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Itzhak Perlman – J. Massenet “Thais” Meditation: great compositions/performances


Itzhak Perlman – J. Massenet “Thais” Meditation

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Jules MassenetThaïs” Meditation
Itzhak Perlman – Violin
Lawrence Foster – Conductor
The Abbey Road Ensemble
Photography and filming by myself at Praia da Rocha, Algarve, Portugal

Méditation (Thaïs)
Méditation is a symphonic intermezzo from the opera Thaïs by French composer Jules Massenet. The piece is written for solo violin and orchestra. The opera was first premiered at the Opéra Garnier in Paris on March 16, 1894.

The Méditation is a symphonic entr’acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to convince her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.

The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante Religioso, signifying his intention that it should be played religiously and at walking tempo. The piece opens with a short introduction by the harps, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the orchestra while playing harmonics on the upper register as the harps and strings quietly play below the solo line.

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make music part of your life series: Fantasy for Cello & Orchestra by Jules Massenet


Fantasy for Cello & Orchestra by Jules Massenet

I. Animé
II. Modéré [09:14]
III. Animé [12:11]

From Wikipedia, the free encyclopedia
 

Jules Massenet

Jules Émile Frédéric Massenet (French: [ʒyl emil fʁedeʁik masnɛ]; 12 May 1842 – 13 August 1912) was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet’s style went out of fashion, and many of his operas fell into almost total oblivion. Apart from Manon and Werther, his works were rarely performed. However, since the mid-1970s, many operas of his such as Thaïs and Esclarmonde have undergone periodic revivals.

Biography

Massenet was born in Montaud, then an outlying hamlet and now a part of the city of Saint-Étienne, in the Loire. When he was six, his family moved to Paris due to his father’s ill-health. There his mother (Adélaïde Massenet, née Royer; her husband’s second wife) started taking piano pupils. She also taught Jules so well that at the age of 11 he became a pupil of Adolphe-François Laurent (piano), Henri Reber (harmony) and Ambroise Thomas (counterpoint) at the Conservatoire de Paris.[