Tag Archives: Symphony No. 5 (Beethoven)

Prokofiev “War” Sonata #7 Valentina Lisitsa 1st mov. Allegro Inquieto: Great compositions/performaces


Prokofiev “War” Sonata #7 Valentina Lisitsa 1st mov. Allegro Inquieto

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make music part of your life series: Beethoven – Symphony No 5 in C minor, Op 67 – Thielemann


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Beethoven – Symphony No 5 in C minor, Op 67 – Thielemann

Ludwig van Beethoven
Symphony No 5 in C minor, Op 67

1 Allegro con brio
2 Andante con moto
3 Allegro
4 Allegro

Vienna Philharmonic Orchestra
Christian Thielemann, conductor

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MAKE MUSIC PART OF YOUR LIFE SERIES: Felix Mendelssohn Symphony No 5 D major minor ‘Reformation’ S. Baudo OSI


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Felix Mendelssohn Symphony No 5 D major minor ‘Reformation’ S. Baudo OSI

 
watercolour portrait against blank background of a young man with dark, curly hair, facing the spectator: dressed in fashionable clothes of the 1830s, dark jacket with velvet collar, black silk cravat, high collar, white waistcoat

Portrait of Mendelssohn by James Warren Childe, 1839

The Symphony No. 5 in D major/D minor, Op. 107, known as the Reformation, was composed by Felix Mendelssohn in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. The Confession is a key document of Lutheranism and its Presentation to Emperor Charles V in June 1530 was a momentous event of the Protestant Reformation. This symphony was written for a full orchestra and was Mendelssohn’s second extended symphony. It was not published until 1868, 21 years after the composer’s death – hence its numbering as ‘5’. Although the symphony is not very frequently performed, it is better known today than it was during Mendelssohn’s lifetime.

Key

The key of the symphony is stated as D major on the title page of Mendelssohn’s autograph score. However, only the slow introduction is written in D Major, whereas the main theme and the cadence setting of the first movement are in D minor. The composer himself referred to the symphony on at least one occasion as in D minor.[5]

Instrumentation

The symphony is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, “serpente” (possibly a serpent[6]) and contrabassoon (fourth movement only, now usually played on the contrabassoon alone), 2 horns, 2 trumpets, 3 trombones, timpani and strings.

Form

The symphony is in four movements:

  1. Andante — Allegro con fuoco
  2. Allegro vivace
  3. Andante
  4. Andante con moto — Allegro maestoso
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Beethoven Symphony No. 7 in A Major, Op.92



The Western Connecticut Youth Orchestra spring concert 2013. The orchestra plays Symphony No. 7 in A Major, Op. 92 by Ludwig van Beethoven. Performed in the Clune Auditorium at Wilton High School on 3rd March 2013.

 

Mozart – Symphony No. 40 in G minor, K. 550



Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the “Great G minor symphony,” to distinguish it from the “Little G minor symphony,” No. 25. The two are the only minor key symphonies Mozart wrote. The 40th Symphony was completed on 25 July 1788. The composition occupied an exceptionally productive period of just a few weeks in 1788, during which time he also completed the 39th and 41st symphonies (26 June and 10 August, respectively). The symphony is scored (in its revised version) for flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, and strings. Notably missing are trumpets and timpani.
The work is in four movements, in the usual arrangement (fast movement, slow movement, minuet, fast movement) for a classical-style symphony:
1. Molto allegro, 2/2
2. Andante, 6/8
3. Menuetto. Allegretto — Trio, 3/4
4. Finale. Allegro assai, 2/2.
Every movement but the third is in sonata form; the minuet and trio are in the usual ternary form. This work has elicited varying interpretations from critics. Robert Schumann regarded it as possessing “Grecian lightness and grace”. Donald Francis Tovey saw in it the character of opera buffa. Almost certainly, however, the most common perception today is that the symphony is tragic in tone and intensely emotional; for example, Charles Rosen (in The Classical Style) has called the symphony “a work of passion, violence, and grief.”
Although interpretations differ, the symphony is unquestionably one of Mozart’s most greatly admired works, and it is frequently performed and recorded. Ludwig van Beethoven knew the symphony well, copying out 29 measures from the score in one of his sketchbooks. It is thought that the opening theme of the last movement may have inspired Beethoven in composing the third movement of his Fifth Symphony
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FREE .mp3 and .wav files of all Mozart’s music at: http://www.mozart-archiv.de/
FREE sheet music scores of any Mozart piece at:http://dme.mozarteum.at/DME/nma/start…
ALSO check out these cool sites: http://musopen.org/
and http://imslp.org/wiki/

 

Beethoven / Josef Krips, 1960: Symphony No. 5 in C minor, Op. 67 – Complete



The Austrian conductor Josef Krips (1902-1974) leads the London Symphony Orchestra in this 1960 performance of Beethoven’s fifth symphony in C minor, Op. 67. This LP is part of an 8-LP set (in monaural), produced by Everest Records, a label based in Bayside, Long Island started by Harry D. Belock and Bert Whyte in May 1958. The boxed collection is numbered LPBR 6065/8. This recording was made directly from the LP.More BeethovenBeethoven / Gilels / Szell, 1968: Piano Concerto in G major, Op. 58 – Complete – http://www.youtube.com/watch?v=hXoxpW…

 

Beethoven:5 th Symphony, 2nd movement-Andante con moto


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The coversheet to Beethoven’s 5th Symphony. The dedication to Prince J. F. M. Lobkowitz and Count Rasumovsky is visible.

Beethoven 5th Symphony (No. 5, graphical score animation, allegro)



A interesting transposition of the “Force Of Destiny”, in graphical representation. For those of us who did not study conducting and may be able to hardly read some notes on a musical score it does show the complex combination of instruments to bring the harmonious whole of the symphony alive.