– Schumann: Études Symphoniques Op. 13 [Emil Gilels, piano]
***Franz Schubert: Symphony No.2 in B-flat major, D.125 (1815)
The second movement is a theme with five variations in E flat major. Although there is some variation in the melody, the primary focus of the variations are on instrumentation and tone color. The first variation features violins and winds. The second variation passes the theme between the low strings and the woodwinds. The third variation is again violins and winds. The fourth variation is in C minor and features some acceleration with the use triplet-sixteenth notes. The fifth variation maintains the triplet-sixteenths, but they move into the background with the melody returning close to its original form as a kind of recapitulation. A coda concludes the movement.
The minuet is in C minor and mainly scored for the tutti and fortissimo. The contrasting Trio in E flat major is more thinly scored winds, violins and pizzicato bass. The melody of the trio is actually a variation of the theme used in the second movement forming a melodic and harmonic (E-flat/C minor) link is made between the inner two movements.
The finale is a galop in fast 2/4 time.
***From Wikipedia, the free encyclopedia:
***Painting: Wanderer in the Storm, Karl Julius von Leypold
Franz Schubert： Quartettsatz in C-moll, D. 703
The Quartettsatz in C-moll (English: Quartet Movement in C minor), D. 703 was composed by Franz Schubert in December 1820. It is the first movement, of a Twelfth String Quartet which Schubert never completed. In addition to the opening movement, Schubert also composed the first forty bars of a second movement marked Andante. The unfinished quartet is regarded as one of the first products of Schubert’s mature phase of composition.
The composition consists of a single sonata form movement marked Allego assai and typical performances last around 10 minutes.
Antonín Dvořák：String Quartet No.14, Op.105
I. Adagio ma non troppo—Allegro appassionato
II. Molto vivace
III. Lento e molto cantabile
IV. Finale. Allegro non tanto
Weigang Li, violin
Yi-Wen Jiang, violin
Honggang Li, viola
Nicholas Tzavaras, cello
Filmed and edited by Rodney Leinberger
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Along with the Impromptus, they are among the most frequently played of all Schubert’s piano music, and have been recorded many times. No. 3 in F minor has been arranged by Leopold Godowsky and others.
They were published by Leidesdorf in Vienna in 1828, under the title “Six Momens [sic] musicals [sic]”. The correct French forms are now usually used – moments (instead of momens), and musicaux (instead of musicals). The sixth number was published in 1824 in a Christmas album under the title Les plaintes d’un troubadour.
European Journey – The pulse of Europe: Austria
Slovenian Philharmonic String Quartet with guests
Oliver Dizdarević Škrabar – solo violin
Žiga Faganel – violin
Irina Kevorkova – violin
Maja Rome – viola
Gordana Keller Petrej – cello
Petar Brčarević – double bass
Slovenian Philharmonic – The Slavko Osterc Hall
September 23, 2012
The Symphony No. 4 in C minor, D. 417, commonly called the Tragic (German: Tragische), was composed by Franz Schubert in April 1816. It was completed one year after the Third Symphony, when Schubert was 19 years old. However, the work was premiered only on November 19, 1849, in Leipzig, more than two decades after Schubert’s death.
The title Tragic is Schubert’s own. It was added to the autograph manuscript some time after the work was completed. It is not known exactly why he added the title, but the work is one of only two symphonies (the Unfinished Symphony is the other) which Schubert wrote in a minor key.