The Amsterdam Baroque Choir
The Amsterdam Baroque Orchestra
Ton Koopman
The Easter Oratorio (in German: Oster-Oratorium), BWV 249, is an oratorio by Johann Sebastian Bach, Kommt, eilet und laufet (Come, hasten and run). Bach composed it in Leipzig and first performed it on 1 April 1725.
BWV 249 Composition byJohann Sebastian Bach |
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Thomaskirche, Leipzig |
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Title | Easter Oratorio |
Original | Kommt, eilet und laufet |
BWV | 249 |
Related | based on BWV 249a |
Genre | oratorio |
Occasion | Easter |
Performed | 1 April 1725 – Leipzig |
Movements | 11 |
Text poet | Picander? |
Scoring | |
Solo voices | S A T B |
Choir | SATB |
Instruments | 3Tr Ti 2Fl Ft 2 |
The first version of the work was completed as a cantata for Easter Sunday in Leipzig on 1 April 1725, then under the titleKommt, gehet und eilet.[1] It was named “oratorio” and given the new title only in a version revised in 1735. In a later version in the 1740s the third movement was expanded from a duet to a four-part chorus.[1] The work is based on a secular cantata, the so-called Shepherd Cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a which is now lost, although thelibretto survives. Its author is Picander who is also likely the author of the oratorio’s text. The work is opened by two instrumental movements that are probably taken from a concerto of the Köthen period. It seems possible that the third movement is based on the concerto’s finale.[1]
o. | First line | ||
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1 | Sinfonia | ||
2 | Adagio | ||
3 | Aria | tenor, bass | Kommt, eilet und laufet |
4 | Recitativo | soprano, alto, tenor, bass | O kalter Männer Sinn |
5 | Aria | soprano | Seele, deine Spezereien |
6 | Recitativo | alto, tenor, bass | Hier ist die Gruft |
7 | Aria | tenor | Sanfte soll mein Todeskummer |
8 | Recitativo | soprano, alto | Indessen seufzen wir |
9 | Aria | alto | Saget, saget mir geschwinde |
10 | Recitativo | bass | Wir sind erfreut |
11 | Chorus | SATB | Preis und Dank |
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