Tag Archives: Viol

J.S. Bach – Brandenburg Concerto No. 6 in B-flat Major, BWV 1051: make music part of your life series


J.S. Bach – Brandenburg Concerto No. 6 in B-flat Major, BWV 1051

Marin Marais (1656-1728) – Sonnerie de Sainte-Geneviève du Mont de Paris (1723)


 

 

 

 

 

 

Marin Marais (1656-1728), composer

Marin Marais (1656-1728), composer (Photo credit: Wikipedia)

 

Marin Marais (1656-1728) – Sonnerie de Sainte-Geneviève du Mont de Paris [The Bells of St. Genevieve] from La Gamme et Autres Morceaux de Symphonie (1723)

New Comma Baroque – Matthew C. Cataldi, Baroque violin, Phillip W. Serna, viola da gamba & Emily J. Morlan, historical keyboards

 

Various Viols Nederlands: Diverse typen violas

Various Viols Nederlands: Diverse typen violas (Photo credit: Wikipedia)

 

Recorded March 27th-28th, 2012 at Bethany Lutheran Church, Crystal Lake, IL 

All video content © 2012 New Comma Baroque –

 

Baroque !

Baroque ! (Photo credit: fred_v)

 

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From Wikipedia, the free encyclopedia

Sonnerie de Ste-Geneviève du Mont-de-Paris, “The Bells of St. Genevieve” in English, is a work by Marin Marais written in 1723 for violviolin and harpsichord withbasso continuo. It can be considered a passacaglia or a chaconne, with a repeating D, F, E bass line. Being a student of Monsieur de Sainte-Colombe, it is perhaps Marais’ most famous composition that explores the various techniques of the viol.

 

The work begins with 4 measures of the bass line played by the continuo and viol, then, on the 5th measure the violin takes over the melody. Throughout the piece, the violin and viol take turns with the melody.

 

The viol part is of great difficulty because of Marais’s mastery of that instrument. The centerpiece is not the melody, the violin, but the viol. His work can be thought of as something to showcase the violist’s skill, despite that it does not always have the melody.

 

The piece also exists in a version for solo double bass, having been arranged by Norman Ludwin for Ludwin Music. An electronic version on aFairlight synthesizer was used in the soundtrack of the 1982 film “Liquid Sky“.

 

 

 

 

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Marais: Bells of St. Genevieve (Ralph Rousseau Meulenbroeks, viola da gambist)



“Sonnerie de Ste-Geneviève du Mont-de-Paris (“The Bells of St. Genevieve” in English) is a work by Marin Marais written in 1723 for viol, violin and harpsichord with basso continuo. It can be considered a passacaglia or a chaconne, with a repeating D, F, E bass line. Being a student of Monsieur de Sainte-Colombe, it is perhaps Marais’ most famous composition that explores the various techniques of the viol.
The work begins with 4 measures of the bass line played by the continuo and viol, then, on the 5th measure the violin takes over the melody. Throughout the piece, the violin and viol take turns with the melody.

The viol part is of great difficulty because of Marais’s mastery of that instrument. The centerpiece is not the melody, the violin, but the viol. His work can be thought of as something to showcase the violist‘s skill, despite that it does not always have the melody.”

http://en.wikipedia.org/wiki/Sonnerie…

This piece is performed by viola da gambist Ralph Rousseau Meulenbroeks. This and other albums by this artist can be downloaded at Magnatune.com.

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J.S. Bach – Brandenburg Concerto No.4 in sol-major BWV 1049


1. Allegro   00:00 
2. Andante  07:17
3. Presto  12:42

Johann Sebastian Bach (Eisenach, Thuringia, March 21. / March 31, 1685 – Leipzig, July 28, 1750) was an organist, harpsichordist and composer of Baroque music German member of a family of musicians most extraordinary of history, with more than 35 famous composers and many outstanding performers. 
His reputation as an organist and harpsichordist was legendary, famed throughout Europe. Apart from the organ and harpsichord, also played the violin and the viola da gamba as well as being the first great improviser renowned music. 
His prolific work is considered the pinnacle of Baroque music. He was distinguished for his intellectual depth, technical perfection and artistic beauty, and also for the synthesis of various international styles of his time and of the past and unparalleled extension. Bach is considered the last great master of the art of counterpoint, which is the source of inspiration and influence to later composers and musicians from Mozart through Schoenberg, until today.