Tag Archives: wynton marsalis

Aaron Copland- Quiet City (Wynton Marsalis): great compositions/performances

Aaron Copland- Quiet City (Wynton Marsalis)

Schubert Symphony No 2 B flat major, D 125 / Maazel Bavarian RSO: make music part of your life series

Schubert Symphony No. 2, D125 B flat major Maazel Bavarian RSO

Great Performances: Wynton Marsalis – Johann Hummel Trumpet Concerto In Eb Major

As controversial as he is popular, Wynton Learson Marsalis is one of the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music.
Currently the Musical Director of Jazz at Lincoln Center Wynton Marsalis has received many awards for his musical proficiency. These awards run the gambit of Grammys to a controversial awarding of the Pulitzer Prize for Music for his three and half hour jazz oratorio CD box set Blood on the Fields, the first jazz album to win this award. Born in a musically oriented family in the New Orleans jazz scene at a young age Wynton was exposed to many legendary jazz musicians. Some of these musicians were Al Hirt, who gave Wynton his first trumpet when he was 6 years of age and Danny Barker, a legendary jazz banjoist who lead the Fairview Baptist Church band which Wynton was playing in when he was eight.
Wynton was very active musically during high school and was a member in many New Orleans musical organizations such as the N.O. symphony brass quintet, the N.O. community concert band, N.O. youth orchestra, N.O. symphony and a popular local funk band called the Creators.
In 1978 he had a two-year stay at the Juilliard School of Music before joining the Jazz Messengers to study under master drummer and bandleader, Art Blakey. Not long after that he toured with the Herbie Hancock quartet before forming his own band. After many concerts and workshops Wynton rekindled widespread interest in an art form that had been largely abandoned. He has invested his creative energy and status in being an advocate for a relatively small era in the history of jazz. His advocacy in this area has garnered much controversy for his “classicist” view of jazz history considering post-1965 avant-garde playing to be outside of jazz and 1970s fusion to be barren.
This viewpoint was promoted strongly in Ken Burns‘ documentary Jazz; a documentary Wynton was artistic director and co-producer. However despite his controversial views few disagree that his musical abilities in both jazz and classical music are high impressive and worthy of the high praise it often receives.

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Wynton Marsalis: The Seductress (Just a Thought: “the incommensurable measure of talent!”)

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Best “Boil ’em Cabbage Down” ever! – Mark O’Connor/Wynton Marsalis

Mark O’Connor Performs Boil ’em Cabbage Down with Wynton Marsalis at the Jazz Festival in Marciac, France – 2010.

For more information on Mark O’Connor, String Camps, The O’Connor Method, ensembles, repertoire, sheet music and more, please visit http://www.markoconnor.com

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Wynton Marsalis Haydn Trumpet Concerto Wynton Marsalis performs the Haydn Trumpet Concerto in E Flat major with the Boston Pops Orchestra, John Williams conducting

Wynton Marsalis performs the Haydn Trumpet Concert in E flat major with the Boston Pops Orchestra, John Williams conducting.

Smoke house blues-Wynton Marsalis a la Morton1994

Smokehouse Blues Marsalis 1994 

Jelly Roll Morton recorded the Smoke House Blues in 1926. It has always been a top classic piece of jazz. I hardly ever heard a band playing this tune or even trying. 
But here is this trumpet master Wynton Marsalis playing it 1994 with a select number of New Orleans musicians. 
On clarinet is Dr.Michael White and the pianist is Steve Pistorius. 
It is amazing how the band conquered the feeling of the original recording and still be able to give it its own spark. The musicians , even in their solos stay close to the original. plays All together very impressive and cleverly done.


Wynton Marsalis & Eric Clapton – Layla

Uploaded on Sep 11, 2011

After some talking to the audience by Clapton, which is very rare, the band play a fantastic New Orleans version of Clapton’s most famous song.
Recorded April 2011, Jazz at Lincoln Center, New York City.