Dvořák Symphony No 9 “New World” Sergiu Celibidache, Münchner Philharmoniker, 1991
Death and Transfiguration (Tod und Verklärung, Op. 24) : Richard Strauss
Sergiu Celibidache dirigiert die Münchner Philharmoniker; Maurice Ravel: Boléro
Inhaltsangabe der TV-Zeitschrift “Gong“:
Anläßlich des Geburtstages von Sergiu Celibidache am 28. Juni zeigt das ZDF eine Aufzeichnung des glanzvollen Interpretation von Maurice Ravels “Bolero” von 1983.
(VHS-Mitschnitt, ZDF, 1987)
The peaceful beauty of the forest enchants Siegfried. He listens to the song of a bird, who tells him of a beautiful woman named Brünnhilde, asleep on a mountain encircled by a ring of magic fire. Only one who has no fear can pass through the flames and awaken her from sleep. Siegfried immediately sets out to find her.
Georges Enesco: Roumanian Rhapsody #1 in A Op 11
George Enescu – Rapsodia Romana nr.1
Sergiu Celibidache conducting
This is THE perfect one ! No other conductor/orchestra makes me feel it and live it like this.
Dvořák – Symohony No. 9 in E minor op. 95 “From The New World”
Münchner Philharmoniker conducted by Sergiu Celibidache
1. Adagio – Allegro molto
3. Scherzo. Molto vivace
4. Allegro con fuoco
Johannes Brahms (1833 – 1897)
Pianokonzer Nr. 2
Piano concerto N° 2
Johannes Brahms (German: [joˈhanəs ˈbʁaːms]; 7 May 1833 – 3 April 1897) was a German composer and pianist.
Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene. In his lifetime, Brahms’s popularity and influence were considerable; following a comment by the nineteenth-century conductor Hans von Bülow, he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the “Three Bs“.
Brahms composed for piano, chamber ensembles, symphony orchestra, and for voice and chorus. A virtuoso pianist, he premiered many of his own works; he worked with some of the leading performers of his time, including the pianist Clara Schumann and the violinistJoseph Joachim. Many of his works have become staples of the modern concert repertoire. Brahms, an uncompromising perfectionist, destroyed some of his works and left others unpublished.
Brahms is often considered both a traditionalist and an innovator. His music is firmly rooted in the structures and compositional techniques of the Baroque and Classical masters. He was a master of counterpoint, the complex and highly disciplined art for which Johann Sebastian Bach is famous, and of development, a compositional ethos pioneered by Joseph Haydn, Wolfgang Amadeus Mozart, Ludwig van Beethoven, and other composers. Brahms aimed to honour the “purity” of these venerable “German” structures and advance them into a Romantic idiom, in the process creating bold new approaches to harmony and melody. While many contemporaries found his music too academic, his contribution and craftsmanship have been admired by subsequent figures as diverse as Arnold Schoenberg and Edward Elgar. The diligent, highly constructed nature of Brahms’s works was a starting point and an inspiration for a generation of composers.
Apart from the operas, Wagner composed a small number of pieces; this stems from his reluctance to conceive music which didn’t belong to the sacredness of the drama, fundamental expression of his thought.
The “Siegfried Idyll” is a symphonic poem for chamber orchestra, composed by Richard Wagner (1813-1883) as a birthday present to his second wife, Cosima, after the birth of their son Siegfried in 1869. It was first performed on Christmas morning, 25 December 1870, by a small ensemble on the stairs of their villa at Tribschen.
Wagner’s opera “Siegfried”, which was premiered in 1876, incorporates music from the Idyll. It was once thought that the Idyll borrowed musical ideas intended for the opera, but it is now known that the opposite is the case: Wagner adapted melodic material from an unfinished chamber piece in the Idyll and later incorporated it into the love scene between Siegfried and Brunhilde in the opera.
Johannes Bramhs (1833 – 1897)
Pianokonzer Nr. 2
Piano concerto N° 2
Sergey Prokofiev (1891-1953)
Sergiu Celibidache Recorded in 1988
Sergei Prokofiev began work on his Symphony No. 1 in D major (Op. 25) in 1916, but wrote most of it in 1917, finishing work on September 10. It is written in loose imitation of the style of Haydn (and to a lesser extent, Mozart), and is widely known as the Classical Symphony, a name given to it by the composer. It premiered on April 21, 1918 in Petrograd, conducted by Prokofiev himself, and has become one of his most popular and beloved works.