In the Steppes of Central Asia
In the Steppes of Central Asia (Russian: В средней Азии, romanized: V srednyeĭ Azii, lit. ‘In Central Asia’) is a symphonic poem (or “musical tableau”) composed by Alexander Borodin in 1880. It is dedicated to Franz Liszt.
In the Steppes of Central Asia had been intended to be presented as one of several tableaux vivants to celebrate the silver anniversary of the reign of Emperor Alexander II of Russia, who had done much to expand the Russian Empire
eastward. The intended production never occurred, but the work has been
a concert favorite since its first performance, on 20 April 1880 (8
April Old style) in St. Petersburg by the orchestra of the Russian Opera under the conductorship of Nikolai Rimsky-Korsakov.
The work depicts an interaction between Russians and Asians in the steppe lands of the Caucasus.
A caravan of Central Asians is crossing the desert under the protection
of Russian troops. The opening theme, representing the Russians, is
heard first; after it, the strains of an ornamented eastern melody on English horn, representing the Asians. The melodies eventually combine contrapuntally. Amid these two ethnic melodies Borodin inserts a “traveling” theme in pizzicato that represents the plodding hoofs of the horses and camels. At the end, only the Russian theme is heard.
Somewhat unusually, the two scores available via the IMSLP show different tempo markings at the start. The Eulenberg score is marked Allegretto con moto, whereas the Russian Muzyka score shows Allegro con moto.
Borodin also transcribed the piece for piano four hands.
The composer provided the following description in a note to the score:
the silence of the monotonous steppes of Central Asia is heard the
unfamiliar sound of a peaceful Russian song. From the distance we hear
the approach of horses and camels and the bizarre and melancholy notes
of an oriental melody. A caravan approaches, escorted by Russian
soldiers, and continues safely on its way through the immense desert. It
disappears slowly. The notes of the Russian and Asiatic melodies join
in a common harmony, which dies away as the caravan disappears in the