Tag Archives: Sheet music

Liszt Consolation D flat major No.3 (S.172), Valentina Lisitsa: Great compositions/performances


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Mozart – Violin Sonata No. 27 in G, K. 379: make music part of your life series


Mozart – Violin Sonata No. 27 in G, K. 379

Mozart – Violin Sonata No. 35 in A major, K. 526: make music part of your life series



From:

MozartViolin Sonata No. 35 in A major, K. 526

I. Molto allegro [0:00]
II. Andante [9:30]
III. Presto [19:50]

Sigiswald Kuijken, violin
Luc Devos, fortepiano

performed on period instruments

Painting of Mozart by Barbara Krafft

make music part of your life series: Mozart – Missa Brevis in C, K. 259 [complete] (Organ Solo Mass)


[youtube.com/watch?v=Sxl-puuO7QA]

Mozart – Missa Brevis in C, K. 259 [complete] (Organ Solo Mass)

Wolfgang Amadeus Mozart (1756-1791).
Composed December 1775/1776 in Salzburg.

From Wikipedia, the free encyclopedia

The Missa Brevis No. 8 in C major, K. 259, is a mass composed by Wolfgang Amadeus Mozart, probably in 1776.[1] It is scored for SATB soloists, SATB choir, violin I and II, 2 oboes, 2 clarini (high trumpets), 3 trombones colla parte, timpani and basso continuo.

Although classed as a missa brevis (brief mass), the inclusion of trumpets in the scoring makes it a missa brevis et solemnis.[1][2] The mass derives its nickname Orgelmesse or Orgelsolomesse (Organ Solo Mass) from the obbligato organ solo entry of the Benedictus.[1][3] This is one of three masses Mozart composed in November and December 1776, all set in C major, including the Credo Mass (K. 257) and the Piccolominimesse (K. 258).[4]

The work consists of six movements. Performances require approximately 10–15 minutes.

  1. “Kyrie” Andante, C major, common time
  2. “Gloria” Allegro, C major, 3/4
  3. “Credo” Allegro, C major, common time
  4. Sanctus” Adagio maestoso, C major, 3/4
    “Pleni sunt coeli et terra…” Allegro, C major, cut common time
  5. “Benedictus” Allegro vivace, G major, 3/4
    “Hosanna in excelsis…” Allegro, C major, 3/4
  6. Agnus Dei” Adagio, C major, common time
    Dona nobis pacem…” Allegro, C major, 3/4

FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki

make music part of your life series: Mozart – Violin Sonata No. 27 in G, K. 379


[youtube.com/watch?v=qWsJgmPBEyU]

Mozart – Violin Sonata No. 27

in G, K. 379

Wolfgang Amadeus Mozart (1756-1791).
Composed April 1781, in Vienna.
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/
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MAKE MUSIC PART OF YOUR LIFE SERIES: Mozart – Violin Concerto No. 4 in D, K. 218


[youtube.com/watch?v=La08LYpRiWY]

Mozart – Violin Concerto No. 4 in D, K. 218

Violin Concerto No. 4 in D major K. 218 was composed by Wolfgang Amadeus Mozart in 1775 in Salzburg. The autograph of the score is preserved in Biblioteka Jagiellońska, Kraków. The concerto has the usual fast-slow-fast structure and lasts around 23 minutes. The movements are:
1. Allegro
2. Andante cantabile
and 3. Rondeau (Andante grazioso – Allegro ma non troppo).
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at: http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/
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NOTE: I do not know who the performers of this are, nor the place and date of recording!!! Any suggestions are welcome.

Mozart – Piano Concerto No. 7 in F for Three Pianos, K. 242 (Lodron)


[youtube.com/watch?v=cgO-bs3vGxc]

Mozart – Piano Concerto No. 7 in F for Three Pianos, K. 242 (Lodron)

In 1776, Wolfgang Amadeus Mozart composed three piano concertos, one of which was the Concerto in F for Three Pianos and Orchestra, No. 7, K. 242. He originally finished K. 242 for three pianos in February 1776. However, when he eventually recomposed it for himself and another pianist in 1780 in Salzburg, he rearranged it for two pianos, and that is how the piece is often performed today. The concerto is often nicknamed “Lodron” because it was commissioned by Countess Antonia Lodron to be played with her two daughters Aloysia and Giuseppa.
It has three movements:
1. Allegro
2. Adagio
3. Rondo: Tempo di Minuetto
Girdlestone, in his Mozart and his Piano Concertos, describes the concerto and compares one of the themes of its slow movement to similar themes that turn up in later concertos – especially No. 25 (K. 503) – in more developed forms.
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

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Mozart – Missa Brevis in C, K. 259 (Organ Solo Mass)



Wolfgang Amadeus Mozart (1756-1791)
Composed December 1775/1776 in Salzburg.
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

 

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Mozart – Violin Sonata No. 27 in G, K. 379



Wolfgang Amadeus Mozart (1756-1791).
Composed April 1781, in Vienna.
—————————————-­————————————-
FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

Buy “Mozart: 2g. Tema – 2g. Tema” on

Google PlayiTunesAmazon MP3 

Artist
Arthur Grumiaux

 

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Fabulous Compositions/Performances: Valentina Lisitsa plays Schubert – Liszt’s “Ave Maria”


Ave Maria Schubert Liszt Valentina Lisitsa
From Valentina:  “The most beautiful and inspired melody ever written, isn’t it? I don’t feel any kind of video or visual is adequate for this music.
Too much action , with hands flying all over the keyboard  
( Liszt made sure it is one of the most difficult transcriptions – ever ) . To fully enjoy it , download a free MP3 at my Google Music store:

https://market.android.com/details?id…
Outside of US download here : http://tinyurl.com/7zz3ewc
If you feel creative, please go ahead and make better visuals – or just use it as a soundtrack for a self-made Christmas card, or share it with your friends as is… Enjoy – and Merry Christmas !!!!
The video was recorded a week ago , in Hannover – for “Liszt project”, my attempt to recreate old style recording — with final result being an fully analogue vinyl LP
PS. Turns out Google music is not available for non-US users. I uploaded it on file-sharing and links are available at my twitter account ( ValLisitsa) and Facebook. or directly:
http://tinyurl.com/7zz3ewc

Sheet music is available at IMSLP here ( it is a beautiful first edition in public domain ): 
http://tinyurl.com/7sln8xh

 

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Mozart – Quintet for Piano and Winds in E flat, K. 452



The Quintet in E flat major for Piano and Winds, K. 452, was completed by Wolfgang Amadeus Mozart on March 30, 1784 and premiered two days later at the Imperial and Royal National Court Theater in Vienna. Shortly after the premiere, Mozart wrote to his father that “I myself consider it to be the best thing I have written in my life.” It is scored for piano, oboe, clarinet, horn and bassoon. There are three movements:
1. Largo – Allegro moderato
2. Larghetto
3. Allegretto
This structure closely resembles that of a typical sonata. The first movement is a sprightly sonata form Allegro, with themes being passed from instrument to instrument, usually with the piano introducing a theme and accompanying while the oboe, clarinet, horn and bassoon play variations on it. The Larghetto movement is typical of the 2nd movement of other Mozart pieces: soft and gentle, yet still engaging. The Allegretto movement is a “sonata-rondo” of the kind Mozart used as the finale of many of the piano concertos he was writing at this period, and contains a written-out cadenza-like section toward the end.
This piece was the inspiration for the Quintet in E flat for Piano and Winds, Op. 16, by Ludwig van Beethoven, who composed this tribute in 1796. Both compositions use the same scoring. 
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/
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Hypnotic Performances: Valentina Lisitsa Plays Chopin Nocturne Op 27 # 2 D Flat Major



From Valentina:  “I went through love-hate “relationship” with this Nocturne. When I was asked by Lanaudiere Fesitval to select 7 Nocturnes for the concert ( I never played any before – to my utter shame ) I had to quickly flip through the sheet music and pick ones I thought I might stand 🙂 This one was number “last” on my list of things to do. I didn’t start learning it until it was almost too late ( those who watched my webcast of practice can confirm :-)). I dreaded the moment when I will get sick and tired of this sweetest thing ever written with its gorgeous but repetitious melody….
Then I had my “eureka” moment . it happened when I started looking at Chopin’s metronome markings – in all other Nocturnes they were perfectly in sync with today’s consensus – maybe little faster here , slower there… But this one – oh my God ! Lento Sostenuto marked as 50 beats per minute in half-measure ( 150BPM in eights ). You know how fast is it ???? Check-it out and see if you can keep up with Mr. Chopin LOL ….. i can’t , I still play it waaaaaay under tempo .Let’s see how many “critics” will leave comments saying it is too fast …..But , no matter what it makes a perfect sense- and suddenly my dread turned into astonishment at Chopin’s genius.The whole piece is suddenly transformed from overly long sugary-syrupy chant to an exalted and impassioned speech- you make whatever you want of this speech , maybe it is a declaration of love ? after all – the piece ends with the most beautiful duet of two voices….”

 

Ave Maria Schubert Liszt Valentina Lisitsa



The most beautiful and inspired melody ever written, isn’t it? I don’t feel any kind of video or visual is adequate for this music. Too much action , with hands flying all over the keyboard ( Liszt made sure it is one of the most difficult transcriptions – ever ) . To fully enjoy it , download a free MP3 at my Google Music store:
https://market.android.com/details?id…
Outside of US download here : http://tinyurl.com/7zz3ewc
If you feel creative, please go ahead and make better visuals – or just use it as a soundtrack for a self-made Christmas card, or share it with your friends as is… Enjoy – and Merry Christmas !!!!
The video was recorded a week ago , in Hannover – for “Liszt project”, my attempt to recreate old style recording — with final result being an fully analogue vinyl LP
PS. Turns out Google music is not available for non-US users. I uploaded it on file-sharing and links are available at my twitter account ( ValLisitsa) and Facebook. or directly:
http://tinyurl.com/7zz3ewc

Sheet music is available at IMSLP here ( it is a beautiful first edition in public domain ): 
http://tinyurl.com/7sln8xh

 

Bachianas Brasileiras No 5 – Aria (Heitor Villa-Lobos) – Salli Terri & Laurindo Almeida



Bachianas Brasileiras No 5 (Aria)
music – Heitor Villa Lobos
lyrics – Ruth V Correa

Salli Terri (vocal)
Laurindo Almeida (guitar)

producer: Robert E Myers
recording engineer: Sherwood Hall, III

“Duets with the Spanish Guitar”
US Capitol 8406 (recorded 1958)

The sheet music (with fingering by Andres Segovia) is published by Associated Music Publishers (G Schirmer Inc).

1959 grammy nominations –
Best Engineered Record, Classical (winner)
Best Classical Performance, Vocal Soloist

Villa Lobos considered this version of the Aria, by Salli Terri and Laurindo Almeida, to be the best recorded performance. He originally scored it for voice and eight cellos, and later arranged it for voice and guitar.

“Tarde, uma nuvem rosea lenta e transparente,
sobre o espaco sonhadora e bela!
Surge no infinito a lua docemente,
Enfeitando a darde, qual meiga donzela
Que se a presta e alinda sonhadoramente,
Em anseios d’alma para ficar bela,
Grita ao ceo e a terra toda a Natureza!!!
Ca la a passarada aos seus tristes queixumes,
E reflete o mar to da a sua riqueza…
Suave a luz da lua desperta agora,
A cruel saudade que ri e chora!
Tarde uma nuvem rosea lenta e transparente,
Sobre o espaco sonhadora e bela!”

“Lo, at midnight clouds are slowly passing, rosy and lustrous,
o’er the spacious heav’n with loveliness laden.
From the boundless deep the moon arises
wondrous, glorifying the evening like a beauteous maiden.
Now she adorns herself in half unconscious duty,
eager, anxious that we recognize her beauty,
while sky and earth, yea all nature with applause salute her.
All the birds have ceased their sad and mournful com-plaining;
now appears on the sea in a silver reflection
moonlight softly waking the soul and constraining hearts
to cruel tears and bitter dejection.
Lo, at midnight clouds are slowly passing rosy and lustrous
o’er the spacious heavens dreamily wondrous.”

(English translation – Harvey Officer)

 

Best “Boil ’em Cabbage Down” ever! – Mark O’Connor/Wynton Marsalis



http://www.oconnormethod.com
Mark O’Connor Performs Boil ’em Cabbage Down with Wynton Marsalis at the Jazz Festival in Marciac, France – 2010.

For more information on Mark O’Connor, String Camps, The O’Connor Method, ensembles, repertoire, sheet music and more, please visit http://www.markoconnor.com

For More YouTubes of Mark O’Connor’s music:
http://www.youtube.com/user/MarkOConnor

https://twitter.com/#!/markoconnor35
http://www.facebook.com/markoconnorfa…

 

Beethoven 5th Symphony (No. 5, graphical score animation, allegro)



A interesting transposition of the “Force Of Destiny”, in graphical representation. For those of us who did not study conducting and may be able to hardly read some notes on a musical score it does show the complex combination of instruments to bring the harmonious whole of the symphony alive.