Tag Archives: Tempo
Beethoven “Für Elise” Valentina Lisitsa Seoul Philharmonic
great compositions/performances: Antonín Dvořák – Piano Quintet No.2 – P. Leschenko, J. Jansen, B. Brovtsyn, J. Rachlin, M. Maisky
Antonín Dvořák – Piano Quintet No.2 – P. Leschenko, J. Jansen, B. Brovtsyn, J. Rachlin, M. Maisky
Pollini Chopin Mazurka op.56 No.3 Live
Julia Fischer – Tchaikovsky – Souvenir d’un lieu cher, Op 42
Best compositions/performances: Dvořák Symphony No 9 “New World” Sergiu Celibidache (Bio.) , Münchner Philharmoniker, 1991
Dvořák Symphony No 9 “New World” Sergiu Celibidache, Münchner Philharmoniker, 1991
great compositions/performances: Glazunov “Symphony No 7” USSR Ministry of Culture Symphony OrchestraGennadi Rozhdestvensky
Glazunov “Symphony No 7” Gennadi Rozhdestvensky
make music part of your llife series: Pyotr Ilyich Tchaikovsky – Romeo and Juliet – Fantasy Overture
Aram Il’yich Khachaturian (/ˈærəm ˌkɑːtʃəˈtʊəriən/; Russian: Арам Ильич Хачатурян; Armenian: Արամ Խաչատրյան, Aram Xačatryan;[A] Armenian pronunciation: [ɑˈɾɑm χɑt͡ʃʰɑt(ə)ɾˈjɑn]; 6 June 1903 – 1 May 1978) was a Soviet Armenian composer and conductor. He is considered one of the leading Soviet composers.
Born and raised in Tbilisi, the multicultural capital of Georgia, Khachaturian moved to Moscow in 1921 following the Sovietization of the Caucasus. Without prior music training, he enrolled in the Gnessin Musical Institute, subsequently studying at the Moscow Conservatory in the class of Nikolai Myaskovsky, among others. His first major work, the Piano Concerto (1936), popularized his name within and outside the Soviet Union. It was followed by the Violin Concerto (1940) and the Cello Concerto (1946). His other significant compositions include the Masquerade Suite (1941), the Anthem of the Armenian SSR (1944), three symphonies (1935, 1943, 1947), and around 25 film scores. Khachaturian is best known for his ballet music—Gayane (1942) and Spartacus (1954). His most popular piece, the “Sabre Dance” from Gayane, has been used extensively in popular culture and has been covered by a number of musicians worldwide. His style is “characterized by colorful harmonies, captivating rhythms, virtuosity, improvisations, and sensuous melodies.”
During most of his career, Khachaturian was approved by the Soviet government and held several high posts in the Union of Soviet Composers from the late 1930s, although he joined the Communist Party only in 1943. Along with Sergei Prokofiev and Dmitri Shostakovich, he was officially denounced as a “formalist” and his music dubbed “anti-people” in 1948, but was restored later that year. After 1950 he taught at the Gnessin Institute and the Moscow Conservatory, and turned to conducting. He traveled to Europe, Latin America and the United States with concerts of his own works. In 1957 Khachaturian became the Secretary of Union of Soviet Composers, a position he held until his death.
Khachaturian was the most renowned Armenian composer of the 20th century and the author of the first Armenian ballet music, symphony, concerto, and film score.[B] While following the established musical traditions of Russia, he broadly used Armenian and to lesser extent, Caucasian, Eastern & Central European, and Middle Eastern peoples’ folk music in his works. He is highly regarded in Armenia, where he is considered a “national treasure”.
Denunciation and restoration (1948)
In mid-December 1947, the Department for Agitation and Propaganda (better known as Agitprop) submitted to Andrei Zhdanov, the secretary of the Communist Party’s Central Committee, a document on the “shortcomings” in the development of Soviet music. On 10–13 January 1948, a conference was held at the Kremlin in the presence of seventy musicians, composers, conductors and others who were confronted by Zhdanov:
We will consider that if these comrades [Shostakovich, Prokofiev, Myaskovsky, Khachaturian, Kabalevsky and Shebalin] namely who are the principal and leading figures of the formalist direction in music. And that direction is fundamentally incorrect.
Thus, Khachaturian and other leading composers were denounced by the Communist Party as followers of the alleged formalism (i.e. “[a type of] music that was considered too advanced or difficult for the masses to enjoy”) and their music was dubbed “anti-people”. It was the Symphonic Poem (1947), later titled the Third Symphony, that officially earned Khachaturian the wrath of the Party. Ironically, he wrote the work as a tribute to the 30th anniversary of the October Revolution. He stated: “I wanted to write the kind of composition in which the public would feel my unwritten program without an announcement. I wanted this work to express the Soviet people’s joy and pride in their great and mighty country.”
Musicologist Blair Johnston believes that his “music contained few, if any, of the objectionable traits found in the music of some of his more adventuresome colleagues. In retrospect, it was most likely Khachaturian’s administrative role in the Union [of Soviet Composers], perceived by the government as a bastion of politically incorrect music, and not his music as such, which earned him a place on the black list of 1948.” In March 1948, Khachaturian “made a very full and humble apology for his artistic “errors” following the Zhdanov decree; his musical style, however, underwent no changes.” He was sent to Armenia as a “punishment”, and continued to be censured. By December 1948, he was “restored to favor later that year when he was praised for his film biography of Lenin”—Vladimir Ilyich Lenin (ru).
Isaac Stern – Edouard Lalo – Symphonie Espagnole, Op.21
Published on Oct 24, 2012
Although called a “Spanish Symphony” (see also Sinfonia concertante), it is considered a violin concerto by musicians today. The piece has Spanish motifs throughout, and launched a period when Spanish-themed music came into vogue. (Georges Bizet‘s opera Carmen premiered a month after the Symphonie espagnole.)
The Symphonie espagnole is one of Lalo’s two most often played works, the other being his Cello Concerto. His “official” Violin Concerto in F, and his Symphony in G minor, written thirteen years later, are neither performed nor recorded as often.
- Allegro non troppo
- Scherzando: Allegro molto
- Intermezzo: Allegro non troppo
- Rondo: Allegro
A typical performance runs just over one-half hour. One of the shorter recordings, conductor Eugene Ormandy’s 1967 recording with the Philadelphia Orchestra, featuring violinist Isaac Stern, runs 32 minutes and 43 seconds.
Influence on Tchaikovsky
The Symphonie espagnole had some influence on the genesis of Tchaikovsky‘s Violin Concerto in D major. In March 1878, Tchaikovsky was staying at Nadezhda von Meck‘s estate at Clarens, Switzerland, while recovering from the breakdown of his disastrous marriage and his subsequent suicide attempt. His favourite pupil (and possibly his lover), the violinist Iosif Kotek, shortly arrived from Berlin with a lot of new music for violin. These included the Symphonie espagnole, which he and Tchaikovsky played through to great delight. This gave Tchaikovsky the idea of writing a violin concerto, and he immediately set aside his current work on a piano sonata and started on the concerto on 17 March. With Kotek’s technical help, the concerto was finished by 11 April.
best classical music , Gustav Holst St.Paul’s Suite for String Orchestra Op.29, No.2, great compositions/performances
Published on Oct 18, 2014
Alexandr Glazunov – Symphony No. 7 in F major, Op. 77
Antonín Dvořák – Bagatelles, Op. 47
Kempff plays Schubert Piano Sonata in A Major D664
Schubert: 6 Moments Musical Op.94 (D780) Wilhelm Backhaus (1884-1969) Piano, great compositions/performances
Schubert: 6 Moments Musical Op.94 (D780)
Alexander Glazunov Symphony No 5 in B flat major, Op 55
Weber: Clarinet Quintet in B flat, op. 34
Symphony No. 3 in D Major, Op. 29 “Polish” – Pyotr Ilyich Tchaikovsky, #Great compositions/performancers
Symphony No. 3 in D Major, Op. 29 “Polish” – Pyotr Ilyich Tchaikovsky
Published on Feb 24, 2013
Symphony No. 3 in D Major, Op. 29 “Polish” – Pyotr Ilyich Tchaikovsky
Composed in 1875
I. Introduzione e Allegro. Moderato assai (Tempo di marcia funebre) – Allegro brillante (0:00)
II. Alla tedesca. Allegro moderato e semplice – Trio (15:30)
III. Andante. Andante elegiaco (26:38)
IV. Scherzo. Allegro vivo – Trio (36:32)
V. Finale. Allegro con fuoco (Tempo di polacca) (42:42)
****Royal Philharmonic Orchestra
****Yuri Temirkanov, cond.
****Recorded in 1991
****Image: Tchaikovsky (published 1906), courtesy Wikipedia
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Ludwig van Beethoven String Quartet No. 10 in E-flat Major (“Harp”), Op. 74, great compositions/performances
Mozart – Piano Concerto No. 26 in D major, K. 537, ‘Coronation’ (Murray Perahia): make music part of your life series
Great musical recordings: Brahms – Wilhelm Kempff 1950’s legacy (op. 10, 24, 76,79,116,117,118,119): Great compositions/performances
Brahms – Wilhelm Kempff 1950’s legacy (op. 10, 24, 76,79,116,117,118,119)
CZIFFRA – LISZT Transcendental Etude No.9 in A flat major, “Ricordanza”: great compositions/perfofrmances
CZIFFRA – LISZT Transcendental Etude No.9 in A flat major, “Ricordanza”
Schubert – 4 Impromptus, D. 899 / Op. 90 (Maria João Pires)
Sviatoslav Richter plays Rachmaninov Concerto No.1, Op.1
P. I. Tchaikovsky – Symphony No. 6 “Pathetique”, Op. 74 (Fedoseyev),: great compositions/performances
Mozart – Piano Concerto No. 16 in D Major, K. 451 (Vladimir Ashkenazy),: great compositions/performances
Mozart: Piano concerto n. No. 21 in C major, K.467 Pollini-Muti
W. A. Mozart – KV 385 – 1782 Version – Symphony No. 35 in D major “Haffner”: make music part of your life series
Mozart – Symphony No. 39 in E flat, K. 543
Luigi Rodolfo Boccherini: Cello Concerto No.3 in D major, (G.476): make music part of your life series
Grieg Holberg Suite Op. 40 グリーグ ホルベルク組曲
Mendelssohn — Violin Concerto in E minor op. 64
Wolfgang Amadeus Mozart – Piano Concerto No. 21 in C major, KV 467 “Elvira Madigan”: great compositions/performances
Antonín Dvořák – String Quartet in E flat major, Op. 51 ‘Slawisches’ |great compositions/performances
Mozart Flute Concerto No 1 in G – Jean-Pierre Rampal, Sydney Symphony Orchestra: make music part of your life series
Isaac Stern – Beethoven, Thriple Concerto For Piano, Violin, Cello & Orchestra Op.56: great compositions/performances
Beethoven | Piano Sonata No. 12 in A-flat major, Op. 26 | Daniel Barenboim: great compositions/performances
Beethoven | Piano Sonata No. 12 in A-flat major, Op. 26 | Daniel Barenboim
Español: Sonata para Piano nº12 en La bemol Mayor, Op. 26
Work: Piano Sonata No. 12 in A-flat major, Op. 26
Composer: Ludwig van Beethoven
Soloist: Daniel Barenhoim