchestral suite has been recorded.^[1]

Sigfrid Karg-Elert wrote his orchestral suite after Bizet’s Jeux d’enfants, Op. 21, in 1902.^[2]

In 1955, George Balanchine choreographed the entire suite as the ballet Jeux d’enfants. In 1975 he made a new ballet, The Steadfast Tin Soldier, using only four of the movements.

 

Divine Compositions: Franz Schubert – Quintet for piano, violin, viola, cello & double-bass, in A major, D 667 “The Trout

Amati Chamber Ensemble. Gil Sharon, violin. Ron Ephrat, viola. Alexander Hülshoff, cello. Jean Sassen, double-bass. Dalia Ouziel, piano.
Franz Schubert – Quintet for piano, violin, viola, cello & double-bass, in A major, D 667 “The Trout“
I. Allegro vivace
II. Andante 
III. Scherzo, presto
IV. Tema con variazioni (Die Forelle)
V. Allegro giusto

 

Schumann, Overture, Scherzo and Finale, Op.52

Robert SCHUMANN
Overture, Scherzo and Finale, Op.52

1. Overture – 00.05
2. Scherzo – 07.13
3. Finale – 11.30

Sinfonietta Sofia Orchestra conducted by Christo Pavlov

New Concert Hall, 01 Oct 2011
Sofia, Bulgaria

 

Franz Schubert – Piano Sonata in B major, D 960 (Op. posth.) and D 575 (Op. posth. 147)

Klára Würtz, piano.
Franz Schubert – Piano Sonata in B flat major, D 960 (Op. posth.)
I. Motto moderato
II. Andante sostenuto
III. Scherzo, allegro vivace con delicatezza
IV. Allegro, ma non troppo

Franz Schubert – Piano Sonata in B major, D 575 (Op. posth. 147)
I. Allegro, ma non troppo
II. Andante
III. Scherzo, allegretto
IV. Allegro giusto

Franco GULLI @ SCHUMANN-BRAHMS-DIETRICH Sonata FAE (complete) E.Cavallo,1990

F.A.E. – Violin Sonata (1853) – “In Erwartung der Ankfunt des verehrten und geliebten Freundes JOSEPH JOACHIM, schrieben diese Sonate – Robert SCHUMANN, Johannes BRAHMS, Albert DIETRICH”
0:10 / DIETRICH (1829-1908) – I. Allegro, in A minor [13’40”]
13:37 / SCHUMANN (1810-1856) – II. Intermezzo (Bewegt, doch nicht zu Schnell) WoO 22 [2’26”]
16:16 / BRAHMS (1833-1897) – III. Scherzo (Allegro) in C minor WoO 2 [5’36”]
21:53 / SCHUMANN (1810-1856) – IV. Finale (Markirtes, ziemlich lebhaftes tempo) WoO 22 [6’58”]
Franco GULLI, violin – Enrica Cavallo, piano 
(rec: June 1990, Dynamic Studio, Genova)
________________________________________­__________
Duo Gulli-Cavallo – STRAUSS: http://youtu.be/l8H081NCP7c

 

Franz Schubert String Quintet in C major D956 op posth 163 Villa Musica Ensemble

Franz Schubert:
String Quintet in C major, D. 956, op. posth. 163:
00:00     I. Allegro ma non troppo
19:54     II. Adagio
34:54   III. Scherzo. Presto – Trio. Andante sostenuto
45:42   IV. Allegretto

[Villa Musica Ensemble]

Photography: Wu Kai Sha, Hong Kong, by Lifeguard.

 

Franz Schubert Piano Sonatas D557, D575, D894, András Schiff

Franz Schubert Piano Sonatas D557, D575, D894

CD4
Sonata in A flat major D557 0:00–12:41
1. Allegro moderato
2. Andante
3. Allegro
Sonata in B major D575 12:41–37:50
4. Allegro ma non troppo
5. Andante
6. Scherzo. Allegro – Trio
7. Allegro giusto
Sonata in G major D894 37:50
8. Molto moderato e cantabile
9. Andante
10. Menuetto: Allegro moderato – Trio
11. Allegretto 

András Schiff Piano

 

Chabrier – Paul Paray, DSO (1960) – Suite Pastorale

Detroit Symphonic Orchestra !!
0:00 : Idylle 
4:04 : Danse villageoise
8:24 : Sous-Bois
11:22 : Scherzo-Valse

 

Robert SCHUMANN Overture, Scherzo and Finale, Op.52 – Sinfonietta Sofia Orchestra conducted by Christo Pavlov

Robert SCHUMANN
Overture, Scherzo and Finale, Op.52

1. Overture – 00.05
2. Scherzo – 07.13
3. Finale – 11.30

Sinfonietta Sofia Orchestra conducted by Christo Pavlov

New Concert Hall, 01 Oct 2011
Sofia, Bulgaria

 

Schumann, Overture, Scherzo and Finale, Op.52

Robert SCHUMANN
Overture, Scherzo and Finale, Op.52
1. Overture – 00.05
2. Scherzo – 07.13
3. Finale – 11.30

Sinfonietta Sofia Orchestra conducted by Christo Pavlov
New Concert Hall, 01 Oct 2011
Sofia, Bulgaria

Ludwig van Beethoven : Quatuor n° 2 en Sol majeur (G major)Op. 18/2

Quatuor Szymanowski :
Andrej Bielow, violon
Grzegorz Kotow, violon
Vladimir Mykytka, alto
Marcin Sieniawski, violoncelle

Allegro
Adagio cantabile
Scherzo : Allegro
Allegro molto, quasi Presto

Concert du 1er septembre 2012