Amadeus Mozart, Così fan tutte, K.588, Overture|John Eliot Gardiner conducting The English Baroque Soloists ,great compositions/performances

Così fan tutte, K.588, Overture

Amadeus Mozart

John Eliot Gardiner conducting The English Baroque Soloists:

Così fan tutte, ossia La scuola degli amanti (Thus Do They All, or The School For Lovers) K. 588, is an opera buffa by Wolfgang Amadeus Mozart. The libretto was written by Lorenzo da Ponte.

Così fan tutte (often shortened to Così in the English-speaking world) is one of the three Mozart operas for which da Ponte wrote the libretto. The other two da Ponte-Mozart collaborations were Le nozze di Figaro and Don Giovanni.

Così was written and composed at the suggestion of the Emperor Joseph II. The libretto was originally intended to be set to music by Mozart’s contemporary Antonio Salieri but Salieri only completed parts of the first act and then broke off work on the opera.

The title, Così fan tutte, literally means “Thus do all [women]” but it is often translated as “Women are like that”.
The first performance of Mozart’s setting took place at the Burgtheater in Vienna on January 26, 1790.

Synopsis
Mozart and Da Ponte took as a theme “fiancée swapping” which dates back to the 13th century, with notable earlier versions being those of Boccaccio’s Decameron and Shakespeare’s play Cymbeline. Elements from Shakespeare’s The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid’s Metamorphoses, vii.

The two officers Ferrando and Guilelmo are in a coffehouse raving about their brides, the two sisters Dorabella and Fiordiligi. Their skeptical friend Don Alfonso, as old philosopher, expresses his doubt concerning the women’s fidelity, immediately provoking such indignation on the part of the young men that they challenge him to a duel.

Wolfgang Amadeus Mozart: Flute Quartet #4 in A K 298

The Flute Quartet No. 4 in A major, K. 298, by Wolfgang Amadeus Mozart is Mozart’s final composition for flute quartet. Unlike the previous three quartets, written for the flutist Ferdinand De Jean, the Quartet in A is believed to have been written for recreational purposes, as opposed to on commission. The low Köchel number is misleading. The work is thought to have been written sometime in 1786 or 1787, only a few years before the composer’s death.
It is in three movements:
1. Andante, Theme and variations
2. Menuetto, D major, 3/4
3. Rondeau: [Allegretto grazioso], 2/4
The third movement is notable for its almost humorously detailed tempo indication: “Rondieaoux: Allegretto grazioso, ma non troppo presto, pero non troppo adagio. Così-così—non molto garbo ed espressione” (or, translated, “A joke rondo: Allegretto grazioso, but not too fast, nor too slow. So-so—with great elegance and expression”).
A typical performance lasts about 11 minutes.
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Mozart – Flute Quartet No. 4 in A, K. 298

Mozart – Flute Quartet No. 4 in A, K. 298

The Flute Quartet No. 4 in A major, K. 298, by Wolfgang Amadeus Mozart is Mozart’s final composition for flute quartet. Unlike the previous three quartets, written for the flutist Ferdinand De Jean, the Quartet in A is believed to have been written for recreational purposes, as opposed to on commission. The low Köchel number is misleading. The work is thought to have been written sometime in 1786 or 1787, only a few years before the composer’s death.
It is in three movements:
1. Andante, Theme and variations
2. Menuetto, D major, 3/4
3. Rondeau: [Allegretto grazioso], 2/4
The third movement is notable for its almost humorously detailed tempo indication: “Rondieaoux: Allegretto grazioso, ma non troppo presto, pero non troppo adagio. Così-così—non molto garbo ed espressione” (or, translated, “A joke rondo: Allegretto grazioso, but not too fast, nor too slow. So-so—with great elegance and expression”).
A typical performance lasts about 11 minutes.