Mozart Concerto D Minor K466 Freiburger Mozart-Orchester, Michael Erren,Valentina Lisitsa
Les Petits Riens, K. App. 10/299b.
Concerto Köln, on period instruments. Directed by Anton Steck. Composed by W.A. Mozart (1756-91).
I. Ouverture: Allegro (0:00)
II. No. 9 Andantino (3:14)
III. No. 10 Allegro (4:24)
IV. No. 11 Larghetto (4:34)
V. No. 8 — * (5:49)
VI. No. 12 Gavotte: Allegro (7:53)
VII. No. 15 Gavotte gracieuse (9:14)
VIII. No. 16 Pantomime (10:07)
IX. No. 14 –* (11:58)
X. No. 18 Gavotte (13:34)
XI. No. 5 Agité* (16:58)
The String Quartet No. 19 in C Major, KV. 465 by Wolfgang Amadeus Mozart, nicknamed “Dissonance” on account of its unusual slow introduction, is perhaps the most famous of his quartets. It is the last in the set of six quartets composed between 1782-1785 that he dedicated to Joseph Haydn.
According to the catalog of works Mozart began early the preceding year, the quartet was completed on January 14, 1785. As is normal with Mozart’s later quartets, it is in four movements:
2. Andante cantabile – in F major
3. Menuetto. Allegro. (C major, trio in C minor)
4. Allegro molto
The first movement opens with ominous quiet Cs in the cello, joined successively by the viola (on A♭ moving to a G), the second violin (on E♭) and the first violin (on A), thus creating the “dissonance” itself and narrowly avoiding a greater one. This lack of harmony and fixed key continues throughout the slow introduction before resolving into the bright C major of the Allegro section of the first movement, which is in sonata form. Mozart goes on to use chromatic and whole tone scales to outline fourths. Arch shaped lines emphasizing fourths in the first violin (C – F – C) and the violoncello (G – C – C’ – G’) are combined with lines emphasizing fifths in the second violin and viola. Over the barline between the second and third measures of the example a fourth-suspension can be seen in the second violin’s tied C. In another of his string quartets, KV 464, such fourth-suspensions are also very prominent.
The second movement is in sonatina form, i.e. lacking the development section. Alfred Einstein writes of the coda of this movement that “the first violin openly expresses what seemed hidden beneath the conversational play of the subordinate theme.” The third movement is a minuet and trio, with the exuberant mood of the minuet darkening into the C minor of the trio. The last movement is also in sonata form.
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The Orchestral Suite No. 4, Op. 61, more commonly known as Mozartiana, is an orchestral suite by Pyotr Ilyich Tchaikovsky, written in 1887 as a tribute to Wolfgang Amadeus Mozart on the 100th anniversary of that composer’s opera Don Giovanni. Because this suite consists of four orchestrations of piano pieces by (or in one case, based on) Mozart, Tchaikovsky did not number this suite with his previous three suites for orchestra. Instead, he considered it a separate work entitled Mozartiana. Nevertheless, it is usually counted as No. 4 of his orchestral suites.
Tchaikovsky conducted the premiere himself, in Moscow in November 1887. It was the only one of his suites he conducted, and only the second at whose premiere he was present.
Pyotr Iliyich Tchaikovsky (May 7, 1840 — November 6, 1893) was a Russian composer of the Romantic era. His wide-ranging output includes symphonies, operas, ballets, instrumental, chamber music and songs. He wrote some of the most popular concert and theatrical music in the classical repertoire, including the ballets Swan Lake, The Sleeping Beauty and The Nutcracker, the 1812 Overture, his First Piano Concerto, his last three numbered symphonies, and the opera Eugene Onegin.
Born into a middle-class family, Tchaikovsky was educated for a career as a civil servant, despite his obvious musical precocity. He pursued a musical career against the wishes of his family, entering the Saint Petersburg Conservatory in 1862 and graduating in 1865. This formal, Western-oriented training set him apart from the contemporary nationalistic movement embodied by the influential group of young Russian composers known as The Five, with whom Tchaikovsky’s professional relationship was mixed.
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Mozart is considered one of the greatest composers of European classical music, having written an astonishing number of works in almost every musical genre during his short life. A child prodigy, he began composing music by the age of five and was touring and performing before royalty within a year. He later settled in Vienna, where he reached the height of his success. At the age of 35, he succumbed to an unknown illness that remains a source of speculation. What are some of the theories? More… Discuss