Wonderland Soundtrack – Michael Nyman , great compositions/performances

Wonderland Soundtrack – Michael Nyman

João Guilherme Pereira de Miranda

 

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From Wikipedia, the free encyclopedia

 

Wonderland
design by Dave McKean
Soundtrack album by Michael Nyman
Released	August 30, 1999 (UK) September 6, 1999 (USA)
Recorded	March 15–17, 1999, Whitfield Street Studios, London
Genre	Soundtrack, Contemporary classical, Minimalist music
Length	41:43
Label	Virgin Venture
Producer	Michael Nyman
Michael Nyman chronology
Ravenous (1999) Wonderland (1999) The Commissar Vanishes (1999)

Wonderland is the 38th album release by British composer Michael Nyman and the soundtrack to the 1999 film Wonderland. It is the first of many collaborations of Nyman with director Michael Winterbottom. For Winterbottom, Nyman would later perform excerpts of this score in 9 Songs, provide a score for The Claim, and arrangements and re-used tracks for A Cock and Bull Story. Nyman’s daughter, Molly, has continued the family working relationship with Winterbottom, scoring The Road to Guantanamo with Harry Escott.

Nyman has said that the soundtrack to Wonderland is his favourite film score.^[1] The New York Times compared the score to that of Stewart Copeland for Rumble Fish and said that “the rhythms are like a clock ticking”^[2] and that it is “alternately plaintive and mournful”.^[3] The Guardian characterized it as “sumptuous, romantic”.^[4] Senses of Cinema said the music was “heart-wrenching, full of tragic qualities, yet also extremely light”.^[5]

Track listing

1. molly
2. eddie
3. nadia
4. dan
5. debbie
6. bill
7. eileen
8. jack
9. darren
10. unnamed
11. franklyn

Personnel

Michael Nyman Band

• Beverley Davison, violin
• Anthony Hinnigan, cello
• David Roach, soprano saxophone
• Andrew Findon, tenor baritone saxophone, flute
• David Lee, French horn
• Steve Sidwell, trumpet
• Nigel Barr, trombone
• Michael Nyman, piano, conducting

• produced by Michael Nyman

Adoration of the Magi. @BLMedieval Egerton 2125 f. 182v — Melibeus (@melibeus1): trei crai de la rasarit

Grupul psaltic Tronos-Trei crai de la rasarit.

bogdanbdl

From Wikipedia, the free encyclopedia

Adoration of the Magi, Hans Memling

The Adoration of the Magi (anglicized from the Matthean Vulgate Latin section title: A Magis adoratur) is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: “On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path”.

The church calendar, this event is commemorated in Western Christianity as the Feast of the Epiphany (January 6). The Orthodox Church commemorates the Adoration of the Magi on the Feast of the Nativity (December 25). Christian iconography has considerably expanded the bare account of the Biblical Magi given in the second chapter of the Gospel of Matthew (2:1–22) and used it to press the point that Jesus was recognized, from his earliest infancy, as king of the earth.

History of the depiction

Adoration of the Magi after Hieronymus Bosch

Adoration of the Magi by Bartolomé Esteban Murillo, 17th century

Dirk Bouts, 15th century

In the earliest depictions, the Magi are shown wearing Persian dress of trousers and Phrygian caps, usually in profile, advancing in step with their gifts held out before them. These images adapt Late Antique poses for barbarians submitting to an Emperor, and presenting golden wreaths, and indeed relate to images of tribute-bearers from various Mediterranean and ancient Near Eastern cultures going back many centuries. The earliest are from catacomb paintings and sarcophagus reliefs of the 4th century. Crowns are first seen in the 10th century, mostly in the West, where their dress had by that time lost any Oriental flavour in most cases.^[1] Later Byzantine images often show small pill-box like hats, whose significance is disputed. They are usually shown as the same age until about this period, but then the idea of depicting the three ages of man is introduced: a particularly beautiful example is seen on the façade of the cathedral of Orvieto. The scene was one of the most indispensable in cycles of the Life of the Virgin as well as the Life of Christ.

Occasionally from the 12th century, and very often in Northern Europe from the 15th, the Magi are also made to represent the three known parts of the world: Balthasar is very commonly cast as a young African or Moor, and old Caspar is given Oriental features or, more often, dress. Melchior represents Europe and middle age. From the 14th century onwards, large retinues are often shown, the gifts are contained in spectacular pieces of goldsmith work, and the Magi’s clothes are given increasing attention.^[1] By the 15th century, the Adoration of the Magi is often a bravura piece in which the artist can display their handling of complex, crowded scenes involving horses and camels, but also their rendering of varied textures: the silk, fur, jewels and gold of the Kings set against the wood of the stable, the straw of Jesus’s manger and the rough clothing of Joseph and the shepherds.

The scene often includes a fair diversity of animals as well: the ox and ass from the Nativity scene are usually there, but also the horses, camels, dogs, and falcons of the kings and their retinue, and sometimes other animals, such as birds in the rafters of the stable. From the 15th century onwards, the Adoration of the Magi is quite often conflated with the Adoration of the Shepherds from the account in the Gospel of Luke (2:8–20), an opportunity to bring in yet more human and animal diversity; in some compositions (triptychs for example), the two scenes are contrasted or set as pendants to the central scene, usually a Nativity.

The “adoration” of the Magi at the crib is the usual subject, but their arrival, called the “Procession of the Magi”, is often shown in the distant background of a Nativity scene, or as a separate subject. Other subjects include the Journey of the Magi, where they and perhaps their retinue are the only figures, and relatively uncommon scenes of their meeting with Herod and the Dream of the Magi.

The usefulness of the subject to the Church and the technical challenges involved in representing it have made the Adoration of the Magi a favorite subject of Christian art: chiefly painting, but also sculpture and even music (as in Gian-Carlo Menotti‘s opera Amahl and the Night Visitors). The subject matter is also found in stained glass. The first figural stained glass window made in the United States is the “Adoration of the Magi” window located at Christ Church, Pelham, New York and designed in 1843 by the founder and first rector’s son, William Jay Bolton.

 

Adoration of the Magi by Fra Angelico and Filippo Lippi. (Photo credit: Wikipedia)

The Adoration of the Magi, tapestry, wool and silk on cotton warp, 101 1/8 x 151 1/4 inches (258 x 384 cm.), Manchester Metropolitan University (Photo credit: Wikipedia)

The Adoration of the Magi (circa 1305) by Giotto, purportedly depicting Halley. (Photo credit: Wikipedia)

The Adoration of the Magi (Photo credit: Wikipedia)

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” Pastorales de Noël ” La vierge et l’enfant d’André JOLIVET Par Elles Trio: make music part of your life series -_- Happy Christmas from EUZICASA

” Pastorales de Noël ” La vierge et l’enfant d’André JOLIVET

Elles Trio

” Pastorales de Noël ” La vierge er l’enfant d’André JOLIVET

Par Elles Trio

Isabelle MENEISSIER
Orianne BAUD – GIROUD
Doriane CHEMINAIS

Madrigal – Mos Craciun cu plete dalbe & Buna dimineata la Mos Ajun

Intercont Music

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Corul National de Camera Madrigal

(Podoleanu, I.D. Chirescu)

Dirijor si fondator al Corului National de Camera Madrigal: Marin Constantin
Maestri corepetitori: Adriana Terzi, Lucian Bonifaciu
Ingineri de sunet: George Nemeznic, Viorel Dobre
Editor coordonator: Cezara Dorobantu

Extras de pe albumul: Colinde de Craciun si cantece sacre

(c)&(p) 2001 Intercont Music
Toate drepturile producătorilor și ale autorilor sunt rezervate.

word: vacuous

vacuous

Definition:	(adjective) Devoid of intelligence.
Synonyms:	asinine, fatuous, inane, mindless
Usage:	The interviewer could tell by the candidate’s vacuous comments that he was not qualified for the position. Discuss.

this pressed for your right to know: Pakistan makes arrests in Taliban school carnage – Yahoo News

Pakistan makes arrests in Taliban school carnage

Associated Press

By ZARAR KHAN 1 hour ago

ISLAMABAD (AP) — Authorities made several arrests in the case of the Taliban school attack that killed 148 in the northwestern city of Peshawar, on Sunday, officials said.

“Quite a few suspects who were facilitators in one way or the other have been taken into custody,” Interior Minister Chaudhry Nisar Ali Khan said, adding that the interrogations were “moving ahead in a positive manner.” He did not disclose their identities or say how many they were.

Seven Taliban gunmen wearing explosives belts stunned the world on Tuesday by storming into the military run school and slaughtering 148 people, including 132 students. Another nearly 121 students were wounded in the ensuing eight-hour siege of the school, located in an area where many military families live.

via Pakistan makes arrests in Taliban school carnage – Yahoo News.