Pyotr Tchaikovsky – String Quartet No 1 in D Major, op.11
Valentin Dmitriev
CONCERT HALL OF THE MARIINSKY THEATRE
(Sunday, 11 November 2012)
The State Borodin Quartet:
Ruben Aharonian – violin
Sergei Lomovsky – violin
Igor Naidin – viola
Vladimir Balshin – cello
Pyotr Tchaikovsky
String Quartet No 1 in D Major, op.11:
I Moderato e semplice
II Andante cantabile
III Scherzo. Allegro non tanto e con fuoco — Trio
IV Finale. Allegro giusto — Allegro vivace
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The String Quartet No. 1 in D major, Opus 11, was Pyotr Ilyich Tchaikovsky‘s first completed string quartet of three string quartets, published during his lifetime. (An earlier attempt had been abandoned after the first movement had been completed.[1]) Composed in February 1871, it was premiered in Moscow on 16/28 March 1871 by four members of the Russian Musical Society: Ferdinand Laub and Ludvig Minkus, violins; Pryanishnikov, viola; and Wilhelm Fitzenhagen, cello.
The quartet has four movements:
- Moderato e semplice (D major)
- Andante cantabile (B♭ major)
- Scherzo. Allegro non tanto e con fuoco – Trio (D minor)
- Finale. Allegro giusto – Allegro vivace (D major)
The melancholic Andante cantabile movement, which has become famous in its own right, was based on a folk song the composer heard at his sister’s house at Kamenka [3] [4] whistled by a house painter.[citation needed] When the quartet was performed at a tribute concert for Leo Tolstoy, the author was said to have been brought to tears by this movement. “…Tolstoy, sitting next to me and listening to the Andante of my First Quartet, burst into tears” [5] [6]
When the Zoellner Quartet, at her request, performed the second movement for Helen Keller, who rested her fingertips on a resonant tabletop to sense the vibrations, she, too, reacted strongly.[7]
Since the time of the composer, the Andante cantabile movement has frequently been performed in arrangements for string orchestra. The melody from the 2nd theme of the Andante cantabile, in D-flat major, was also used as the basis for the popular song “On the Isle of May”, popularized by Connee Boswell in 1940.
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