St-Paul’s Suite, op. 29, no. 2 – Gustav Holst
1. Jig – Vivace
2. Ostinato – Presto
3. Intermezzo – Andante con moto
4. Finale (“The Dargason”) – Allegro
L’Orchestre de Chambre Lakeshore Chamber Orchestra
Stewart Grant, directeur musical et chef attitré, Music Director and Conductor
Concert aimez-vous Brahms?
26 Nov 2011
Église Valois United Church
Gustav Holst, circa 1921 (photograph by Herbert Lambert)
Gustav Theodore Holst (born Gustavus Theodore von Holst: 21 September 1874 – 25 May 1934) was an English composer, arranger and teacher. Best known for his orchestral suite The Planets, he composed a large number of works across a range of genres, although none achieved comparable success. His distinctive compositional style was the product of many influences, including the English folksong revival of the early 20th century.
There were professional musicians in the previous three generations of Holst’s family, and it was clear from his early years that he would follow the same calling. He hoped to become a pianist, but was prevented by neuritis in his right arm. Despite his father’s reservations, he pursued a career as a composer, studying at the Royal College of Music under Charles Villiers Stanford. Unable to support himself by his compositions, he played the trombone professionally, and later became a teacher—a great one, according to his colleague Ralph Vaughan Williams. Among other teaching activities he built up a strong tradition of performance at Morley College, where he served as musical director from 1907 until 1924. He was the founder of a series of Whitsun music festivals, which ran from 1916 for the remainder of his life. Holst’s works were played frequently in the early years of the 20th century, but it was not until the international success of The Planets in the years immediately after the First World War that he became a well-known figure. A shy man, he did not welcome this fame, and preferred to be left in peace to compose and teach.
In his later years his uncompromising, personal style of composition struck many music lovers as too austere, and his brief popularity declined. Nevertheless, he was a significant influence on a number of younger English composers, includingEdmund Rubbra, Michael Tippett and Benjamin Britten. Apart from The Planets and a handful of other works, his music was generally neglected until the 1980s, since when recordings of much of his output have been available.
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