Tag Archives: vienna philharmonic orchestra

historic musical bits: Dvořák: Symphony No. 9 “From The New World” / Karajan · Vienna Philarmonic

Dvořák: Symphony No. 9 “From The New World” / Karajan · Vienna Philarmonic

Happy Birthday Korsakov: “Scheherazade ” Symphonic Suite Op.35 , great compositions/performances

Rimsky Korsakov : “Scheherazade ” Symphonic Suite Op.35

Antonín Dvořák – Symphony No. 6 in D major, Op. 60, B. 112: make music part of your life series

Antonín DvořákSymphony No. 6 in D major, Op. 60, B. 112

Bruckner’s Symphony No.8 w/Karajan conducting “live” in St. Florian (1979)

This is perhaps THE most famous video recording of a Bruckner Symphony.
Many say Bruckner’s 8th is the mount Everest of all symphonies.
Recorded June 4th 1979, and filmed on location in the monastery church in St. Florian, Austria with Herbert von Karajan and the Vienna Philharmonic Orchestra.

1st Movement starts at: 0:59
2nd Movement starts at: 17:16
3rd Movement starts at: 33:09
4th Movement starts at: 59:36

This video testament is extremely historically important because it helped solidify the international Brucknerfest in Linz after the opening of the new concert hall, the “Brucknerhaus” in 1974. Herbert von Karajan was the first famous international conductor to conduct a symphony in the Stiftskirche in St. Florian, which helped establish the reputation of the yearly festival to this day.

Karajan later in an interview related that he was given special access to Bruckner’s underground tomb located beneath the great organ, where he was alone with Bruckner’s sarcophagus for a lengthy amount of time before the performance.

On a side note:
Boulez’s video version IMO greatly pales in comparison to Karajan’s power, sensitivity and spirituality in this 1979 recording…even Karajan’s video remake in 1988 (in Vienna) does not come as close.

One musical scholar stated about this concert: 
“Massive, glowing and infused with cosmic power”.

…so thankfully we can now finally enjoy the performance COMPLETE, and not in chunks!


Light Cavalry Overture – Franz Von Suppe

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Zubin Mehta;Vienna Philharmonic Orchestra

Antonin Dvorak – Symphony No. 6 in D Major Op. 60 B. 112 (1880)

Symphony No. 6 by Antonin Dvorak. Conducted by Otmar Suitner with the Berliner Staatskapelle. 

I. Allegro Non Tanto – 00:00
II. Adagio – 12:49
III. Scherzo – Presto – 23:03
IV. Finale – Allegro Con Spirito – 31:30

Dvořák wrote his Sixth Symphony for the conductor Hans Richter and the Vienna Philharmonic Orchestra in 1880, but the prejudices Continue reading

Beethoven, Coriolan Overture Op 62, Thielemann, Vienna Philharmonic Orchestra

Beethoven, Coriolan Overture Op 62, Thielemann, Vienna Philharmonic Orchestra

The Coriolanus Overture (German: Ouvertüre Coriolan, Op. 62) written in 1807 to Heinrich Joseph von Collin‘s 1804 tragedy.

The structure and themes of the overture follow the play very generally. The main C minor theme represents Coriolanus’ resolve and war-like tendencies (he is about to invade Rome), while the more tender E-flat major theme represents the pleadings of his mother to desist. Coriolan eventually gives in to tenderness, but since he cannot turn back having led an army of his former enemies to Rome’s gates, he kills himself. It was premiered in March of 1807 at a private concert of the home of Prince Franz Joseph von Lobkowitz. The Symphony No. 4 in B flat and the Piano Concerto No. 4 in G were premiered in that same concert.


Heinrich Joseph von Collin (1771-1811), Austrian dramatist, was born in Vienna, on 26 December 1771. He received a legal education and entered the Austrian ministry of finance where he found speedy promotion. In 1805 and in 1809, when Austria was under the heel of Napoleon, Collin was entrusted with important political missions. In 1803 he was, together with other members of his family, ennobled, and in 1809 madeHofrat. He died on 28 July 1811 in Vienna. His tragedy Regulus (1801), written in strict classical form, was received with enthusiasm in Vienna, where literary taste, less advanced than that of northern Germany, was still under the ban of French classicism. But in his later dramas, Coriolan(1804), Polyxena (1804), Balboa (1806), and Bianca della Porta (1808), he made some attempt to reconcile the pseudo-classic type of tragedy with that of Shakespeare and the German romanticists. As a lyric poet (Gedichte, collected 1812), Collin has left a collection of stirringWehrmannslieder for the fighters in the cause of Austrian freedom, as well as some excellent ballads (Kaiser Max auf der Martinswand, Herzog Leupold vor Solothurn).

His younger brother Matthäus von Collin (1779-1824), was, as editor of the Wiener Jahrbücher für Literatur, an even more potent force in the literary life of Vienna. He was, moreover, in sympathy with the Romantic movement, and intimate with its leaders. His dramas on themes from Austrian national history (Belas Krieg mit dem Vater, (1808); Der Tod Friedrichs des Streitbaren, 1813) may be regarded as the immediate precursors of Grillparzer‘s historical tragedies.

Heinrich’s Gesammelte Werke appeared in 6 vols. (1812-1814); he is the subject of an excellent monograph by F. Laban (1879). See also A. Hauffen, Des Drama der klassischen Periode, ii.2 (1891), where a reprint of Regulus will be found. M. von Collins Dramatische Dichtungen were published in 4 vols. (1815-1817); his Nachgelassene Schriften, edited by J. von Hammer, in 2 vols. (1827). A study of his life and work by J. Wihan will be found in Euphorion, Erganzungsheft, v (1901).
(From: http://en.wikipedia.org/wiki/Heinrich_Joseph_von_Collin)

Ultimately, in a classic way, Coriolan under the direction of Herbert von Karajan (1974): The music flows in a more natural way, like a river that has learned its course.


Star Wars Main Theme – Vienna Philharmonic Orchestra

“On June 8th 2010, for the first time, the Vienna Philharmonic Orchestra played 3 Star Wars tunes during the annual Schönbrunn concert in front of 100,000 people.

John Williams, composer of the first three fil...

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