Tag Archives: wilhelm kempff

great compositions/performances: Kempff plays Schubert Piano Sonata in B Major D575


Kempff plays Schubert Piano Sonata in B Major D575

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great compositions/performances: “Variations and Fugue on a Theme by Handel, Op.24” by Wilhelm Kempff


Johannes Brahms Variations and Fugue on a Theme by Handel, Op 24 W Kempff

Best Classical Music, Kempff plays Schubert Piano Sonata in B Major D575, great compositions/performances


 


Kempff plays Schubert Piano Sonata in B Major D575

 

Kempff – Brahms Capriccio op.116 no.3 in G minor


Kempff – Brahms Capriccio op.116 no.3 in G minor

Beethoven piano sonata no. 18, op. 31, in E flat major, Piano: Wilhelm Kempff , great compositions/performances


Beethoven piano sonata no. 18 op. 31 in E flat major

Beethoven “Moonlight” Sonata op 27 # 2 Mov 3 Valentina Lisitsa ,great compositions/performances


Beethoven “Moonlight” Sonata op 27 # 2 Mov 3 Valentina Lisitsa

Kempff plays Schubert Piano Sonata in A Major D664. great compositions/performances


Kempff plays Schubert Piano Sonata in A Major D664

12 Variations – L.V.Beethoven – ‘Le nozze di Figaro: se vuol ballare’ W.A. Mozart (Violin & Piano): great compositions/performances


12 Variations – L.V.Beethoven – ‘Le nozze di FigaroW.A. Mozart (Violin & Piano)

Great musical recordings: Brahms – Wilhelm Kempff 1950’s legacy (op. 10, 24, 76,79,116,117,118,119): Great compositions/performances


Brahms – Wilhelm Kempff 1950’s legacy (op. 10, 24, 76,79,116,117,118,119)

Kempff – Brahms Capriccio op.76 no.2 in B minor: great compositons/performances


Kempff – Brahms Capriccio op.76 no.2 in B minor

great compositions/performances:Kempff plays Schubert Piano Sonata in B Major D575


[youtube.com/watch?v=obkheDWz9_w]

Kempff plays Schubert Piano Sonata in B Major D575

Franz Schubert:
Piano Sonata in B Major D575:
Mvt.I: Allegro ma non troppo 00:00
Mvt.II: Andante 08:04
Mvt.III: Scherzo. Allegretto 13:49
Mvt.IV: Allegro giusto 19:25

Wilhelm Kempff: piano

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Great Compositions/Performances: Beethoven Piano Sonata No. 4, in E-flat major, Op. 7


[youtube.com/watch?v=F6032vFG7PQ]

Beethoven Piano Sonata No. 4, in E-flat major, Op. 7

Ludwig van Beethoven
Piano Sonata No. 4, in E-flat major, Op. 7
Wilhelm Kempff (piano)
in 1951

0:00 1st mov. Allegro molto e con brio
8:41 2nd mov. Largo, con gran espressione
16:31 3rd mov. Allegro
21:50 4th mov. Rondo: Poco allegretto e grazioso

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Great Compositions/Performances: Kempff plays Schubert Piano Sonata in A Major D664



Franz Schubert:
Piano Sonata in A Major D664:
Mvt.I: Allegro moderato 00:00
Mvt.II: Andante 10:41
Mvt.III: Allegro 15:14

Wilhelm Kempff: piano

From Wikipedia, the free encyclopedia

Wilhelm Walter Friedrich Kempff (25 November 1895 – 23 May 1991) was a German pianist and composer. Although his repertoire included BachMozartChopinSchumannLiszt and Brahms, Kempff was particularly well known for his interpretations of the music of Ludwig van Beethoven and Franz Schubert, by both of whom he recorded complete sets of their piano sonatas[1] [2]. He is considered to have been one of the chief exponents of the Germanic tradition during the 20th century.[3]

Early life

 

Kempff was born in JüterbogBrandenburg, in 1895.[1] He grew up in nearby Potsdam where his father was a royal music director and organist at St. Nicolai Church. His grandfather was also an organist and his brother Georg became director of church music at the University of Erlangen. Kempff studied music at first at the Berlin Hochschule für Musik at the age of nine after receiving lessons from his father at a younger age. Whilst there he studied composition with Robert Kahn and piano with Karl Heinrich Barth[1] (with whom Arthur Rubinstein also studied). In 1914 Kempff moved on to study at the Viktoria gymnasium in Potsdam before returning to Berlin to finish his training.[1]

 

As a pianist

 

In 1917, Kempff made his first major recital, consisting of predominantly major works, including Beethoven’s Hammerklavier Sonata and Brahms Variations on a theme of Paganini.[1] Kempff toured very widely in Europe and much of the rest of the world. Between 1936 and 1979 he performed ten times in Japan (a small Japanese island was named Kenpu-san in his honor)[citation needed]. Kempff made his first London appearance in 1951 and his first in New York in 1964. He gave his last public performance in Paris in 1981, and then retired for health reasons (Parkinson’s Disease). He died in PositanoItaly at the age of 95, five years after his wife, whom he had married in 1926. They were survived by five children.[1]

 

Wilhelm Kempff recorded over a period of some sixty years. His recorded legacy includes works of SchumannBrahmsSchubertMozartBachLisztChopin and particularly, of Beethoven.[1]

 

He was among the first to record the complete sonatas of Franz Schubert, long before these works became popular. He also recorded two sets of the complete Beethoven sonatas (and one early, almost complete set on shellac 1926-1945), one in mono (1951–1956) and the other in stereo (1964–1965). He recorded the complete Beethoven piano concertos twice as well, both with the Berlin Philharmonic; the first from the early 1950s in mono with Paul van Kempen, and the later in stereo from the early 1960s with Ferdinand Leitner. Kempff also recorded chamber music with Yehudi MenuhinPierre FournierWolfgang SchneiderhanPaul Grummer, and Henryk Szeryng, among others.

 

The pianist Alfred Brendel has written that Kempff “played on impulse… it depended on whether the right breeze, as with an aeolian harp, was blowing. You then would take something home that you never heard elsewhere.” (in Brendel’s book, The Veil of Order). He regards Kempff as the “most rhythmical” of his colleagues. Brendel helped choose the selections for Phillip’s “Great Pianists of the 20th Century” issue of Kempff recordings, and wrote in the notes that Kempff “achieves things that are beyond him” in his “unsurpassable” recording of Liszt’s first Legende, “St. Francis Preaching to the Birds.”

 

Kempff (right) with Ernest Ansermet (left) in 1965

 

When pianist Artur Schnabel undertook his pioneering complete recording of the Beethoven sonatas in the 1930s, he told EMI that if he didn’t complete the cycle, they should have Kempff complete the remainder – even though the two pianists took noticeably different approaches to the composer (for example, Schnabel preferred extremely fast or slow tempos, while Kempff preferred moderate ones). Later, when Kempff was in Finland, the composer Jean Sibelius asked him to play the slow movement of Beethoven’s 29th Sonata, the Hammerklavier; after Kempff finished, Sibelius told him, “You did not play that as a pianist but rather as a human being.”[4]

 

Technique

 

As a performer he stressed lyricism and spontaneity in music, particularly effective in intimate pieces or passages. He always strove for a singing, lyrical quality. He avoided extreme tempos and display for its own sake. He left recordings of most of his repertory, including the complete sonatas of Beethoven and Schubert. He performed to an advanced age, concertizing past his eightieth birthday. His association with the Berlin Philharmonic spanned over sixty years.

 

As a teacher

 

From 1924 to 1929, Kempff took over the direction of the Stuttgart College of Music as a successor of Max Pauer. In 1931, he was co-founder of the summer courses at Marmorpalais Potsdam. In 1957, Kempff founded Fondazione Orfeo (today: Kempff Kulturstiftung) in the south-Italian city Positano and held his first Beethoven interpretation masterclass at Casa Orfeo, which Kempff had built especially for this reason. He continued teaching there once a year until 1982. After his death in 1991,Gerhard Oppitz taught the courses from 1992-1994 until John O’Conor took over. Oppitz and O’Conor had both been outstanding participants of Kempff’s masterclasses and were personally closely connected with Wilhelm Kempff.

 

Other noted pianists to have studied with Kempff include Jörg DemusNorman ShetlerMitsuko UchidaPeter SchmalfussIdil Biret and Carmen Piazzini.

 

Composition

 

A lesser-known activity of Kempff was composing. He composed for almost every genre and used his own cadenzas for Beethoven’s Piano Concertos 1-4. His student Idil Biret has recorded a CD of his piano works. His second symphony premiered in 1929 at the Leipzig Gewandhaus by Wilhelm Furtwängler. He also prepared a number of Bach transcriptions, including the Siciliano from the Flute Sonata in E-flat major, that have been recorded by Kempff and others.

 

Recordings

 

Among many others:

 

  • Beethoven: Piano Sonatas Nos. 1, 12, 19, and 20 (DG LP 138 935; released 1965; recipient of Grand Prix du Disque)
  • Schubert: The Piano Sonatas (complete), (DG 463 766-2 (seven compact disks)) recordings made in 1965, ’67, ’68, ’70.

 

Autobiogra

 

  • Kempff, Wilhelm. Unter dem Zimbelstern: Jugenderinnerungen eines Pianisten [“Under the Cymbal Star: The Development of a Musician” (1951)]. Laaber: Laaber Verlag, 1978.

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Kempff plays Schubert Piano Sonata in A Minor D845, Op.42


The Piano Sonata in A minor, D. 845 (Op. 42) by Franz Schubert is a sonata for solo piano, composed in May 1825.

Piano Sonata in A Minor D845: 

I. Moderato, A minor 00:00

II. Andante poco moto, C major. (4 measures missing after measure 43) 8:06

III. Scherzo: Allegro vivace – Trio: Un poco più lento, A minor 17:13

IV. Rondo: Allegro vivace, A minor 23:58

The first movement is in sonata form though with ambiguity over the material in the development and the beginning of the recapitulation.[1]

The second movement is in variation form. Noted performers of the work in the 19th century included Hans von Bülow, who played the sonata in both Europe and the USA.[2]

Daniel Coren has discussed the nature of the recapitulation in the first movement of this sonata.[3]

Wilhelm Kempff: piano

 

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Beethoven “Moonlight” Sonata op 27 # 2 Mov 3 Valentina Lisitsa



Recording in Beethovensaal, Hannover Germany, Dec 2009. Wilhelm Kempff recorded Beethoven cycle in the very same hall.
Buy Moonlight Sonata DVD http://www.amazon.co.uk/Live-Royal-Al…

Valentina Lisitsa Live at the Royal Albert Hall
US iTunes – http://bit.ly/iTunesUSVal 
US Amazon – http://bit.ly/ValRAH

 

Valentina has uploaded a new video: Beethoven “Moonlight” Sonata op 27 # 2 Mov 3 Valentina Lisitsa



Recording in Beethovensaal, Hannover Germany, Dec 2009. Wilhelm Kempff recorded Beethoven cycle in the very same hall.
Buy Moonlight Sonata DVD http://www.amazon.co.uk/Live-Royal-Al…

Valentina Lisitsa Live at the Royal Albert Hall
US iTunes – http://bit.ly/iTunesUSVal 
US Amazon – http://bit.ly/ValRAH

 

Kempff – Brahms Capriccio op.76 no.1



Johannes Brahms, Capriccio in F sharp minor from Klavierstucke op.76.
Wilhelm Kempff, piano.
Recorded in 1953.